Thomas Tallis And His Music In Victorian England

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Thomas Tallis and His Music in Victorian England

Suzanne Cole
Thomas Tallis and His Music in Victorian England Book PDF

Author : Suzanne Cole
Publisher : Boydell Press
Page : 242 pages
File Size : 47,7 Mb
Release : 2008
Category : History
ISBN : 1843833808

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Thomas Tallis and His Music in Victorian England by Suzanne Cole Pdf

A survey of the huge importance of Thomas Tallis, the `Father of Church Music', on Victorian musical life. In Victorian England, Tallis was ever-present: in performances of his music, in accounts of his biography, and through his representation in physical monuments. Known in the nineteenth century as the 'Father of English Church Music', Tallis occupies a central position in the history of the music of the Anglican Church. This book examines in detail the reception of two works that lie at the stylistic extremes of his output: Spem in alium, revived in the 1830s, though generally not greatly admired, and the Responses, which were very popular. A close study of the performances, manuscripts and editions of these works casts light on the intersections between the antiquarian, liturgical and aesthetic goals of nineteenth-century editors and musicians. By tracing Tallis's reception in nineteenth-century England, the author charts the hold Tallis had on the Victorians and the ways in which Anglican - and English - identity was defined and challenged. Dr SUE COLE is a research associate at the Faculty of Music, University of Melbourne.

Thomas Tallis

John Harley
Thomas Tallis Book PDF

Author : John Harley
Publisher : Routledge
Page : 339 pages
File Size : 47,7 Mb
Release : 2016-02-24
Category : Music
ISBN : 9781317010357

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Thomas Tallis by John Harley Pdf

John Harley’s Thomas Tallis is the first full-length book to deal comprehensively with the composer’s life and works. Tallis entered the Chapel Royal in the middle of a long life, and remained there for over 40 years. During a colourful period of English history he famously served King Henry VIII and the three of Henry’s children who followed him to the throne. His importance for English music during the second half of the sixteenth century is equalled only by that of his pupil, colleague and friend William Byrd. In a series of chronological chapters, Harley describes Tallis’s career before and after he entered the Chapel. The fully considered biography is placed in the context of larger political and cultural changes of the period. Each monarch’s reign is treated with an examination of the ways in which Tallis met its particular musical needs. Consideration is given to all of Tallis’s surviving compositions, including those probably intended for patrons and amateurs beyond the court, and attention is paid to the context within which they were written. Tallis emerges as a composer whose music displays his special ability in setting words and creating ingenious musical patterns. A table places most of Tallis’s compositions in a broad chronological order.

Tallis

Kerry McCarthy
Tallis Book PDF

Author : Kerry McCarthy
Publisher : MASTER MUSICIANS SERIES
Page : 281 pages
File Size : 50,9 Mb
Release : 2020
Category : Composers
ISBN : 9780190635213

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Tallis by Kerry McCarthy Pdf

The composer Thomas Tallis (c. 1505 - November 1585) lived and worked through much of the turbulent Tudor period in England. Unlike many of his contemporaries, he did not just react to radical change: he thrived on it. He helped invent new musical styles to meet the demands of the English Reformation. He revived and reimagined older musical forms for a new era. Fewer than a hundred of his works have survived, but they are incredibly diverse, from miniature settings of psalms and hymns to a monumental forty-voice motet. In this new biography, author Kerry McCarthy traces Tallis's long career from his youthful appointment at Dover Priory to his years as a senior member of the Chapel Royal, revisiting the most important documents of his life and a wide variety of his musical works. The book also takes readers on a guided journey along the River Thames to the palaces, castles, and houses where Tallis made music for the four monarchs he served. It ends with reflections on Tallis's will, his epitaph (whose complete text McCarthy has recently rediscovered), and other postmortem remembrances that give us a glimpse of his significant place in the sixteenth-century musical world. Tallis will be treasured by performers, scholars, Tudor enthusiasts, and anyone interested in English Renaissance music.

Tallis

Kerry McCarthy PhD
Tallis Book PDF

Author : Kerry McCarthy PhD
Publisher : Oxford University Press
Page : 320 pages
File Size : 52,6 Mb
Release : 2020-08-11
Category : Music
ISBN : 9780190635220

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Tallis by Kerry McCarthy PhD Pdf

The composer Thomas Tallis (c. 1505 - November 1585) lived and worked through much of the turbulent Tudor period in England. Unlike many of his contemporaries, he did not just react to radical change: he thrived on it. He helped invent new musical styles to meet the demands of the English Reformation. He revived and reimagined older musical forms for a new era. Fewer than a hundred of his works have survived, but they are incredibly diverse, from miniature settings of psalms and hymns to a monumental forty-voice motet. In this new biography, author Kerry McCarthy traces Tallis's long career from his youthful appointment at Dover Priory to his years as a senior member of the Chapel Royal, revisiting the most important documents of his life and a wide variety of his musical works. The book also takes readers on a guided journey along the River Thames to the palaces, castles, and houses where Tallis made music for the four monarchs he served. It ends with reflections on Tallis's will, his epitaph (whose complete text McCarthy has recently rediscovered), and other postmortem remembrances that give us a glimpse of his significant place in the sixteenth-century musical world. Tallis will be treasured by performers, scholars, Tudor enthusiasts, and anyone interested in English Renaissance music.

