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When the Norns Have Spoken by Anthony Winterbourne Pdf
"One of the most striking aspects of the process of conversion of paganism into Christianity is the manner in which certain key religious concepts were modified, without being totally obliterated from the new religious language. Residual pagan beliefs persevered, at least for a time, notably that concerning fate. The argument concludes that only after pagan fate was transformed into the concept of god's Providence could the problem of death and salvation in relation to God's power be made fully manifest. Fate had become linked with death as a new beginning within Christian eschatology, and was thus, finally, temporalized."--BOOK JACKET.
When the Norns Have Spoken by Anthony Winterbourne Pdf
"One of the most striking aspects of the process of conversion of paganism into Christianity is the manner in which certain key religious concepts were modified, without being totally obliterated from the new religious language. Residual pagan beliefs persevered, at least for a time, notably that concerning fate. The argument concludes that only after pagan fate was transformed into the concept of god's Providence could the problem of death and salvation in relation to God's power be made fully manifest. Fate had become linked with death as a new beginning within Christian eschatology, and was thus, finally, temporalized."--BOOK JACKET.
The Routledge Research Companion to the Medieval Icelandic Sagas by Ármann Jakobsson,Sverrir Jakobsson Pdf
The last fifty years have seen a significant change in the focus of saga studies, from a preoccupation with origins and development to a renewed interest in other topics, such as the nature of the sagas and their value as sources to medieval ideologies and mentalities. The Routledge Research Companion to the Medieval Icelandic Sagas presents a detailed interdisciplinary examination of saga scholarship over the last fifty years, sometimes juxtaposing it with earlier views and examining the sagas both as works of art and as source materials. This volume will be of interest to Old Norse and medieval Scandinavian scholars and accessible to medievalists in general.
The fundamental nature of the tree as a symbol for many communities reflects the historical reality that human beings have always interacted with and depended upon trees for their survival. Trees provided one of the earliest forms of shelter, along with caves, and the bounty of trees, nuts, fruits, and berries, gave sustenance to gatherer-hunter populations. This study has concentrated on the tree as sacred and significant for a particular group of societies, living in the ancient and medieval eras in the geographical confines of Europe, and sharing a common Indo-European inheritance, but sacred trees are found throughout the world, in vastly different cultures and historical periods. Sacred trees feature in the religious frameworks of the Ghanaian Akan, Arctic Altaic shamanic communities, and in China and Japan. The power of the sacred tree as a symbol is derived from the fact that trees function as homologues of both human beings and of the cosmos. This study concentrates the tree as axis mundi (hub or centre of the world) and the tree as imago mundi (picture of the world). The Greeks and Romans in the ancient world, and the Irish, Anglo-Saxons, continental Germans and Scandinavians in the medieval world, all understood the power of the tree, and its derivative the pillar, as markers of the centre. Sacred trees and pillars dotted their landscapes, and the territory around them derived its meaning from their presence. Unfamiliar or even hostile lands could be tamed and made meaningful by the erection of a monument that replicated the sacred centre. Such monuments also linked with boundaries, and by extension with law and order, custom and tradition. The sacred tree and pillar as centre symbolized the stability of the cosmos and of society. When the Pagan peoples of Europe adopted Christianity, the sacred trees and pillars, visible signs of the presence of the gods in the landscape, were popular targets for axe-wielding saints and missionaries who desired to force the conversion of the landscape as well as the people. Yet Christianity had its own tree monument, the cross on which Jesus Christ was crucified, and which came to signify resurrected life and the conquest of eternal death for the devout. As European Pagans were converted to Christianity, their tree and pillar monuments were changed into Christian forms; the great standing crosses of Anglo-Saxon northern England played many of the same roles as Pagan sacred trees and pillars. Irish and Anglo-Saxons Christians often combined the image of the Tree of Life from the Garden of Eden with Christ on the cross, to produce a Christian version of the tree as imago mundi.
The great poetic tradition of pre-Christian Scandinavia is known to us almost exclusively though the Poetic Edda. The poems originated in Iceland, Norway, and Greenland between the ninth and thirteenth centuries, when they were compiled in a unique manuscript known as the Codex Regius. The poems are primarily lyrical rather than narrative. Terry's readable translation includes the magnificent cosmological poem Völuspá ("The Sibyl's Prophecy"), didactic poems concerned with mythology and the everyday conduct of life, and heroic poems, of which an important group is concerned with the story of Sigurd and Brynhild. Poems of the Elder Edda will appeal to students of Old Norse, Icelandic, and Medieval literature, as well as to general readers of poetry.
