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Vancouver Noir by Linda L. Richards,Timothy Taylor,Sheena Kamal Pdf
This “excellent anthology” of noir fiction set in Canada’s City of Glass features all-new stories by Linda L. Richards, Sam Wiebe, Yasuko Thanh and more (Quill & Quire, starred review). For many people, Vancouver is a city of affluence, athleisure, and craft beer. But if look a little closer at this gentrified paradise, you’ll find the old saying holds true: behind every fortune there’s a crime. Hidden beneath Vancouver’s gleaming glass skyscrapers are shadowy streets where poverty, drugs, and violence rule the day. These fourteen stories of crime and mayhem in the Pacific Northwest offer an entertaining “mix of wily pros, moody misfits, bewildered bystanders, and a touch of the supernatural” (Kirkus). Vancouver Noir features the Arthur Ellis Award-winning story “Terminal City” by Linda L. Richards, and the Arthur Ellis Award-finalist “Wonderful Life” by Sam Wiebe. It also includes entries by Timothy Taylor, Sheena Kamal, Robin Spano, Carleigh Baker, Dietrich Kalteis, Nathan Ripley, Yasuko Thanh, Kristi Charish, Don English, Nick Mamatas, S.G. Wong, and R.M. Greenaway.
Writing Class by Michael Barnholden,Andrew Klobucar,Kootenay School of Writing Pdf
Since the mid 1980s, the Kootenay School of Writing, a writer-run center in Vancouver, has been the site of some of the most innovative poetry coming out of North America. Leaving behind conventional ideas about syntax and lyricism, the KSW poets have produced a body of work that is jarring, troubling, provocative, funny, and beautiful. In their introduction to this sampling from the work of fourteen writers, Andrew Klobucar and Michael Barnholden describe the historical and aesthetic environment which produced the Kootenay School of Writing, and in doing so demystify a poetry that many regard as "difficult." WRITING CLASS is a fascinating introduction to the most vital poetry being written today.
Lambda Literary Award winner This exciting and groundbreaking fiction anthology showcases a number of new and emerging 2SQ (Two-Spirit and queer Indigenous) writers from across Turtle Island. These visionary authors show how queer Indigenous communities can bloom and thrive through utopian narratives that detail the vivacity and strength of 2SQness throughout its plight in the maw of settler colonialism’s histories. Here, readers will discover bio-engineered AI rats, transplanted trees in space, the rise of a 2SQ resistance camp, a primer on how to survive Indigiqueerly, virtual reality applications, motherships at sea, and the very bending of space-time continuums queered through NDN time. Love after the End demonstrates the imaginatively queer Two-Spirit futurisms we have all been dreaming of since 1492. Contributors include Darcie Little Badger, Mari Kurisato, Kai Minosh Pyle, David Alexander Robertson, and jaye simpson. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.
The Haunting of Vancouver Island by Shanon Sinn Pdf
A compelling investigation into supernatural events and local lore on Vancouver Island. Vancouver Island is known worldwide for its arresting natural beauty, but those who live here know that it is also imbued with a palpable supernatural energy. Researcher Shanon Sinn found his curiosity piqued by stories of mysterious sightings on the island—ghosts, sasquatches, sea serpents—but he was disappointed in the sensational and sometimes disrespectful way they were being retold or revised. Acting on his desire to transform these stories from unsubstantiated gossip to thoroughly researched accounts, Sinn uncovered fascinating details, identified historical inconsistencies, and now retells these encounters as accurately as possible. Investigating 25 spellbinding tales that wind their way from the south end of the island to the north, Sinn explored hauntings in cities, in the forest, and on isolated logging roads. In addition to visiting castles, inns, and cemeteries, he followed the trail of spirits glimpsed on mountaintops, beaches, and water, and visited Heriot Bay Inn on Quadra Island and the Schooner Restaurant in Tofino to personally scrutinize reports of hauntings. Featuring First Nations stories from each of the three Indigenous groups who call Vancouver Island home—the Coast Salish, the Nuu-chah-nulth, and the Kwakwaka’wakw—the book includes an interview with Hereditary Chief James Swan of Ahousaht.
Since the mid-1980s, the once marginal city of Vancouver has developed within a globalized economy and become an internationally recognized centre for contemporary visual art. Vancouver's status is due not only to a thriving worldwide cultural community that has turned to examine the so-called periphery, but to the city's growth, its artists, expanding institutions, and a strong history of introspection and critical assessment. As a result, Vancouver art is visible and often understood as distinct and definable. This anthology intends to complicate the notion of definability. It offers nine essays to address the organized systems that have affected contemporary art in Vancouver over the last two decades. The essays in Vancouver Art & Economies collectively remark, both compatibly and contradictorily, on the economies at work in Vancouver art--its historical, critical, and political engagement; its sites of cultural production; and its theoretical and practical intersection with technology or policy. Considering a selection of conditions, focuses, and resources within the community, Vancouver Art & Economies marks shifting ideologies and perspectives on art, politics, society, and capital in Vancouver. Contributors: Clint Burnham, Randy Lee Cutler, Tim Lee, Sadira Rodrigues, Marina Roy Sharla Sava, Reid Shier, Shepherd Steiner, and Michael Turner.
