White Boys White Noise Masculinities And 1980s Indie Guitar Rock

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White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock

Dr Matthew Bannister
White Boys White Noise Masculinities and 1980s Indie Guitar Rock Book PDF

Author : Dr Matthew Bannister
Publisher : Ashgate Publishing, Ltd.
Page : 240 pages
File Size : 49,7 Mb
Release : 2013-01-28
Category : Music
ISBN : 9781409493747

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White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock by Dr Matthew Bannister Pdf

To what extent do indie masculinities challenge the historical construction of rock music as patriarchal? This key question is addressed by Matthew Bannister, involving an in-depth examination of indie guitar rock in the 1980s as the culturally and historically specific production of white men. Through textual analysis of musical and critical discourses, Bannister provides the first book-length study of masculinity and ethnicity within the context of indie guitar music within US, UK and New Zealand 'scenes'. Bannister argues that past theorisations of (rock) masculinities have tended to set up varieties of working-class deviance and physical machismo as 'straw men', oversimplifying masculinities as 'men behaving badly'. Such approaches disavow the ways that masculine power is articulated in culture not only through representation but also intellectual and theoretical discourse. By re-situating indie in a historical/cultural context of art rock, he shows how masculine power can be rearticulated through high, avant-garde, bohemian culture and aesthetic theory: canonism, negation (Adorno), passivity, voyeurism and camp (Andy Warhol and the Velvet Underground), and primitivism and infantilism (Lester Bangs, Simon Reynolds). In a related vein, he also assesses the impact of Freud on cultural theory, arguing that reversing binary conceptions of gender by associating masculinities with an essentialised passive femininity perpetuates patriarchal dualism. Drawing on his own experience as an indie musician, Bannister surveys a range of indie artists, including The Smiths, The Jesus and Mary Chain, My Bloody Valentine and The Go-Betweens; from the US, R.E.M., The Replacements, Dinosaur Jr, Hüsker Dü, Nirvana and hardcore; and from NZ, Flying Nun acts, including The Chills, The Clean, the Verlaines, Chris Knox, Bailter Space, and The Bats, demonstrating broad continuities between these apparently disparate scenes, in terms of gender, aesthetic theory and approaches to popular musical history. The result is a book which raises some important questions about how gender is studied in popular culture and the degree to which alternative cultures can critique dominant representations of gender.

White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock

Matthew Bannister
White Boys White Noise Masculinities and 1980s Indie Guitar Rock Book PDF

Author : Matthew Bannister
Publisher : Routledge
Page : 329 pages
File Size : 51,8 Mb
Release : 2017-09-29
Category : Music
ISBN : 9781351218009

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White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock by Matthew Bannister Pdf

To what extent do indie masculinities challenge the historical construction of rock music as patriarchal? This key question is addressed by Matthew Bannister, involving an in-depth examination of indie guitar rock in the 1980s as the culturally and historically specific production of white men. Through textual analysis of musical and critical discourses, Bannister provides the first book-length study of masculinity and ethnicity within the context of indie guitar music within US, UK and New Zealand 'scenes'. Bannister argues that past theorisations of (rock) masculinities have tended to set up varieties of working-class deviance and physical machismo as 'straw men', oversimplifying masculinities as 'men behaving badly'. Such approaches disavow the ways that masculine power is articulated in culture not only through representation but also intellectual and theoretical discourse. By re-situating indie in a historical/cultural context of art rock, he shows how masculine power can be rearticulated through high, avant-garde, bohemian culture and aesthetic theory: canonism, negation (Adorno), passivity, voyeurism and camp (Andy Warhol and the Velvet Underground), and primitivism and infantilism (Lester Bangs, Simon Reynolds). In a related vein, he also assesses the impact of Freud on cultural theory, arguing that reversing binary conceptions of gender by associating masculinities with an essentialised passive femininity perpetuates patriarchal dualism. Drawing on his own experience as an indie musician, Bannister surveys a range of indie artists, including The Smiths, The Jesus and Mary Chain, My Bloody Valentine and The Go-Betweens; from the US, R.E.M., The Replacements, Dinosaur Jr, Hüsker Dü, Nirvana and hardcore; and from NZ, Flying Nun acts, including The Chills, The Clean, the Verlaines, Chris Knox, Bailter Space, and The Bats, demonstrating broad continuities between these apparently disparate scenes, in terms of gender, aesthetic theory and approaches to popular musical history. The result is a book which raises some important questions about how gender is studied in popular culture and the degree to which alternative cultures can critique dominant representations of gender.

