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Untrodden Regions of the Mind by Ghislaine McDayter Pdf
An extensive collection of essays on Romantic literature written from a psychoanalytic perspective. With essays on both Continental and British Romantic writers, this volume explores not only the complex operations of gender and subjectivity but also how textual analysis reveals the ways in which the unconsscious of the literary body resists and denies interpretive analysis just as forcefuly as the individual unconscious.
AøNative rereading of both British Romanticism and mainstream Euro-American ecocriticism, this cross-cultural transatlantic study of literary imaginings about birds sets the agenda for a more sophisticated and nuanced ecocriticism. Lakota critic Thomas C. Gannon explores how poets and nature writersøin Britain and Native America have incorporated birds into their writings. He discerns an evolution in humankind?s representations?and attitudes toward?other species by examining the avian images and tropes in British Romantic and Native American literatures, and by considering how such literary treatment succeeds from an ecological or animal-rights perspective. ø Such depictions, Gannon argues, reveal much about underlying cultural and historical relationships with the Other?whether other species or other peoples. He elucidates the changing interconnections between birds and humans in British Romanticism from Cowper to Clare, with particular attention to Wordsworth, Coleridge, Shelley, Byron, and Keats. Gannon then considers how birds are imagined by Native writers, including early Lakota authors and contemporary poets such as Linda Hogan and Joy Harjo. Ultimately he shows how the sensitive and far-reaching connections with nature forged by Native American writers encourage a more holistic reimagining of humankind?s relationship to other animals.
The life of Keats provides a unique opportunity for the study of literary greatness and of what permits or encourages its development. Its interest is deeply human and moral, in the most capacious sense of the words. In this authoritative biography--the first full-length life of Keats in almost forty years--the man and the poet are portrayed with rare insight and sympathy. In spite of a scarcity of factual data for his early years, the materials for Keats's life are nevertheless unusually full. Since most of his early poetry has survived, his artistic development can be observed more closely than is possible with most writers; and there are times during the period of his greatest creativity when his personal as well as his artistic life can be followed week by week. The development of Keats's poetic craftsmanship proceeds simultaneously with the steady growth of qualities of mind and character. Mr. Bate has been concerned to show the organic relationship between the poet's art and his larger, more broadly humane development. Keats's great personal appeal--his spontaneity, vigor, playfulness, and affection--are movingly recreated; at the same time, his valiant attempt to solve the problem faced by all modern poets when they attempt to achieve originality and amplitude in the presence of their great artistic heritage is perceptively presented. In discussing this matter, Mr. Bate says, The pressure of this anxiety and the variety of reactions to it constitute one of the great unexplored factors in the history of the arts since 1750. And in no major poet, near the beginning of the modern era, is this problem met more directly than it is in Keats. The way in which Keats was somehow able, after the age of twenty-two, to confront this dilemma, and to transcend it, has fascinated every major poet who has used the English language since Keats's death and also every major critic since the Victorian era. Mr. Bate has availed himself of all new biographical materials, published and unpublished, and has used them selectively and without ostentation, concentrating on the things that were meaningful to Keats. Similarly, his discussions of the poetry are not buried beneath the controversies of previous critics. He approaches the poems freshly and directly, showing their relation to Keats's experience and emotions, to premises and values already explored in the biographical narrative. The result is a book of many dimensions, not a restricted critical or biographical study but a fully integrated whole.
A Times Literary Supplement Book of the Year A renowned Keats scholar illuminates the poet’s extraordinary career, in a new edition featuring seventy-eight verse selections with commentary. John Keats’s career as a published poet spanned scarcely more than four years, cut short by his death early in 1821 at age twenty-five. Yet in this time, he produced a remarkable—and remarkably wide-ranging—body of work that has secured his place as one of the most influential poets in the British literary tradition. Celebrated Keats scholar Susan J. Wolfson presents seventy-eight selections from his work, each accompanied by a commentary on its form, style, meanings, and relevant contexts. In this edition, readers will rediscover a virtuoso poet, by turns lively, experimental, self-ironizing, outrageous, and philosophical. Wolfson includes such well-known favorites as Ode to a Nightingale, Ode on a Grecian Urn, To Autumn, La Belle Dame sans Merci, and The Eve of St. Agnes, as well as less familiar poems, several in letters to family and friends never meant for publication. Her selections redefine the breadth and depth of Keats’s poetic imagination, from intellectual jests and satires to erotic bandying, passionate confessions, and reflections on mortality. The selections, presented in their order of composition, convey a chronicle of Keats’s artistic and personal evolution. Wolfson’s revealing commentaries unfold the lively complexities of his verbal arts and stylistic experiments, his earnest goals and nervous apprehensions, and the pressures of politics and literary criticism in his day. In critically attentive and conversational prose, Wolfson encourages us to experience Keats in the way that he himself imagined the language of poetry: as a living event, a cooperative experience shared between author and reader.
