Versions Of Hollywood Crime Cinema

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Versions of Hollywood Crime Cinema

Author : Carl Howard Freedman
Publisher : Intellect (UK)
Page : 0 pages
File Size : 51,9 Mb
Release : 2013
Category : Crime films
ISBN : 1841507245

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Versions of Hollywood Crime Cinema by Carl Howard Freedman Pdf

No society is without crime, prompting Nathaniel Hawthorne's narrator to make his famous statement in The Scarlet Letter that, however high its hopes are, no civilization can fail to allot a portion of its soil as the site of a prison. Crime has also been a prevailing, common theme in films that call us to consider its construction: How do we determine what is lawful and what is criminal? And how, in turn, does this often hypocritical distinction determine society? Film, argues Carl Freedman, is an especially fruitful medium for considering questions like these. With Versions of Hollywood Crime Cinema, he offers a series of critical readings spanning several genres. From among the mob movies, Freedman focuses on Francis Ford Coppola's Godfather trilogy--arguably the foremost work of crime cinema--crafting a convincing argument that the plot's action is principally driven by the shift from Sicily to America, which marks the shift to a capitalist society. Turning his attention to other genres, Freedman also looks at film noir and Westerns, in addition to films for which crime is significant but not central, from horror movies like Stanley Kubrick's The Shining to science fiction and social realist films like The Grapes of Wrath. In recent years, television has welcomed innovative works like Boardwalk Empire, The Wire, and The Sopranos, and Freedman discusses how television's increasingly congenial creative environment has allowed it to turn out productions whose ability to engage with these larger social questions rivals that of films from the height of cinema's Golden Age.

Crime Films

Author : Thomas Leitch
Publisher : Cambridge University Press
Page : 404 pages
File Size : 53,8 Mb
Release : 2002-08-15
Category : Performing Arts
ISBN : 0521646715

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Crime Films by Thomas Leitch Pdf

This book surveys the entire range of crime films, including important subgenres such as the gangster film, the private eye film, film noir, as well as the victim film, the erotic thriller, and the crime comedy. Focusing on ten films that span the range of the twentieth century, Thomas Leitch traces the transformation of the three leading figures that are common to all crime films: the criminal, the victim and the avenger. Analyzing how each of the subgenres establishes oppositions among its ritual antagonists, he shows how the distinctions among them become blurred throughout the course of the century. This blurring, Leitch maintains, reflects and fosters a deep social ambivalence towards crime and criminals, while the criminal, victim and avenger characters effectively map the shifting relations between subgenres, such as the erotic thriller and the police film, within the larger genre of crime film that informs them all.

Cinematic Comanches

Author : Dustin Tahmahkera
Publisher : U of Nebraska Press
Page : 288 pages
File Size : 44,6 Mb
Release : 2022
Category : Performing Arts
ISBN : 9780803286887

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Cinematic Comanches by Dustin Tahmahkera Pdf

Cinematic Comanches engages in a description and critical appraisal of Indigenous hype, visual representation, and audience reception of Comanche culture and history through the 2013 Disney film The Lone Ranger.

Crime, History, and Hollywood

Author : Willard M. Oliver,Nancy E. Marion
Publisher : Unknown
Page : 0 pages
File Size : 53,7 Mb
Release : 2013
Category : Crime
ISBN : 1594609756

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Crime, History, and Hollywood by Willard M. Oliver,Nancy E. Marion Pdf

In order to gain a better understanding of how criminal justice history is presented in major motion pictures, ten such films were selected for Crime, History, and Hollywood. The films were selected as good representations of criminal justice subject matter, mostly centered on specific crimes, their investigation, and courtroom outcomes. Films made across a wide range of times were also selected, and ones that represented American history from the mid-1800s (Amistad) and into the 1970s (All the President's Men). The most important aspect of the film selection was that they were based on actual historical events. While films such as the Shawshank Redemption and Twelve Angry Men are excellent criminal justice films, they are not based on true historical crimes or events. Each film (chapter) will open with an introduction to the historical event and film. The authors will then present the true historical events that the film was based on. Next, they will present a review of the film's narrative and how Hollywood portrayed the historical event. It should be noted here that the viewing of the film would best complement this section of each chapter. Then a review of the historical accuracy of each film will be reviewed, mentioning the various types of historical inaccuracies employed in each film. Finally, each chapter will present a conclusion in regard to the accuracy of the film, a list of books for further reading on the topic, and the endnotes. "Their passion for history shines through their writing, which is clear, engaging, and efficient....an important contribution to criminological studies of crime films..." -- Criminal Law and Criminal Justice Books "[The] book creates a wonderful path for discussion and connection." -- Lee Ayers, Criminal Justice Review 39(4) PowerPoint slides are available to professors upon adoption of this book. Download sample slides from the full 17-slide presentation here. If you have adopted the book for a course, contact bhall (at) cap-press (dot) com to request the PowerPoint slides.

