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War, Exile and the Music of Afghanistan by John Baily Pdf
In the 1970s John Baily conducted extensive ethnomusicological research in Afghanistan, principally in the city of Herat but also in Kabul. Then, with Taraki’s coup in 1978, came conflict, war, and the dispersal of many musicians to locations far and wide. This new publication is the culmination of Baily’s further research on Afghan music over the 35 years that followed. This took him to Afghanistan, Pakistan, Iran, the USA, Australia and parts of Europe - London, Hamburg and Dublin. Arranged chronologically, the narrative traces the sequence of political events - from 1978, through the Soviet invasion, to the coming of the Taliban and, finally, the aftermath of the US-led invasion in 2001. He examines the effects of the ever-changing situation on the lives and works of Afghan musicians, following individual musicians in fascinating detail. At the heart of his analysis are privileged vignettes of ten musical personalities - some of friends, and some newly discovered. The result is a remarkable personal memoir by an eminent ethnomusicologist known for his deep commitment to Afghanistan, Afghan musicians and Afghan musical culture. John Baily is also an ethnographic filmmaker. Four of his films relating to his research are included on the downloadable resources that accompanies the text.
Memory and Commemoration across Central Asia by Anonim Pdf
Memory and Commemoration across Central Asia: Texts, Traditions and Practices, 10th-21st Centuries is a collection of fourteen studies by a group of scholars active in the field of Central Asian Studies, presenting new research into various aspects of the rich cultural heritage of Central Asia (including Afghanistan). By mapping and exploring the interaction between political, ideological, literary and artistic production in Central Asia, the contributors offer a wide range of perspectives on the practice and usage of historical and religious commemoration in different contexts and timeframes. Making use of different approaches – historical, literary, anthropological, or critical heritage studies, the contributors show how memory functions as a fundamental constituent of identity formation in both past and present, and how this has informed perceptions in and outside Central Asia today.
This ground-breaking book is the first-ever study of the role played in musical history by song collectors.This is the first-ever book about song collectors, music''s unsung heroes. They include the Armenian priest who sacrificed his life to preserve the folk music which the Turks were trying to erase in the 1915 Genocide; the prisoner in a Nazi concentration camp who secretly noted down the songs of doomed Jewish inmates; the British singer who went veiled into Afghanistan to learn, record and perform the music the Taliban wanted to silence. Some collectors have been fired by political idealism - Bartok championing Hungarian peasant music, the Lomaxes bringing the blues out of Mississippi penitentiaries, and transmitting them to the world. Many collectors have been priests - French Jesuits noting down labyrinthine forms in eighteenth-century Beijing, English vicars tracking songs in nineteenth-century Somerset. Others have been wonderfully colourful oddballs.Today''s collectors are striving heroically to preserve endangered musics, whether rare forms of Balinese gamelan, the wind-band music of Chinese villages, or the sophisticated polyphony of Central African Pygmies. With globalisation, urbanisation and Westernisation causing an irreversible erosion of the world''s musical diversity, Michael Church suggests we may be seeing folk music''s ''end of history''. Old forms are dying as the conditions for their survival - or replacement - disappear; the death of villages means the death of village musical culture.This ground-breaking book is the sequel to the author''s award-winning The Other Classical Musics, and it concludes with an inventory of the musics now under threat, or already lost for ever.rve endangered musics, whether rare forms of Balinese gamelan, the wind-band music of Chinese villages, or the sophisticated polyphony of Central African Pygmies. With globalisation, urbanisation and Westernisation causing an irreversible erosion of the world''s musical diversity, Michael Church suggests we may be seeing folk music''s ''end of history''. Old forms are dying as the conditions for their survival - or replacement - disappear; the death of villages means the death of village musical culture.This ground-breaking book is the sequel to the author''s award-winning The Other Classical Musics, and it concludes with an inventory of the musics now under threat, or already lost for ever.rve endangered musics, whether rare forms of Balinese gamelan, the wind-band music of Chinese villages, or