Vodun Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Vodun book. This book definitely worth reading, it is an incredibly well-written.
"This book will be of critical importance not only to those concerned with African, African American, and Caribbean art, but also to anthropologists, scholars of the African diaspora, students of comparative religion and comparative psychology, and anyone fascinated by the traditions of vodou and vodun."--Jacket.
Author : Edna G. Bay Publisher : University of Illinois Press Page : 206 pages File Size : 55,9 Mb Release : 2008 Category : Altars, Fon ISBN : 9780252032554
Understanding West African Vodun begins with knowledge. West African Vodun explores and explains this often-misunderstood religion. It invites readers to open their eyes and their minds to what Vodun is, where and why began, and how it’s practiced. You may think you know everything you need to know because you’ve seen Hollywood’s interpretation of these spiritual practices, but this book proves those theories, misconceptions, artistic licenses, and theories wrong. Inside, you’ll discover: Vodun’s early days and how it plays a pivotal role in how it’s practiced now How and why it’s been mis-characterized How to practice it properly Who the deities are and why they’re honored Who the Priestesses are and why they are held to such esteem And more! Finally learn how Vodun, Hindu, Shango, Jesus and the Buddha are far more alike than you may think and understand what role slavery and slaves play in this religion and why it should matter to you.
Tourists to Ouidah, a city on the coast of the Republic of Bénin, in West Africa, typically visit a few well-known sites of significance to the Vodún religion—the Python Temple, where Dangbé, the python spirit, is worshipped, and King Kpasse's sacred forest, which is the seat of the Vodún deity known as Lokò. However, other, less familiar places, such as the palace of the so-called supreme chief of Vodún in Bénin, are also rising in popularity as tourists become increasingly adventurous and as more Vodún priests and temples make themselves available to foreigners in the hopes of earning extra money. Timothy R. Landry examines the connections between local Vodún priests and spiritual seekers who travel to Bénin—some for the snapshot, others for full-fledged initiation into the religion. He argues that the ways in which the Vodún priests and tourists negotiate the transfer of confidential, sacred knowledge create its value. The more secrecy that surrounds Vodún ritual practice and material culture, the more authentic, coveted, and, consequently, expensive that knowledge becomes. Landry writes as anthropologist and initiate, having participated in hundreds of Vodún ceremonies, rituals, and festivals. Examining the role of money, the incarnation of deities, the limits of adaptation for the transnational community, and the belief in spirits, sorcery, and witchcraft, Vodún ponders the ethical implications of producing and consuming culture by local and international agents. Highlighting the ways in which racialization, power, and the legacy of colonialism affect the procurement and transmission of secret knowledge in West Africa and beyond, Landry demonstrates how, paradoxically, secrecy is critically important to Vodún's global expansion.
A sensitive investigation into Benin's occult world, in which magic, science, and the Vodun religion converge into a single universal force. Falen demonstrates how a deep engagement with another lived reality opens our minds and contributes to understanding across cultural difference.
Possession, Ecstasy, and Law in Ewe Voodoo by Judy Rosenthal Pdf
As a new resident of Togo in 1985, Judy Rosenthal witnessed her first Gorovodu trance ritual. Over the next eleven years, she studied this voodoo in West Africa's Ewe populations of coastal Ghana, Togo, and Benin, an area once called the Slave Coast. The result is Possession, Ecstasy, and Law in Ewe Voodoo, an ethnography of spirit possession that focuses on law and morality in "medecine Vodu" orders. Gorovodu is not a doctrinal set, but rather a lingusitic, moral, and spiritual community, with both real and imagined aspects. In medecine Vodu possession, the deities evoked are spirits of "bought people" from the savanna regions, slaves who worked for southern coastal lineages, often marrying into Ewe families. Drumming and dancing rituals, replete with voluptuous trances and gender reversals, bring these "foreign" spirits back into Ewe communities to protect worshippers, heal the sick and troubled, arbitrate disputes, and enjoy themselves as they did before they died. (Rosenthal employs Bakhtin's theory of carnival to interpret the openly festive element of Gorovodu.) The changeable nature of the religion echoes the lack of boundaries of the Gorovodu family and the residents' belief that communal and individual identity are fluid rather than fixed. Numerous name changes early in this century indicated a strategy for resisting colonial control. Writing from a background of anthropology, Rosenthal carefully monitors her own role as narrator in the book, aware of the cultural distance between her and the Africans she is writing about. She intends this ethnography to mirror the "texts" of voodoo itself, a body of signifiers and meanings with which the reader must interact in order to make sense of it.
