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This book focuses on how Austen's life and work is being re-framed and re-imagined in 20th and 21st century literature and culture. Tracing the connections between Modernist Austen in the early C20th and feminist and post-feminist appropriations in the later C20th, it examines how Austen emerged as a complex point of reference on the global stage.
This exhilarating collection of essays is the product of a lifetime's engagement with Jane Austen's writing. They are modest, searching, wonderfully perceptive essays from which all lovers of Jane Austen, the most knowledgeable as well as those who have just discovered her, will have much to learn. They are essays that send us back to the novels with a renewed understanding of Jane Austen's extraordinary achievement. Prof. Richard Cronin, University of Glasgow This volume presents an exhilarating and insightful collection of essays on Jane Austen – distilling the author’s deep understanding and appreciation of Austen’s works across a lifetime. The volume is both intra- and inter-textual in focus, ranging from perceptive analysis of individual scenes to the exploration of motifs across Austen’s fiction. Full of astute connections, these lively discussions hinge on the study of human behaviour – from family relationships to sickness and hypochondria – highlighting Austen’s artful literary techniques and her powers of human observation. Jane Austen: Reflections of a Reader by (the late) Nora Bartlett is a brilliant contribution to the field of Jane Austen studies, both in its accessible style (which preserves the oral register of the original lectures), and in its foregrounding of the reader in a warm, compelling and incisive conversation about Austen’s works. As such, it will appeal widely to all lovers of Jane Austen, whether first-time readers, students or scholars.
Whether you're a devoted Janeite or simply Jane-curious, The Making of Jane Austen will have you thinking about how a literary icon is made, transformed, and handed down from generation to generation.
Jane Austen and the Victorian Heroine by Cheryl A. Wilson Pdf
This book uses the figure of the Victorian heroine as a lens through which to examine Jane Austen’s presence in Victorian critical and popular writings. Aimed at Victorianist readers and scholars, the book focuses on the ways in which Austen was constructed in fiction, criticism, and biography over the course of the nineteenth century. For the Victorians, Austen became a kind of cultural shorthand, representing a distant, yet not too-distant, historical past that the Victorians both drew on and defined themselves against with regard to such topics as gender, literature, and national identity. Austen influenced the development of the Victorian literary heroine, and when cast as a heroine herself, was deployed in debates about the responsibilities of the novelist and the ability of fiction to shape social and cultural norms. Thus, the study is as much, if not more, about the Victorians than it is about Jane Austen.
Private Sphere to World Stage from Austen to Eliot by Elizabeth Jean Sabiston Pdf
Though the focus is on British novelists, Sabiston's discussion of the Anglo-American connections in the factory novels of Elizabeth Gaskell and the slavery writings of Harriet Beecher Stowe has particular relevance for its demonstration of how the move from the private to the public sphere enables and even compels the blurring of national and ethnic boundaries. What emerges is a compelling argument for the relevance of these novelists to the emergence in our own time of hitherto-silenced female voices around the globe."--BOOK JACKET.
Author : Jane Austen Society of North America Publisher : University of Alberta Page : 304 pages File Size : 46,7 Mb Release : 2002-12-16 Category : Literary Criticism ISBN : 0888643748
The Talk in Jane Austen by Jane Austen Society of North America Pdf
Jane Austen's novels have been widely read and discussed, but one topic that is rarely studied is her use of speech. In this volume, writers from around the world consider Austen's sometimes playful, always witty and significant use of dialogue. Features contributions from Juliet McMaster, Isobel Grundy, Linda Bree, Gary Kelly, Jan Fergus, Jocelyn Harris, Kay Young and others.
This Excellent Collection brings together Jane Austen's longer, major books and a fine selection of shorter pieces and Fiction Books. These Books created and collected in Jane Austen's Most important Works illuminate the life and work of one of the most individual writers of the XIX and XX century - a woman who elevated political writing to an art. Jane Austen (16 December 1775 – 18 July 1817) was an English novelist known primarily for her six major novels, which interpret, critique and comment upon the British landed gentry at the end of the 18th century. Austen's plots often explore the dependence of women on marriage in the pursuit of favourable social standing and economic security. Her works critique the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century literary realism. Her use of biting irony, along with her realism, humour, and social commentary, have long earned her acclaim among critics, scholars, and popular audiences alike. While not widely known in her own time, Jane Austen's comic novels of love among the landed gentry gained popularity after 1869, and her reputation skyrocketed in the 20th century. Her novels, including Pride and Prejudice and Sense and Sensibility, are considered literary classics, bridging the gap between romance and realism. This Collection included: 1. Lady Susan 2. Sense and Sensibility 3. Pride and Prejudice 4. Mansfield Park 5. Emma 6. Persuasion 7. Northanger Abbey 8. Juvenilia – Volume I 9. Juvenilia – Volume II 10. Juvenilia – Volume III
In Search of Jane Austen by Ingrid Tieken-Boon van Ostade Pdf
Jane Austen's private language is rarely studied, yet her letters are a linguistic goldmine. This sociolinguistic study analyses the grammar, spelling, and vocabulary of Jane Austen's letters — many of which were addressed to her sister, Cassandra — providing readers with a deeper understanding of Austen as an author.
