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Orphaned before she was seventeen, aspiring designer Caitlin Holte is saved from a supernatural force by Adrian, her "bad-boy" neighbor who, she learns, is a half-demon vampire willing to serve as her bodyguard, but unable to protect her heart when Caitlin falls in love with him.
The timeless tale of 14-year-old Velvet Brown's participation in the Grand National Steeplechase has thrilled generations of readers. The story provides a positive role model for girls and remains ever popular with young horse lovers.
Velvet is a laundress in a Victorian steam laundry. With both her mother and father dead, she has to rely upon her own wits to make a living. The laundry is scalding, back-breaking work and Velvet is desperate to create a better life for herself. Then Velvet is noticed by Madame Savoya, a famed medium, who asks Velvet to come work for her. Velvet is dazzled at first by the young yet beautifully dressed and bejewelled Madame. But Velvet soon realizes that Madame Savoya is not all that she says she is, and Velvet's very life is in danger . . . A romantic and thrillingly exciting new novel from an acclaimed and much loved historical writer for teens
'Intelligent, witty and stylish' INDEPEDENT 'Everyone's appetites will be satisfied' ELLE MAGAZINE 'Waters is an author to cherish' GUARDIAN Celebrating five decades of the feminist publisher, each of the Five Gold Reads represents an iconic moment in Virago's history, from the 1970s to today. Piercing the shadows of the naked stage was a single shaft of rosy limelight, and in the centre of this was a girl: the most marvellous girl - I knew it at once! - that I had ever seen . . . Sarah Waters's debut, a delicious reimagining of late-Victorian life, chronicles the adventures of Nan King, who begins life as an oyster girl in the provincial seaside town of Whitstable. Her fortunes are forever changed when she falls in love with a cross-dressing music-hall singer named Miss Kitty Butler. When Kitty's career takes a glittering turn, Nan accompanies her to London as her dresser and secret lover, and, soon after after, dons trousers herself to join the act. But this is only beginning of Nan's adventures, in a novel that follows her through heartbreak, recovery and steamy sexual education, and sees her finally finding friendship and true love in the most unexpected places. 'It's a rare pleasure to discover a writer as assured as Waters' SUNDAY TIMES 'A first-class storyteller' EVENING STANDARD 'Sarah Waters, quite simply, is one of our greatest writers' SUNDAY EXPRESS 'Waters' persistent picking apart of class is fascinating' OBSERVER
Jesus, matadors, panthers, bandits, Indians, movie stars, waifs, and, of course, Elvis are recognized icons of the oft-despised, uber-kitsch art form of black velvet painting. In Black Velvet Art author Eric A. Eliason and photographer Scott Squire present a comprehensive overview of this covertly-loved and overtly-reviled tradition. In cooperation with a network of artists, collectors, importers, and gallery owners in Tijuana, Los Angeles, Seattle, and Calgary, this book draws from the largest survey of velvet painting ever undertaken. The book traces velvet's historical development as a folk art shaped by both indigenous traditions as well as Western consumer expectations in such markets as the South Pacific, Southeast Asia, and particularly the U.S./Mexico border and the black velvet capital of Tijuana. In black velvet, class and taste challenge art as a consumer phenomenon, democratic spirit faces down elitism, reproduction questions originality, and sexuality seduces and provokes religiosity. What is most significant about black velvet art to many Americans is its signaling of the nadir of bad taste. Black velvet is the "anti-art" in many ways. Eliason seeks to explore how and why black velvet serves this function and to examine ways it deserves a glowing redemption.
The Velvet Underground by Sean Albiez,David Pattie Pdf
Though The Velvet Underground were critically and commercially unsuccessful in their time, in ensuing decades they have become a constant touchstone in art rock, punk, post-punk, indie, avant pop and alternative rock. In the 1970s and 80s Lou Reed, John Cale and Nico produced a number of works that traveled a path between art and pop. In 1993 the original band members of Reed, Cale, Morrison and Tucker briefly reunited for live appearances, and afterwards Reed, Cale and briefly Tucker, continued to produce music that travelled the idiosyncratic path begun in New York in the mid-1960s. The influence of the band and band members, mediated and promoted through famous fans such as David Bowie and Brian Eno, seems only to have expanded since the late 1960s. In 1996 the Velvet Underground were in inducted into the Rock and Roll Hall of Fame, demonstrating how far the band had traveled in 30 years from an avant-garde cult to the mainstream recognition of their key contributions to popular music. In these collected essays, Pattie and Albiez present the first academic book-length collection on The Velvet Underground. The book covers a range of topics including the band's relationship to US literature, to youth and cultural movements of the 1960s and beyond and to European culture - and examines these contexts from the 1960s through to the present day.
