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One of Britain's most radical veterans takes us on a guided tour through ex-military life at the heart of a dead empire. The military veteran is claimed by all sides. Conservatives, liberals and socialists all want to speak about and for ex-servicemen, yet far-right demonstrations are dotted with berets and medals and ex-military men have become celebrities of the reactionary manosphere. So who are Britain's ex-servicemen? What do they want? What are their politics? What are the issues which animate them? Are they just irredeemable fascists by dint of their service to Empire? Or is there a radical political potential waiting to be unlocked? Former soldier Joe Glenton takes us on a guided tour through ex-forces life at the heart of a dead empire as he attempts to demystify military culture, rescue the veteran from his captors, and discover if a more optimistic, humanist mode of veteranhood can be recovered from the ruins.
One of Britain's most radical veterans takes us on a guided tour through ex-military life at the heart of a dead empire. The military veteran is claimed by all sides. Conservatives, liberals and socialists all want to speak about and for ex-servicemen, yet far-right demonstrations are dotted with berets and medals and ex-military men have become celebrities of the reactionary manosphere. So who are Britain's ex-servicemen? What do they want? What are their politics? What are the issues which animate them? Are they just irredeemable fascists by dint of their service to Empire? Or is there a radical political potential waiting to be unlocked? Former soldier Joe Glenton takes us on a guided tour through ex-forces life at the heart of a dead empire as he attempts to demystify military culture, rescue the veteran from his captors, and discover if a more optimistic, humanist mode of veteranhood can be recovered from the ruins.
From #RhodesMustFall Movements to #HumansMustFall Movements by Artwell Nhemachena,Jairos Kangira Pdf
Might it be possible that the world is being migrated into an era where the imperial periphery will be increasingly governed through Artificial Intelligence (AI) and robotics designed to replace human beings? Celebrated as efficient, strong, unfailing, tireless, precise and beyond corruption, AI and robots are set to replace African leaders who are imperially deemed to be and consistently condemned as corrupt, failed, weak and inefficient. But, if these AI and robots are neo-imperial tools and machinations, the million-dollar question is whether empire is not returning to recolonise the [supposedly inefficient] Africans via the new technologies and machinism? Where Africans once celebrated their liberation war movements, empire has emplaced what it calls liberation technologies designed to supposedly liberate African youths from their own states and governments led by liberation movements. Where Africans once celebrated their liberation war movements, empire has placed its own NGOs/CSOs spewing liberal ideologies designed to ostensibly liberate African youths from their own supposedly failed and corrupt states and government leaders. With African youths/citizens allying not with their liberation movements but with the liberation technologies and liberal NGOs/CSOs, it is not surprising why African citizens oppose their states-led Fast-Track Land Redistribution Programmes while ironically they happily celebrate Fast-Tracked COVID-19 Vaccines. Positing the notion of #HumansMustFall movements, this book underscores ways in which empire is in a process of eternal return to 21st century Africa. The book is crucial for scholars and activists in political science, government studies, sociology, anthropology, cultural studies, history, languages and communication studies, security studies, military studies and development studies.
"Shaffer chronicles the postwar transition of black veterans from the Union army, as well as their subsequent life patterns, political involvement, family and marital life, experiences with social welfare, comradeship with other veterans, and memories of the war itself. He draws on such sources as Civil War pension records to fashion a collective biography - a social history of both ordinary and notable lives - resurrecting the words and memories of many black veterans to provide an intimate view of their lives and struggles."--BOOK JACKET.
