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A delightful illustrated history of the umbrella—protector against rain and sun, weapon, and fashion accessory Culturally ubiquitous and multi-functional, the umbrella comes in many colors, shapes, and sizes, and its significance in different forms and throughout time is explored here. Its use in the ancient cultures of Egypt is discussed, where it was often made of palm leaves and colored feathers, denoted rank, and even had a religious significance. The place of umbrellas in Roman times is also explained, where it was commonly used by women of fashion—and supposedly by effeminate men to defend themselves. This entertaining history also covers the Edwardian times, the Duke of Wellington, London stockbrokers, and the KGB.
A fun, illustrated history of the umbrella's surprising place in life and literature Humans have been making, using, perfecting, and decorating umbrellas for millennia--holding them over the heads of rulers, signalling class distinctions, and exploring their full imaginative potential in folk tales and novels. In the spirit of the best literary gift books, Brolliology is a beautifully designed and illustrated tour through literature and history. It surprises us with the crucial role that the oft-overlooked umbrella has played over centuries--and not just in keeping us dry. Marion Rankine elevates umbrellas to their rightful place as an object worthy of philosophical inquiry. As Rankine points out, many others have tried. Derrida sought to find the meaning (or lack thereof) behind an umbrella mentioned in Nietzsche's notes, Robert Louis Stevenson wrote essays on the handy object, and Dickens used umbrellas as a narrative device for just about everything. She tackles the gender, class, and social connotations of carrying an umbrella and helps us realize our deep connection to this most forgettable everyday object--which we only think of when we don't have one.
The Annual of Psychoanalysis, V. 29 by Jerome A. Winer,James W. Anderson Pdf
Sigmund Freud and His Impact on the Modern World, volume 29 of The Annual of Psychoanalysis, is a comprehensive reassessment of the influence of Sigmund Freud. Intended as an unofficial companion volume to the Library of Congress's exhibit, "Sigmund Freud: Conflict and Culture," it ponders Freud's influence in the context of contemporary scientific, psychotherapeutic, and academic landscapes. Beginning with James Anderson's biographical remarks, which are geared specifically to the objects on display in the Library of Congress exhibit, and Roy Grinker Jr.'s more personal view of Freud, the volume branches out in various directions in an effort to comprehend the multidimensional and multidisciplinary richness of Freud's contribution. In section II, we find authoritative summaries of Freud's scientific contributions, of his continuing impact as a thinker, of his notion of symbolization in the context of recent neuroscientific findings, and of his status as a "cultural subversive". In section III, contributors hone in on more specific aspects of Freud's legacy, such as an experimental method to review how Freud's idea of childhood sexuality has fared and a look at the women who became analysts in the United States. In the concluding section of the volume, contributors turn to Freud's influence in various humanistic disciplines: literature, drama, religious studies, the human sciences, the visual arts, and cinema. With this scholarly yet highly accessible compilation, the Chicago Institute provides another service to its own community and to the wider reading public. Sure to enhance the experience of all those attending "Sigmund Freud: Conflict and Culture," Sigmund Freud and His Impact on the Modern World will appeal to anyone desirous of an up-to-date overview of the man whose work shaped the psychological sensibility of the century just past and promises to reverberate throughout the century just born.
Continuing in the exuberant tradition of Six of One, Bingo, and Loose Lips, New York Times bestselling author Rita Mae Brown returns to her much-loved fictional hamlet of Runnymede, whose memorable citizens are welcoming both the end of the Great War and the beginning of a new era. The night a riot breaks out at the Capitol Theater movie house—during a Mary Pickford picture, no less—you can bet that the Hunsenmeir sisters, Louise and Julia, are nearby. Known locally as Wheezie and Juts, the inimitable, irrepressible, distinctly freethinking sisters and their delightful circle of friends are coming of age in a shifting world—and are determined to understand their place in it. Across town, the well-to-do Chalfonte siblings are preparing for the upcoming wedding of brother Curtis. But for youngest sister Celeste, the celebration brings about a change she never expected and a lesson about love she’ll not soon forget. Set against the backdrop of America emerging from World War I, Cakewalk is an outrageous and affecting novel about a small town where ideas of sin and virtue, love and sex, men and women, politics and religion, can be as divided as the Mason-Dixon Line that runs right through it—and where there’s no problem that can’t be cured by a good yarn and an even better scotch. With her signature Southern voice, Rita Mae Brown deftly weaves generations of family stories into a spirited patchwork quilt of not-so-simple but joyously rich life. Praise for Cakewalk “[Cakewalk] is brimming over with [Rita Mae Brown’s] distinctive Southern voice that infuses every page with merriment, which allows her vibrant characters to take over the story and touch readers’ hearts. Her depictions of the inhabitants and the era are pitch-perfect as are the many subplots. Readers will feel as if they are living in Runnymede; running around with the teenagers, eavesdropping on the matrons planning the annual cakewalk and hiding in the closet of the wealthy families. An utterly delightful story.”