* INTERNATIONAL BESTSELLER * "This novel delivers sweet, smart escapism." —People "Fans of The Chilbury Ladies’ Choir and The Guernsey Literary and Potato Peel Pie Society will adore The Jane Austen Society... A charming and memorable debut, which reminds us of the universal language of literature and the power of books to unite and heal." —Pam Jenoff, New York Times bestselling author of The Lost Girls of Paris Just after the Second World War, in the small English village of Chawton, an unusual but like-minded group of people band together to attempt something remarkable. One hundred and fifty years ago, Chawton was the final home of Jane Austen, one of England's finest novelists. Now it's home to a few distant relatives and their diminishing estate. With the last bit of Austen's legacy threatened, a group of disparate individuals come together to preserve both Jane Austen's home and her legacy. These people—a laborer, a young widow, the local doctor, and a movie star, among others—could not be more different and yet they are united in their love for the works and words of Austen. As each of them endures their own quiet struggle with loss and trauma, some from the recent war, others from more distant tragedies, they rally together to create the Jane Austen Society. A powerful and moving novel that explores the tragedies and triumphs of life, both large and small, and the universal humanity in us all, Natalie Jenner's The Jane Austen Society is destined to resonate with readers for years to come.
This collection of twelve new essays examines some of what Jane Austen has become in the two hundred years since her death. Some of the chapters explore adaptations or repurposings of her work while others trace her influence on a surprising variety of different kinds of writing, sometimes even when there is no announced or obvious debt to her. In so doing they also inevitably shed light on Austen herself. Austen is often considered romantic and not often considered political, but both those perceptions are challenged her, as is the idea that she is primarily a writer for and about women. Her books are comic and ironic, but they have been reworked and drawn upon in very different genres and styles. Collectively these essays testify to the extraordinary versatility and resonance of Austen’s books.
The Use of Irony in Jane Austen’s 'Pride and Prejudice' by Theresa Weisensee Pdf
Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 1,0, Justus-Liebig-University Giessen, language: English, abstract: In contrast to the obtrusive morality of the majority of novels at that time, Austen’s pieces of work are strongly marked by an ironic tone, a subtle humour and highly ambivalent statements. This ambivalence and high use of irony makes it, even today, difficult to determine Austen’s attitudes towards society and the question whether her novels are to be interpreted as conservative, modern or feministic pieces of literature. Romantic novel, Bildungsroman, comedy of manners and comedy of character are some examples for the various terms Austen’s novels have been labeled. In particular in Pride and Prejudice, an ironic tone is predominant throughout the novel. As Klingel Ray states, Austen is “first and foremost a satirist. And for a satirist, irony is the major tool of language.” In order to analyse the novel thoroughly and adequately, it is thus of paramount importance to study Austen’s use of irony and her intentions and motives behind the ironic statements and events in the book. This essay seeks to investigate Austen’s use of irony in Pride and Prejudice. After discussing the definition of irony that should be applied when studying Austen’s works, including an explanation of the different motives behind her use of irony, the author’s treatment of irony in the structure of the plot and her narrative strategy will be illustrated. An analysis of the two most ironic characters in Pride and Prejudice will then follow, and their relative contribution to the ironic tone of the novel will be depicted with the aid of several examples. Finally, two exceptions from the prevailing ironic tone in Pride and Prejudice will be stated and explained.
The word is all over Jane Austen's novels: what ought to be done, what one ought to say, how one ought to feel (versus how one does feel). When Austen's characters employ an ought, the delicate oscillation between first-and third-person perspectives that marks her prose leads the reader to distinguish between what they say, and what they ought, according to a morally idealized, third-person calculus to mean. But what is the context of this ought? This book situates the disinterested, reflective appeal to moral principle invoked ironically or otherwise in Austen's oughts within the history of thought about judgment in the British eighteenth century. Beginning with Shaftesbury's critique of Locke's account of judgment, successive readings explore the emphasis on disinterest in works by David Hume, Adam Smith, Samuel Richardson, and Sir Joshua Reynolds alongside discussions of Jane Austen's major novels.
Jane Austen and the Creation of Modern Fiction by Collins Hemingway Pdf
Jane Austen's creative process has been largely unexamined. This book explores her development as a writer: what she adapted from tradition for her needs; what she learned novel to novel; how she used that learning in future works; and how her ultimate mastery of fiction changed the course of English literature. Jane Austen overcame the limitations of early fiction by pivoting from superficial adventures to the psychological studies that have defined the novel since. Her creativity and technique grew as she wrestled with pragmatic writing issues. This evaluation of Austen's creative process brings into focus the strengths and weaknesses of her six novels. Each is examined in its use of major fictional techniques--description, scene-building, point of view, and psychological development--to reveal unique literary attributes. The result is a revealing analysis of how world-class fiction is built from the ground up.
Rachel M. Brownstein considers Jane Austen as heroine, moralist, satirist, romantic, woman, and author, along with the changing notions of these categories over time and texts. She finds echoes of many of Austen's insights and techniques in contemporary Jane-o-mania, a commercially driven, erotically charged popular vogue that aims to preserve and liberate, correct and collaborate with old Jane.
Jane Austen wrote six books that were published at the beginning of the 19th century, all with happy endings. Yet below the courtship novels' sparkling wit and dance scenes flows an undercurrent of suffering. Austen had a deep understanding of the sources and cure for suffering that shares much in common with Buddhism. Though not intentionally writing through the lens of Buddhism, Austen intuitively understood the Buddha's most fundamental teaching of the Four Noble Truths: that life contains suffering, that we can discover the causes of suffering, and that we can stop suffering by following the Eightfold Path described by the Buddha. In this book, Austen fans or those who wish for a deeper understanding of how stories can alleviate suffering will discover a combination of psychology and Buddhism alongside accessible close readings of Austen. This unique approach offers insight into Austen's enduring popularity and lessons we might apply to our own lives to find happiness--just like Austen's heroines.