James Baldwin was one of the most prolific authors of school books for children at the end of the 19th century and the beginning of the 20th. This timeless collection of stories encompasses a vast history of famous heroes and their romantic tales. THE BOOK-LOVER EIGHTH READER FIFTY FAMOUS PEOPLE FIFTY FAMOUS STORIES RETOLD FOUR GREAT AMERICANS: WASHINGTON, FRANKLIN, WEBSTER, LINCOLN HERO TALES THE STORY OF SIEGFRIED
Exciting accounts of Siegfried, the young man who rode through fire to awaken the lovely Brunhild from a deep sleep, and adventure-packed retellings of "The Curse of Gold," "Nibelungen Land," "The War with the North-Kings" and sixteen other timeless tales, transport young readers to a captivating world of dragons, giants, and gods.
Goddesses in World Culture by Patricia Monaghan Pdf
This collection of accessible essays relates the stories of individual goddesses from around the world, exploring their roles in the cultures from which they came, their histories and status today, and the controversies surrounding them. Goddesses in World Culture brings readers the fascinating stories of close to 100 of the world's goddesses, ranging from the immediately recognizable to the obscure. These figures, many of whom derive from ancient cultures and civilizations, serve as points of departure for examining questions that go well beyond the role of women in religion and spirituality to include social organization, environmental awareness, historical developments, and psychological archetypes. Each volume of this groundbreaking set is composed of 20–25 previously unpublished articles written by expert contributors from diverse disciplines. Volume one covers Asia and Africa, volume two covers the Eastern Mediterranean and Europe, and volume three covers Australia and the Americas. Goddesses from cultures often overlooked in texts on religion, such as those of the Australian Aborigines, Korea, Nepal, and the Caribbean, are included here. In addition, the work offers new translations of ancient texts, introduces little-known folklore, and suggests new approaches to contemporary religious practices.
THERE is scarcely any literary work of great importance which has been less readily available for the general reader, or even for the serious student of literature, than the Poetic Edda. Translations have been far from numerous, and only in Germany has the complete work of translation been done in the full light of recent scholarship. In English the only versions were long the conspicuously inadequate one made by Thorpe, and published about half a century ago, and the unsatisfactory prose translations in Vigfusson and Powell's Corpus Poeticum Boreale, reprinted in the Norrna collection. An excellent translation of the poems dealing with the gods, in verse and with critical and explanatory notes, made by Olive Bray, was, however, published by the Viking Club of London in 1908. In French there exist only partial translations, chief among them being those made by Bergmann many years ago. Among the seven or eight German versions, those by the Brothers Grimm and by Karl Simrock, which had considerable historical importance because of their influence on nineteenth century German literature and art, and particularly on the work of Richard Wagner, have been largely superseded by Hugo Gering's admirable translation, published in 1892, and by the recent two volume rendering by Genzmer, with excellent notes by Andreas Heusler, 194-1920. There are competent translations in both Norwegian and Swedish. The lack of any complete and adequately annotated English rendering in metrical form, based on a critical text, and profiting by the cumulative labors of such scholars as Mogk, Vigfusson, Finnur Jonsson, Grundtvig, Bugge, Gislason, Hildebrand, Lüning, Sweet, Niedner, Ettmüller, Müllenhoff, Edzardi, B. M. Olsen, Sievers, Sijmons, Detter, Heinzel, Falk, Neckel, Heusler, and Gering, has kept this extraordinary work practically out of the reach of those who have had neither time nor inclination to master the intricacies of the original Old Norse. On the importance of the material contained in the Poetic Edda it is here needless to dwell at any length. We have inherited the Germanic traditions in our very speech, and the Poetic Edda is the original storehouse of Germanic mythology. It is, indeed, in many ways the greatest literary monument preserved to us out of the antiquity of the kindred races which we call Germanic. Moreover, it has a literary value altogether apart from its historical significance. The mythological poems include, in the Voluspo, one of the vastest conceptions of the creation and ultimate destruction of the world ever crystallized in literary form; in parts of the Hovamol, a collection of wise counsels that can bear comparison with most of the Biblical Book of Proverbs; in the Lokasenna, a comedy none the less full of vivid characterization because its humor is often broad; and in the Thrymskvitha, one of the finest ballads in the world. The hero poems give us, in its oldest and most vivid extant form, the story of Sigurth, Brynhild, and Atli, the Norse parallel to the GermanNibelungenlied. The Poetic Edda is not only of great interest to the student of antiquity; it is a collection including some of the most remark able poems which have been preserved to us from the period before the pen and the printing-press. replaced the poet-singer and oral tradition. It is above all else the desire to make better known the dramatic force, the vivid and often tremendous imagery, and the superb conceptions embodied in these poems which has called forth the present translation.