Historical Theory and Methods through Popular Music, 1970–2000

Kenneth L. Shonk, Jr.,Daniel Robert McClure
Historical Theory and Methods through Popular Music 1970 2000 Book PDF

Author : Kenneth L. Shonk, Jr.,Daniel Robert McClure
Publisher : Springer
Page : 311 pages
File Size : 55,5 Mb
Release : 2017-08-17
Category : Social Science
ISBN : 9781137570727

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Historical Theory and Methods through Popular Music, 1970–2000 by Kenneth L. Shonk, Jr.,Daniel Robert McClure Pdf

This book examines the post-1960s era of popular music in the Anglo-Black Atlantic through the prism of historical theory and methods. By using a series of case studies, this book mobilizes historical theory and methods to underline different expressions of alternative music functioning within a mainstream musical industry. Each chapter highlights a particular theory or method while simultaneously weaving it through a genre of music expressing a notion of alternativity—an explicit positioning of one’s expression outside and counter to the mainstream. Historical Theory and Methods through Popular Music seeks to fill a gap in current scholarship by offering a collection written specifically for the pedagogical and theoretical needs of those interested in the topic.

Modern Records, Maverick Methods

Samantha Bennett
Modern Records Maverick Methods Book PDF

Author : Samantha Bennett
Publisher : Bloomsbury Publishing USA
Page : 257 pages
File Size : 49,7 Mb
Release : 2018-12-27
Category : Music
ISBN : 9781501344114

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Modern Records, Maverick Methods by Samantha Bennett Pdf

From the Fairlight CMI through MIDI to the digital audio workstations at the turn of the millennium, Modern Records, Maverick Methods examines a critical period in commercial popular music record production: the transformative digital age from the late 1970s until 2000. Drawing on a discography of more than 300 recordings across pop, rock, hip hop, dance and alternative musics from artists such as the Beastie Boys, Madonna, U2 and Fatboy Slim, and extensive and exclusive ethnographic work with many world-renowned recordists, Modern Records presents a fresh and insightful new perspective on one of the most significant eras in commercial music record production. The book traces the development of significant music technologies through the 1980s and 1990s, revealing how changing attitudes and innovative techniques of recording personnel reimagined recording processes and, finally, exemplifies the impact of these technologies and techniques via six comprehensive tech-processual analyses. This meticulously researched and timely book reveals the complexity of recordists' responses to a technological landscape in flux.

The Ashgate Research Companion to Popular Musicology

Derek B. Scott
The Ashgate Research Companion to Popular Musicology Book PDF

Author : Derek B. Scott
Publisher : Routledge
Page : 614 pages
File Size : 51,8 Mb
Release : 2016-03-23
Category : Music
ISBN : 9781317041979

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The Ashgate Research Companion to Popular Musicology by Derek B. Scott Pdf

The research presented in this volume is very recent, and the general approach is that of rethinking popular musicology: its purpose, its aims, and its methods. Contributors to the volume were asked to write something original and, at the same time, to provide an instructive example of a particular way of working and thinking. The essays have been written with a view to helping graduate students with research methodology and the application of relevant theoretical models. The team of contributors is an exceptionally strong one: it contains many of the pre-eminent academic figures involved in popular musicological research, and there is a spread of European, American, Asian, and Australasian scholars. The volume covers seven main themes: Film, Video and Multimedia; Technology and Studio Production; Gender and Sexuality; Identity and Ethnicity; Performance and Gesture; Reception and Scenes and The Music Industry and Globalization. The Ashgate Research Companion is designed to offer scholars and graduate students a comprehensive and authoritative state-of-the-art review of current research in a particular area. The companion's editor brings together a team of respected and experienced experts to write chapters on the key issues in their speciality, providing a comprehensive reference to the field.

