White Screens Black Images

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White Screens/Black Images

James Snead
White Screens Black Images Book PDF

Author : James Snead
Publisher : Routledge
Page : 176 pages
File Size : 43,9 Mb
Release : 2016-07-22
Category : Social Science
ISBN : 9781135199593

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White Screens/Black Images by James Snead Pdf

Hollywood's representation of blacks has been consistently misleading, promoting an artificially constructed mythology in place of historical fact. But how, James Snead asks, did black skin on screen develop into a complex code for various types of white supremacist discourse? In these essays, completed shortly before his death in 1989, James Snead offers a thoughtful inquiry into the intricate modes of racial coding in Hollywood cinema from 1915 to 1985. Snead presents three major methods through which the racist ideology within film functions: mythification, in which black images are correlated in a larger sceme of semiotic valuation where the dominant I needs the marginal other in order to function effectively; marking, in which the color black is repeatedly over-determined and redundantly marked, as if to force the viewer to register the image's difference from white; and omission--the repetition of black absence from positions of autonomy and importance. White Screens/Black Images offers an array of film texts, drawn from both classical Hollywood cinema and black independent film culture. Individual chapters analyze Birth of a Nation , King Kong , Shirley Temple in The Littlest Rebel and The Little Colonel , Mae West in I'm No Angel , Marlene Dietrich in Blonde Venus , Bette Davis in Jezebel , the racism of Disney's Song of the South , and Taxi Driver . Making skillful use of developments in both structuralist and post-structuralist film theory, Snead's work speaks not only to the centrality of race in Hollywood films, but to its centrality in the formation of modern American culture.

White Screens/Black Images

James Snead
White Screens Black Images Book PDF

Author : James Snead
Publisher : Routledge
Page : 180 pages
File Size : 52,9 Mb
Release : 2016-07-22
Category : Social Science
ISBN : 9781135199586

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White Screens/Black Images by James Snead Pdf

Hollywood's representation of blacks has been consistently misleading, promoting an artificially constructed mythology in place of historical fact. But how, James Snead asks, did black skin on screen develop into a complex code for various types of white supremacist discourse? In these essays, completed shortly before his death in 1989, James Snead offers a thoughtful inquiry into the intricate modes of racial coding in Hollywood cinema from 1915 to 1985. Snead presents three major methods through which the racist ideology within film functions: mythification, in which black images are correlated in a larger sceme of semiotic valuation where the dominant I needs the marginal other in order to function effectively; marking, in which the color black is repeatedly over-determined and redundantly marked, as if to force the viewer to register the image's difference from white; and omission--the repetition of black absence from positions of autonomy and importance. White Screens/Black Images offers an array of film texts, drawn from both classical Hollywood cinema and black independent film culture. Individual chapters analyze Birth of a Nation , King Kong , Shirley Temple in The Littlest Rebel and The Little Colonel , Mae West in I'm No Angel , Marlene Dietrich in Blonde Venus , Bette Davis in Jezebel , the racism of Disney's Song of the South , and Taxi Driver . Making skillful use of developments in both structuralist and post-structuralist film theory, Snead's work speaks not only to the centrality of race in Hollywood films, but to its centrality in the formation of modern American culture.

Screen Saviors

Hernan Vera,Andrew Gordon
Screen Saviors Book PDF

Author : Hernan Vera,Andrew Gordon
Publisher : Rowman & Littlefield
Page : 220 pages
File Size : 46,8 Mb
Release : 2003
Category : Performing Arts
ISBN : 0847699471

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Screen Saviors by Hernan Vera,Andrew Gordon Pdf

Screen Saviors studies how the self of whites is imagined in Hollywood movies--by white directors featuring white protagonists interacting with people of another color. This collaboration by a sociologist and a film critic, using the new perspective of critical "white studies," offers a bold and sweeping critique of almost a century's worth of American film, from Birth of Nation (1915) through Black Hawk Down (2001). Screen Saviors studies the way in which the social relations that we call "race" are fictionalized and pictured in the movies. It argues that films are part of broader projects that lead us to ignore or deny the nature of the racial divide in which Americans live. Even as the images of racial and ethnic minorities change across the twentieth century, Hollywood keeps portraying the ideal white American self as good-looking, powerful, brave, cordial, kind, firm, and generous: a natural-born leader worthy of the loyalty of those of another color. The book invites readers to conduct their own analyses of films by showing how this can be done in over 50 Hollywood movies. Among these are some films about the Civil War--Birth of a Nation, Gone with the Wind, and Glory; some about white messiahs who rescue people of another color--Stargate, To Kill a Mockingbird, Mississippi Burning, Three Kings, and The Matrix; the three versions of Mutiny on the Bounty (1935, 1962, and 1984) and interracial romance--Guess Who's Coming to Dinner. Forty years of Hollywood fantasies of interracial harmony, from The Defiant Ones and In the Heat of the Night through the Lethal Weapon series and Men in Black are examined. This work in the sociology of knowledge and cultural studies relates the movies of Hollywood to the large political agendas on race relation in the United States. Screen Saviors appeals to the general reader interested in the movies or in race and ethnicity as well as to students of com

Quentin Tarantino's Django Unchained

Oliver C. Speck
Quentin Tarantino s Django Unchained Book PDF

Author : Oliver C. Speck
Publisher : Bloomsbury Publishing USA
Page : 329 pages
File Size : 49,9 Mb
Release : 2014-07-31
Category : Performing Arts
ISBN : 9781623567804

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Quentin Tarantino's Django Unchained by Oliver C. Speck Pdf

Django Unchained is certainly Quentin Tarantino's most commercially-successful film and is arguably also his most controversial. Fellow director Spike Lee has denounced the representation of race and slavery in the film, while many African American writers have defended the white auteur. The use of extremely graphic violence in the film, even by Tarantino's standards, at a time when gun control is being hotly debated, has sparked further controversy and has led to angry outbursts by the director himself. Moreover, Django Unchained has become a popular culture phenomenon, with t-shirts, highly contentious action figures, posters, and strong DVD/BluRay sales. The topic (slavery and revenge), the setting (a few years before the Civil War), the intentionally provocative generic roots (Spaghetti Western and Blaxploitation) and the many intertexts and references (to German and French culture) demand a thorough examination. Befitting such a complex film, the essays collected here represent a diverse group of scholars who examine Django Unchained from many perspectives.

