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Vivian Maier: The Color Work by Colin Westerbeck Pdf
The first definitive monograph of color photographs by American street photographer Vivian Maier. Photographer Vivian Maier’s allure endures even though many details of her life continue to remain a mystery. Her story—the secretive nanny-photographer who became a pioneer photographer—has only been pieced together from the thousands of images she made and the handful of facts that have surfaced about her life. Vivian Maier: The Color Work is the largest and most highly curated published collection of Maier’s full-color photographs to date. With a foreword by world-renowned photographer Joel Meyerowitz and text by curator Colin Westerbeck, this definitive volume sheds light on the nature of Maier’s color images, examining them within the context of her black-and-white work as well as the images of street photographers with whom she clearly had kinship, like Eugene Atget and Lee Friedlander. With more than 150 color photographs, most of which have never been published in book form, this collection of images deepens our understanding of Maier, as its immediacy demonstrates how keen she was to record and present her interpretation of the world around her.
The “astonishing” (People) and definitive biography that unlocks the “riveting” (Vogue) story of Vivian Maier, the nanny who lived secretly as a world-class photographer, featuring nearly 400 of her images, many never seen before, placed for the first time in the context of her life. Vivian Maier, the photographer nanny whose work was famously discovered in a Chicago storage locker, captured the imagination of the world with her masterful images and mysterious life. Before posthumously skyrocketing to global fame, she had so deeply buried her past that even the families she lived with knew little about her. No one could relay where she was born or raised, if she had parents or siblings, if she enjoyed personal relationships, why she took photographs and why she didn’t share them with others. Now, in this “thorough, fascinating overview of an artist working for art’s sake” (The New York Times), Ann Marks uses her complete access to Vivian’s personal records and archive of 140,000 photographs to reveal the full story of her extraordinary life. Based on meticulous investigative research, the “compelling and richly detailed” (Kirkus Reviews, starred review) Vivian Maier Developed reveals the story of a woman who fled from a family with a hidden history of illegitimacy, bigamy, parental rejection, substance abuse, violence, and mental illness to live life on her own terms. Left with a limited ability to disclose feelings and form relationships, she expressed herself through photography, creating a secret portfolio of pictures teeming with emotion, authenticity, and humanity. With limitless resilience she knocked down every obstacle in her way, determined to improve her lot in life and that of others by tirelessly advocating for the rights of workers, women, African Americans, and Native Americans. No one knew that behind the detached veneer was a profoundly intelligent, empathetic, and inspired woman—a woman so creatively gifted that her body of work would become one of the greatest photographic discoveries of the century.
Please note that all blank pages in the book were chosen as part of the design by the publisher. A good street photographer must be possessed of many talents: an eye for detail, light, and composition; impeccable timing; a populist or humanitarian outlook; and a tireless ability to constantly shoot, shoot, shoot, shoot and never miss a moment. It is hard enough to find these qualities in trained photographers with the benefit of schooling and mentors and a community of fellow artists and aficionados supporting and rewarding their efforts. It is incredibly rare to find it in someone with no formal training and no network of peers. Yet Vivian Maier is all of these things, a professional nanny, who from the 1950s until the 1990s took over 100,000 photographs worldwide—from France to New York City to Chicago and dozens of other countries—and yet showed the results to no one. The photos are amazing both for the breadth of the work and for the high quality of the humorous, moving, beautiful, and raw images of all facets of city life in America’s post-war golden age. It wasn’t until local historian John Maloof purchased a box of Maier’s negatives from a Chicago auction house and began collecting and championing her marvelous work just a few years ago that any of it saw the light of day. Presented here for the first time in print, Vivian Maier: Street Photographer collects the best of her incredible, unseen body of work.
Self-portraits by Vivian Maier,Elizabeth Avedon Pdf
The lifetime work of recently discovered street photographer Vivian Maier has captivated the world and spawned comparisons to photography's masters including Diane Arbus, Helen Levitt, Lisette Model, Walker Evans and Weegee. Now, for the first time, Vivian Maier: Self-Portrait will present the fullest and most intimate portrait of the artist herself with approximately 60 never-before-seen black-and-white and colour self-portraits culled from the extensive Maloof archive, the preeminent collector of the work of Vivian Maier.