Masculinity and Irish Popular Culture

Conn Holohan,Tony Tracy
Masculinity and Irish Popular Culture Book PDF

Author : Conn Holohan,Tony Tracy
Publisher : Springer
Page : 253 pages
File Size : 52,9 Mb
Release : 2014-02-20
Category : Literary Criticism
ISBN : 9781137300249

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Masculinity and Irish Popular Culture by Conn Holohan,Tony Tracy Pdf

Masculinity and Irish Popular Culture: Tiger's Tales is an interdisciplinary collection of essays by established and emerging scholars, analysing the shifting representations of Irish men across a range of popular culture forms in the period of the Celtic Tiger and beyond.

Global Asian American Popular Cultures

Shilpa Dave,LeiLani Nishime,Tasha Oren
Global Asian American Popular Cultures Book PDF

Author : Shilpa Dave,LeiLani Nishime,Tasha Oren
Publisher : NYU Press
Page : 378 pages
File Size : 52,7 Mb
Release : 2016-05-16
Category : Social Science
ISBN : 9781479867097

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Global Asian American Popular Cultures by Shilpa Dave,LeiLani Nishime,Tasha Oren Pdf

6. David Choe's "KOREANS GONE BAD": The LA Riots, Comparative Racialization, and Branding a Politics of Deviance -- Part II. Making Community -- 7. From the Mekong to the Merrimack and Back: The Transnational Terrains of Cambodian American Rap -- 8. "You'll Learn Much about Pakistanis from Listening to Radio": Pakistani Radio Programming in Houston, Texas -- 9. Online Asian American Popular Culture, Digitization, and Museums -- 10. Asian American Food Blogging as Racial Branding: Rewriting the Search for Authenticity

Popular Musicology and Identity

Kai Arne Hansen,Eirik Askerøi,Freya Jarman
Popular Musicology and Identity Book PDF

Author : Kai Arne Hansen,Eirik Askerøi,Freya Jarman
Publisher : Routledge
Page : 214 pages
File Size : 47,9 Mb
Release : 2020-08-09
Category : Music
ISBN : 9780429837647

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Popular Musicology and Identity by Kai Arne Hansen,Eirik Askerøi,Freya Jarman Pdf

Popular Musicology and Identity paves new paths for studying popular music’s entwinement with gender, sexuality, ethnicity, class, locality, and a range of other factors. The book consists of original essays in honour of Stan Hawkins, whose work has been a major influence on the musicological study of gender and identity since the early 1990s. In the new millennium, musicological approaches have proliferated and evolved alongside major shifts in the music industry and popular culture. Reflecting this plurality, the book reaches into a range of musical contexts, eras, and idioms to critically investigate the discursive structures that govern the processes through which music is mobilised as a focal point for negotiating and assessing identity. With contributions from leading scholars in the field, Popular Musicology and Identity accounts for the state of popular musicology at the onset of the 2020s while also offering a platform for the further advancement of the critical study of popular music and identity. This collection of essays thus provides an up-to-date resource for scholars across fields such as popular music studies, musicology, gender studies, and media studies.

Perspectives on Males and Singing

Scott D. Harrison,Graham F. Welch,Adam Adler
Perspectives on Males and Singing Book PDF

Author : Scott D. Harrison,Graham F. Welch,Adam Adler
Publisher : Springer Science & Business Media
Page : 368 pages
File Size : 42,8 Mb
Release : 2012-01-02
Category : Education
ISBN : 9789400726604

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Perspectives on Males and Singing by Scott D. Harrison,Graham F. Welch,Adam Adler Pdf

“Since singing is so good a thing,I wish all men would learne to sing” (William Byrd, 1588) Over the centuries, there has been reluctance among boys and men to become involved in some forms of singing. Perspectives on Males and Singing tackles this conundrum head-on as the first academic volume to bring together leading thinkers and practitioners who share their insights on the involvement of males in singing. The authors share research that analyzes the axiomatic male disinclination to sing, and give strategies designed to engage males more successfully in performing vocal music emphasizing the many positive effects it can have on their lives. Inspired by a meeting at the Australian symposium ‘Boys and Voices’, which focused on the engagement of boys in singing, the volume includes contributions from leading authorities in Australia, New Zealand, Canada, the United States and Europe.

