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This volume consists of twenty articles on the symbols and images of Third World cities, such as Jakarta, Padang, Bangkok, Beijing, Baghdad, Kathmandu, Lucknow, Francistown, Vitoria and Buenos Aires. It provides fascinating new information on a neglected phenomenon in urban studies.
This volume deals with a hitherto largely neglected aspect of cities, namely the symbolic and ritual structure in which the urban community is rooted. This fascinating facet is explored in a combined effort by social anthropologists, sociologists, historians and philologists for cities like Jakarta, Padang, Bangkok, Beijing, Tokyo, Baghdad, Kathmandu, Lucknow, Francistown, Vitoria and Buenos Aires. Three perspectives on the study of symbolism in the urban arena are developed, namely the material, cultural and structural point of view. This results in a series of new concepts for comparative use and provides lively descriptions suffused by rich detail of the social processes by which urban symbols and rituals are constituted.
Cities Full of Symbols by Peter J. M. Nas,P. Nas Pdf
Cities are full of symbols that bear the meanings that together constitute urban culture. These interdisciplinary case studies, from Yogyakarta to Leiden and from Buenos Aires to New York, employ urban symbolism theory and a focus on such symbols as the city's layout, statues, street names and popular culture. This book examines design proposals that show symbolic handling of the 9/11 attack on New York, the disaster symbolism of the ship washed ashore by the tsunami in Banda Aceh, and the design of the symbol of the city of Cape Town derived from a remnant of Dutch colonial architecture, or the mass pilgrimage to Elvis's Graceland in Memphis. 'Cities Full of Symbols' develops urban symbolic ecology and hypercity approaches into a new perspective on social cohesion. Approaches of architects, anthropologists, sociologists, social geographers and historians converge to make this a book for anyone interested in urban life, policymaking and city branding.--Cover.
Symbolism and Modern Urban Society by Sharon L. Hirsh Pdf
Symbolism and Modern Urban Society is the first social history of the Symbolist movement. Sharon Hirsh adopts a variety of methods, including gender theory, biography, visual analysis, and medical and literary history, in order to investigate this esoteric movement and ground it firmly in fin-de-siècle issues of modernity and the metropolis. Hirsh argues that Symbolism, often associated with notions of individualism, nostalgia, and visual reverie, offers an engaging critique of urbanity. Providing new definitions and theories for Symbolism and Decadence, she also addresses issues such as spatial/street confrontations with the crowd, the diseased city, the New Woman as 'should-be-mother', as well as the ideal city of Bruges and its social upheaval in the 1890s. Focusing on works by artists such as Van Gogh, Munch and Ensor, Hirsh also considers the works of artists who contributed in important ways to the Symbolist movement and the cities in which they worked.
Hyper City by Peter J.M. Nas,Annemarie Samuels Pdf
First published in 2006. Cities are sites of multiple meanings and symbols, ranging from statues and street names to festivals and architecture. Some times the symbolic side of urbanism is so strong that it outshines reality - then we speak of hypercity. Urban symbolic ecology and hypercity studies are relatively new fields that deal with the production, distribution and consumption of symbols and meanings in urban space, timely concerns in an era of increasing globalization and competition between mega-urban regions. This volume presents a detailed introduction to the new fields, followed by case studies of the cultural layer of symbolism in Brussels (Belgium), Cape Town (South Africa), Cuenca (Ecuador), Delft (The Netherlands), Kingston (Jamaica), Ljubljana (Slovenia), Paris (France) and cities in Italy and Indonesia. It amply demonstrates that the time has come for urban symbolic ecology and hypercity studies to be included in regular urban studies training in the fields of anthropology, sociology, social geography and architecture.
His assessment of the historical conditions and institutions that protect class and racial privileges makes it clear why people in cities rebel and why social scientists should focus future research on large-scale urban transformation.