The Lost Decade

Author : Chris Horn
Publisher : Bloomsbury Publishing USA
Page : 241 pages
File Size : 45,8 Mb
Release : 2023-10-19
Category : Performing Arts
ISBN : 9781501394478

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The Lost Decade by Chris Horn Pdf

Provides an analysis of Hollywood from a fresh viewpoint that shows the careers of Robert Altman, Francis Coppola, William Friedkin, and others in the 1980s as far from conforming to a monolithic pattern of decline, but rather as diverse and complex responses to political and industrial changes. The 1980s are routinely seen as the era of the blockbuster and of 'Reaganite entertainment,' whereas the dominant view of late 1960s and early 1970s American film history is that of a 'Hollywood Renaissance', a relatively brief window of artistry based around a select group of directors. Yet key directors associated with the Renaissance period remained active throughout the 1980s and their work has been obscured or dismissed by a narrow, singular model of American film history. This book deals with industrial contexts that conditioned these directors' ability to work creatively, but it is also very much about the analysis of individual films, bringing to light a range of unheralded work, from the visual experimentation of One from the Heart (Coppola, 1981) to the experimental production contexts of Secret Honor (Altman, 1984) and the stylistic élan of To Live and Die in L.A. (Friedkin, 1985). Behind the homogenous picture of the decline of the auteur in 1980s American cinema are films and careers that merit greater attention, and this book offers a new way to perceive individual films, American film history, and the viability of sustained authorial creativity within post-studio era Hollywood.

Swedish Marxist Noir

Author : Per Hellgren
Publisher : McFarland
Page : 265 pages
File Size : 52,8 Mb
Release : 2018-12-31
Category : Literary Criticism
ISBN : 9781476634159

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Swedish Marxist Noir by Per Hellgren Pdf

Marxist theories have had a profound influence on crime fiction, beginning with the works of the American writers of the 1930s. This study explores the development of a Swedish Marxist noir subgenre after the 1990s through a Marxist reading of central works, from the Marlowe novels of Raymond Chandler to the 1960s social crime fiction of Sjöwall-Wahlöö to modern bestselling authors such as Henning Mankell, Stieg Larsson, Roslund & Hellström, Jens Lapidus, Arne Dahl and others. The works of these writers show a common thread of Marxist worldview in their portrayal of a modern world gone wrong.

British Crime Cinema

Author : Steve Chibnall,Robert Murphy
Publisher : Routledge
Page : 264 pages
File Size : 49,5 Mb
Release : 2005-07-27
Category : Performing Arts
ISBN : 9781134702701

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British Crime Cinema by Steve Chibnall,Robert Murphy Pdf

This is the first substantial study of British cinema's most neglected genre. Bringing together original work from some of the leading writers on British popular film, this book includes interviews with key directors Mike Hodges (Get Carter) and Donald Cammel (Performance). It discusses an abundance of films including: * acclaimed recent crime films such as Shallow Grave, Shopping, and Face. * early classics like They Made Me A Fugitive * acknowledged classics such as Brighton Rock and The Long Good Friday * 50s seminal works including The Lavender Hill Mob and The Ladykillers.

