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"This innovative feminist rhetorical history advances valuable lessons for contemporary discussions in the discipline about teleological rhetorics, rhetorics of exceptionalism, and rhetorics of choice"--
Women at Work presents the field of rhetorical studies with fifteen chapters that center on gender, rhetoric, and work in the US in the nineteenth and twentieth centuries. Feminist scholars explore women’s labor evangelism in the textile industry, the rhetorical constructions of leadership within women’s trade unions, the rhetorical branding of a twentieth-century female athlete, the labor activism of an African American blues singer, and the romantic, same-sex collaborations that supported pedagogical labor. Women at Work also introduces readers to rhetorical methods and approaches possible for the study of gender and work. Contributors name and explore a specific rhetorical concern that animates their study and in so doing, readers learn about such concepts as professional proof, rhetorical failure, epideictic embodiment, rhetorics of care, and cross-racial coalition building.
The utopias envisioned by Edward Bellamy and other novelists late in the nineteenth century were generally blueprints of government. As satellites of men, women were expected to share in the general improvement of society. The resurgence of the feminist movement since the late 1960s has produced a very different kind of utopian literature. Frances Bartkowski explores a body of work that is striking and vital because it reflects the hopes, fears, and desires of women who have glimpsed the possibilities of a bright new world freed from stifling patriarchal structures. Feminist Utopias is a comparative study of the utopian fiction of nine women writers in the United States, France, and Canada. Except for Charlotte Perkins Gilman's Herland (1915), the prototype for feminist literary utopias, all of the works were published between 1969 and 1986. Bartkowski discusses Monique Wittig's Les Guérillères, Joanna Russ's The Female Man, Marge Piercy's Woman on the Edge of Time, Suzy McKee Charnas's Motherlines, Christine Rochefort's Archaos, ou le jardin étincelant, E. M. Broner's A Weave of Women, Louky Bersianik's The Eugelionne, and two dystopian novels, Charnas's Walk to the End of the World and Margaret Atwood's The Handmaid’s Tale.
From Thomas More onwards, writers of utopias have constructed alternative models of society as a way of commenting critically on existing social orders. In the utopian alternative, the sex-gender system of the contemporary society may be either reproduced or radically re-organised. Reading utopian writing as a dialogue between reality and possibility, this study examines the relationship between historical sex-gender systems and those envisioned by utopian texts. Surveying a broad range of utopian writing from the nineteenth and twentieth centuries, including Huxley, Zamyatin, Wedekind, Hauptmann, and Charlotte Perkins Gilman, this book reveals the variety and complexity of approaches to re-arranging gender, and locates these 're-arrangements' within contemporary debates on sex and reproduction, masculinity and femininity, desire, taboo and family structure. These issues occupy a position of central importance in the dialogue between utopian imagination and anti-utopian thought which culminates in the great dystopias of the twentieth century and the postmodern re-invention of utopia.
Author : Christopher S. Ferns Publisher : Liverpool : Liverpool University Press Page : 286 pages File Size : 53,8 Mb Release : 1999 Category : Fiction ISBN : UOM:39015042471915
Although writers' images of the utopian society contain many diverse and often contrasting elements, Ferns (English, Mt. St. Vincent U., Nova Scotia) argues that the actual story that accounts for how the central character discovers utopia has remained more or less consistent since the Renaissance. Ferns investigates the ideological implications of this story, and emphasizes the problems it creates for writers trying to free themselves from its limitations, particularly feminist writers who sometimes perceive the utopian narrative as a distinctly male myth. Distributed by ISBS. Annotation copyrighted by Book News, Inc., Portland, OR
Gender and Utopia in the Eighteenth Century by Nicole Pohl,Brenda Tooley Pdf
Utopian exchanges : negotiating difference in utopia / Lee Cullen Khanna -- A fragile utopia of sensibility : David Simple / Joseph F. Bartolomeo -- Gothic utopia : heretical sanctuary in Ann Radcliffe's The Italian / Brenda Tooley -- Rewriting Rousseau : Isabelle de Charrière's domestic dystopia / Caroline Weber -- Utopia in the seraglio : feminist hermeneutics and Montesquieu's Lettres persanes / Mary McAlpin -- Transparency and the enlightenment body : utopian space in Sarah Scott's Millenium Hall and De Sade's The 120 days of sodom / Ana M. Acosta -- Emperess of the world : gender and the voyage utopia / Nicole Pohl -- A man might find every think in your country : improvement, patriarchy and gender in Robert Paltock's The life and adventures of Peter Wilkins / Elizabeth Hagglund and Jonathan Laidlow -- Generating regenerated generations : race, kinship and sexuality in Henry Neville's Isle of pines / Seth Denbo -- Thinking globally, acting locally : enlightenment utopianism for 21st century feminists? / Alessa Johns.