Music and Institutions in Nineteenth-Century Britain

Paul Rodmell
Music and Institutions in Nineteenth Century Britain Book PDF

Author : Paul Rodmell
Publisher : Routledge
Page : 308 pages
File Size : 44,7 Mb
Release : 2016-04-29
Category : Music
ISBN : 9781317092476

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Music and Institutions in Nineteenth-Century Britain by Paul Rodmell Pdf

In nineteenth-century British society music and musicians were organized as they had never been before. This organization was manifested, in part, by the introduction of music into powerful institutions, both out of belief in music's inherently beneficial properties, and also to promote music occupations and professions in society at large. This book provides a representative and varied sample of the interactions between music and organizations in various locations in the nineteenth-century British Empire, exploring not only how and why music was institutionalized, but also how and why institutions became 'musicalized'. Individual essays explore amateur societies that promoted music-making; institutions that played host to music-making groups, both amateur and professional; music in diverse educational institutions; and the relationships between music and what might be referred to as the 'institutions of state'. Through all of the essays runs the theme of the various ways in which institutions of varying formality and rigidity interacted with music and musicians, and the mutual benefit and exploitation that resulted from that interaction.

The Advancement of Music in Enlightenment England

Tim Eggington
The Advancement of Music in Enlightenment England Book PDF

Author : Tim Eggington
Publisher : Boydell & Brewer Ltd
Page : 321 pages
File Size : 54,5 Mb
Release : 2014
Category : History
ISBN : 9781843839064

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The Advancement of Music in Enlightenment England by Tim Eggington Pdf

This is a book guaranteed to make waves. It skilfully weaves the story of one key musical figure into the story of one key institution, which it then weaves into the general story of music in eighteenth-century England. Anyone reading it will come away with fresh knowledge and perceptions - plus a great urge to hear Cooke's music.' Michael Talbot, Emeritus Professor of Music at the University of Liverpool and Fellow of the British Academy. Amidst the cosmopolitan, fashion obsessed concert life of later eighteenth century London there existed a discrete musical counterculture centred round a club known as the Academy of Ancient Music. Now largely forgotten, this enlightened school of musical thinkers sought to further music by proffering an alternative vision based on a high minded intellectual curiosity. Perceiving only ear-tickling ostentation in the showy styles that delighted London audiences, they aspired to raise the status of music as an art of profound expression, informed by its past and founded on universal harmonic principles. Central to this group of musical thinkers was the modest yet highly accomplished musician-scholar Benjamin Cooke, who both embodied and reflected this counterculture. As organist of Westminster Abbey and conductor of the Academy of Ancient Music for much of the second half of the eighteenth century, Cooke enjoyed prominence in his day as a composer, organist, teacher, and theorist. This book shows how, through his creativity, historicism and theorising, Cooke was instrumental in proffering an Enlightenment-inspired reassessment of musical composition and thinking at the Academy. The picture portrayed counters the current tendency to dismiss eighteenth-century English musicians as conservative and provincial. Casting new and valuable light on English musical history and on Enlightenment culture more generally, this book reveals how the agenda for musical advancement shared by Cooke and his Academy associates foreshadowed key developments that would mould European music of the nineteenth century and after. It includes an extensive bibliography, a detailed overview of the Cooke Collection at the Royal College of Music and a complete list of Cooke's works. TIM EGGINGTON is College Librarian at Queens' College, Cambridge.

Angel Song: Medieval English Music in History

Lisa Colton
Angel Song Medieval English Music in History Book PDF

Author : Lisa Colton
Publisher : Taylor & Francis
Page : 192 pages
File Size : 51,9 Mb
Release : 2016-12-08
Category : Music
ISBN : 9781317181156

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Angel Song: Medieval English Music in History by Lisa Colton Pdf

Although medieval English music has been relatively neglected in comparison with repertoire from France and Italy, there are few classical musicians today who have not listened to the thirteenth-century song ‘Sumer is icumen in’, or read of the achievements and fame of fifteenth-century composer John Dunstaple. Similarly, the identification of a distinctively English musical style (sometimes understood as the contenance angloise) has been made on numerous occasions by writers exploring the extent to which English ideas influenced polyphonic composition abroad. Angel song: Medieval English music in history examines the ways in which the standard narratives of English musical history have been crafted, from the Middle Ages to the present. Colton challenges the way in which the concept of a canon of English music has been built around a handful of pieces, composers and practices, each of which offers opportunities for a reappraisal of English musical and devotional cultures between 1250 and 1460.