Tourists to Ouidah, a city on the coast of the Republic of Bénin, in West Africa, typically visit a few well-known sites of significance to the Vodún religion—the Python Temple, where Dangbé, the python spirit, is worshipped, and King Kpasse's sacred forest, which is the seat of the Vodún deity known as Lokò. However, other, less familiar places, such as the palace of the so-called supreme chief of Vodún in Bénin, are also rising in popularity as tourists become increasingly adventurous and as more Vodún priests and temples make themselves available to foreigners in the hopes of earning extra money. Timothy R. Landry examines the connections between local Vodún priests and spiritual seekers who travel to Bénin—some for the snapshot, others for full-fledged initiation into the religion. He argues that the ways in which the Vodún priests and tourists negotiate the transfer of confidential, sacred knowledge create its value. The more secrecy that surrounds Vodún ritual practice and material culture, the more authentic, coveted, and, consequently, expensive that knowledge becomes. Landry writes as anthropologist and initiate, having participated in hundreds of Vodún ceremonies, rituals, and festivals. Examining the role of money, the incarnation of deities, the limits of adaptation for the transnational community, and the belief in spirits, sorcery, and witchcraft, Vodún ponders the ethical implications of producing and consuming culture by local and international agents. Highlighting the ways in which racialization, power, and the legacy of colonialism affect the procurement and transmission of secret knowledge in West Africa and beyond, Landry demonstrates how, paradoxically, secrecy is critically important to Vodún's global expansion.
The reflexive approach and the concept of bimusicality have made possible this in-depth study of the Rada rite, the foundation of the complex and sensationalized religion of Haiti, Vodun. Fleurant returned to his native Haiti to immerse himself in the socio-cultural life of those who practice the religion that was brought to Haiti by the people captured in Africa from the 16th to the 18th centuries. Through total immersion in daily life culture and apprenticeship in the music culture (reflexive approach and concept of bimusicality), the author has accessed information and provided a descriptive analysis heretofore unavailable to scholars. From this privileged position, the author details the complexity, sophistication, and beauty of the ritual, music, and dance. The pioneering works on the music or the dance of Vodun have attempted to cover the whole ritual spectrum. Fleurant contends that the religion is too complex and too sensationalized to be treated in one volume and that each rite should be studied separately and in greater depth. Dancing Spirits examines drum rhythms, song tunes, and texts of the major Rada dances. A model of the Rada ceremony in Bòpo, a community located some ten miles north of Port-au-Prince, serves as a guide to the reader not familiar with Vodun liturgy. The work challenges studies that do not delve deeply enough into this complex religion, and serves as a model for further studies.
Domingos Álvares, African Healing, and the Intellectual History of the Atlantic World by James H. Sweet Pdf
Between 1730 and 1750, powerful healer and vodun priest Domingos Alvares traversed the colonial Atlantic world like few Africans of his time--from Africa to South America to Europe--addressing the profound alienation of warfare, capitalism, and the African slave trade through the language of health and healing. In Domingos Alvares, African Healing, and the Intellectual History of the Atlantic World, James H. Sweet finds dramatic means for unfolding a history of the eighteenth-century Atlantic world in which healing, religion, kinship, and political subversion were intimately connected.