Tony Soprano's America

Author : M. Keith Booker,Isra Daraiseh
Publisher : Rowman & Littlefield
Page : 257 pages
File Size : 40,6 Mb
Release : 2017-03-01
Category : Performing Arts
ISBN : 9781442273238

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Tony Soprano's America by M. Keith Booker,Isra Daraiseh Pdf

Widely regarded as one of the greatest television series of all time, The Sopranos is also considered one of the most significant achievements in contemporary American culture. IThe series spearheaded the launch of a new wave of quality programming that has transformed the way people watch, experience, and talk about television. By chronicling the life and crimes of a New Jersey mobster, his family, and his cronies, The Sopranos examines deep themes at the heart of American life, particularly the country’s seedy underbelly. In Tony Soprano’s America: Gangsters, Guns, and Money, M. Keith Booker and Isra Daraiseh explore the central role of the series in American cultural history. While examining the elements that account for the show’s popularity and critical acclaim, the authors also contend that The Sopranos revolutionized the way audiences viewed television in general and cable programming as well. This book demonstrates how a show focused on an ethnic antihero somehow reflected common themes of contemporary American life, including ethnicity, class, capitalism, therapy, and family dynamics. Providing a sophisticated yet accessible account of the groundbreaking series—a show that rivals film and literature for its beauty and stunning characterization of modern life—this book engages the reader with ideas central to the American experience. Tony Soprano’s America brings to life this profound television program in ways that will entertain, engage, and perhaps even challenge longtime viewers and critics.

Historical Dictionary of Irish Cinema

Author : Roderick Flynn,Patrick Brereton
Publisher : Scarecrow Press
Page : 435 pages
File Size : 45,6 Mb
Release : 2007-07-30
Category : History
ISBN : 9780810864351

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Historical Dictionary of Irish Cinema by Roderick Flynn,Patrick Brereton Pdf

In 1898, documentary footage of a yacht race was shot by Robert A. Mitchell, making him the first Irishman to shoot a film within Ireland. Despite early exposure to the filmmaking process, Ireland did not develop a regular film industry until the late 1910s when James Mark Sullivan established the Film Company of Ireland. Since that time, Ireland has played host to many famous films about the country_Man of Aran, The Quiet Man, The Crying Game, My Left Foot, and Bloody Sunday_as well as others not about the country_Braveheart and Saving Private Ryan. It has also produced great directors such as Neil Jordan and Jim Sheridan, as well as throngs of exceptional actors and actresses: Colin Farrel, Colm Meaney, Cillian Murphy, Liam Neeson, Maureen O'Hara, and Peter O'Toole. The Historical Dictionary of Irish Cinema provides essential facts on the history of Irish cinema through a list of acronyms and abbreviation; a chronology; an introduction; a bibliography; and hundreds of cross-referenced dictionary entries on the pioneers and current leaders in the industry, the actors, directors, distributors, exhibitors, schools, arts centers, the government bodies and some of the legislation they passed, and the films.

Crime Wave

Author : Howard Hughes
Publisher : Bloomsbury Publishing
Page : 264 pages
File Size : 43,8 Mb
Release : 2006-05-26
Category : Performing Arts
ISBN : 9780857711731

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Crime Wave by Howard Hughes Pdf

Crime movies inhabit dark and desperate worlds, yet they account for many of Hollywood's most triumphant successes. In full acknowledgement of this achievement, "Crime Wave" offers an authoritative and informative, stimulating and entertaining guide to the crime movie phenomenon, from its early days to the present, charting its history and celebrating the people who have given it a special and enduring place in cinema goers' affections. Chapters focus on landmark Hollywood films - from 1931's "The Public Enemy", through "The Maltese Falcon", "Point Blank", "Dirty Harry", "The Godfather" trilogy and "Goodfellas", to "LA Confidential" and "Oceans 11" - telling their stories and on the way discussing many more crime movies, both major and lesser known. "Crime Wave" represents and investigates gangster and heist movies, blaxploitation and noir, murder mysteries, vehicles for vigilante or buddy cops, even a gangster love story. It features biographies and filmographies detailing the key participants and background details of the film's making, locations and sets. It also explores each film's sources and influences, its impact on the crime genre and current fashion, including spin-offs, copies and sequels. It examines the films' themes, style and box office fortunes. Detailed cast list information is provided for each of the main featured films. Written with passion, for those who love this cinema, "Crime Wave" is the perfect partner in crime.