The definitive monograph of American photographer Vivian Maier, exploring the full range and brilliance of her work and the mystery of her life, written and edited by noted photography curator and writer Marvin Heiferman; featuring 250 black-and-white images, color work, and other materials never seen before; and a foreword by New York Times bestselling author Laura Lippman. Vivian Maier’s story—the secretive nanny-photographer during her life who becomes a popular sensation shortly after her death—has, to date, been pieced together only from previously seen or known images she made and the handful of facts that have surfaced about her life. During her lifetime she shot more than 100,000 images, which she kept hidden from the world. In 2007, two years before her death, Chicago historic preservationist John Maloof discovered a trove of negatives, and roll upon roll of undeveloped film in a storage locker he bought at auction. They revealed a surprising and accomplished artist and a stunning body of work, which Maloof championed and brought to worldwide acclaim. Vivian Maier presents the most comprehensive collection and largest selection of the photographer’s work—created during the 1950s through the 1970s in New York, Chicago, and on her travels around the country—almost exclusively unpublished and including her previously unknown color work. It features images of and excerpts from Maier’s personal artifacts, memorabilia, and audiotapes, made available for the first time. This remarkable volume draws upon recently conducted interviews with people who knew Maier, which shed new light on Maier’s photographic skill and her life.
Many know her as the reclusive Chicago nanny who wandered the city for decades, constantly snapping photographs, which were unseen until they were discovered in a seemingly abandoned storage locker. When the news broke that Maier had recently died and had no surviving relatives, Maier shot to stardom almost overnight. Bannos contrasts Maier's life has been created, mostly by the men who have profited from her work. Maier was extremely conscientious about how her work was developed, printed, and cropped, even though she also made a clear choice never to display it.
Updated with new material to celebrate the ten year discovery of Vivian Maier's work This is the only book that tells the life story of Vivian Maier in words and pictures. Known as "the nanny photographer," Maier became an Internet sensation after her photos were put online in 2009. Since then, Maier's breathtaking pictures--which show everyday life in mid-century America--have earned her recognition of one of the masters of photography. Presenting her photographs alongside revealing interviews with those who knew her best, this volume puts Vivian Maier's work in context and creates a moving portrait of her as an artist. To better understand Maier, authors Richard Cahan and Michael Williams studied census records, ship manifests and interviewed every person they could find who knew Maier, from her childhood days in the French Alps to the families whose children she cared for in the United States. They combined this biographical information, much of it unreported, with more than 300 photographs that she took starting in 1949 to create the first comprehensive record of her life story.
Eye to Eye by Richard Cahan,Michael F. Williams Pdf
Shares eye-to-eye portrait photographs taken by the amateur photographer in locales ranging from her hometown of Chicago to France, Italy, and Thailand.
In this book, the authors explore and discuss the development of one of the most interesting and dynamic of photographic genres. Hailed as a landmark work when it was first published in 1994, Bystander is widely regarded by street photographers as the "bible" of street photography. It covers an incredible array of talent, from the unknowns of the late 19th century to the acknowledged masters of the 20th, such as Atget, Stieglitz, Strand, Cartier-Bresson, Brassai, Kertesz, Frank, Arbus, Winogrand, and Levitt to name just a few. In this new and fully revised edition, the story of street photography is brought up to date with a re-evaluation of some historical material, the inclusion of more contemporary photographers, and a discussion of the ongoing rise of digital photography.
Fred Herzog by Fred Herzog,Douglas Coupland,Claudia Gochmann,Jeff Wall,Sarah Milroy Pdf
Fred Herzog's bold use of colour in the 1950s and 60s set him apart at a time when the only art photography taken seriously was in black and white. His early use of color make him a forerunner of "New Colour" photographers such as Stephen Shore and William Eggleston, who received widespread acclaim in the 1970s. Herzog images were all taken on Kodachrome, a slide film with a sharpness and tonal range that, until recently, could not be reproduced in prints, and his choice of medium limited his exhibition opportunities. However, recent advances in digital technology have made high-quality prints of his work possible, and in the past few years his substantial and influential body of work has been available to a wider audience. Fred Herzog: Photographs showcases this innovative artist's impressive oeuvre in a beautifully crafted volume of early color and urban street photography. Providing authoritative texts are four titans of the art community: Jeff Wall anchors Herzog's place in the history of photography, Claudia Gochmann sets his work in an international context and Sarah Milroy and Douglas Coupland provide additional commentary.
William Eggleston Portraits by Phillip Prodger Pdf
"The American photographer William Eggleston is best known for capturing everyday suburban life in his hometown of Memphis, Tennessee, and for his pioneering use of colour. This book, which accompanies the first exhibition entirely devoted tp Eggleston's portraiture, features a variety of images of the people he has encountered during his long career."--Back cover.
