Victorian Cathedral Music In Theory And Practice

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Victorian Cathedral Music in Theory and Practice

Author : William J. Gatens
Publisher : Cambridge University Press
Page : 248 pages
File Size : 51,7 Mb
Release : 1986-11-13
Category : Music
ISBN : 0521268087

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Victorian Cathedral Music in Theory and Practice by William J. Gatens Pdf

This is a critical assessment of Victorian cathedral music, unique in its detailed treatment of the cultural intellectual, philosophical and religious issues that shaped the composer's creative world and so influenced compositional practice. Among the issues investigated by William Gatens are the status of music in Church and society, the Victorians' views on the moral dimension of music, the aesthetic implications of Christian orthodoxy and notions of stylistic propriety. The careers and works of seven eminent composers - Thomas Attwood, T. A. Walmisley, John Goss, S. S. Wesley, F. A. G. Ouseley, John Stainer and Joseph Barnby - are discussed in some detail with emphasis on anthems and fully composed service settings. These provide specific illustrations of stylistic trends and the practical effects of theoretical principles. The study seeks to correct some of the misunderstandings and distortions that were common among earlier twentieth-century writers on the subject.

Victorian Britain (Routledge Revivals)

Author : Sally Mitchell
Publisher : Routledge
Page : 1014 pages
File Size : 54,7 Mb
Release : 2012-08-06
Category : History
ISBN : 9781136716171

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Victorian Britain (Routledge Revivals) by Sally Mitchell Pdf

First published in 1988, this encyclopedia serves as an overview and point of entry to the complex interdisciplinary field of Victorian studies. The signed articles, which cover persons, events, institutions, topics, groups and artefacts in Great Britain between 1837 and 1901, have been written by authorities in the field and contain bibliographies to provide guidelines for further research. The work is intended for undergraduates and the general reader, and also as a starting point for graduates who wish to explore new fields.

The Making of the Victorian Organ

Author : Nicholas Thistlethwaite
Publisher : Cambridge University Press
Page : 616 pages
File Size : 49,5 Mb
Release : 1999-08-26
Category : Music
ISBN : 0521663644

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The Making of the Victorian Organ by Nicholas Thistlethwaite Pdf

This important 1990 book provides a comprehensive survey of English organ building during the most innovative fifty years in its history.

Victorian Britain

Author : Sally Mitchell
Publisher : Routledge
Page : 1014 pages
File Size : 53,9 Mb
Release : 2011
Category : History
ISBN : 9780415668514

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Victorian Britain by Sally Mitchell Pdf

First published in 1988, this encyclopedia serves as an overview and point of entry to the complex interdisciplinary field of Victorian studies. The signed articles, which cover persons, events, institutions, topics, groups and artefacts in Great Britain between 1837 and 1901, have been written by authorities in the field and contain bibliographies to provide guidelines for further research. The work is intended for undergraduates and the general reader, and also as a starting point for graduates who wish to explore new fields.

The Genesis and Development of an English Organ Sonata

Author : Iain Quinn
Publisher : Taylor & Francis
Page : 124 pages
File Size : 40,5 Mb
Release : 2017-02-03
Category : Music
ISBN : 9781315470641

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The Genesis and Development of an English Organ Sonata by Iain Quinn Pdf

This volume considers the influences and development of the English organ sonata tradition that began in the 1850s with compositions by W. T. Best and William Spark. With the expansion of the instrument’s capabilities came an opportunity for organist-composers to consider the repertoire anew with many factors reinforcing a desire to elevate the literature to new heights. This study begins by examining the legacy of the keyboard sonata in Britain and especially the pedagogical lineage that was to be seen through Mendelssohn and ultimately the early organ sonatas. The abiding influence of William Crotch’s lectures are studied to illuminate how a culture of conservatism emboldened the organist-composers towards compositions that were seen to represent the ideals of the Classical era but in a contemporary vein. The veneration of Bach, Mozart and Beethoven is then examined as composers wrote "portfolio" sonatas, each with a movement in a contrasting style to exhibit their compositional prowess while providing repertoire for the novice and connoisseur alike. Finally the volume considers how the British organist-composers who studied at the Leipzig Conservatorium had a direct bearing on the furtherance of an organ culture at home that in turn set the ground for the seminal work in the genre, Elgar’s Sonata of 1895.

