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Where the Southern Cross the Yellow Dog by Louis Decimus Rubin Pdf
"Examines the problems facing the American literary scene, including creative writing programs, sports writing, Southern literature, publishing, and poetry, with references to William Faulkner, Eudora Welty, James Joyce, Thomas Wolfe, Mark Twain, Joyce Carol Oates, T. S. Eliot, William Wordsworth, Samuel Taylor Coleridge, Herman Melville, and Ernest Hemingway"--Provided by publisher.
In the tradition of Cormac McCarthy and Flannery O’Connor, Bill Cheng’s Southern Cross the Dog is an epic literary debut in which the bonds between three childhood friends are upended by the Great Mississippi Flood of 1927. In its aftermath, one young man must choose between the lure of the future and the claims of the past. Having lost virtually everything in the fearsome storm—home, family, first love—Robert Chatham embarks on an odyssey that takes him through the deep South, from the desperation of a refugee camp to the fiery and raucous brothel Hotel Beau-Miel and into the Mississippi hinterland, where he joins a crew hired to clear the swamp and build a dam. Along his journey he encounters piano-playing hustlers, ne’er-do-well Klansmen, well-intentioned whores, and a family of fur trappers, the L’Etangs, whose very existence is threatened by the swamp-clearing around them. The L’Etang brothers are fierce and wild but there is something soft about their cousin Frankie, possibly the only woman capable of penetrating Robert’s darkest places and overturning his conviction that he’s marked by the devil. Teeming with language that renders both the savage beauty and complex humanity of our shared past, Southern Cross the Dog is a tour de force that heralds the arrival of a major new voice in fiction.
In the late 1930s, Jim Crow walked unopposed in Mississippi, and Europe was preparing for war. But even though an ocean apart, the threads of hate and fear bound them together. Set in Clarksdale, Mississippi, Where Southern Cross the Dog begins with the tragic slaying of a day laborer and the chance meeting of its two main characters: Travis Montgomery, a new graduate of Millsaps College, and Hannah Morgan, a young, educated, affluent African-American woman who returns to the South to assist her ailing grandmother. As their initial wariness turns to friendship and then romance, Travis and Hannah unravel the secrets behind the murder which include a conspiracy that runs from Clarksdale to pre-war Europe.
Impeccable scholarship and lavish illustration mark this landmark study of American railroad folksong. Norm Cohen provides a sweeping discussion of the human aspects of railroad history, railroad folklore, and the evolution of the American folksong. The heart of the book is a detailed analysis of eighty-five songs, from "John Henry" and "The Wabash Cannonball" to "Hell-Bound Train" and "Casey Jones," with their music, sources, history, and variations, and discographies. A substantial new introduction updates this edition.
A Rolling Stone-Kirkus Best Music Book of 2020 “[Brother Robert} book does much to pull the blues master out of the fog of myth.”—Rolling Stone An intimate memoir by blues legend Robert Johnson's stepsister, including new details about his family, music, influences, tragic death, and musical afterlife Though Robert Johnson was only twenty-seven years young and relatively unknown at the time of his tragic death in 1938, his enduring recordings have solidified his status as a progenitor of the Delta blues style. And yet, while his music has retained the steadfast devotion of modern listeners, much remains unknown about the man who penned and played these timeless tunes. Few people alive today actually remember what Johnson was really like, and those who do have largely upheld their silence-until now. In Brother Robert, nonagenarian Annye C. Anderson sheds new light on a real-life figure largely obscured by his own legend: her kind and incredibly talented stepbrother, Robert Johnson. This book chronicles Johnson's unconventional path to stardom, from the harrowing story behind his illegitimate birth, to his first strum of the guitar on Anderson's father's knee, to the genre-defining recordings that would one day secure his legacy. Along the way, readers are gifted not only with Anderson's personal anecdotes, but with colorful recollections passed down to Anderson by members of their family-the people who knew Johnson best. Readers also learn about the contours of his working life in Memphis, never-before-disclosed details about his romantic history, and all of Johnson's favorite things, from foods and entertainers to brands of tobacco and pomade. Together, these stories don't just bring the mythologized Johnson back down to earth; they preserve both his memory and his integrity. For decades, Anderson and her family have ignored the tall tales of Johnson "selling his soul to the devil" and the speculative to fictionalized accounts of his life that passed for biography. Brother Robert is here to set the record straight. Featuring a foreword by Elijah Wald and a Q&A with Anderson, Wald, Preston Lauterbach, and Peter Guralnick, this book paints a vivid portrait of an elusive figure who forever changed the musical landscape as we know it.