the sophisticated polyphony of Central African Pygmies. With globalisation, urbanisation and Westernisation causing an irreversible erosion of the world''s musical diversity, Michael Church suggests we may be seeing folk music''s ''end of history''. Old forms are dying as the conditions for their survival - or replacement - disappear; the death of villages means the death of village musical culture.This ground-breaking book is the sequel to the author''s award-winning The Other Classical Musics, and it concludes with an inventory of the musics now under threat, or already lost for ever.rve endangered musics, whether rare forms of Balinese gamelan, the wind-band music of Chinese villages, or the sophisticated polyphony of Central African Pygmies. With globalisation, urbanisation and Westernisation causing an irreversible erosion of the world''s musical diversity, Michael Church suggests we may be seeing folk music''s ''end of history''. Old forms are dying as the conditions for their survival - or replacement - disappear; the death of villages means the death of village musical culture.This ground-breaking book is the sequel to the author''s award-winning The Other Classical Musics, and it concludes with an inventory of the musics now under threat, or already lost for ever.sic''s ''end of history''. Old forms are dying as the conditions for their survival - or replacement - disappear; the death of villages means the death of village musical culture.This ground-breaking book is the sequel to the author''s award-winning The Other Classical Musics, and it concludes with an inventory of the musics now under threat, or already lost for ever.
Love & War in Afghanistan by Alex Klaits,Gulchin Gulmamadova-Klaits Pdf
Love and War in Afghanistan presents true stories of fourteen ordinary men and women living in Northern Afghanistan. In a quarter-century of uninterrupted war, the people of Afghanistan have endured foreign invasions, ethnic strife, a fundamentalist Islamic totalitarian regime, and the unending crossfire of rival warlord factions. The country remains an object of fascination for journalists, academics, and filmmakers from around the world. In the midst of it all it is a startlingly powerful experience to discover, here, the voices of the Afghan people themselves. Young lovers who elope against the wishes of their kin; a mullah whose wit is his only defense against his armed captors; a defector from the Soviet army; a woman who is forced to stand up to gangsters in Tajikistan—their dramatic stories emerge in their own unforgettable words. Whether in the sudden awakening of mercy in a Taliban militiaman, the lingering contempt of a woman for her husband’s first wife, the pain and confusion of flight into exile, or the resourcefulness of a child who must provide for an entire family, the real focus of these narratives is the strength of solitary individuals faced daily with their own vulnerability. Men, women, orphans, widows, widowers, Tajiks, Pashtuns, Uzbeks, Turkmens, schoolteachers, mullahs, former Taliban, mujahideen, big brothers, little sisters, captive wives, lovers in flight: Love and War in Afghanistan tells their stories, putting human faces onto a country torn by war.
Ethnomusicology and Cultural Diplomacy by David G. Hebert,Jonathan McCollum Pdf
Music has long played a prominent role in cultural diplomacy, but until now no resource has comparatively examined policies that shape how non-western countries use music in international relations. Inspired by decolonization, this book describes policies and legal frameworks that impact music’s role in cultural diplomacy worldwide.
The authors of oral literature in the Pashtun language create their work at a far remove from any books. Generally deprived of the support of schools and universities, their compositions are inseparable from song. Their poetry is never declaimed; rather, their rhyme and rhythm have melodic value. These popular improvisations do not exalt mystic love. In them there is no aspiration whatsoever to an unfathomable and incommunicable heaven, nor devotion to the lord, nor praise for an absolute master, nor any Adonis. To the contrary, they are songs of the earth. They celebrate nature, mountains, rivers, dawn and night’s magnetic space. They are songs of war and honor, shame and love, beauty and death. The repression of Afghan women has caused untold suffering, particularly through moral subjugation. Infant daughters and their mothers are received with scorn and shame, and lead lives of subordination and humiliation. Their rebellion against these tribal codes comes only through suicide and song. Translated from the Pashtun into French by the eminent Sayd Bahodine Majrouh, the greatest Afghan poet of the twentieth century, his text has been rendered into English in the expert hands of Marjolijn de Jager of the Translation Department at NYU.