Historical Dictionary of Crime Films

Author : Geoff Mayer
Publisher : Scarecrow Press
Page : 515 pages
File Size : 40,5 Mb
Release : 2012
Category : Performing Arts
ISBN : 9780810867697

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Historical Dictionary of Crime Films by Geoff Mayer Pdf

The crime film genre consists of detective films, gangster films, suspense thrillers, film noir, and caper films and is produced throughout the world. Crime film was there at the birth of cinema, and it has accompanied cinema over more than a century of history, passing from silent films to talkies, from black-and-white to color. The genre includes such classics as The Maltese Falcon, The Godfather, Gaslight, The French Connection, and Serpico, as well as more recent successes like Seven, Drive, and L.A. Confidential. The Historical Dictionary of Crime Films covers the history of this genre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on key films, directors, performers, and studios. This book is an excellent access point for students, researchers, and anyone wanting to know more about crime cinema. -- from Amazon.com.

Hardboiled Hollywood

Author : Max Décharné
Publisher : No Exit Press
Page : 260 pages
File Size : 42,5 Mb
Release : 2003
Category : Performing Arts
ISBN : STANFORD:36105026629597

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Hardboiled Hollywood by Max Décharné Pdf

Kiss Me Deadly, Bonnie & Clyde, Get Carter, Little Caesar, Goodfellas - these films may be classics, but their origins are often far less familiar. This book provides a chance to compare the sources with the original films, looking at everything from pulp novels to real-life criminals, and placing the films in the context of the times in which they were made. From The Big Sleep to Point Blank, The Godfather to LA Confidential, HARDBOILED HOLLYWOOD takes you behind the scenes at the scene of the crime. Includes 8 pages of illustrations.

Crime Entertainment Vol. 3 1990-2021

Author : Anonim
Publisher : Unknown
Page : 100 pages
File Size : 43,6 Mb
Release : 2021-12-31
Category : Electronic
ISBN : 9798986121536

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Crime Entertainment Vol. 3 1990-2021 by Anonim Pdf

Classified as crime-entertainment existing in cinema history since the beginning of entertainment, also known as Pre Code Hollywood has always fascinated viewers and inspired filmmakers worldwide. America's first known crime film, 'Sherlock Holmes Baffled', (released 1903) was a 45 seconds long short, and in 1927 during the silent era of making movies, its first gangster crime movie was released, 'Underground'. Compiles made of over 300 movies in the past 30 years from 1990-2021, in the niche crime genre; crime-dramas, crime-drama-thrillers, mafia biopics, shows a true depiction of fan favorites; from budgets and box office numbers to detailed production per picture highlighted with graphic images, part of a collectors edition: Volume 1.

The Crime Films of Anthony Mann

Author : Max Alvarez
Publisher : Univ. Press of Mississippi
Page : 332 pages
File Size : 40,6 Mb
Release : 2014
Category : Performing Arts
ISBN : 9781617039249

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The Crime Films of Anthony Mann by Max Alvarez Pdf

A survey and rediscovery of the many noir films directed by a master of the Western

Crime Movies

Author : Carlos Clarens
Publisher : Da Capo Press
Page : 376 pages
File Size : 47,9 Mb
Release : 1997-03-21
Category : Performing Arts
ISBN : 0306807688

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Crime Movies by Carlos Clarens Pdf

Crime movies are as old as filmmaking itself. They embody the American nightmare, functioning both as a mirror of society and a tool for educating the public about its enemies. In this history of the genre Carlos Clarens gives us a mini-history of crime American-style. From D. W. Griffith and New York's Biograph Studios, where raw violence was introduced to celluloid immortality, to today's multimillion-dollar celebrations of blood and power, Crime Movies shows us the whole picture: the unchanging cast of characters (the gangster hero, swaggering, charming, suspicious; the stoolpigeon or strikebreaker; the moll); the stars (James Cagney, Spencer Tracy, George Raft, Edward G. Robinson, Humphrey Bogart, Richard Widmark); the censorship battles, political pressure, and public outcry. This book illuminates movies such as Intolerance, Underworld, Little Caesar, Public Enemy, Kiss of Death, On the Waterfront, Bonnie and Clyde, The Godfather, Goodfellas, Reservoir Dogs, and hundreds of others, while detailing the film-making strategies Hollywood has adopted to deal with the controversial yet profitable and enduring subject of American criminality.