Fashioning Indie

Rachel Lifter
Fashioning Indie Book PDF

Author : Rachel Lifter
Publisher : Bloomsbury Publishing
Page : 224 pages
File Size : 44,8 Mb
Release : 2019-10-31
Category : Social Science
ISBN : 9781350126336

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Fashioning Indie by Rachel Lifter Pdf

In 2005, British supermodel Kate Moss went to Glastonbury with her then-boyfriend, indie rocker Pete Doherty. Their unwashed appearance captured widespread attention, propelling the British indie music scene and its signature look-slender bodies clad in skinny jeans-to the center of popular fashion. Using this fashionable watershed as a launching point, Fashioning Indie narrates indie's evolution: from a 1980s British music subculture into a 21st-century international fashion phenomenon. It explores the lucrative transformation of indie style, first into high concept menswear and later into “festival fashion”-a womenswear phenomenon that remade what indie looked like and provided a launching point to reimagine who the ideal subject of indie could be. Fashioning Indie is essential reading for academic and popular audiences, offering an original account of what happens when a subculture is incorporated into the commercial fashion system. As the music and fashions of festivals face increasing scrutiny in debates about diversity and inclusion, and the transformations of indie style coincide with the global expansion of the second-hand retail sector, the book offers also essential insights into the broader culture of popular fashion in the 21st century and the values that inform it.

PJ Harvey and Music Video Performance

Abigail Gardner
PJ Harvey and Music Video Performance Book PDF

Author : Abigail Gardner
Publisher : Routledge
Page : 225 pages
File Size : 46,6 Mb
Release : 2016-03-09
Category : Music
ISBN : 9781317080732

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PJ Harvey and Music Video Performance by Abigail Gardner Pdf

PJ Harvey’s performances are premised on the core contention that she is somehow causing ’trouble’. Just how this trouble can be theorised within the context of the music video and what it means for a development of the ways we might conceptualise ’disruption’ and think about music video lies at the heart of this book. Abigail Gardner mixes feminist theory and critical models from film and video scholarship as a rich means of interrogating Harvey’s work and redefining her disruptive strategies. The book presents a rethinking of the masquerade that allies it to cultural memory, precipitated by Gardner’s claim that Harvey’s performances are conversations with the past, specifically with visualised memories of archetypes of femininity. Harvey’s masquerades emerge from her conversations and renegotiations with both national and transatlantic musical, visual and lyrical heritages. It is the first academic book to present analysis of Harvey’s music videos and opens up fresh avenues into exploring what is at stake in the video work of one of Britain’s premier singer-songwriters. It extends the discussion on music video to consider how to make sense of the rapidly developing digital environment in which it now sits. The interdisciplinary nature of the book should attract readers from a range of subject areas including popular music studies, cultural studies, media and communication studies, and gender studies.

Popular Music and Automobiles

Mark Duffett,Beate Peter
Popular Music and Automobiles Book PDF

Author : Mark Duffett,Beate Peter
Publisher : Bloomsbury Publishing USA
Page : 217 pages
File Size : 50,6 Mb
Release : 2020-01-09
Category : Music
ISBN : 9781501352317

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Popular Music and Automobiles by Mark Duffett,Beate Peter Pdf

Particularly since the 1950s, cars and popular music have been constantly associated. As complementary goods and intertwined technologies, their relationship has become part of a widely shared experience-one that connects individuals and society, private worlds and public spheres. Popular Music and Automobiles aims to unpack that relationship in more detail. It explores the ways in which cars and car journeys have shaped society, as well as how we have shaped them. Including both broad synergies and specific case studies, Popular Music and Automobiles explores how attention to an ongoing relationship can reveal insights about the assertion and negotiation of identity. Using methods of enquiry that are as diverse as the topics they tackle, its contributors closely consider specific genders, genres, places and texts.