Author : James Marten,Caroline E. Janney Publisher : University of Georgia Press Page : 286 pages File Size : 44,9 Mb Release : 2021-07-15 Category : History ISBN : 9780820359670
Buying and Selling Civil War Memory in Gilded Age America by James Marten,Caroline E. Janney Pdf
Buying and Selling Civil War Memory explores the ways in which Gilded Age manufacturers, advertisers, publishers, and others commercialized Civil War memory. Advertisers used images of the war to sell everything from cigarettes to sewing machines; an entire industry grew up around uniforms made for veterans rather than soldiers; publishing houses built subscription bases by tapping into wartime loyalties; while old and young alike found endless sources of entertainment that harkened back to the war. Moving beyond the discussions of how Civil War memory shaped politics and race relations, the essays assembled by James Marten and Caroline E. Janney provide a new framework for examining the intersections of material culture, consumerism, and contested memory in the everyday lives of late nineteenth-century Americans. Each essay offers a case study of a product, experience, or idea related to how the Civil War was remembered and memorialized. Taken together, these essays trace the ways the buying and selling of the Civil War shaped Americans’ thinking about the conflict, making an important contribution to scholarship on Civil War memory and extending our understanding of subjects as varied as print, visual, and popular culture; finance; and the histories of education, of the book, and of capitalism in this period. This highly teachable volume presents an exciting intellectual fusion by bringing the subfield of memory studies into conversation with the literature on material culture. The volume’s contributors include Amanda Brickell Bellows, Crompton B. Burton, Kevin R. Caprice, Shae Smith Cox, Barbara A. Gannon, Edward John Harcourt, Anna Gibson Holloway, Jonathan S. Jones, Margaret Fairgrieve Milanick, John Neff , Paul Ringel, Natalie Sweet, David K. Thomson, and Jonathan W. White.
Men After War by Stephen McVeigh,Nicola Cooper Pdf
This book is an innovative collection of original research which analyzes the many varieties of post-conflict masculinity. Exploring topics such as physical disability and psychological trauma, and masculinity and sexuality in relation to the "feminizing" contexts of wounding and desertion, this volume draws together leading academics in the fields of gender, history, literature, and disability studies, in an inter- and multi-disciplinary exploration of the conditions and circumstances that men face in the aftermath of war.
After the Civil War, white Confederate and Union army veterans reentered--or struggled to reenter--the lives and communities they had left behind. In Sing Not War, James Marten explores how the nineteenth century's "Greatest Generation" attempted to blend back into society and how their experiences were treated by nonveterans. Many soldiers, Marten reveals, had a much harder time reintegrating into their communities and returning to their civilian lives than has been previously understood. Although Civil War veterans were generally well taken care of during the Gilded Age, Marten argues that veterans lost control of their legacies, becoming best remembered as others wanted to remember them--for their service in the war and their postwar political activities. Marten finds that while southern veterans were venerated for their service to the Confederacy, Union veterans often encountered resentment and even outright hostility as they aged and made greater demands on the public purse. Drawing on letters, diaries, journals, memoirs, newspapers, and other sources, Sing Not War illustrates that during the Gilded Age "veteran" conjured up several conflicting images and invoked contradicting reactions. Deeply researched and vividly narrated, Marten's book counters the romanticized vision of the lives of Civil War veterans, bringing forth new information about how white veterans were treated and how they lived out their lives.
"I looked around my cell and saw the sheet of paper taped to the door at chest height. It listed everything in the room, chair, bed, soldier box … For a moment I thought it meant the cell itself; a box to put soldiers in." When the War on Terror began, Briton Joe Glenton felt compelled to serve his nation. He passed through basic training and deployed to Afghanistan in 2006. What he saw overseas left him disillusioned, and he returned home increasingly political and manifesting symptoms of post-traumatic stress disorder. When he refused to return for a second tour, he was denied his right to object and called “a coward and a malingerer.” He went absent without leave and left the country, returning later to the UK voluntarily to campaign against the wars. The military accused him of desertion and threatened years in prison. Soldier Box tells the story of Glenton’s extraordinary journey from a promising soldier to a rebel against what he came to see as unjustified military action.