British Music and Literary Context

Michael Allis
British Music and Literary Context Book PDF

Author : Michael Allis
Publisher : Boydell Press
Page : 334 pages
File Size : 53,5 Mb
Release : 2012
Category : Literary Criticism
ISBN : 9781843837305

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British Music and Literary Context by Michael Allis Pdf

Despite several recent monographs, editions and recordings devoted to the reassessment of British music in the late nineteenth and early twentieth century, some negative perceptions still remain--particularly a sense that British composers in this period somehow lacked literary credentials. British Music and Literary Context counters this perception by showing that these composers displayed a real confidence and assurance in refiguring literary texts in their music. The book explores how a literary context might offer modern audiences and listeners a 'way in' to appreciate specific works that have traditionally been viewed as problematic. Each chapter of this interdisciplinary study juxtaposes a British composer with a particular literary counterpart or genre. Issues highlighted in the book include the vexed relationship between words and music, the refiguring of literary narratives as musical structures, and the ways in which musical settings or representations of literary texts might be seen as critical 'readings' of those texts. Anyone interested in nineteenth-century British music, literature and Victorian studies will enjoy this thought-provoking and perceptive book.

Music in Nineteenth-Century Britain

Rosemary Golding
Music in Nineteenth Century Britain Book PDF

Author : Rosemary Golding
Publisher : Taylor & Francis
Page : 433 pages
File Size : 53,9 Mb
Release : 2022-08-15
Category : History
ISBN : 9781000564297

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Music in Nineteenth-Century Britain by Rosemary Golding Pdf

This volume of primary source material examines music and society in Britian during the ninteenth century. Sources explore religion, politics, class, and gender. The collection of materials are accompanied by an introduction by Rosemary Golding, as well as headnotes contextualising the pieces. This collection will be of great value to students and scholars.

Music in Edwardian London

Simon McVeigh
Music in Edwardian London Book PDF

Author : Simon McVeigh
Publisher : Boydell & Brewer
Page : 345 pages
File Size : 44,6 Mb
Release : 2024-05-21
Category : History
ISBN : 9781837651344

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Music in Edwardian London by Simon McVeigh Pdf

Traversing London's musical culture, this book boldly illuminates the emergence of Edwardian London as a beacon of musical innovation. The dawning of a new century saw London emerge as a hub in a fast-developing global music industry, mirroring Britain's pivotal position between the continent, the Americas and the British Empire. It was a period of expansion, experiment and entrepreneurial energy. Rather than conservative and inward-looking, London was invigorated by new ideas, from pioneering musical comedy and revue to the modernist departures of Debussy and Stravinsky. Meanwhile, Elgar, Holst, Vaughan Williams, and a host of ambitious younger composers sought to reposition British music in a rapidly evolving soundscape. Music was central to society at every level. Just as opulent theatres proliferated in the West End, concert life was revitalised by new symphony orchestras, by the Queen's Hall promenade concerts, and by Sunday concerts at the vast Albert Hall. Through innumerable band and gramophone concerts in the parks, music from Wagner to Irving Berlin became available as never before. The book envisions a burgeoning urban culture through a series of snapshots - daily musical life in all its messy diversity. While tackling themes of cosmopolitanism and nationalism, high and low brows, centres and peripheries, it evokes contemporary voices and characterful individuals to illuminate the period. Challenging issues include the barriers faced by women and people of colour, and attitudes inhibiting the new generation of British composers - not to mention embedded imperialist ideologies reflecting London's precarious position at the centre of Empire. Engagingly written, Simon McVeigh's groundbreaking book reveals the exhilarating transformation of music in Edwardian London, which laid the foundations for the century to come.

Artistic Disobedience

Claudio Bacciagaluppi
Artistic Disobedience Book PDF

Author : Claudio Bacciagaluppi
Publisher : BRILL
Page : 279 pages
File Size : 50,5 Mb
Release : 2017-01-09
Category : History
ISBN : 9789004330757

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Artistic Disobedience by Claudio Bacciagaluppi Pdf

In Artistic Disobedience Claudio Bacciagaluppi shows how music practice was an occasion for cross-confessional contacts in 17th- and 18th-century Switzerland, implying religious toleration. The difference between public and private performing contexts, each with a distinct repertoire, appears to be of paramount importance. Confessional barriers were overcome in an individual, private perspective. Converted musicians provide striking examples. Also, book trade was often cross-confessional. Music by Catholic (but also Lutheran) composers was diffused in Reformed territories mainly in the private music societies of Swiss German towns (collegia musica). The political and pietist influences in the Zurich and Winterthur music societies encouraged forms of communication that are among the acknowledged common roots of European Enlightenment.