What has the city meant to Americans? James L. Machor explores this question in a provocative analysis of American responses to urbanization in the context of the culture's tendency to valorize nature and the rural world. Although much attention has been paid to American rural-urban relations, Machor focuses on a dimension largely overlooked by those seeking to explain American conceptions of the city. While urban historians and literary critics have explicitly or implicitly emphasized the opposition between urban and rural sensibilities in America, an equally important feature of American thought and writing has been the widespread interest in collapsing that division. Convinced that the native landscape has offered special opportunities, Americans since the age of settlement have sought to build a harmonious urban-pastoral society combining the best of both worlds. Moreover, this goal has gone largely unchallenged in the culture except for the sophisticated responses in the writings of some of America's most eminent literary artists. Pastoral Cities explains the development of urban pastoralism from its origins in the prophetic vision of the New Jerusalem, applied to America in the sixteenth and seventeenth centuries, through its secularization in the urban planning and reform of the 1800s. Machor critiques the sophisticated treatment of urban pastoralism by writers such as Emerson, Whitman, Hawthorne, Wharton, and James by skillfully by combining cultural analysis with a close reading of urban plans, travel narratives, sermons, and popular novels. The product of this multifaceted approach is an analysis that works to reveal both the strengths and weaknesses of the pastoral ideal as cultural mythology.
Author : Anthony J. Filipovitch,Earl J. Reeves Publisher : Gale Cengage Page : 304 pages File Size : 53,8 Mb Release : 1978 Category : Political Science ISBN : UOM:39015007171419
The Changing American Countryside by Emery N. Castle Pdf
The literature on rural America, to the extent that it exists, has largely been written by urban-based scholars perpetuating out-of-date notions and stereotypes or by those who see little difference between rural and agricultural concerns. As a result, the real rural America remains much misunderstood, neglected, or ignored by scholars and policymakers alike. In response, Emery Castle offers The Changing American Countryside, a volume that will forever change how we look at this important subject. Castle brings together the writings of eminent scholars from several disciplines and varying backgrounds to take a fresh and comprehensive look at the "forgotten hinterlands." These authors examine the role of non-metropolitan people and places in the economic life of our nation and cover such diverse issues as poverty, industry, the environment, education, family, social problems, ethnicity, race, religion, gender, government, public policy, and regional diversity The authors are especially effective in demonstrating why rural America is so much more than just agriculture. It is in fact highly diverse, complex, and interdependent with urban America and the international market place. Most major rural problems, they contend, simply cannot be effectively addressed in isolation from their urban and international connections. To do so is misguided and even hazardous, when one-fourth of our population and ninety-seven per cent of our land area is rural. Together these writings not only provide a new and more realistic view of rural life and public policy, but also suggest how the field of rural studies can greatly enrich our understanding of national life.
The study of urban history on the European continent has intensified over the past 15 or 20 years. This book provides a comprehensive review of work carried out on national and regional European urban history.
Reflections on architecture and the exchange of information in the spaces and places of the city, from the necessity of skyscrapers in an age of Web sites to cities as talent magnets, from architectural bling to the neo-minimalism of the new MoMA. The meaning of a message, says William Mitchell, depends on the context of its reception. "Shouting 'fire' in a crowded theater produces a dramatically different effect from barking the same word to a squad of soldiers with guns," he observes. In Placing Words, Mitchell looks at the ways in which urban spaces and places provide settings for communication and at how they conduct complex flows of information through the twenty-first century city. Cities participate in the production of meaning by providing places populated with objects for words to refer to. Inscriptions on these objects (labels, billboards, newspapers, graffiti) provide another layer of meaning. And today, the flow of digital information—from one device to another in the urban scene—creates a digital network that also exists in physical space. Placing Words examines this emerging system of spaces, flows, and practices in a series of short essays—snapshots of the city in the twenty-first century. Mitchell questions the necessity of flashy downtown office towers in an age of corporate Web sites. He casts the shocked-and-awed Baghdad as a contemporary Guernica. He describes architectural makeovers throughout history, listing Le Corbusier's Fab Five Points of difference between new and old architecture, and he discusses the architecture of Manolo Blahniks. He pens an open letter to the Secretary of Defense recommending architectural features to include in torture chambers. He compares Baudelaire, the Parisian flaneur, to Spiderman, the Manhattan traceur. He describes the iPod-like galleries of the renovated MoMA and he recognizes the camera phone as the latest step in a process of image mobilization that began when artists stopped painting on walls and began making pictures on small pieces of wood, canvas, or paper. The endless flow of information, he makes clear, is not only more pervasive and efficient than ever, it is also generating new cultural complexities.
Author : Robert A. Wilson,David A. Schulz Publisher : Prentice Hall Page : 388 pages File Size : 54,6 Mb Release : 1978 Category : Social Science ISBN : PSU:000006917036