The War Went On by Brian Matthew Jordan,Evan C. Rothera Pdf
In recent years, Civil War veterans have emerged from historical obscurity. Inspired by recent interest in memory studies and energized by the ongoing neorevisionist turn, a vibrant new literature has given the lie to the once-obligatory lament that the postbellum lives of Civil War soldiers were irretrievable. Despite this flood of historical scholarship, fundamental questions about the essential character of Civil War veteranhood remain unanswered. Moreover, because work on veterans has often proceeded from a preoccupation with cultural memory, the Civil War’s ex-soldiers have typically been analyzed as either symbols or producers of texts. In The War Went On: Reconsidering the Lives of Civil War Veterans, fifteen of the field’s top scholars provide a more nuanced and intimate look at the lives and experiences of these former soldiers. Essays in this collection approach Civil War veterans from oblique angles, including theater, political, and disability history, as well as borderlands and memory studies. Contributors examine the lives of Union and Confederate veterans, African American veterans, former prisoners of war, amputees, and ex-guerrilla fighters. They also consider postwar political elections, veterans’ business dealings, and even literary contests between onetime enemies and among former comrades.
War Veterans and the World after 1945 by Ángel Alcalde,Xosé M. Núñez Seixas Pdf
This book examines war veterans’ history after 1945 from a global perspective. In the Cold War era, in most countries of the world there was a sizeable portion of population with direct war experience. This edited volume gathers contributions which show the veterans’ involvement in all the major historical processes shaping the world after World War II. Cold War politics, racial conflict, decolonization, state-building, and the reshaping of war memory were phenomena in which former soldiers and ex-combatants were directly involved. By examining how different veterans’ groups, movements and organizations challenged or sustained the Cold War, strived to prevent or to foster decolonization, and transcended or supported official memories of war, the volume characterizes veterans as largely independent and autonomous actors which interacted with societies and states in the making of our times. Spanning historical cases from the United States to Hong-Kong, from Europe to Southern Africa, from Algeria to Iran, the volume situates veterans within the turbulent international context since World War II.
South Africa's 'Border War' provides a timely study of the 'war of words' waged by retired South African Defence Force (SADF) generals and other veterans against critics and detractors. The book explores the impact of the 'Border War' on South African culture and society during apartheid and in the new dispensation and discusses the lasting legacy or 'afterlife' of the war in great detail. It also offers an appraisal of the secondary literature of the 'Border War', supplemented by archival research, interviews and an analysis of articles, newspaper reports, reviews and blogs. Adopting a genuinely multidisciplinary approach that borrows from the study of history, literature, visual culture, memory, politics and international relations, South Africa's 'Border War' is an important volume for anyone interested in the study of war and memory or the modern history of South Africa.
No historical event has left as deep an imprint on America's collective memory as the Civil War. In the war's aftermath, Americans had to embrace and cast off a traumatic past. David Blight explores the perilous path of remembering and forgetting, and reveals its tragic costs to race relations and America's national reunion.
Designs on Democracy examines a pivotal period in the formation of the modern profession of architecture in Britain. It shows how architects sought to meet the newly articulated demands of a mass democracy in the wake of the First World War. It does so by providing a vivid picture of architectural culture in interwar London, the Imperial metropolis, drawing on histories of design, practice, professionalism, and representation. Most accounts of this period tend to deal exclusively with the emergence of Modernism; this study takes a different approach, encompassing a much broader perspective on the liberal professional consensus that held sway, including architecture's mainstream and its so-called avant-garde. Readers will encounter a number of unexpected narratives, episodes, and projects: from the British Empire Exhibition at Wembley to the rebuilding of Waterloo Bridge; from the impact of the Great Slump to the passing of the first Architects Registration Act (1931); from Trystan Edwards's radical housing campaigns to the Londoners' League's unorthodox preservationism. Pulling in a range of evidence and sources - periodicals, exhibitions, photographs, and films, alongside architecture - it evokes architectural culture by listening carefully to the tenor of its discourse. Architecture's public realm is thus analysed through sometimes surprising phrases: 'manners' to understand ideals of public propriety, 'vigilance' to explore public proprietorship, 'slump' to contextualise the emergence of public relations, 'machine-craft' to understand the forging of public institutions. The volume spans the excitable discussions about the reconstruction of the profession for a democratic age after WWI, to reconstruction and planning following WWII, providing an ambitious revision of how we can understand twentieth century architecture in Britain.