English Cathedral Music and Liturgy in the Twentieth Century

Author : Martin Thomas
Publisher : Routledge
Page : 304 pages
File Size : 44,5 Mb
Release : 2016-03-09
Category : Religion
ISBN : 9781317143192

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English Cathedral Music and Liturgy in the Twentieth Century by Martin Thomas Pdf

This book examines the stylistic development of English cathedral music during a period of liturgical upheaval, looking at the attitudes of cathedral clergy, liturgists, composers, leading church music figures and organisations to music and liturgy. Arguments that were advanced for retaining an archaic style in cathedral music are considered, including the linking of musical style with liturgical language, the recommending of a subservient role for music in the liturgy, and the development of a language of fittingness to describe church music. The roles of the RSCM and other influential bodies are explored. Martin Thomas draws on many sources: the libraries and archives of English cathedrals; contemporary press coverage and the records of church music bodies; publishing practices; secondary literature; and the music itself. Concluding that an arresting of development in English cathedral music has prevented appropriate influences from secular music being felt, Thomas contrasts this with how cathedrals have often successfully and dynamically engaged with the world of the visual arts, particularly in painting and sculpture. Presenting implications for all denominations and for patronage of the arts by churches, and the place of musical aesthetics in the planning of liturgy, this book offers an important resource for music, theology, liturgy students and ministry teams worldwide.

Studies in English Church Music, 1550-1900

Author : Nicholas Temperley
Publisher : Taylor & Francis
Page : 361 pages
File Size : 51,6 Mb
Release : 2023-06-14
Category : History
ISBN : 9781000947670

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Studies in English Church Music, 1550-1900 by Nicholas Temperley Pdf

Nicholas Temperley has pioneered the history of popular church music in England, as expounded in his classic 1979 study, The Music of the English Parish Church; his Hymn Tune Index of 1998; and his magisterial articles in The New Grove. This volume brings together fourteen shorter essays from various journals and symposia, both British and American, that are often hard to find and may be less familiar to many scholars and students in the field. Here we have studies of how singing in church strayed from artistic control during its neglect in the 16th and 17th centuries, how the vernacular 'fuging tune' of West Gallery choirs grew up, and how individuals like Playford, Croft, Madan, and Stainer set about raising artistic standards. There are also assessments of the part played by charity in the improvement of church music, the effect of the English organ and the reasons why it never inspired anything resembling the German organ chorale, and the origins of congregational psalm chanting in late Georgian York. Whatever the topic, Temperley takes a fresh approach based on careful research, while refusing to adopt artistic or religious preconceptions.

The House of Novello

Author : VictoriaL. Cooper
Publisher : Routledge
Page : 221 pages
File Size : 55,8 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351543583

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The House of Novello by VictoriaL. Cooper Pdf

By the mid-nineteenth century music publishing was no longer the provenance of shopkeepers, instrument makers or individual scholars, but a business enterprise undertaken by a new breed of Victorian entrepreneur. Two such were Vincent Novello and his son Alfred, whose music publishing house enjoyed significant growth between 1829 and 1866. Victoria Cooper builds up a picture of Novello during this period and the socio-economic and cultural climate that influenced the company's business decisions. Looking in detail at some of the editions Novello published, she analyzes the editing style of the firm and how this was dictated by Novello's main audience of amateur musicians and choral societies. Scrutiny of Novello's stockbook indicates the financial fortunes of these editions, while correspondence between the firm and composers such as Mendelssohn reveals how Vincent and Alfred went about acquiring new compositions. With its focus on the development of a music publishing business, this study brings a fresh dimension to musicological research. Novello was able to combine business practice with a commitment to disseminate music of educational and artistic value, and the history of the company provides illuminating evidence of the commodification of music in nineteenth-century Britain.