There is No Thinker Only Thought by J Krishnamurti Pdf
In these talks given in New Delhi, Bombay, London, Saanen, Paris and Madras, Krishnamurti begins by defining what he means by the word discussion and what it means to go beyond thought. "I think, before we begin, it should be made clear what we mean by discussion. To me it is a process of discovery through exposing oneself to the fact. That is, in discussing I discover myself, the habit of my thought, the way I proceed to think, my reactions, the way I reason, not only intellectually but inwardly. It is really exposing oneself not merely verbally but actually so that the discussion becomes a thing worth while - to discover for ourselves how we think. Because, I feel if we could be serious enough for an hour or a little more and really fathom and delve into ourselves as much as we can, we shall be able to release, not through any action of will, a certain sense of energy which is all the time awake, which is beyond thought." An extensive compendium of Krishnamurti's talks and discussions in the USA, Europe, India, New Zealand, and South Africa from 1933 to 1967—the Collected Works have been carefully authenticated against existing transcripts and tapes. Each volume includes a frontispiece photograph of Krishnamurti , with question and subject indexes at the end. The content of each volume is not limited to the subject of the title, but rather offers a unique view of Krishnamurti's extraordinary teachings in selected years. The Collected Works offers the reader the opportunity to explore the early writings and dialogues in their most complete and authentic form.
Cultures of the Sublime by Cian Duffy,Peter Howell Pdf
This critical anthology examines the place of the sublime in the cultural history of the late eighteenth century and Romantic period. Traditionally, the sublime has been associated with impressive natural phenomena and has been identified as a narrow aesthetic or philosophical category. Cultures of the Sublime: Selected Readings, 1750-1830: - Recovers a broader context for engagements with, and writing about, the sublime - Offers a selection of texts from a wide range of ostensibly unrelated areas of knowledge which both generate and investigate sublime effects - Considers writings about mountains, money, crowds, the Gothic, the exotic and the human mind - Contextualises and supports the extracts with detailed editorial commentary Also featuring helpful suggestions for further reading, this is an ideal resource for anyone seeking a fresh, up-to-date assessment of the sublime.
Aleister Crowley and the Practice of the Magical Diary by James Wasserman Pdf
This important collection includes Aleister Crowley's two most important instructional writings on the design and purpose of the magical diary, John St. John and A Master of the Temple. These were the only two works regarding the magical diary published in Crowley's lifetime. Both were first published in Crowley's immense collection of magical instruction, The Equinox. John St. John chronicles Crowley's moment-by-moment progress during a 13-day magical working. Crowley referred to it as "a perfect model of what a magical record should be." A Master of the Temple is taken from the magical diary of Frater Achad at a time when he was Crowley's most valued and successful student. It provides an invaluable example of a student's record, plus direct commentary and instruction added by Crowley. With commentary and introductory material by editor James Wasserman, Aleister Crowley and the Practice of the Magical Diary is the most important and accessible instruction available to students of the occult regarding the practice of keeping a magical diary. This revised edition includes a new introduction by Wasserman, a foreword by noted occult scholar J. Daniel Gunther, revisions throughout the text, a revised reading list for further study, plus Crowley's instructions on banishing from Liber O.
