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Christina Forrester is starting over. After a financial scandal sent her ex-husband to prison, she's left raising her young son without any of the comforts of their old life. Budgets, coupons, lawn care—you name it, she's learning to do it all on her own. Well, almost on her own—she'd be lost without Gail Broughton, the kind widow across the street. But when Gail's son comes home, Christina's vow to never trust a man again is put to the test. Will Broughton left town because he was tired of being "that poor man" who lost his wife and unborn child in a tragic accident. But years have passed and, with his dad gone and his mom alone, it's time to go home. Only his mother's not alone. She's taken Christina under her wing, and the beautiful and determined single mother awakens something in Will he thought was buried forever. As Will and Christina are forced to spend more time together, feelings that are more than neighborly grow between them. And with Christmas coming and a child filling both houses with holiday cheer, it becomes nearly impossible not to embrace the joy—and the love—in their lives.
United States. National Park Service. Southwest Region. Public Affairs Office
Author : United States. National Park Service. Southwest Region. Public Affairs Office Publisher : Unknown Page : 74 pages File Size : 43,5 Mb Release : 1978 Category : National parks and reserves ISBN : MINN:31951P009167525
Holiday and Vacation Planning Guide to the Federal Parks of the Southwest by United States. National Park Service. Southwest Region. Public Affairs Office Pdf
Tracing the religious history of Siler City, North Carolina, Chad E. Seales argues that southern whites cultivated their own regional brand of American secularism and employed it, alongside public religious performances, to claim and regulate public spaces. Over the course of the twentieth century, they wielded secularism to segregate racialized bodies, to challenge local changes resulting from civil rights legislation, and to respond to the arrival of Latino migrants. Combining ethnographic and archival sources, Seales studies the themes of industrialization, nationalism, civility, privatization, and migration through the local history of Siler City; its neighborhood patterns, Fourth of July parades, Confederate soldiers, minstrel shows, mock weddings, banking practices, police shootings, Good Friday processions, public protests, and downtown mural displays. Offering a spatial approach to the study of performative religion, The Secular Spectacle presents a generative narrative of secularism from the perspective of evangelical Protestants in the American South.
New York Times bestselling author Shannon Stacey celebrates the season in these three timeless holiday novellas Her Holiday Man Christina Forrester is left raising her young son without any of the comforts of their old life. She’s learning to do it all on her own. Well, almost on her own—she’d be lost without Gail, the kind widow across the street. And when Gail’s son Will comes home, the beautiful and determined single mother awakens something in him he thought was buried forever. As Will and Christina are forced to spend more time together, feelings that are more than neighborly grow between them. And with Christmas coming and a child filling both houses with holiday cheer, it becomes nearly impossible not to embrace the joy—and the love—in their lives. Holiday with a Twist Leigh Holloway’s best friend broke Croy Dawson’s heart back in high school, and Croy knows it was Leigh’s fault. They’ve never liked each other, but Croy isn’t cruel: he’d never turn away a pretty woman in need of some family-Christmas fortification. He doesn’t expect her to drink just enough candy-cane martinis to tell him her secrets—and he definitely doesn’t expect to get caught up in her holiday madness. Despite the surprising love and laughter, Croy and Leigh can’t escape the truth: he can’t walk away from his family obligations and she has a life and career to reboot. But anything is possible if your holiday comes with a twist… Hold Her Again Ava Wright isn’t happy to see her high school sweetheart rolling into their hometown a few weeks before Christmas. There’s no way she’ll be able to avoid him. No one can: he’s become a country-music superstar since going solo and leaving Ava behind. Jace Morrow grew up believing “money can’t buy happiness” was something people said to make themselves feel better. But now he knows it’s the truth: no matter how many number-one hits he has, he’ll never recapture the magic of singing with Ava. Missing her—loving her—and living with making the wrong choice in life were what made him who he is. As they fall in love all over again, they’re both faced with choices for their future…and this time Jace intends to make the right one.
Attract comic book collectors like a magnet Packed with nearly 100,000 classic and contemporary comics and more than 1,000 illustrations, collectors will find updated listings and prices for Acclaim, Classics Illustrated, Dark Horse, D.C., Marvel and much more. Special sections are devoted to the highly collectible Golden Age, Color Comics, Black & White Comics, and Underground Comics. Each listing is cross-referenced and includes issue number, title, date, artist and current collector value in US dollars. Collectors can accurately evaluate and value their collections with the grading guide, current market report and tips for buying, selling, and preserving comic books.
Funnybooks is the story of the most popular American comic books of the 1940s and 1950s, those published under the Dell label. For a time, “Dell Comics Are Good Comics” was more than a slogan—it was a simple statement of fact. Many of the stories written and drawn by people like Carl Barks (Donald Duck, Uncle Scrooge), John Stanley (Little Lulu), and Walt Kelly (Pogo) repay reading and rereading by educated adults even today, decades after they were published as disposable entertainment for children. Such triumphs were improbable, to say the least, because midcentury comics were so widely dismissed as trash by angry parents, indignant librarians, and even many of the people who published them. It was all but miraculous that a few great cartoonists were able to look past that nearly universal scorn and grasp the artistic potential of their medium. With clarity and enthusiasm, Barrier explains what made the best stories in the Dell comic books so special. He deftly turns a complex and detailed history into an expressive narrative sure to appeal to an audience beyond scholars and historians.