Thomas Tallis and His Music in Victorian England

Author : Suzanne Cole
Publisher : Boydell Press
Page : 242 pages
File Size : 50,5 Mb
Release : 2008
Category : History
ISBN : 1843833808

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Thomas Tallis and His Music in Victorian England by Suzanne Cole Pdf

A survey of the huge importance of Thomas Tallis, the `Father of Church Music', on Victorian musical life. In Victorian England, Tallis was ever-present: in performances of his music, in accounts of his biography, and through his representation in physical monuments. Known in the nineteenth century as the 'Father of English Church Music', Tallis occupies a central position in the history of the music of the Anglican Church. This book examines in detail the reception of two works that lie at the stylistic extremes of his output: Spem in alium, revived in the 1830s, though generally not greatly admired, and the Responses, which were very popular. A close study of the performances, manuscripts and editions of these works casts light on the intersections between the antiquarian, liturgical and aesthetic goals of nineteenth-century editors and musicians. By tracing Tallis's reception in nineteenth-century England, the author charts the hold Tallis had on the Victorians and the ways in which Anglican - and English - identity was defined and challenged. Dr SUE COLE is a research associate at the Faculty of Music, University of Melbourne.

Nineteenth-Century British Music Studies

Author : Peter Horton,Bennett Zon
Publisher : Routledge
Page : 310 pages
File Size : 46,6 Mb
Release : 2019-05-23
Category : Music
ISBN : 9780429627170

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Nineteenth-Century British Music Studies by Peter Horton,Bennett Zon Pdf

Originally published in 2003 and selected from papers given at the third biennial conference on Music in Nineteenth-Century Britain, this volume, in common with its two predecessors, reflects the interdisciplinary character of the topic. The introductory essay by Julian Rushton considers some of the questions that are key to this area of study: what is the nineteenth century, what is British music, and did London influence the continent? The essays that follow are divided into broad thematic groups covering aspects of gender, church music, national identity, and local and national institutions. This collection illustrates that while nineteenth-century British music studies is still in its infancy as a field of research, it is one that is burgeoning and contributing to our understanding of British social and cultural life of the period.

The Organist in Victorian Literature

Author : Iain Quinn
Publisher : Springer
Page : 109 pages
File Size : 52,7 Mb
Release : 2017-01-09
Category : Literary Criticism
ISBN : 9783319492230

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The Organist in Victorian Literature by Iain Quinn Pdf

The book examines the perception of the organist as the most influential musical figure in Victorian society through the writings of Thomas Hardy and Robert Browning. This will be the first book in the burgeoning area of research into the relationship of music and literature that examines the societal perceptions of a figure central to civic life in Victorian England. This book is deliberately interdisciplinary and will be of special interest to literature scholars and students of Victorian studies, culture, society, religion, gender studies, and music. However, the nature of the text does not require specialist knowledge of music.

Religion in Victorian Britain

Author : Gerald Parsons,John Wolffe
Publisher : Manchester University Press
Page : 372 pages
File Size : 44,5 Mb
Release : 1988
Category : Great Britain
ISBN : 0719051843

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Religion in Victorian Britain by Gerald Parsons,John Wolffe Pdf

Provides an expansion of the first four volumes, containing both specially written essays and a related compilation of primary sources, drawn from the writings of the day. The text explores the wider context of religion in Victorian Britain, both in relation to the development of the Empire and its consequences. The introduction sets the scene and also provides an overview of scholarship on Victorian religion in the years since the first four volumes were published in 1988.