Secrets of Voodoo traces the development of this complex religion (in Haiti and the Americas) from its sources in the brilliant civilizations of ancient Africa. This book presents a straightforward account of the gods or loas and their function, the symbols and signs, rituals, the ceremonial calendar of Voodoo, and the procedures for performing magical rites are given. "Voodoo," derived from words meaning "introspection" and "mystery," is a system of belief about the formation of the world and human destiny with clear correspondences in other world religions. Rigaud makes these connections and discloses the esoteric meaning underlying Voodoo's outward manifestations, which are often misinterpreted. Translated from the French by Robert B. Cross. Drawings and photographs by Odette Mennesson-Rigaud. Milo Rigaud was born in Port au Prince, Haiti, in 1903, where he spent the greater part of his life studying the Voodoo tradition. In Haiti he studied law, and in France ethnology, psychology, and theology. The involvement of Voodoo in the political struggle of Haitian blacks for independence was one of his main concerns.
A Transatlantic History of Haitian Vodou by Benjamin Hebblethwaite Pdf
Connecting four centuries of political, social, and religious history with fieldwork and language documentation, A Transatlantic History of Haitian Vodou analyzes Haitian Vodou’s African origins, transmission to Saint-Domingue, and promulgation through song in contemporary Haiti. Split into two sections, the African chapters focus on history, economics, and culture in Dahomey, Allada, and Hueda while scrutinizing the role of Europeans in fomenting tensions. The political, military, and slave trading histories of the kingdoms in the Bight of Benin reveal the circumstances of enslavement, including the geographies, ethnicities, languages, and cultures of enslavers and enslaved. The study of the spirits, rituals, structure, and music of the region’s religions sheds light on important sources for Haitian Vodou. Having royal, public, and private expressions, Vodun spirit-based traditions served as cultural systems that supported or contested power and enslavement. At once suppliers and victims of the European slave trade, the people of Dahomey, Allada, and Hueda deeply shaped the emergence of Haiti’s creolized culture. The Haitian chapters focus on Vodou’s Rada Rite (from Allada) and Gede Rite (from Abomey) through the songs of Rasin Figuier’s Vodou Lakay and Rasin Bwa Kayiman’s Guede, legendary rasin compact discs released on Jean Altidor’s Miami label, Mass Konpa Records. All the Vodou songs on the discs are analyzed with a method dubbed “Vodou hermeneutics” that harnesses history, religious studies, linguistics, literary criticism, and ethnomusicology in order to advance a scholarly approach to Vodou songs.
"Introduces audiences to the arts and aesthetics of Vodun, a religious system whose existence is misunderstood, if known at all. Presents fieldwork in West Africa and comparative work in Brazil, Cuba, and Haiti. Sheds light on abstract to concrete dimensions of Vodun"--Provided by publisher.
Author : Kate Ramsey Publisher : University of Chicago Press Page : 446 pages File Size : 50,9 Mb Release : 2014-02-07 Category : Social Science ISBN : 9780226703817
Vodou has often served as a scapegoat for Haiti’s problems, from political upheavals to natural disasters. This tradition of scapegoating stretches back to the nation’s founding and forms part of a contest over the legitimacy of the religion, both beyond and within Haiti’s borders. The Spirits and the Law examines that vexed history, asking why, from 1835 to 1987, Haiti banned many popular ritual practices. To find out, Kate Ramsey begins with the Haitian Revolution and its aftermath. Fearful of an independent black nation inspiring similar revolts, the United States, France, and the rest of Europe ostracized Haiti. Successive Haitian governments, seeking to counter the image of Haiti as primitive as well as contain popular organization and leadership, outlawed “spells” and, later, “superstitious practices.” While not often strictly enforced, these laws were at times the basis for attacks on Vodou by the Haitian state, the Catholic Church, and occupying U.S. forces. Beyond such offensives, Ramsey argues that in prohibiting practices considered essential for maintaining relations with the spirits, anti-Vodou laws reinforced the political marginalization, social stigmatization, and economic exploitation of the Haitian majority. At the same time, she examines the ways communities across Haiti evaded, subverted, redirected, and shaped enforcement of the laws. Analyzing the long genealogy of anti-Vodou rhetoric, Ramsey thoroughly dissects claims that the religion has impeded Haiti’s development.