How France's elites used soft power to pursue their imperial ambitions in the nineteenth century After Napoleon's downfall in 1815, France embraced a mostly informal style of empire, one that emphasized economic and cultural influence rather than military conquest. A Velvet Empire is a global history of French imperialism in the nineteenth century, providing new insights into the mechanisms of imperial collaboration that extended France's power from the Middle East to Latin America and ushered in the modern age of globalization. David Todd shows how French elites pursued a cunning strategy of imperial expansion in which conspicuous commodities such as champagne and silk textiles, together with loans to client states, contributed to a global campaign of seduction. French imperialism was no less brutal than that of the British. But while Britain widened its imperial reach through settler colonialism and the acquisition of far-flung territories, France built a "velvet" empire backed by frequent military interventions and a broadening extraterritorial jurisdiction. Todd demonstrates how France drew vast benefits from these asymmetric, imperial-like relations until a succession of setbacks around the world brought about their unravelling in the 1870s. A Velvet Empire sheds light on France's neglected contribution to the conservative reinvention of modernity and offers a new interpretation of the resurgence of French colonialism on a global scale after 1880. This panoramic book also highlights the crucial role of collaboration among European empires during this period—including archrivals Britain and France—and cooperation with indigenous elites in facilitating imperial expansion and the globalization of capitalism.
Velvet is odd. Instead of dolls that talk and cry, Velvet brings a milkweed pod for show and tell. She wins the class art contest using only an eight-pack of crayons. She likes to collect rocks. Even her name is strange-Velvet! But as the school year unfolds, the things Velvet does and the things that Velvet says slowly begin to make sense. And, in the end, Velvet's classmates discover that being different is what makes Velvet so much fun.
Jude Deveraux steps back to a time and place where revenge and rivalry rule men's hearts—and love conquers all—in this wonderful Montgomery novel. Bronwyn MacArran was a proud Scot. Stephen Montgomery was one of the hated English. He came to Scotland as a conqueror, saw her beauty and was vanquished. But still she would abhor him. She owned a temper hot enough to forge the armors of battle or inflame a valiant soldier's passion. Yet still she would resist him. She became his reason to live, his reason to love. And still she would deny him. But while clan fought clan, while brother took up sword against brother, and the highlands ran with blood—their destiny was made...and this mighty warrior pledged himself to his woman's pride, her honor and her name—and made of their love a torch to burn through the ages!
Fashion reporter Lacey Smithsonian is touring a failing velvet factory in Virginia on its final day of operations-and finds one of the factory owners dead, lashed to a spool of velvet and soaked in blue dye. The workers are delighted, since they blamed the "Blue Devil" for killing their jobs. But when another nickname, the "Velvet Avenger", makes the rounds, and ribbons of blue velvet start popping up, it could be more than Lacey's job at stake-it could be her life...
Scholars of state socialism have frequently invoked “nostalgia” to identify an uncritical longing for the utopian ambitions and lived experience of the former Eastern Bloc. However, this concept seems insufficient to describe memory cultures in the Czech Republic and other contexts in which a “retro” fascination with the past has proven compatible with a steadfast critique of the state socialist era. This innovative study locates a distinctively retro aesthetic in Czech literature, film, and other cultural forms, enriching our understanding of not only the nation’s memory culture, but also the ways in which popular culture can structure collective memory.
"First rule in this line of business: don't sleep with the client." My name's Kate Kane, and when an eight-hundred-year-old vampire prince came to me with a case, I should have told her no. But I've always been a sucker for a femme fatale. It always goes the same way. You move too fast, you get in too deep, and before you know it, someone winds up dead. Last time it was my partner. This time it could be me. Yesterday a werewolf was murdered outside the Velvet, the night-time playground of one of the most powerful vampires in England. Now half the monsters in London are at each other's throats, and the other half are trying to get in my pants. The Witch Queen will protect her own, the wolves are out for vengeance, and the vampires are out for, y'know, blood. I've got a killer on the loose, a war on the horizon, and a scotch on the rocks. It's going to be an interesting day.