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Author : Brenda Cooper Publisher : Peter Lang Incorporated, International Academic Publishers Page : 368 pages File Size : 49,8 Mb Release : 2002 Category : Foreign Language Study ISBN : UOM:39015056489092
"Is it possible for European and North American men to depict Africa in a wise and non-exploitative manner?" That's the question Cooper (African studies, U. of Cape Town, South Africa) hopes to answer in her examination of writers whose opposition to racism, the nature of imperialism, and gender stereotypes make them "weary" inheritors of the legacy of Joseph Conrad. She borrows concepts and methodologies from Said's Orientalism, postmodernism, Lacanian theory, and other areas, rejecting a unified approach. Among the works she examines are Adam Thorpe's Pieces of Light, Alan Hollinghurst's The Swimming-Pool Library, Patrick Roscoe's The Lost Oasis, William Boyd's Brazzaville Beach, Will Self's Great Apes, Peter Hoeg' s The Woman and the Ape, and Lawrence Norfolk's The Pope's Rhinoceros. Annotation copyrighted by Book News, Inc., Portland, OR
In a novella which remains highly controversial to this day, Conrad explores the relations between Africa and Europe. On the surface, this is a horrifying tale of colonial exploitation. The narrator, Marlowe journeys on business deep into the heart of Africa. But there he encounters Kurtz, an idealist apparently crazed and depraved by his power over the natives, and the meeting prompts Marlowe to reflect on the darkness at the heart of all men. This short but complex and often ambiguous story, which has been the basis of several films and plays, continues to provoke interpretation and discussion. Heart of Darkness grew out of a journey Joseph Conrad took up the Congo River; the verisimilitude that the great novelist thereby brought to his most famous tale everywhere enhances its dense and shattering power. Apparently a sailor’s yarn, it is in fact a grim parody of the adventure story, in which the narrator, Marlow, travels deep into the heart of the Congo where he encounters the crazed idealist Kurtz and discovers that the relative values of the civilized and the primitive are not what they seem. Heart of Darkness is a model of economic storytelling, an indictment of the inner and outer turmoil caused by the European imperial misadventure, and a piercing account of the fragility of the human soul.
Works such as Joseph Conrad's Heart of Darkness and Lord Jim, Virginia Woolf's The Voyage Out, E. M. Forster's A Passage to India, and Evelyn Waugh's A Handful of Dust explore the relationship between Britain and its colonies when the British Empire was at its height. David Adams observes that, because of their structure and specific literary allusions, they also demand to be read in relation to the epic tradition. The elegantly written and powerfully argued Colonial Odysseys focuses on narratives published in English between 1890 and 1940 in which protagonists journey from the familiar world of Europe to alien colonial worlds. The underlying concerns of these narratives, Adams discovers, are often less political or literary than metaphysical: in each of these fictions a major character dies as a result of the journey, inviting reflection on the negation of existence. Repeatedly, imaginative encounters with distant, uncanny colonies produce familiar, insular presentations of life as an odyssey, with death as the home port. Expanding postcolonial and Marxist theories by drawing on the philosophy of Hans Blumenberg, Adams finds in this preoccupation with mortality a symptom of the failure of secular culture to give meaning to death. This concern, in his view, shapes the ways modernist narratives reinforce or critique imperial culture—the authors project onto British imperial experience their anxieties about the individual's relation to the absolute.