Music in North-east England, 1500-1800

Stephanie Carter,Stephanie Louise Carter,Kirsten Gibson,Roz Southey
Music in North east England 1500 1800 Book PDF

Author : Stephanie Carter,Stephanie Louise Carter,Kirsten Gibson,Roz Southey
Publisher : Boydell & Brewer
Page : 343 pages
File Size : 44,9 Mb
Release : 2020
Category : History
ISBN : 9781783275410

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Music in North-east England, 1500-1800 by Stephanie Carter,Stephanie Louise Carter,Kirsten Gibson,Roz Southey Pdf

This collection situates the North-East within a developing nationwide account of British musical culture.

The Ashgate Research Companion to Henry Purcell

Dr Rebecca Herissone
The Ashgate Research Companion to Henry Purcell Book PDF

Author : Dr Rebecca Herissone
Publisher : Ashgate Publishing, Ltd.
Page : 471 pages
File Size : 40,9 Mb
Release : 2013-01-28
Category : Music
ISBN : 9781409495543

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The Ashgate Research Companion to Henry Purcell by Dr Rebecca Herissone Pdf

The Ashgate Research Companion to Henry Purcell provides a comprehensive and authoritative review of current research into Purcell and the environment of Restoration music, with contributions from leading experts in the field. Seen from the perspective of modern, interdisciplinary approaches to scholarship, the companion allows the reader to develop a rounded view of the environment in which Purcell lived, the people with whom he worked, the social conditions that influenced his activities, and the ways in which the modern perception of him has been affected by reception of his music after his death. In this sense the contributions do not privilege the individual over the environment: rather, they use the modern reader's familiarity with Purcell's music as a gateway into the broader Restoration world.

Thomas Morley

Tessa Murray
Thomas Morley Book PDF

Author : Tessa Murray
Publisher : Boydell & Brewer Ltd
Page : 288 pages
File Size : 46,8 Mb
Release : 2014
Category : Biography & Autobiography
ISBN : 9781843839606

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Thomas Morley by Tessa Murray Pdf

An essential book for scholars and students of renaissance music, as well as the history of music publishing and print. The Renaissance composer and organist Thomas Morley (c.1557-1602) is best known as a leading member of the English Madrigal School, but he also built a significant business as a music publisher. This book looks at Morley's pioneering contribution to music publishing in England, inspired by an established music printing culture in continental Europe. A student of William Byrd, Morley had a conventional education and early career as a cathedral musician both in Norwich and at St Paul's cathedral. Morley lived amongst the traders, artisans and gentry of England's major cities at a time when a market for recreational music was beginning to emerge. His entrepreneurial drive combinedwith an astute assessment of his market resulted in a successful and influential publishing business. The turning point came with a visit to the Low Countries in 1591, which gave him the opportunity to see a thriving music printpublication business at first hand. Contemporary records provide a detailed picture of the processes involved in early modern music publishing and enable the construction of a financial model of Morley's business. Morley died too young to reap the full rewards of his enterprise, but his success inspired the publication by his contemporaries of a significant corpus of readily available recreational music for the public. Critical to Morley's successwas his identification of the sort of music, notably the Italianate lighter style of madrigal, that would appeal to amateur musicians. Surviving copies of the original prints show that this music continued to be used for severalgenerations: new editions in modern notation started to appear from the mid eighteenth century onwards, suggesting that Morley truly had the measure of the market for recreational music. Thomas Morley: Elizabethan Music Publisher will be of particular interest to scholars and students of renaissance music, as well as the history of music publishing and print. Tessa Murray is an honorary research fellow at the University of Birmingham.

O Sing Unto the Lord

Andrew Gant
O Sing Unto the Lord Book PDF

Author : Andrew Gant
Publisher : University of Chicago Press
Page : 481 pages
File Size : 55,6 Mb
Release : 2017-03-22
Category : History
ISBN : 9780226469621

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O Sing Unto the Lord by Andrew Gant Pdf

In this expansive cultural history, Andrew Gant traces English sacred music from the Latin chant of late antiquity to the great proliferation and diversification of styles seen in contemporary repertoires. The book explores church music in its great variety of forms and performance contexts: cathedral music and music performed at small country parishes, hymns sung in church and at gatherings, all the way up to today’s mixture and hybridization of the traditional and contemporary styles. Most of all, it illuminates how political battles and sweeping changes in worship affected the church music profession; how musicians, clergy, and worshipers responded; and how the repertory was reinvented many times over as a result. This work was first brought out by Profile Books in 2015. The author has contributed a new preface for our edition, offering reflections on English church music in its American contexts.