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Author : David A. Powell Publisher : Bucknell University Press Page : 396 pages File Size : 54,5 Mb Release : 2001 Category : Music in literature ISBN : 0838754740
At the same time, Sand's musical referencing techniques afford a culturally based method for looking at French society and the need for a humanist reform, all the while exploring feminist statements, narrative strategies, love plots, and questions of communication, language, and nationhood."--BOOK JACKET.
A novel by Alice McVeigh (Second edition) “This portrayal of the psychosexual duet between men and women, and of the music-making process in a symphony orchestra, sings with lyrical intensity and eloquent feeling” (Publishers Weekly) Life in the (fictional) Orchestra of London as seen through the eyes of several musicians. Perfectly representing the disparate attitudes, passions and ambitions of a London orchestra full of vital characters, it features love affairs, musical rivalries, world tour disasters and a highly unusual codicil to a will. Originally "big-five"-published, this is based upon McVeigh’s experiences as a cellist, when she performed all over the world with orchestras including the BBC Symphony Orchestra and the Royal Philharmonic. "The orchestra becomes a universe in microcosm - all human life is here" (The Sunday Times) "A very enjoyable novel - and not quite as light as it pretends to be." (The Sunday Telegraph)
A powerful Massachusetts politician describes his childhood in Irish South Boston, his struggle to get an education, his colorful political career, and the inside game of politics
Adorno and "A Writing of the Ruins" by James Martin Harding Pdf
Extends critical discussion of Adorno to works by Samuel Beckett, T.S. Eliot, Ralph Ellison, and Amiri Baraka, arguing that Adorno's work can best be assessed in terms of its relevance in specific localized contexts.
T.S. Eliot : A Twenty-First Century View Intends To Set The Poems And Plays Of The Epoch-Making Poet In The Context Of His Inner Preoccupations As Revealed In The Recently Published Biographical Works On Him. It Is A Masterly Study Of All The Important Poems And Plays Of Eliot Which Are Included In The Syllabi Of Different Indian Universities. The Book Is Comprehensive And Lucid, Including In Its Details All The Possible Ways Of Interpreting Eliot S Poems And Plays. While Analyzing The Previous Trends Of Eliot Criticism, Supplying Full Documents Wherever Necessary, The Book Also Projects The Well-Researched View Of Its Author Who Equates Eliot S Moral Stand With The Kierkegaardian Notion Of Ethical Reality, A Significant Aspect Of Existentialism, And Thus Opens A New Vista Of Research On Eliot. Both The Students And The Scholars Will Find The Book Extremely Useful.
While the Music Lasts takes us into the heart of legendary "Southie," Boston's heavily Irish enclave where William Bulger grew up, and introduces us to a cast of characters not previously seen outside the pages of fiction. It recalls the world of The Last Hurrah, where loyalties and grudges are never forgotten, but where the bitterest fights are leavened by laughter.
Anker examines 19 popular films, showing how they convey a range of striking perspectives on the human encounter with God. Organized by genre, these selected films present different, surprising ways in which God shows up amid the messy circumstances of life.
Autobiography is naturally regarded as an art of retrospect, but making autobiography is equally part of the fabric of our ongoing experience. We tell the stories of our lives piecemeal, and these stories are not merely about our selves but also an integral part of them. In this way we "live autobiographically"; we have narrative identities. In this book, noted life-writing scholar Paul John Eakin explores the intimate, dynamic connection between our selves and our stories, between narrative and identity in everyday life. He draws on a wide range of autobiographical writings from work by Jonathan Franzen, Mary Karr, and André Aciman to the New York Times series "Portraits of Grief" memorializing the victims of 9/11, as well as the latest insights into identity formation from the fields of developmental psychology, cultural anthropology, and neurobiology. In his account, the self-fashioning in which we routinely, even automatically, engage is largely conditioned by social norms and biological necessities. We are taught by others how to say who we are, while at the same time our sense of self is shaped decisively by our lives in and as bodies. For Eakin, autobiography is always an act of self-determination, no matter what the circumstances, and he stresses its adaptive value as an art that helps to anchor our shifting selves in time.
