Victor Hugo Interior Visions From Furniture To Decoration
Victor Hugo Interior Visions From Furniture To Decoration Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Victor Hugo Interior Visions From Furniture To Decoration book. This book definitely worth reading, it is an incredibly well-written.
Victor Hugo, interior visions : from furniture to decoration by Corinne Charles Pdf
his book is the first in a series of publications dedicated to the study and projection of the collections of the Maison de Victor Hugo in Paris and of Hauteville House in Guernsey, and through them, of the heritage of the museums of the City of Paris.
Author : Victor Hugo Publisher : Yale University Press Page : 520 pages File Size : 45,8 Mb Release : 2009-09-29 Category : Foreign Language Study ISBN : 9780300161052
Victor Hugo on Things That Matter by Victor Hugo Pdf
Victor Hugo on Things That Matter gives English speakers the social, historical, cultural, and biographical context that is essential for enjoying the writing and art of this genius of nineteenth-century France. The book's topical organization lets readers investigate Hugo's ideas about private and personal concerns--love, children, grief, nature, God--as well as public and politically important issues--liberty and democracy, tyranny, social justice, humanity, peace, and war. Unlike other Hugo anthologies, Victor Hugo on Things That Matter offers introductions and notes in English and includes twenty-five of Hugo's watercolors and drawings. Readers will find key Hugo texts in the original French, along with the following supplemental information in English: - an overview of Hugo's importance and his private and public personas;- introductions to each chapter;- historical and cultural explanatory notes;- a time line of Hugo's life and work;- suggestions for further reading. Marva Barnett is professor at the University of Virginia, where she also serves as director of the Teaching Resource Center.
Writers' Houses and the Making of Memory by Harald Hendrix Pdf
This innovative new book examines the ways in which writers’ houses contribute to the making of memory. It shows that houses built or inhabited by poets and novelists both reflect and construct the author’s private and artistic persona; it also demonstrates how this materialized process of self-fashioning is subsequently appropriated within various strategies and policies of cultural memory.
Photojournalism and the Origins of the French Writer House Museum (1881-1914) by Elizabeth Emery Pdf
Why did writers' private homes become so linked to their work that contemporaries began preserving them as museums? Photojournalism and the Origins of the French Writer House Museum addresses this and other questions by providing an overview of the social forces that brought writers' homes to the forefront of the French imagination at the end of the nineteenth century and the beginning of the twentieth. This study analyzes representations of the apartments and houses of Corneille, Hugo, Balzac, Dumas, Sand, Zola, Loti, Montesquiou, Mallarm?and Proust, among others, arguing that the writer's home became a contested space and an important part of the French patrimony at this time. This is the first book to emphasize the house museum as an essentially modern construct, and to trace the history of ideas leading to its institutionalization in twentieth-century France. The interdisciplinary study also brings new attention to the importance of photojournalism for fin-de-si?e France - and brings to light fascinating and forgotten examples of 'at home' photography by Dornac and Henri Mairet. Elizabeth Emery provides a fresh and compelling perspective on conjunctions between visual, literary, and material cultures.
In the 18th century the idea of the landscape garden, which had originated in England, spread all over Europe. The geometry of the Baroque park was abandoned in favour of a 'natural' design. At the same time the garden became "The land of illusion": Chinese pagodas, Egyptian tombs, and Turkish mosques, along with Gothic stables and Greek and Roman temples, formed a miniature world in which distance mingled with the past. The keen interest in a fairy-tale China, which was manifested not only in the gardens but also in the chinoiseries of the Rococo, abated in the 19th century. The increasing expansion of the European colonial powers was reflected in new exotic fashions. While in England it was primarily the conquest of the Indian subcontinent that captured the imagination, for France the occupation of Algiers triggered an Orient-inspired fashion that spread from Paris to encompass the entire Continent, and found its expression in paintings, novels, operas, and buildings. This 'Orient', which could not be clearly defined geographically, was characterised by Islamic culture: It extended around the Mediterranean Sea from Constantinople to Granada. There, it was the Alhambra that fascinated writers and architects. The Islamic styles seemed especially appropriate for "buildings of a secular and cheerful character". In contrast to ancient Egyptian building forms, which, being severe and monumental, were preferably used for cemetery buildings, prisons or libraries, they promised earthly sensuous pleasures. The promise of happiness associated with an Orient staged by architectural means was intended to guarantee the commercial success of coffee houses and music halls, amusement parks, and steam baths. But even extravagant summer residences and middle-class villas were often built in faux-Oriental styles: In Brighton, the Prince Regent George (George IV after 1820) built himself an Indian palace; in Bad Cannstatt near Stuttgart, a 'Moorish' refuge was erected for Württemberg's King Wilhelm I; and the French town of Tourcoing was the site of the Palais du Congo, a bombastic villa in the Indian Moghul style that belonged to a wealthy perfume and soap manufacturer.
Making Sense of Health, Disease, and the Environment in Cross-Cultural History: The Arabic-Islamic World, China, Europe, and North America by Florence Bretelle-Establet,Marie Gaille,Mehrnaz Katouzian-Safadi Pdf
This book has been defined around three important issues: the first sheds light on how people, in various philosophical, religious, and political contexts, understand the natural environment, and how the relationship between the environment and the body is perceived; the second focuses on the perceptions that a particular natural environment is good or bad for human health and examines the reasons behind such characterizations ; the third examines the promotion, in history, of specific practices to take advantage of the health benefits, or avoid the harm, caused by certain environments and also efforts made to change environments supposed to be harmful to human health. The feeling and/or the observation that the natural environment can have effects on human health have been, and are still commonly shared throughout the world. This led us to raise the issue of the links observed and believed to exist between human beings and the natural environment in a broad chronological and geographical framework. In this investigation, we bring the reader from ancient and late imperial China to the medieval Arab world up to medieval, modern, and contemporary Europe. This book does not examine these relationships through the prism of the knowledge of our modern contemporary European experience, which, still too often, leads to the feeling of totally different worlds. Rather, it questions protagonists who, in different times and in different places, have reflected, on their own terms, on the links between environment and health and tries to obtain a better understanding of why these links took the form they did in these precise contexts. This book targets an academic readership as well as an “informed audience”, for whom present issues of environment and health can be nourished by the reflections of the past.
The Grove Encyclopedia of Decorative Arts by Gordon Campbell Pdf
The Grove Encyclopedia of Decorative Arts covers thousands of years of decorative arts production throughout western and non-western culture. With over 1,000 entries, as well as hundreds drawn from the 34-volume Dictionary of Art, this topical collection is a valuable resource for those interested in the history, practice, and mechanics of the decorative arts. Accompanied by almost 100 color and more than 500 black and white illustrations, the 1,290 pages of this title include hundreds of entries on artists and craftsmen, the qualities and historic uses of materials, as well as concise definitions on art forms and style. Explore the works of Alvar Aalto, Charles and Ray Eames, and the Wiener Wekstatte, or delve into the history of Navajo blankets and wing chairs in thousands of entries on artists, craftsmen, designers, workshops, and decorative art forms.