An essential work for rock fans and scholars, Before Elvis: The Prehistory of Rock 'n' Roll surveys the origins of rock 'n' roll from the minstrel era to the emergence of Bill Haley and Elvis Presley. Unlike other histories of rock, Before Elvis offers a far broader and deeper analysis of the influences on rock music. Dispelling common misconceptions, it examines rock's origins in hokum songs and big-band boogies as well as Delta blues, detailing the embrace by white artists of African-American styles long before rock 'n' roll appeared. This unique study ranges far and wide, highlighting not only the contributions of obscure but key precursors like Hardrock Gunter and Sam Theard but also the influence of celebrity performers like Gene Autry and Ella Fitzgerald. Too often, rock historians treat the genesis of rock 'n' roll as a bolt from the blue, an overnight revolution provoked by the bland pop music that immediately preceded it and created through the white appropriation of music till then played only by and for black audiences. In Before Elvis, Birnbaum daringly argues a more complicated history of rock's evolution from a heady mix of ragtime, boogie-woogie, swing, country music, mainstream pop, and rhythm-and-blues--a melange that influenced one another along the way, from the absorption of blues and boogies into jazz and pop to the integration of country and Caribbean music into rhythm-and-blues. Written in an easy style, Before Elvis presents a bold argument about rock's origins and required reading for fans and scholars of rock 'n' roll history.
Author : Hal Leonard Corp.,Robert Rawlins Publisher : Hal Leonard Corporation Page : 700 pages File Size : 42,5 Mb Release : 2011-01-01 Category : Music ISBN : 9781458457981
The Real Dixieland Book Songbook by Hal Leonard Corp.,Robert Rawlins Pdf
(Fake Book). Since the 1970s, The Real Book has been the most popular book for gigging jazz musicians. Hal Leonard is proud to publish completely legal and legitimate editions of the original volumes as well as exciting new volumes to carry on the tradition to new generations of players in all styles of music! All the Real Books feature hundreds of time-tested songs in accurate arrangements in the famous easy-to-read, hand-written notation. You don't have to be from below the Mason-Dixon line to enjoy this primo collection of nearly 250 Dixieland tunes for C instruments: Ain't Misbehavin' * Alexander's Ragtime Band * Bill Bailey, Won't You Please Come Home * California, Here I Come * Dinah * Down by the Riverside * Georgia on My Mind * Hard Hearted Hannah (The Vamp of Savannah) * Honeysuckle Rose * I'm Gonna Sit Right down and Write Myself a Letter * It Don't Mean a Thing (If It Ain't Got That Swing) * Jelly Roll Blues * Lazy River * Makin' Whoopee! * My Baby Just Cares for Me * Nobody Knows You When You're down and Out * Puttin' on the Ritz * St. Louis Blues * Smile * Stompin' at the Savoy * Tiger Rag (Hold That Tiger) * When the Saints Go Marching In * and many more.
Author : María Elena Jaime de Pablos Publisher : Universidad Almería Page : 240 pages File Size : 42,5 Mb Release : 2015-11-10 Category : Foreign Language Study ISBN : 8210379456XXX
Odisea nº 8: Revista de estudios ingleses by María Elena Jaime de Pablos Pdf
Revista de Estudios Ingleses es un anuario dirigido y gestionado por miembros del Departamento de Filología Inglesa y Alemana de la Universidad de Almería con el propósito de ofrecer un foro de intercambio de producción científica en campos del conocimiento tan diversos como la lengua inglesa, literatura en lengua inglesa, didáctica del inglés, traducción, inglés para fines específicos y otros igualmente vinculados a los estudios ingleses.
As the Great Flood of 1927 bursts the levees of Mississippi and sweeps away rural homes, 8-year-old Robert Chatham is separated from his parents and his friends, Dora and GD. He is entirely alone. Robert's adventures through the brooding swamplands, from the infamous brothel at the Hotel Beau-Miel to imprisonment by hunters, are full of danger, endurance and courage. And as the days roll into years, this small lost boy becomes a young, tough man. At the edge of his vision, following him everywhere, is the black dog of melancholy. But there is love, too, and brutal beauty - and, at last, at the tender age of twenty, a kind of homecoming.