—RT Book Reviews “Brown has said that the Runnymede novels, starting with Six of One, are the ones she was born to write. . . . This is more loving domestic comedy of small-town life when times were simpler. Recommended for fans of Brown and beyond.”—Library Journal “A delightful romp through small-town America, with all of its gossips and laughs, passions and rivalries, and through it all the importance of the thread of family.”—Historical Novels Review “A feel-good novel told by an expert storyteller who delights in creating colorful and quirky characters.”—Shelf Awareness “Two independent and free-thinking sisters, Louise and Julia Hunsenmeir (called Wheezie and Juts), push against the old-fashioned ways of drinking, dancing, and courting. . . . Characters were inspired by Brown’s own mother and sister, adding realism and depth to this uplifting story. Fans of Amy Hill Heath and Mary Kay Andrews will eat up this multigenerational ‘slice-of-life’ novel.”—Booklist “There seems to be no end to [Rita Mae Brown’s] imagination, inventiveness, or storytelling artistry. . . . What is [Cakewalk] about? Life, love, baseball, war, peace, good whiskey, fashion, sex, religion, friendship–all in a rollicking and lively story that just keeps rolling along at a brisk pace. Ms. Brown paints such vivid scenes. . . . [Cakewalk is] entertaining, outrageous, thought-provoking, nostalgic, and great fun.”—My Merri Way
"I ask for your pardon. Even now, I hesitate to put pen to paper. During my years chronicling the many amazing adventures of Sherlock Holmes, I have never doubted their veracity. But this time, were it not for the results of my own feeble efforts at detection, I would wholly attribute the events described as phantasms of a fevered dream suffered by Holmes or one of his more elaborate jests. Flipping through my notes from that day leaves me perplexed. Was any of it real? That is for you, the reader, to decide." - J. Watson On concluding a long day of house calls, Dr. Watson receives an urgent summons to attend his friend, Sherlock Holmes. He arrives at 221B Baker Street to find Holmes in a state of deep shock and wearing scorched clothing that reeks of excrement. Fearing his friend may have been exposed to a virulent contagion, Watson must race against time to retrace Holmes' movements and discover the source of his debility, a race that leads him to a cesspit amid the ruins of a fire-gutted warehouse, and a mysterious unburned area amid the charred timbers. Back in his apartment, a convalescing Holmes unravels the mystery by relating his encounter in the riverside warehouse with a time traveler, who recounts his amazing exploits in the world's far future. After promising to contact Holmes in two years, the Time Traveler attempts to return to his own time, but his time machine malfunctions, resulting in a fire that eliminates all evidence of his existence. Dazed and in deep shock, Holmes manages to escape the flames and make his way back to his lodgings. While Holmes' recounting of the Time Traveler's adventures at first astonish and excite Watson, the stream of strange events?the Eloi, the Morlocks, the Palace of Green Porcelain, world-wide cataclysms, and a far-flung future devoid of human life?make him doubt the story. With the lack of physical evidence and only Holmes' account of what transpired, Watson?hounded by demons from his own troubled past?must determine if Holmes met an actual time traveler, or if the related events are a fabrication of Holmes' fevered imagination. A Question of Time pays homage to three great Victorian characters of literary fiction: Sir Arthur Conan Doyle's Sherlock Holmes and Dr. James Watson-with a sly aside to a nefarious criminal-and the Time Traveler of H.G. Wells' The Time Machine.
1868 Ottawa D’Arcy McGee is assassinated. As John A. Macdonald cradles his friend’s bloody head, he blames transplanted Irish terrorists: the Fenian Brotherhood. Within a day, Patrick James Whelan is arrested. After a show trial, Whelan is publicly hanged. That much is history. Did Whelan do the deed? What if Clara Swift, a mere slip of a girl, sees the trace-line of a buggy turn off Sparks Street, moments after the murder? What if housemaid Clara understands her dead mentor’s shorthand, and forges an unlikely alliance with the Prime Minister’s investigator? And ends up being trusted by the condemned man’s wife — and by Lady Agnes Macdonald . . . Celtic Knot. It’s reimagining a crisis that tested a nation. It’s history with a mystery. It’s A Clara Swift Tale. And it all begins with a shot in the dark.
Their world assaulted by an extradimensional invasion of life-devouring Shadow, Yip and his companions must find a way to halt the incursion before the Cabal and their loathsome allies drain the living energies of their planet, destroying all life and potential on Ea’ae. Aided by Aroganji the Fang Shi, master of the elements of change, Wrindanneth Priest of Maeth Onai, wielder of divine and arcane magics, and Slate the Dwarven axe-wielding Bor’Banna, imbued by the powers of the All-Father’s first forge, Yip ventures to Taerris’thule, the City of the Fallen Gods, in an effort to restore the seal of Eldre’gheu, one of the fourteen seals protecting Ea’ae from extraplanar intrusion. Shadow’s Descent is the second book of the Chronicles of the Fists, an epic fantasy trilogy recounting Yip and his friends’ adventures against the forces of Darkness.