A work that combines biography and pyschogeography to trace Aleister Crowley's life in London. "I dreamed I was paying a visit to London," Aleister Crowley wrote in Italy, continuing, "It was a vivid, long, coherent, detailed affair of several days, with so much incident that it would make a good-sized volume." Crowley had a love-hate relationship with London, but the city was where he spent much of his adult life, and it was the capital of the culture that created him: Crowley was a post-decadent with deviant Victorian roots in the cultural ferment of the 1890s and the magical revival of the Golden Dawn. Not a walking guide, although many routes could be pieced together from its pages, this is a biography by sites. A fusion of life-writing with psychogeography, steeped in London's social history from Victoria to the Blitz, it draws extensively on unpublished material and offers an exceptionally intimate picture of the Great Beast. We follow Crowley as he searches for prostitutes in Hyde Park and Pimlico, drinks absinthe and eats Chinese food in Soho, and find himself down on his luck in Paddington Green--and never quite losing sight of the illumination that drove him: "the abiding rapture," he wrote in his diary, "which makes a 'bus in the street sound like an angel choir!"
Argues that Keat's six odes form a sequence, identifies their major themes, and provides detailed interpretations of the poems' philosophy, mythological references, and lyric structures.
The Revolution from Within by Jiddu Krishnamurti Pdf
“There must be a revolution in our thinking,” declares the author, J. Krishnamurti (1895-1986), who remains one of the greatest philosophers and teachers of modern times. In this series of lectures, given in the U.S. and various cities throughout the world in the 1950s, he again confronts the habitual, projection-making mind, which fails to see what is while it absorbs itself in belief and illusion. Topics covered in these essays include: the process of change at all levels; the development of discipline; quieting the mind; self-awareness; and freedom from slavery to mind. While we humans are constantly making superficial modifications of our circumstances, such gestures never lead to a radical transformation characterized by clarity, lack of prejudice, spontaneity, genuine peace and happiness. People would rather line up behind some leader, or a particular religious teaching, following the dictates of some outside authority, than to think for themselves, Krishnamurti explains. Sadly, “most of our existence is spent in that way—trying to live up to something, trying to bring about a change in our attitude, to change according to the pattern which we have projected as an ideal, as a belief.” Only by rigorous self-observation and self-questioning is there any hope that humankind will overcome its blindness and self-obsession enough to bring about an end of violence, war and other misery on this beleaguered planet.
Where All the Ladders Start by Julian Lovelock Pdf
Who were Shakespeare's 'Friend' and the 'Dark Lady'? Why did Donne risk his life and ruin his career for a seventeen-year-old girl? Why did Wordsworth's sister retire to her bed on his wedding day? Writing never takes place in a vacuum and much of the finest poetry in the English language has been inspired by particular people - patrons, spouses, lovers, friends, or just casual acquaintances. Whether relegated to an obscurity they do not deserve or thrust into prominence they did not seek, their importance to the creative process is inescapable. In Where All the Ladders Start, Julian Lovelock discusses with characteristic incisiveness and enthusiasm nine major British poets and the real lives behind some of their most personal and significant works. Along the way he shows how poetry has developed over the past four hundred years and provides suggestions for further reading, while for convenience all of the relevant poems and extracts are reproduced in full. Written for both the seasoned reader and the student encountering these poems for the first time, Lovelock's analysis will inspire and entertain in equal measure.
Author : Donald C. Goellnicht Publisher : University of Pittsburgh Pre Page : 305 pages File Size : 49,8 Mb Release : 1984-06-15 Category : Literary Criticism ISBN : 9780822977032
For six years of his brief like, Keats studied medicine, first as an apprentice in Edmonton and then as a medical student at Guy’s Hospital in London. His biographers have generally glossed over this period of his life, and critics have ignored it and denied the influence of medical training on his poetry and thought. In this challenging reappraisal, Goellnicht argues that Keats’ writings reveal a distinct influence of science and medicine. Goellnicht researches Keats’ course work and texts to reconstruct the milieu of the early nineteenth-century medical student. He then explores the scientific resonances in Keats’’ individual works, and convincingly shows the influence of his early medical training.
This book, written in the genre of "Imaginal Psychology", presents the imaginal dimension of the mourning process. The "angels" it greets are the interior figures who greet the bereaved during the course of their mourning process. In memory, reverie, and dream, images of the dead return to heal and be healed. As the bereaved enter into relationship with these images, the grief in which they are sequestered is particularized and individualized into the precise nuances of significance which make mourning possible.