Contemporary Feminist Utopianism by Lucy Sargisson Pdf
A new and challenging entry into the debates between feminism and postmodernism, Contemporary Feminist Utopianism challenges some basic preconceptions about the role of political theory today. Sargisson explores current debates within utopian studies, feminist theory and poststructuralist deconstruction. Utopian thinking is offered as a route out of the dilemma of contemporary feminism as well as a way of conceptualizing its current situation. This book provides an exploration of, and exercise in, utopian thought.
The Feminist Utopia Project by Alexandra Brodsky,Rachel Kauder Nalebuff Pdf
This “incredible addition to the feminist canon” brings together the most inspiring, creative, and courageous voices concerning modern women’s issues (Jessica Valenti, editor of Yes Means Yes). In this groundbreaking collection, more than fifty cutting-edge feminist writers—including Melissa Harris-Perry, Janet Mock, Sheila Heti, and Mia McKenzie—invite us to imagine a world of freedom and equality in which: An abortion provider reinvents birth control . . . The economy values domestic work . . . A teenage rock band dreams up a new way to make music . . . The Constitution is re-written with women’s rights at the fore . . . The standard for good sex is raised with a woman’s pleasure in mind . . . The Feminist Utopia Project challenges the status quo that accepts inequality and violence as a given, “offering playful, earnest, challenging, and hopeful versions of our collective future in the form of creative nonfiction, fiction, visual art, poetry, and more” (Library Journal).
The first section consists of 12 selections of feminist utopian fiction including Annie Denton Cridge's Man's Rights; or, How Would You Like It, Charlotte Perkins Gilman's A Woman's Utopia, and Gertrude Short's A Visitor From Venus, some excerpted and some in their entirety. Includes an annotated bibliography of US women's utopian fiction from 1836 to 1988. First edition originally published as Daring to Dream: Utopian Stories by United States Women, 1836-1919 by Pandora Press of Routledge and Kegan Paul, London, in 1984. Paper edition (2655-X), $17.95. Annotation copyright by Book News, Inc., Portland, OR
The first generation of Russian modernists experienced a profound sense of anxiety resulting from the belief that they were living in an age of decline. What made them unique was their utopian prescription for overcoming the inevitability of decline and death both by metaphysical and physical means. They intertwined their mystical erotic discourse with European degeneration theory and its obsession with the destabilization of gender. In Erotic Utopia, Olga Matich suggests that same-sex desire underlay their most radical utopian proposal of abolishing the traditional procreative family in favor of erotically induced abstinence. 2006 Winner, CHOICE Award for Outstanding Academic Titles, Current Reviews for Academic Libraries Honorable Mention, Aldo and Jean Scaglione Prize for Studies in Slavic Languages and Literatures, Modern Language Association “Offers a fresh perspective and a wealth of new information on early Russian modernism. . . . It is required reading for anyone interested in fin-de-siècle Russia and in the history of sexuality in general.”—Bernice Glatzer Rosenthal, Slavic and East European Journal “Thoroughly entertaining.”—Avril Pyman, Slavic Review
Utopian societies exhibit a variety of ways of organising the financial, political and emotional relationships between people. For all this diversity, however, one thing that exhibits far less variation is the story, the framing narrative that accounts for how the narrator reaches the more perfect society and obtains the opportunity to witness its distinctive excellences. Narrating Utopia is about that story, the curious hybrid of the traveller's tale and the classical dialogue that emerges in the Renaissance, but whose outlines remain clearly apparent even in some of the most recent utopian writing.
Feminism, Economics and Utopia by Karin Schonpflug Pdf
Are there feminist, economic utopian visions amongst feminist economists? What are these visions? Is there a common vision for feminist economics or should there be? Can feminist economics be effective without a utopian vision?Comprehensive and original, this book surveys the entire field of utopian literature; from Plato to the present. Answering
Women's Utopian and Dystopian Fiction by Sharon R. Wilson Pdf
Women’s Utopian and Dystopian Fiction explores the genres of utopian and dystopian recent fiction. It is about how this literature of both imagined perfection and disaster creates new worlds and critiques gender roles, traditions, and values. Essays range in subject matter from Charlotte Perkins Gilman, P. D. James, Joanna Russ, and Marge Piercy, to Ursula Le Guin, Fay Weldon, and Toni Morrison. Two of the three sections focus on Doris Lessing and Margaret Atwood. Examining especially the twentieth century, including second-wave feminism, writers from Tunisia, Turkey, Italy, Korea, the US, and England give both an historical and a global perspective. Utopian and dystopian elements are explored in the Nobel-Prize-winning Doris Lessing’s Memoirs of a Survivor, the little-known Mara and Dann, and The Cleft; and new perspectives are offered on Atwood’s The Handmaid’s Tale.