Author : Francis T. Moore Publisher : Cornell University Press Page : 386 pages File Size : 53,7 Mb Release : 2011-09-01 Category : History ISBN : 9781609090258
In 1861, Francis Moore appeared to be a perfectly ordinary, twenty-three year old man: a carriage maker in the bustling Mississippi River town of Quincy, Illinois. And there he might well have lived out his life in unadventurous comfort. But then the Civil War burst out, and Moore, along with most of his friends, like young men North and South, rushed to enlist in the army. His cavalry regiment soon set off for what proved to be four years of warfare, plunging him into harrowing experiences of battle that would have been unimaginable back in his small hometown and that uprooted him, body and soul, for the remainder of his life. Enter The Story of My Campaign, the remarkable Civil War memoir of Captain Francis T. Moore, which historian Thomas Bahde here offers in an original edition to contemporary readers for the first time. Moore began the war as a private in Company L of the Second Illinois Volunteer Cavalry, and was soon promoted to lieutenant and then captain of his company. He spent most of the war fighting guerillas in Missouri, Kentucky, Tennessee, Mississippi, and Louisiana. He fought at the battle of Belmont, Kentucky, in 1861 and raided Mississippi with General Benjamin Grierson in 1864. He also battled Confederate leaders, such as Nathan Bedford Forrest and Leonidas Polk. His unflinching chronicle of small-scale and irregular warfare, combined with his intimate account of military life, make his memoir as absorbing as it is historically valuable. Moore was also an unusually articulate young man with strong opinions about the war, the preservation of the Union, the institution of slavery, African Americans, the people of the South, and the Confederacy: his wartime observations and his postwar reflections on these themes provide not only a captivating narrative, they also provide readers with an opportunity to examine how the conflict endured in the memory of its veterans and the nation they served. The enormous social upheaval and staggering loss of human life during the Civil War cannot be overstated: the estimated 2 percent of Americans—or 620,000 people—who died in the conflict would be the equivalent of 6,000,000 people today. The Story of My Campaign offers an indelible account of this conflagration from the perspective of one of its survivors. It is evidence of a hard war fought—and the long hard life that followed.
The Grand Army of the Republic, the largest of all Union Army veterans' organizations, was the most powerful single-issue political lobby of the late nineteenth century, securing massive pensions for veterans and helping to elect five postwar presidents from its own membership. To its members, it was also a secret fraternal order, a source of local charity, a provider of entertainment in small municipalities, and a patriotic organization. Using GAR convention proceedings, newspapers, songs, rule books, and local post records, Stuart McConnell examines this influential veterans' association during the years of its greatest strength. Beginning with a close look at the men who joined the GAR in three localities -- Philadelphia; Brockton, Massachusetts; and Chippewa Falls, Wisconsin - McConnell goes on to examine the Union veterans' attitudes towards their former Confederate enemies and toward a whole range of noncombatants whom the verterans called "civilians": stay-at-home townsfolk, Mugwump penion reformers, freedmen, women, and their own sons and daughters. In the GAR, McConnell sees a group of veterans trying to cope with questions concerning the extent of society's obligation to the poor and injured, the place of war memories in peacetime, and the meaning of the "nation" and the individual's relation to it. McConnell aruges that, by the 1890s, the GAR was clinging to a preservationist version of American nationalism that many white, middle-class Northerners found congenial in the face of the social upheavals of that decade. In effect, he concludes, the nineteenth-century career of the GAR is a study in the microcosm of a nation trying to hold fast to an older image of itself in the face of massive social change.