Author : Peter C. Muir Publisher : University of Illinois Press Page : 282 pages File Size : 51,9 Mb Release : 2024-03-18 Category : Music ISBN : 9780252056048
Mamie Smith's 1920 recording of ""Crazy Blues"" is commonly thought to signify the beginning of commercial attention to blues music and culture, but by that year more than 450 other blues titles had already appeared in sheet music and on recordings. In this examination of early popular blues, Peter C. Muir traces the genre's early history and the highly creative interplay between folk and popular forms, focusing especially on the roles W. C. Handy played in both blues music and the music business. Long Lost Blues exposes for the first time the full scope and importance of early popular blues to mainstream American culture in the early twentieth century. Closely analyzing sheet music and other print sources that have previously gone unexamined, Muir revises our understanding of the evolution and sociology of blues at its inception.
Junior Ray Loveblood, one of the most outrageous and original personalities to appear in American literature in many years, returns in The Yazoo Blues, the sequel to John Pritchard’s Junior Ray. Now semi-retired, Loveblood works as a security guard in one of the floating casinos that have replaced cotton as the cash crop in the Mississippi Delta. In his spare time, Junior Ray has become obsessed with the ill-fated Yazoo Pass expedition by a Union armada up the Mississippi River in 1863. He relates dual stories, both that of a soldier slowly driven mad by the haunting countryside, and of Loveblood’s friend Mad Owens, whose search for existential love meets its greatest challenge in the arms of the stripper Money Scatters. Loveblood’s conclusions are hilarious, absurd, and at times intensely revealing. Equally profane and profound, the fictional narrator of Pritchard’s novel illuminates the complex stew of evolving race relations, failed economies, and corrupt politics that define much of the post-civil rights rural Deep South.
Author : James Charles Cobb Publisher : University of Georgia Press Page : 268 pages File Size : 55,5 Mb Release : 1999 Category : History ISBN : 0820321397
Redefining Southern Culture by James Charles Cobb Pdf
Cobb, "surveys the remarkable story of southern identity and its persistence in the face of sweeping changes in the South's economy, society and political structure."--dust jacket.
Author : Edward L. Ayers Publisher : Oxford University Press, USA Page : 299 pages File Size : 50,6 Mb Release : 1995 Category : History ISBN : 9780195086898
Edward L. Ayers monumental history, Promise of the New South, was praised by the eminent historian Bertram Wyatt-Brown as "A work of frequently stunning beauty," who added "The elegance and sensitivity that he achieves are typical of few historical works." Winner of the James A. Rawley Prize for Best Book on American Race Relations from the Organization of American Historians, and the Frank Lawrence Owsley and Harriett Chappell Owsley Award from the Southern Historical Association, and finalist for the 1992 National Book Award, the 1992 Pulitzer Prize for History, and the 1993 Southern Book Award, Promise of the New South established Ayers as one of the foremost scholars of the American South. Now, in this newly revised edition, Ayers has distilled this remarkable work to offer an even more readable account of the New South. Ranging from the Georgia coast to the Tennessee mountains, from the power brokers to tenant farmers, Ayers depicts a land of startling contrasts--a time of progress and repression, of new industries and old ways. Ayers takes us from remote Southern towns, revolutionized by the spread of the railroads, to the statehouses where Democratic "Redeemers" swept away the legacy of Reconstruction; from the small farmers, trapped into growing nothing but cotton, to the new industries of Birmingham; from abuse and intimacy in the family to tumultuous public meetings of the prohibitionists. He explores every aspect of society, politics, and the economy, detailing the importance of each in the emerging New South. Here is the local Baptist congregation, the country store, the tobacco-stained second-class railroad car, the rise of Populism: the teeming, nineteenth-century South comes to life in these pages. And central to the entire story is the role of race relations, from alliances and friendships between blacks and whites to the spread of Jim Crow laws and disenfranchisement. Ayers weaves all these details into the contradictory story of the New South, showing how the region developed the patterns it was to follow for the next fifty years. A vivid portrait of a society undergoing the sudden confrontation of the promises, costs, and consequences of modern life, this is an unforgettable account of the New South--a land with one foot in the future and the other in the past.