Cool Town

Grace Elizabeth Hale
Cool Town Book PDF

Author : Grace Elizabeth Hale
Publisher : UNC Press Books
Page : 384 pages
File Size : 40,6 Mb
Release : 2020-02-13
Category : Social Science
ISBN : 9781469654881

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Cool Town by Grace Elizabeth Hale Pdf

In the summer of 1978, the B-52's conquered the New York underground. A year later, the band's self-titled debut album burst onto the Billboard charts, capturing the imagination of fans and music critics worldwide. The fact that the group had formed in the sleepy southern college town of Athens, Georgia, only increased the fascination. Soon, more Athens bands followed the B-52's into the vanguard of the new American music that would come to be known as "alternative," including R.E.M., who catapulted over the course of the 1980s to the top of the musical mainstream. As acts like the B-52's, R.E.M., and Pylon drew the eyes of New York tastemakers southward, they discovered in Athens an unexpected mecca of music, experimental art, DIY spirit, and progressive politics--a creative underground as vibrant as any to be found in the country's major cities. In Athens in the eighties, if you were young and willing to live without much money, anything seemed possible. Cool Town reveals the passion, vitality, and enduring significance of a bohemian scene that became a model for others to follow. Grace Elizabeth Hale experienced the Athens scene as a student, small-business owner, and band member. Blending personal recollection with a historian's eye, she reconstructs the networks of bands, artists, and friends that drew on the things at hand to make a new art of the possible, transforming American culture along the way. In a story full of music and brimming with hope, Hale shows how an unlikely cast of characters in an unlikely place made a surprising and beautiful new world.

Indie Games in the Digital Age

M.J. Clarke,Cynthia Wang
Indie Games in the Digital Age Book PDF

Author : M.J. Clarke,Cynthia Wang
Publisher : Bloomsbury Publishing USA
Page : 240 pages
File Size : 55,9 Mb
Release : 2020-04-16
Category : Social Science
ISBN : 9781501356438

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Indie Games in the Digital Age by M.J. Clarke,Cynthia Wang Pdf

A host of digital affordances, including reduced cost production tools, open distribution platforms, and ubiquitous connectivity, have engendered the growth of indie games among makers and users, forcing critics to reconsider the question of who makes games and why. Taking seriously this new mode of cultural produciton compells analysts to reconsider the blurred boundaries and relations of makers, users and texts as well as their respective relationship to cultural power and hierarchy. The contributions to Indie Games in the Digital Age consider these questions and examine a series of firms, makers, games and scenes, ranging from giants like Nintendo and Microsoft to grassroots games like Cards Against Humanity and Stardew Valley, to chart more precisely the productive and instructive disruption that this new site of cultural production offers.

Britishness, Popular Music, and National Identity

Irene Morra
Britishness Popular Music and National Identity Book PDF

Author : Irene Morra
Publisher : Routledge
Page : 303 pages
File Size : 46,6 Mb
Release : 2013-10-30
Category : Music
ISBN : 9781135048945

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Britishness, Popular Music, and National Identity by Irene Morra Pdf

This book offers a major exploration of the social and cultural importance of popular music to contemporary celebrations of Britishness. Rather than providing a history of popular music or an itemization of indigenous musical qualities, it exposes the influential cultural and nationalist rhetoric around popular music and the dissemination of that rhetoric in various forms. Since the 1960s, popular music has surpassed literature to become the dominant signifier of modern British culture and identity. This position has been enforced in popular culture, literature, news and music media, political rhetoric -- and in much popular music itself, which has become increasingly self-conscious about the expectation that music both articulate and manifest the inherent values and identity of the modern nation. This study examines the implications of such practices and the various social and cultural values they construct and enforce. It identifies two dominant, conflicting constructions around popular music: music as the voice of an indigenous English ‘folk’, and music as the voice of a re-emergent British Empire. These constructions are not only contradictory but also exclusive, prescribing a social and musical identity for the nation that ignores its greater creative, national, and cultural diversity. This book is the first to offer a comprehensive critique of an extremely powerful discourse in England that today informs dominant formulations of English and British national identity, history, and culture.