Hollywood’s Africa after 1994 by MaryEllen Higgins Pdf
Hollywood’s Africa after 1994 investigates Hollywood’s colonial film legacy in the postapartheid era, and contemplates what has changed in the West’s representations of Africa. How do we read twenty-first-century projections of human rights issues—child soldiers, genocide, the exploitation of the poor by multinational corporations, dictatorial rule, truth and reconciliation—within the contexts of celebrity humanitarianism, “new” military humanitarianism, and Western support for regime change in Africa and beyond? A number of films after 1994, such as Black Hawk Down, Hotel Rwanda, Blood Diamond, The Last King of Scotland, The Constant Gardener, Shake Hands with the Devil, Tears of the Sun, and District 9, construct explicit and implicit arguments about the effects of Western intervention in Africa. Do the emphases on human rights in the films offer a poignant expression of our shared humanity? Do they echo the colonial tropes of former “civilizing missions?” Or do human rights violations operate as yet another mine of sensational images for Hollywood’s spectacular storytelling? The volume provides analyses by academics and activists in the fields of African studies, English, film and media studies, international relations, and sociology across continents. This thoughtful and highly engaging book is a valuable resource for those who seek new and varied approaches to films about Africa. Contributors Harry Garuba and Natasha Himmelman Margaret R. Higonnet, with Ethel R. Higgonet Joyce B. Ashuntantang Kenneth W. Harrow Christopher Odhiambo Ricardo Guthrie Clifford T. Manlove Earl Conteh-Morgan Bennetta Jules-Rosette, J. R. Osborn, and Lea Marie Ruiz-Ade Christopher Garland Kimberly Nichele Brown Jane Bryce Iyunolu Osagie Dayna Oscherwitz
Interpersonal Encounters in Contemporary Travel Writing by Catharine Mee Pdf
This critical study examines the theme of interpersonal encounter in a range of late twentieth- and early twenty-first-century travel writing written in French and Italian. Structured typologically, each chapter focuses on a typical activity that brings traveller-protagonists into contact with other people. Drawing on literary critical studies of travel writing, sociological and anthropological approaches to tourism, as well as research in French and Italian area studies, ‘Interpersonal Encounters in Contemporary Travel Writing’ locates the concept of encounter within the context of modern tourism.
Africa has long gripped the American imagination. From the Edenic wilderness of Edgar Rice Burroughs's Tarzan novels to the 'black Zion' of Garvey's Back-to-Africa movement, all manner of Americans - whether white or black, male or female - have come to see Africa as an idealized stage on which they can fashion new, more authentic selves. In this remarkable, panoramic work, David Peterson del Mar explores the ways in which American fantasies of Africa have evolved over time, as well as the role of Africans themselves in subverting American attitudes to their continent. Spanning seven decades, from the post-war period to the present day, and encompassing sources ranging from literature, film and music to accounts by missionaries, aid workers and travel writers, African, American is a fascinating deconstruction of 'Africa' as it exists in the American mindset.
White Saviorism and Popular Culture by Kathryn Mathers Pdf
This book interrogates the white savior industrial complex by exploring how America continues to present an imagined Africa as a space for its salvation in the 21st century. Through close readings of multiple mediated sites where Americans imagine Africa, White Saviorism and Popular Culture examines how an era of new media technologies is reshaping encounters between Africans and westerners in the 21st century, especially as Africans living and experiencing the consequences of western imaginings are also mobilizing the same mediated spaces. Kathryn Mathers emphasizes that the articulation of different forms of humanitarian engagement between America and Africa marks the necessity to interrogate the white savior industrial complex and the ways Africa is being asked to fulfill American needs as life in the United States becomes increasingly intolerable for Black Americans. Drawing on case studies from Savior Barbie (@barbiesavior) to Black Panther and Black is King, Mathers posits that global imperialism not only still reigns, but that it also disguises white supremacy by outsourcing Black American emancipation onto an imagined Africa. This is crucial reading for courses on the cultural politics of representation, particularly in relation to race, social media and popular culture, as well as anyone interested in issues of representation in the global humanitarianism industry.
Reading Veganism: The Monstrous Vegan, 1818 to Present focuses on the iteration of the trope 'the monstrous vegan' across two hundred years of Anglophone literature. Explicating, through such monsters, veganism's relation to utopian longing and challenge to the conceptual category of the 'human, ' the book explores ways in which ethical identities can be written, represented, and transmitted. Reading Veganism proposes that we can recognise and identify the monstrous vegan in relation to four key traits. First, monstrous vegans do not eat animals, an abstinence that generates a seemingly inexplicable anxiety in those who encounter them. Second, they are hybrid assemblages of human and nonhuman animal parts, destabilising existing taxonomical classifications. Third, monstrous vegans are sired outside of heterosexual reproduction, the product of male acts of creation. And finally, monstrous vegans are intimately connected to acts of writing and literary creation. The principle contention of the book is that understandings of veganism, as identity and practice, are limited without a consideration of multiplicity, provisionality, failure, and insufficiency within vegan definition and lived practice. Veganism's association with positivity, in its drive for health and purity, is countered by a necessary and productive negativity generated by a recognition of the horrors of the modern world. Vegan monsters rehearse the key paradoxes involved in the writing of vegan identity.