The Poetic Edda comprises a treasure trove of mythic and spiritual verse holding an important place in Nordic culture, literature, and heritage. Its tales of strife and death form a repository, in poetic form, of Norse mythology and heroic lore, embodying both the ethical views and the cultural life of the North during the late heathen and early Christian times. Collected by an unidentified Icelander, probably during the twelfth or thirteenth century, The Poetic Edda was rediscovered in Iceland in the seventeenth century by Danish scholars. Even then its value as poetry, as a source of historical information, and as a collection of entertaining stories was recognized. This meticulous translation succeeds in reproducing the verse patterns, the rhythm, the mood, and the dignity of the original in a revision that Scandinavian Studies says "may well grace anyone's bookshelf."
PREORDER SWORD OF THE WAR GOD, THE EXCITING NEW HISTORICAL EPIC FROM TIM HODKINSON, NOW! When you can't protect everyone, who will you save? Iceland, AD 935. Einar Unnsson is destined to be great. When he fights, a frenzy comes upon him. It makes him lethal in battle – so lethal he just defeated the man his own father sent to kill him. Now, with Einar exiled from his kingdom, his father turns his vengeance on Einar's mother – his escaped former bedslave. Yet Einar is in no position to protect her. He's made an enemy of the powerful King Eirik and must fight for his own life before he can save his mother's. Einar depends on the Wolf Coats, a band of fearsome, bloodthirsty warriors, but they're convinced the fates have cursed them. Will Einar's skill in battle be enough to save his mother? Or will the Wolf Coats' superstition destroy them all? REVIEWS FOR TIM HODKINSON 'A brilliantly written historical adventure which will appeal to fans of Bernard Cornwell, George R.R. Martin, and especially Theodore Brun' HISTORICAL NOVEL SOCIETY 'A gripping action adventure like the sagas of old; and once finished, you just want to go back and read it all over again' MELISENDE'S LIBRARY 'An excellently written page-turner, with a feel for the period which invites you into the era and keeps you there' HISTORICAL WRITERS ASSOCIATION READERS LOVE THE WOLF HUNT: 'Fantastically written! This book will have you hooked from the very first page!... 5 stars all the way, buy it, read it, love it, recommend it!' 5 stars - Paula Cwikla, Netgalley Reviewer 'Hodkinson weaves his spell so intricately that you are drawn in before you know it – and pages and hours have passed in no time at all... This is a series worth investing in!' 4 stars - Melisende d'Outremer, Netgalley Reviewer 'This is right down my street! I loved it, what a tale, excellent character depth, brilliantly written and full of action, what more could I want. Excellent work Tim!' 5 stars - Stephen Walker, Netgalley Reviewer ---
The Norns in Old Norse Mythology by Karen Bek-Pedersen Pdf
The norns were a group of female supernatural beings closely related to ideas about fate in Old Norse tradition. Although the norns are well known, even to people who have only a superficial knowledge of Old Norse mythology, this is the first detailed discussion of them to be published amongst the literature dealing with Old Norse beliefs.
The Deluding of Gylfi: A fantasy retelling of Norse mythology by Matt Larkin Pdf
Dive into this epic Norse mythology series starter in the Eschaton Cycle historical fantasy universe. He was a god. He was a king. A necromancer, a shaman. A prophet … From out of the Mist he came, his name whispered in awe and dread, for Odin cast himself as a god of Man. But behind the illusion and the lies, Odin too was once a man, in an age of ice and an era of Mist. With his blood brother Loki by his side, Odin wanted only to protect his people from the soul-stealing Mist and its denizens. But when a vision of Ragnarök shows him the end of the world, he is forced to accept a terrible truth. In the face of the extinction of Mankind, any action, any deception, no matter how vile, is needful if it might avert the end. So Odin will kill, will lie, will use Men in his ceaseless schemes. Because the price of his failure is unthinkable … The Ragnarök Prophecy recombines material previously published as Gods of the Ragnarok Era, Runeblade Saga, and Legends of the Ragnarok Era, along with new material, to produce a definitive edition of this retelling of Norse myth. Mythology, horror, and dark fantasy meld together in an ice age. For fans of Rob J. Hayes, Ryan Cahill, and Zamil Akhtar, this is a dark mythological retelling filled with gods and monsters from the Viking Age and beyond. The Eschaton Cycle begins.