Big Eyes is the new movie from iconic filmmaker Tim Burton. Re-teaming with the writers of Ed Wood, Burton returns to the biopic genre by telling the story of Margaret and Walter Keane, and their beautiful and melancholy ‘big eyes’ paintings. This companion book features behind the scenes images detailing everything from costume design to cinematography, and original interviews explore the making of the movie all the way from script to final cut. Also featured is a gallery of Margaret Keane’s work.
The Suffering of Light by Alex Webb,Geoff Dyer Pdf
Review The images - rich in color and visual rhythm - span 30 years and several continents. Of course, Haiti and the Mexican border are well represented, locales that opened up a new way to see. He has been able to render Haiti - a place often depicted for its chaos - with a precise eye, finding personal moments that are as still as they are complex. He can use shadows as skillfully as a be-bop musician to set the tempo. The people in his frames can look like dwarfs being stomped on by giant, disembodied feet. He can make an American street seem far more foreboding than any Third World slum. (David Gonzalez The New York Times 2011-12-18) A 30-year retrospective of a great, and often overlooked, American pioneer of colour photography who pays scant regard to genre boundaries, merging art photography, photojournalism and often complex street photographs. (Sean O'Hagan The Guardian 2011-12-13) In far-flung corners of the globe, Webb captures glimpses of beauty in impoverished lives and stoicism in the face of strife. (Jack Crager American Photo 2011-12-01).
As America huffed its way to the end of the '70s, a change more profound than any one cultural trope's evolutionary death knell was taking place. Perceptively distilled in a new volume of photographs by longtime National Geographic shooter Nathan Benn, Kodachrome Memory: American Pictures 1972-1990 depicts an America of boisterous legend and vibrant regionalism, teetering on the cusp of the coming Information Age's great cultural flattening. Nathan Benn embraced color photography before it was considered an acceptable medium for serious documentary expression, traveling globally for National Geographic magazine for two decades. In revisiting his archive of almost half a million images, and editing his photographs with a 21st-century perspective, he discovered hundreds of unpublished American pictures that appeared inconsequential to editors of the 1970s and 1980s, but now resonate-in beautiful Kodachrome color-with empathic perspectives on everyday life in forgotten neighborhoods. Kodachrome Memory exemplifies forthright storytelling about everyday people and vernacular spaces. The photographs, organized by geographic and cultural affinities (North East, Heartland, Pittsburgh, and Florida), delight with poetic happenstance, melancholy framing, and wistful abandon. The past, an era heavily eulogized, comes alive again in its deliciously homely demeanor, and glorious Kodachrome hues. Yes, this is your father's America. An essay by scholar Paul M. Farber contextualizes the creation and selection of these images, offering a fresh perspective about color photography on the eve of the digital revolution. "Mr. Benn's [Kodachrome Memory] is a study of regional texture, the fruit of two decades as a photographer for National Geographic. Mr. Benn's unshowy compositions and the rich, clear colors of his Kodachrome slide-film make his images seem both timeless and particular." -The Wall Street Journal "Kodachrome Memory celebrates the significance of American regional diversity as it was 30 or 40 years ago, before the advent of Internet culture and before the country became one vast strip mall stretching from sea to sea. The seemingly inconsequential subjects of Benn's photographs-which are keenly observed and evocative of a time and place-act as metaphors for American culture and values. Although much of Benn's work was done for a magazine and not gallery walls, his use of color throughout holds its own with artists of the period such as William Eggleston and Stephen Shore." -Richard Buckley "Even if you've never seen Nathan Benn's photographs from the 1970s, they feel somehow familiar-like the refrain of a half-remembered song. With a uniquely American mix of formality and ease, and a color palette so tart you can almost taste it, Benn makes the past vividly-even painfully-present. So there's nothing nostalgic about his pictures of parades, homecomings, and town meetings, juke joints and barbershops, front porches and back roads, because you are there. Maybe that's why Kodachrome Memory: American Pictures 1972-1990 feels like an instant classic." -Vince Aletti
Joel Meyerowitz: Where I Find Myself by Joel Meyerowitz,Colin Westerbeck Pdf
Where I Find Myself is the first major single book retrospective of one of America's leading photographers. It is organized in inverse chronological order and spans the photographer's whole career to date: from Joel Meyerowitz's most recent picture all the way back to the first photograph he ever took. The book covers all of Joel Meyerowitz's great projects: his work inspired by the artist Morandi, his work on trees, his exclusive coverage of Ground Zero, his trips in the footsteps of Robert Frank across the US, his experiments comparing color and black and white pictures, and of course his iconic street photography work. Joel Meyerovitz is incredibly eloquent and candid about how photography works or doesn't, and this should be an inspiration to anyone interested in photography.