Hearts of Darkness: Melville, Conrad and Narratives of Oppression by Paweł Jędrzejko,Milton M. Riegelman,Zuzanna Szatanik Pdf
The volume came about as a result of a joint effort at a bifocal reflection of the international community of Melvillians and Conradians in Szczecin, Poland, in August 2007. What became clear in formal and informal discussion among the participants of that international gam was that Herman Melville and Joseph Conrad Korzeniowski shared the intuition that the essential liquidity of the existential human condition necessitates a “universal squeeze of the hand.” This idea, beautifully conceptualized by Melville in chapter 94 of Moby-Dick, caused both writers to examine in their complex narratives the ways in which various kinds of oppression prevent this desired possibility (read more in the Introduction).
Author : Robert R. Hodges Publisher : Walter de Gruyter GmbH & Co KG Page : 232 pages File Size : 53,9 Mb Release : 2015-07-24 Category : Language Arts & Disciplines ISBN : 9783111392233
Winner of the New England Book Award"Cathie Pelletier generates the sort of excitement that only writers at the very top of their form can provide."-Stephen King Welcome to Mattagash, Maine, a small, quirky town where everyone's personal lives are as entwined as their family trees. On the day of the first snowfall, the residents brace themselves for the long winter ahead. Mere survival will be hard; dealing with each other is another story. As winter settles in, various Mattagashians careen from conundrum to conundrum, trying to save dying small businesses, caring for crabby loved ones, and cruising through town, stirring up gossip any way they can get it. Through it all, 107-year old Mathilda Fennelson reflects on her life as the town's oldest resident, born the year Mattagash was founded. Through her dreams and memories, she reveals the scrappy, strange, and earnest pioneer history of these people weighed down by their own existence. At once funny, insightful, and heartbreaking, The Weight of Winter is a perfect for fans of Olive Kitteridge (Elizabeth Strout), The Language of Flowers (Vanessa Diffenbaugh), and The Good House (Ann Leary) who will fall in love with Mattagash and its people. More from Mattagash, Maine: The Funeral Makers (Book 1): Mattagash, Maine: a quiet town rocked by scandal, seduction, mayhem, blackmail, and the only recorded case of beriberi on the entire North American continent! Wedding on the Banks (Book 2): Amy Joy Lawler just announced her engagement-to an outsider! The Weight of Winter (Book 3) The One-Way Bridge (Book 4): Return to Mattagash-the anything but tranquil town where a mysterious dead body has just been found in the woods. What readers are saying about The Weight of Winter "While wildly funny at time, The Weight of Winter is a much darker and even more compelling novel than was the first book in the series." "Wonderfully written with humor, yet extremely hard-hitting." "This was one of those books that I looked forward to falling back into each time I picked it up, and each time, it felt like going home." What reviewers are saying about The Weight of Winter "Pelletier's ear for dialogue is exceptional, and her characters' interior monologues, what they think but don't say, are subversive, humorous and heartbreaking."-Publishers Weekly "Frequently funny and always poignant, it is a chronicle of past and present times, detailing lost dreams, found meaning, and echoing the sins of generations."-Library Journal What people are saying about Cathie Pelletier "Nobody walks the knife-edge of hilarity and heartbreak more confidently than Cathie Pelletier."— Richard Russo, Pulitzer Prize-winning author of Empire Falls "It is Pelletier's gift to be able to coax the drama from stony ground without artifice or sentimentality."-Boston Globe "An ambitious, fearless novelist."-The Washington Post "Cathie does a wonderful job of capturing [her characters'] moods and loves and losses, and yearnings...Her writing is lovely and so descriptive"— Annie Philbrick, Bank Square Books, Mystic, CT "Sharp stuff...Her sentences are powerful and unique as snowflakes."-New York Times
"The Corsican Lovers" by Charles Felton Pidgin. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.