Velázquez Metropolitan Museum Of Art From October 3 1989 To January 7 1990
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Velázquez : [Metropolitan Museum of Art, from October 3, 1989, to January 7, 1990 by Antonio Domínguez Ortiz,Alfonso E. Pérez Sánchez,Julián Gállego,Diego Velázquez Pdf
Shows and describes all of Velazquez's major works.
Gary Tinterow,Geneviève Lacambre,Metropolitan Museum of Art (New York, N.Y.),Musée d'Orsay
Author : Gary Tinterow,Geneviève Lacambre,Metropolitan Museum of Art (New York, N.Y.),Musée d'Orsay Publisher : Metropolitan Museum of Art Page : 610 pages File Size : 51,8 Mb Release : 2003 Category : Painting, French ISBN : 9781588390400
Manet/Velázquez by Gary Tinterow,Geneviève Lacambre,Metropolitan Museum of Art (New York, N.Y.),Musée d'Orsay Pdf
Here approximately two hundred works by French and Spanish artists chart the development of this cultural influence and map a fascinating shift in the paradigm of painting, from Idealism to Realism, from Italy to Spain, from Renaissance to Baroque. Above all, these images demonstrate how direct contact with Spanish painting fired the imagination of nineteenth-century French artists and brought about the triumph of Realism in the 1860s, and with it a foundation for modern art."--BOOK JACKET.
Metropolitan Museum of Art. Robert Lehman Collection
Author : Metropolitan Museum of Art. Robert Lehman Collection Publisher : Metropolitan Museum of Art Page : 257 pages File Size : 51,6 Mb Release : 1998 Category : Electronic ISBN : 9780870998812
Author : Mary D. Garrard Publisher : Univ of California Press Page : 212 pages File Size : 47,8 Mb Release : 2001-02-21 Category : Art ISBN : 9780520228412
Artemisia Gentileschi Around 1622 by Mary D. Garrard Pdf
"In this admirable work, at once passionately argued and lucidly written, Professor Garrard effectively considers the social, psychological, and formal complexity of the shaping and reshaping not only of the artist's feminine and feminist identity in the misogynistic society of the seventeenth century, but also of that identity in the discipline of art history today."—Steven Z. Levine, author of Monet, Narcissus, and Self-Reflection "Mary Garrard's detailed investigation into attribution problems in two Artemisia Gentileschi paintings brilliantly interweaves connoisseurship, constructions of gender and artistic identity, and historical analysis. The result is a richer and more nuanced vision of the best-known female artist in western history before the modern era, and an important contribution to feminist studies." —Whitney Chadwick, author of Women, Art, and Society "In her new book, Garrard has taken two bold steps that challenge much received opinion in the 'discipline' of art history. Analyzing two of Gentileschi's least violent but most moving images, Garrard argues that the painter's personality is discernible no less in the subjects and their interpretation than in the 'style' of the works; consideration of both aspects is essential to understanding the meaning of these extraordinary pictures and her authorship. Perhaps even more important, Garrard makes crystal clear that Artemisia Gentileschi, far from a 'good woman painter,' was one of the major visual thinkers of her time."—Irving Lavin, co-author with Marilyn Aronberg Lavin, of La Liturgia d'Amore: Immagini dal Canto dei Cantici nell'arte di Cimabue, Michelangelo, e Rembrandt (Modena, 2000) "Developing her earlier methodologies and revising some conclusions, Garrard clarifies her distinct theoretical approach and voice among feminist critiques of art history. In this text, which reads in part like a forensic mystery, Garrard builds not only an argument for attributions of particular works, but a new understanding of Gentileschi herself at a particular moment in history."—Hilary Robinson, editor of Visibly Female: Feminism and Art Today "One of our most distinguished feminist art historians brings contemporary gender studies to bear on traditional paintings connoisseurship to show how attributions to female artists have often been governed by tacit cultural assumptions about the limitations of women. Her case makes compelling reading for anyone interested in early modern society, culture, women and art in Italy, and in the problematics of feminism and art history."—Kathleen Weil-Garris Brandt, author of Leonardo e la Scultura "By revealing a great woman painter's ways of expressing uniqueness while negotiating expectations, Mary Garrard helps each of us with the subtleties of remaining authentic while living in the world. Artemisia Gentileschi around 1622 is art history to live by."—Gloria Steinem
Metropolitan Museum of Art (New York, N.Y.),Metropolitan Museum of Art (New York, N.Y.). Board of Trustees
Author : Metropolitan Museum of Art (New York, N.Y.),Metropolitan Museum of Art (New York, N.Y.). Board of Trustees Publisher : Unknown Page : 114 pages File Size : 45,5 Mb Release : 1990 Category : Electronic ISBN : PSU:000017745345
Annual Report of the Trustees of the Metropolitan Museum of Art by Metropolitan Museum of Art (New York, N.Y.),Metropolitan Museum of Art (New York, N.Y.). Board of Trustees Pdf
Metropolitan Museum of Art (New York, N.Y.). Board of Trustees
Author : Metropolitan Museum of Art (New York, N.Y.). Board of Trustees Publisher : Unknown Page : 484 pages File Size : 54,9 Mb Release : 1988 Category : Art ISBN : MINN:31951P00322081A
A Gift to America by Chiyo Ishikawa,Marilyn Perry,Edgar Peters Bowron Pdf
In association with the North Carolina Museum of Art, the Museum of Fine Arts Houston, the Seattle Art Museum, and the Fine Arts Museums of San Francisco.
Author : Metropolitan Museum of Art (New York, N.Y.) Publisher : Princeton University Press Page : 264 pages File Size : 52,8 Mb Release : 1987 Category : Art ISBN : UCSC:32106014129008
The Robert Lehman Collection by Metropolitan Museum of Art (New York, N.Y.) Pdf
This volume, one of a series of sixteen, features the forty-two paintings in The Robert Lehman Collection at The Metropolitan Museum, that were collected by Robert Lehman and his father, Philip Lehman. Each is discussed at length in light of recent technical and art-historical research. Among the works here are Petrus Christus's Goldsmith in His Shop (1449), and Hans Memling's Portrait of a Young Man (ca. 1475-80). -- Metropolitan Museum of Art website.