How does normal social, cultural, religious life survive in constant turmoil? How can the people flourish? These basic questions are examined and answered by Razia Sultanova's academic analysis and deep fieldwork, with extensive eyewitness and personal contacts and conversations with a wide variety of Afghan men and women. She looks at basic questions of gender, identity, nation, tradition, history, popular culture and especially the role of music - classical, popular, modern and contemporary - as a vital element for survival. And all is over-shadowed by the Taliban with on-going threat of terror and repression especially for women and girls. Here is a classical story of a people's struggle for everyday normality and preservation of cherished traditions in a war-torn society.
Music and Postwar Transitions in the 19th and 20th Centuries by Anaïs Fléchet,Martin Guerpin,Philippe Gumplowicz,Barbara L. Kelly Pdf
From the Napoleonic Wars to the genocide of the Tutsis in Rwanda, via the great world conflicts of the 20th century, Music and Postwar Transitions in the 19th and 20th Centuries is the first book to highlight the significance of ‘postwar transitions’ in the field of music and to demonstrate the influence that musicians, composers, critics, institutions, and publics have had on the period that follows conflict. Leading historians, political scientists, psychologists and musicologists explore the roles of music and culture in demobilization, reconstruction, memory, reconciliation, revenge, and nationalist backlash. Moving beyond the popular conception of music as an agent of peace, this study reveals music’s more complex and ambivalent role in the process of transition from war to peace.
In the wars in Afghanistan and Iraq, recent technological developments in music listening enabled troops to carry with them vast amounts of music and easily acquire new music, for themselves and to share with their fellow troops as well as friends and loved ones far away. This ethnographic study examines U.S. troops' musical-listening habits during and after war, and the accompanying fear, domination, violence, isolation, pain, and loss that troops experienced. My Music, My War is a moving ethnographic account of what war was like for those most intimately involved. It shows how individuals survive in the messy webs of conflicting thoughts and emotions that are intricately part of the moment-to-moment and day-to-day phenomenon of war, and the pervasive memories in its aftermath. It gives fresh insight into musical listening as it relates to social dynamics, gender, community formation, memory, trauma, and politics.
Excursions in World Music by Timothy Rommen,Bruno Nettl Pdf
Excursions in World Music is a comprehensive introductory textbook to the musics of the world, creating a panoramic experience for students by engaging the many cultures around the globe, and highlighting the sheer diversity to be experienced in the world of music. At the same time, the text illustrates the often profound ways through which a deeper exploration of these many different communities can reveal overlaps, shared horizons, and common concerns in spite of, and because of, this very diversity. The new eighth edition features six brand new chapters, including chapters on Japan, Sub-Saharan Africa, China and Taiwan, Europe, Maritime Southeast Asia, and Indigenous Peoples. General updates have been made to other chapters, replacing visuals and updating charts/statistics. Another major addition to the eighth edition is the publication of a companion Reader, entitled Critical Issues in World Music. Each chapter in the Reader is designed to introduce students to a theoretical concept or thematic area within ethnomusicology and illustrate its possibilities by pointing to case studies drawn from at least three chapters in Excursions in World Music. Chapters include the following topics: Music, Gender, and Sexuality; Music and Ritual; Coloniality and "World Music"; Music and Space; Music and Diaspora; Communication, Technology, Media; Musical Labor, Musical Value; and Music and Memory. Instructors can use this resource as a primary or secondary path through the materials, either assigning chapters from the textbook and then digging deeper by exploring a chapter from the Reader, or starting with a Reader chapter and then moving into the musical specifics offered in the textbook chapters. Having available both an area studies and a thematic approach to the materials offers important flexibility to instructors and also provides students with additional means of engaging with the musics of the world. A companion website with a new test bank and fully updated instructor’s manual is available for instructors. Numerous resources are posted for students, including streamed audio listening, additional resources (such as links to YouTube videos or websites), a musical fundamentals essay (introducing concepts such as meter, melody, harmony, form, etc.), interactive quizzes, and flashcards.