Riffling through the wardrobes of years gone by, costume historian Lucy Adlington reveals the rich stories underlying the clothes we wear in this stylish tour of the most important developments in the history of fashion, from ancient times to the present day. Starting with underwear – did you know Elizabeth I owned just one pair of drawers, worn only after her death? – she moves garment by garment through Western attire, exploring both the items we still wear every day and those that have gone the way of the dodo (sugared petticoats, farthingales and spatterdashers to name but a few). Beautifully illustrated throughout, and crammed with fascinating and eminently quotable facts, Stitches in Time shows how the way we dress is inextricably bound up with considerations of aesthetics, sex, gender, class and lifestyle – and offers us the chance to truly appreciate the extraordinary qualities of these, our most ordinary possessions.
"Embark on a poignant and reflective journey through the landscapes of war-torn Europe with Kathleen Burke in 'The White Road to Verdun.' Penned in the early 20th century, this memoir is a heartfelt account of Burke's experiences as a nurse during World War I, particularly focusing on the battlefields around Verdun. As Burke vividly recounts her time on the front lines, readers are transported to the heart of the conflict, where the white roads of Verdun bore witness to the courage and sacrifice of those who served. The narrative unfolds tales of compassion, resilience, and the indomitable spirit of the human soul amidst the ravages of war. More than a war memoir, 'The White Road to Verdun' is a testament to the dedication of nurses and the enduring impact of war on both individuals and landscapes. Join Burke on this literary expedition where each page unveils a new layer of the human experience in the midst of war, making it an essential read for those captivated by tales of wartime resilience and compassion."
Cardinal in the Eastern White Cedar by Roo Borson Pdf
A captivating and poignant new collection of poetry from Griffin Poetry Prize winner Roo Borson that probes some of our most important questions. After Roo Borson's two previous collections -- Short Journey Upriver Toward Oishida and Rain; road; an open boat -- set the seasons in motion, focusing the poet's mind on time, mortality, transience, and absence, Cardinal in the Eastern White Cedar arrives to complete the triptych. From the glittering, classically rendered image to a freighted, lucid, narrative line, Borson's voice can shift and refract while holding true to the momentary facts of the shifting, given world. Her meditations are a kind of fidelity to inquiry, to attachment, to what can't be fully known. Here the distant past collides with the near future, the present opens suddenly into another age, and friendship becomes the measure of time's salience. These poems depict what vanishes, the various modest homes where half-remembered lives all flow toward their common end. Roo Borson has crowned a sustained achievement with a work of startling intimacy and vividness.
On holiday in Saltbottle, Grandfather and Roo discover the Unsinkable, the boat which took them to the North Pole in the first book, lying in a sadly dilapidated state and up for sale. At the auction, the short-sighted auctioneer accidentally sellsthe boat to Roo - sold to the old lady in the brown fur coat! Now they have to find the money and the Captain suggests a fishing trip to the Great Cod Banks in the Forgotten Sea. Off they go, but the trip ends in disaster when the boat sinks and Grandfather and Roo are cast away on a desert island. They find their own Man Friday (called Tuesday) but he turns out to be a film director staying in a luxury hotel. Meanwhile, the Captain has found the treasure and rescued the Unsinkable.
Continuing the story where Joel: Escape from Abuse ended; several months have passed since Crane Johnson adopted five abused boys. They have settled into a somewhat normal family, if you can call a thirty year-old bachelor raising five active boys, ages 6 to 13, as normal. Aserious, life-threatening illness strikes Joel. Crane strives to maintain the family unit, care for his sick son and run the consulting business he owns in San Antonio. The family has to temporarily relocate to Houston while Joel is in the hospital. The glue that holds the family together is their housekeeper and surrogate grandmother for the boys, Hildy. Along the way, other children in need cross the family's path and are helped to a better life. Crane's wealth allows him to solve most of the difficulties that come his way. The one exception is his social life. He is frustrated at every turn by family or business obligations. A near disaster happens when the family returns to San Antonio upon Joel's release from the hospital. The private jet Crane has chartered is forced to make an emergency landing. Each difficulty the family encounters strengthens the bonds the hold the family together.
Born Stateless is a book of memories crisp in detail and depth of feeling. Konstantin Balabushkins young life in Japan bridged the two worlds of east and west with apparent ease. His safe and sheltered childhood vanished with the eruption of Second World War while he attended college in Shanghai waiting for his visa to study in the United States. He and other stateless people, including Russian nobles with whom he lived, became trapped in history with no way out. The war, the defeat and reinvention of Japan and the reinvention of Konstantin Balabushkin, as Kon Balin,bring to the reader a first hand account of suffering and survival. It is a young mans tale, a very lucky young man, who lived through a time that profoundly changed the world.