Celebrated writers reveal surprising truths about the joys, challenges, and importance of finding the words, in this special fundraising anthology for PEN Canada. In Finding the Words, thirty-one well-known writers share deeply personal discoveries and stories that will surprise, delight, and stir the mind and heart. By turns inspiring, provocative, witty, and compelling, these diverse and original pieces explore home, exile, and the search for a place to belong; community, creativity, celebrity, and the many forms power can take. Among the pieces in the anthology: Diana Athill and Alice Munro discuss the consequences of writing about other people; Gord Downie meditates on what it means to be a songwriter by considering one of his own songwriting heroes; Guy Gavriel Kay reflects on how his relationship with his own readers continues to change; Elizabeth Hay searches for inspiration in the fallow period between books; Rawi Hage meditates on writing rooted in the universal experience of exile; Pasha Malla and Moez Surani present a funny and confounding list of “rules for writers” solicited from non-writers; Heather O’Neill tells the story of an illiterate and underage wannabe gangster in mid-century Montreal; Michael Winter pieces together court transcripts, newspaper accounts, and other primary sources to take us into the dark heart of a real-life Newfoundland crime story. Proceeds from this volume will go to PEN Canada in support of its vital work in defence of freedom of expression and on behalf of writers around the world who have been silenced. Finding the Words Contributors List: Diana Athill Tash Aw David Bezmozgis Joseph Boyden David Chariandy Denise Chong Karen Connelly Alain de Botton Emma Donoghue Gord Downie Marina Endicott Stacey May Fowles Rawi Hage Elizabeth Hay Steven Heighton Lee Henderson Guy Gavriel Kay Mark Kingwell Martha Kuwee Kumsa Annabel Lyon Linden MacIntyre Pasha Malla Lisa Moore Alice Munro Stephanie Nolen Heather O’Neill Richard Poplak Moez Surani Miguel Syjuco Madeleine Thien Michael Winter With cover design and illustration by Seth www.pencanada.ca
V6A by John Mikhail Asfour,Elee Kraljii Gardiner Pdf
An anthology that refracts the experience of writers, new and established, who have been part of Vancouver’s notorious Downtown Eastside in some way. Their work reappropriates the coding of the area and recasts the neighborhood as a site of creative energy and human dignity.
In Vancouver the avenues are numbered and the streets named. That's a feature of Vancouver. Vancouver's Poet Laureate, George McWhirter, has taken on the task of creating an anthology on those features that give the face of Vancouver its identity. East Hastings could fill an anthology, but most of the city goes unversed. 'A Verse Map of Vancouver' fills the gap in Vancouver's verse geography by mapping the city, its neighbourhoods, its corners and intersections, its parks and landmarks. 'A Verse Map' is a word ordinance survey by poets of the locality, from those whose names have a legendary place (Pat Lowther, George Woodcock) through a roster of verse surveyors-too great a list to include them all here-who have established themselves over the last three to four decades (John Pass, Evelyn Lau, John Donlan, Daphne Marlatt, Roy Miki, George Stanley, Linda Rogers, Tom Wayman, Meredith Quartermain, Kate Braid, Brian Brett, Bud Osborn) on through to the current generation who are etching their marks on the city (Catherine Owen, Rita Wong, Chris Hutchinson, Mark Cochrane, Russell Thornton, Kuldip Gill, Fiona Lam). Upwards of 100 poets have been gathered here accompanied by the rich city photography of Vancouver artist and designer Derek von Essen."McWhirter's goal in 'Verse Map' is to bring poetry into "the everyday consciousness" of Vancouverites; for the rest of Canada, he provides a many-voiced, intimate and unpretentious portrait of the city." - The Globe & Mail
An anthology of 50 stories about Vancouver and environs in the early years of the 20th century. These stories grew out of a collection of picture postcards -- not just any old postcards, but particularly appealing 'real photo' cards that seemed to be waiting to have their stories told. While some of the images are not uncommon, most of the pictures are rare, if not one-of-a-kind survivors of the 'golden age' of postcards, which encompassed the years between 1900 and 1914, the relatively short period of time when Vancouver ended its days as a frontier town and became a significant Canadian city.
Avant Canada presents a rich collection of original essays and creative works on a representative array of avant-garde literary movements in Canada from the past fifty years. From the work of Leonard Cohen and bpNichol to that of Jordan Abel and Liz Howard, Avant Canada features twenty-eight of the best writers and critics in the field. The book proposes four dominant modes of avant-garde production: “Concrete Poetics,” which accentuates the visual and material aspects of language; “Language Writing,” which challenges the interconnection between words and things; “Identity Writing,” which interrogates the self and its sociopolitical position; and “Copyleft Poetics,” which undermines our habitual assumptions about the ownership of expression. A fifth section commemorates the importance of the Centennial in the 1960s at a time when avant-garde cultures in Canada began to emerge. Readers of this book will become familiar with some of the most challenging works of literature—and their creators—that this country has ever produced. From Concrete Poetry in the 1960s through to Indigenous Literature in the 2010s, Avant Canada offers the most sweeping study of the literary avant-garde in Canada to date.
Experimental literature accelerated dramatically in Vancouver in the 1960s as the influence of New American poetics merged with the ideas of Marshall McLuhan. Vancouver poets and artists began thinking about their creative works with new clarity and set about testing and redefining the boundaries of literature. As new gardes in Vancouver explored the limits of text and language, some writers began incorporating collage and concrete poetics into their work while others delved deeper into unsettling, revolutionary, and Surrealist imagery. There was a presumption across the avant-garde communities that radical openness could provoke widespread socio-political change. In other words, the intermedia experimentation and the related destruction of the line between art and society pushed art to the frontlines of a broad socio-political battle of the collective imagination of Vancouver. Finding Nothing traces the rise of the radical avant-garde in Vancouver, from the initial salvos of the Tish group, through Blewointment’s spatial experiments, to radical Surrealisms and new feminisms. Incorporating images, original texts, and interviews, Gregory Betts shows how the VanGardes signalled a remarkable consciousness of the globalized forces at play in the city, impacting communities, orientations, races, and nations.