Author : Margaret Sarkissian,Ted Solis Publisher : University of Illinois Press Page : 573 pages File Size : 52,5 Mb Release : 2019-06-16 Category : Music ISBN : 9780252051180
Living Ethnomusicology by Margaret Sarkissian,Ted Solis Pdf
Ethnomusicologists have journeyed from Bali to Morocco to the depths of Amazonia to chronicle humanity's relationship with music. Margaret Sarkissian and Ted Solís guide us into the field's last great undiscovered country: ethnomusicology itself. Drawing on fieldwork based on person-to-person interaction, the authors provide a first-ever ethnography of the discipline. The unique collaborations produce an ambitious exploration of ethnomusicology's formation, evolution, practice, and unique identity. In particular, the subjects discuss their early lives and influences and trace their varied career trajectories. They also draw on their own experiences to offer reflections on all aspects of the field. Pursuing practitioners not only from diverse backgrounds and specialties but from different eras, Sarkissian and Solís illuminate the many trails ethnomusicologists have blazed in the pursuit of knowledge. A bountiful resource on history and practice, Living Ethnomusicology is an enlightening intellectual exploration of an exotic academic culture.
This volume brings together leading voices from the new wave of research on musical instruments to consider how we can connect the material aspects of instruments with their social function, approaches that have been otherwise too frequently separated in musical scholarship. Shaping Sound and Society: The Cultural Study of Musical Instruments locates the instruments at the centre of cultural interactions. With contributions from ten scholars spanning a variety of methodologies and a wide range of both contemporary and historic music cultures, the volume is divided into three sections. Contributors discuss the relationships between makers, performers, and their local communities; the different meanings that instruments accrue as they travel over time and place; and the manner in which instruments throw new light on historic music cultures. Alongside the scholarly chapters, the volume also includes a selection of shorter interludes based on interviews with makers of comparatively new instruments, offering further insights into the process of musical instrument innovation. An essential read for students and academics in the fields of music and ethnomusicology, this volume will also interest anyone looking to understand how the cultural interaction of musical instruments is deeply informed and influenced by social, technological, and cultural change.
Rebellion Against Henry VIII by Phil Carradice Pdf
Even the most beloved of sovereigns faced moments of disorder and disruption at some stage during their reign. How they responded to those periods is what made them a great or a weak monarch. More importantly, it is what continues to make their reigns fascinating for historians and story tellers. In this, Henry VIII, arguably England’s most famous - or infamous - ruler was no different from the rest. Selfish, opinionated, lustful and driven, Henry VIII created disorder and chaos in his country, laid the foundations of the Anglican Church and began the process of changing a tiny, wind-swept island off the coast of Europe into a mighty Empire, the likes of which the world had never seen before. This fresh new perspective of Henry VIII’s reign and legacy takes the readers on a journey through the key moments of unrest and open rebellion. We learn about the cataclysmic events that were catalyst for disorder and disturbance to the general public, and journey through the instances of open rebellions like the Pilgrimage of Grace of 1536, one the most significant uprising of the sixteenth century, not just for Henry himself but for any of the great Tudor monarchs. Last but certainly not least, we look at how war disturbed the peace of Henry’s tumultuous reign with the rebellion of Rhys ap Gruffydd in Wales, the Scottish invasion and the Silken Thomas Revolt in Ireland. The reign of Henry VIII began with joyous celebration at the arrival of a shining new king and ended with widespread terror at the rantings of a psychotic overlord. By focussing on the rebellions against Henry VIII, we cast new eyes on his character and gain a fascinating insight into the lives of Tudor men and women during the turbulent thirty-nine years of his reign.