The Choral Foundation of the Chapel Royal, Dublin Castle

Author : David Michael O'Shea
Publisher : Boydell & Brewer
Page : 307 pages
File Size : 44,6 Mb
Release : 2023-05-23
Category : Electronic
ISBN : 9781783277704

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The Choral Foundation of the Chapel Royal, Dublin Castle by David Michael O'Shea Pdf

The first investigation into the choral foundation of the Chapel Royal, Dublin Castle. The Chapel Royal, Dublin Castle, was the place of worship of the British monarch's representative in Ireland from 1814 until the inception of the Irish Free State in 1922. It was founded and maintained by the joint efforts of church and state, and thus its history provides valuable insights into how the relationship between religion and politics shaped Irish society and identity. The Dublin Chapel was established in imitation of the Chapel Royal of St James's Palace, London, and was served by a staff of clergy and musicians. Its musical foundation was a formal and independent entity, with its own personnel and performance traditions. Its distinctive repertoire included music from the English and Irish cathedral traditions, as well as works written by composers associated directly with the Chapel. This study investigates the Chapel's constitution, liturgy and music through an examination of previously unexplored primary material. Discussion of the circumstances of the Chapel's founding and its governance structures situates the institution in the context of the church-state relationship that existed following the Union of 1800. Further, by exploring architecture, churchmanship and musical style, O'Shea demonstrates how the Chapel was part of a wider aesthetic and liturgical tradition. The choral foundation is brought to life with accounts of the Chapel's clergy, organists, boy choristers and gentleman singers, which provide insights into Dublin's social history during a period of significant change. This book reflects on the Dublin Chapel Royal's legacy a century after its closure and offers a new perspective into a forgotten corner of Irish cultural, religious and political history.

Samuel Sebastian Wesley: A Life

Author : Peter Horton
Publisher : Oxford University Press on Demand
Page : 406 pages
File Size : 54,6 Mb
Release : 2004-03-04
Category : Biography & Autobiography
ISBN : 9780198161462

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Samuel Sebastian Wesley: A Life by Peter Horton Pdf

Born into one of England's best-known families, Samuel Sebastian Wesley (1810-76) was not only the foremost organist and church musician of his generation, but a vigorous campaigner for higher standards in cathedral music. He was also a troubled, difficult character, and accounts of his abrasive personality or anecdotes about his fishing exploits have tended to obscure his very real achievements as a composer.Peter Horton has drawn on a wide range of source material to produce a detailed account of Wesley's life and career as he moved from cathedral to cathedral in search of an unattainable ideal, his youthful idealism gradually giving way to the cynicism and disillusion familiar to those who encountered him late in life. He also examines his development as a composer and presents a study of his complete output (including the many non-church works) against the background of his restless career andin a wider European context. The book is illustrated by a generous selection of musical examples and plates, and includes the most detailed list of works to appear in print.

Anglican Chant and Chanting in England, Scotland, and America, 1660 to 1820

Author : Ruth Mack Wilson
Publisher : Oxford University Press
Page : 364 pages
File Size : 41,5 Mb
Release : 1996
Category : Anglican chants
ISBN : 0198164246

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Anglican Chant and Chanting in England, Scotland, and America, 1660 to 1820 by Ruth Mack Wilson Pdf

This book presents, for the first time, a history of English liturgical chant as performed in the Church of England and its transmission to churches in Scotland and the United States. In the mid-sixteenth century Reformation, the complex ritual of the Latin rite was replaced by a one-volumeBook of Common Prayer in English. The general nature of the new rubrics, expecially for music, left many of the details of performance to be worked out in traditional ways. Thus the music evolved from its Latin roots in oral, and later written practice. The body of music that makes up the chantingpractice of Anglican and related churches around the world is indeed diversified. Some texts of the liturgy are harmonized in four or more voice parts, often with organ accompaniment, and others are sung in plainsong. The largest group of chants, those for the psalms and canticles, has anidiosyncratic written form and a performance practice that continues to evolve in oral tradition. This music is commonly known as Anglican chant. Its origins in the seventeenth century and its codification in the eighteenth are explored in the choral establishments of the Church of England andparish churches in England, Scotland, and the United States.