Whitey Bulger: America's Most Wanted Gangster and the Manhunt That Brought Him to Justice by Kevin Cullen,Shelley Murphy Pdf
"This is the definitive story of Whitey Bulger…a masterwork of reporting." —Michael Connelly, best-selling author of The Wrong Side of Goodbye A New York Times Bestseller A #1 Boston Globe Bestseller An instant classic, this unforgettable narrative, rich with family ties and intrigue, follows the astonishing career of a gangster whose life was more sensational than fiction. Cullen and Murphy have broken more Bulger stories than anyone, and Whitey Bulger became front-page news, revealing the mobster's secret letters written from Plymouth Jail after the sixteen-year manhunt that led to his capture and offering unparalleled insight into his contradictions and complex personality. The afterword covering the results of the dramatic and emotional trial provides a riveting denouement to this "eminently fair and thorough telling of a life, which makes it all the more damning" (Boston Globe).
Music Writing Literature, from Sand via Debussy to Derrida by Peter Dayan Pdf
Why does poetry appeal to music? Can music be said to communicate, as language does? What, between music and poetry, is it possible to translate? These fundamental questions have remained obstinately difficult, despite the recent burgeoning of word and music studies. Peter Dayan contends that the reasons for this difficulty were worked out with extraordinary rigour and consistency in a French literary tradition, echoed by composers such as Berlioz and Debussy, which stretches from Sand to Derrida. Their writing shows how it is both necessary and futile to look for music in poetry, or for poetry in music: necessary, because each art defines itself by reference to what it is not, and cannot be, in order to point to an idealized totality outside itself; futile, because the musicality of poetry, like the poetic meaning of music, must remain as elusive as that idealized totality; its distance is the very condition of the art. Thus is generated a subtle but unmistakable general definition of the nature of art which has proved uniquely able to survive all the probings of poststructuralism. That definition of art is inseparable from a disturbingly effective scepticism towards all forms of explication and explanation in critical discourse, so it is doubtless not surprising that critics in general have done their best to ignore it. But by bringing out what Sand, Baudelaire, Mallarmé, Proust, Debussy, Berlioz, Barthes, and Derrida all do in the same way as they work on the limits of the analogy between music and literature, this book shows how it is possible, productive, illuminating, and fascinating to work on those limits; though to do so, as we find repeatedly, in Chopin's dreams as in Derrida's 'tombeaux', requires us to have the courage to face, in music, our literal death, and the limits of our intelligence.
Why Classical Music Still Matters by Lawrence Kramer Pdf
"What can be done about the state of classical music?" Lawrence Kramer asks in this elegant, sharply observed, and beautifully written extended essay. Classical music, whose demise has been predicted for at least a decade, has always had its staunch advocates, but in today’s media-saturated world there are real concerns about its viability. Why Classical Music Still Matters takes a forthright approach by engaging both skeptics and music lovers alike. In seven highly original chapters, Why Classical Music Still Matters affirms the value of classical music—defined as a body of nontheatrical music produced since the eighteenth century with the single aim of being listened to—by revealing what its values are: the specific beliefs, attitudes, and meanings that the music has supported in the past and which, Kramer believes, it can support in the future. Why Classical Music Still Matters also clears the air of old prejudices. Unlike other apologists, whose defense of the music often depends on arguments about the corrupting influence of popular culture, Kramer admits that classical music needs a broader, more up-to-date rationale. He succeeds in engaging the reader by putting into words music’s complex relationship with individual human drives and larger social needs. In prose that is fresh, stimulating, and conversational, he explores the nature of subjectivity, the conquest of time and mortality, the harmonization of humanity and technology, the cultivation of attention, and the liberation of human energy.
'You are the music / While the music lasts' T.S. Eliot, The Four Quartets Do babies remember music from the womb? Can classical music increase your child's IQ? Is music good for productivity? Can it aid recovery from illness and injury? And what is going on in your brain when Ultravox's 'Vienna', Schoenberg's Verklärte Nacht or Dizzee Rascal's 'Bonkers' transports you back to teenage years? In a brilliant new work that will delight music lovers of every persuasion, music psychologist Victoria Williamson examines our relationship with music across the whole of a lifetime. Along the way she reveals the amazing ways in which music can physically reshape our brains, explores how 'smart music listening' can improve cognitive performance, and considers the perennial puzzle of what causes 'earworms'. Requiring no specialist musical or scientific knowledge, this upbeat, eye-opening book reveals as never before the extent of the universal language of music that lives deep inside us all.
Festivals, Affect and Identity by Lita Crociani-Windland Pdf
Via an ethnographic study of the community festivals of Siena Province in central Italy, ‘Festivals, Affect and Identity’ investigates the affective and fluid aspects of reality to establish an integrated perspective on issues of continuity and rupture, tradition and modernity, and nature and culture. Offering an illustration of the explanatory power of continental philosophy, this text demonstrates the accessibility of highly abstract critical theory when examined in relation to specific events and their detailed analysis.