Gender, Ethnicity and Sexuality in Contemporary American Film

Davies Jude Davies
Gender Ethnicity and Sexuality in Contemporary American Film Book PDF

Author : Davies Jude Davies
Publisher : Edinburgh University Press
Page : 166 pages
File Size : 41,5 Mb
Release : 2020-03-31
Category : Art
ISBN : 9780748674428

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Gender, Ethnicity and Sexuality in Contemporary American Film by Davies Jude Davies Pdf

Over the past ten years Hollywood has devoted big budgets and established stars to films about controversial issues, while identities previously considered marginal have come into prominence on the big screen. The authors examine the issues raised by these developments, bringing together debates in identity politics with film studies and launching an innovative theorisation of cinematic representation of identity. Movies from Forrest Gump to Philadelphia, from Malcolm X to Falling Down, have engaged explicitly with notions of multiculturalism and identity politics. This book is concerned pre-eminently with the meanings put into circulation by these mainstream films and audiences' readings of them. It provides a brief and accessible introduction to such issues as arguments over positive and negative images and the relationship between cultural representation and political power.

The New American Cinema

Jon Lewis
The New American Cinema Book PDF

Author : Jon Lewis
Publisher : Duke University Press
Page : 420 pages
File Size : 52,7 Mb
Release : 1998
Category : Business & Economics
ISBN : 0822321157

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The New American Cinema by Jon Lewis Pdf

Deliberately eclectic and panoramic, THE NEW AMERICAN CINEMA brings together thirteen leading film scholars who present a range of theoretical, critical, and historical perspectives on a rich and pivotal time in American cinema--that from the mid 1960s to the present. With its range of topics and breadth of critical approaches, this anthology illuminates the volatile mix of industrial process and artistic inspiration that comprises American moviemaking. 46 photos.

Under a Bad Sign

Jonathan Munby
Under a Bad Sign Book PDF

Author : Jonathan Munby
Publisher : University of Chicago Press
Page : 227 pages
File Size : 44,8 Mb
Release : 2011-07-15
Category : Literary Criticism
ISBN : 9780226550367

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Under a Bad Sign by Jonathan Munby Pdf

What accounts for the persistence of the figure of the black criminal in popular culture created by African Americans? Unearthing the overlooked history of art that has often seemed at odds with the politics of civil rights and racial advancement, Under a Bad Sign explores the rationale behind this tradition of criminal self-representation from the Harlem Renaissance to contemporary gangsta culture. In this lively exploration, Jonathan Munby takes a uniquely broad view, laying bare the way the criminal appears within and moves among literary, musical, and visual arts. Munby traces the legacy of badness in Rudolph Fisher and Chester Himes’s detective fiction and in Claude McKay, Julian Mayfield, and Donald Goines’s urban experience writing. Ranging from Peetie Wheatstraw’s gangster blues to gangsta rap, he also examines criminals in popular songs. Turning to the screen, the underworld films of Oscar Micheaux and Ralph Cooper, the 1970s blaxploitation cycle, and the 1990s hood movie come under his microscope as well. Ultimately, Munby concludes that this tradition has been a misunderstood aspect of African American civic life and that, rather than undermining black culture, it forms a rich and enduring response to being outcast in America.

White Screens, Black Images

James A. Snead,Colin MacCabe,Cornel West
White Screens Black Images Book PDF

Author : James A. Snead,Colin MacCabe,Cornel West
Publisher : Unknown
Page : 153 pages
File Size : 52,5 Mb
Release : 1994
Category : Performing Arts
ISBN : 0415905737

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White Screens, Black Images by James A. Snead,Colin MacCabe,Cornel West Pdf

Explores modes of racial coding in Hollywood cinema from 1915 to 1985. This study presents three major methods through which racist ideology functions in film - "mythification", marking and omission. It analyzes film texts drawn from both classical Hollywood and Black independent film culture.

Media & Minorities

Stephanie Greco Larson
Media Minorities Book PDF

Author : Stephanie Greco Larson
Publisher : Rowman & Littlefield
Page : 390 pages
File Size : 46,8 Mb
Release : 2006
Category : Language Arts & Disciplines
ISBN : 0847694534

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Media & Minorities by Stephanie Greco Larson Pdf

Media & Minorities looks at the media's racial tendencies with an eye to identifying the "system supportive" messages conveyed and offering challenges to them. The book covers all major media--including television, film, newspapers, radio, magazines, and the Internet--and systematically analyzes their representation of the four largest minority groups in the U.S.: African Americans, Native Americans, Latinos, and Asian Americans. Entertainment media are compared and contrasted with news media, and special attention is devoted to coverage of social movements for racial justice and politicians of color.

The Epic Film in World Culture

Robert Burgoyne
The Epic Film in World Culture Book PDF

Author : Robert Burgoyne
Publisher : Routledge
Page : 404 pages
File Size : 54,8 Mb
Release : 2010-09-13
Category : Performing Arts
ISBN : 9781135855352

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The Epic Film in World Culture by Robert Burgoyne Pdf

With the recent release of spectacular blockbuster films from Gladiator to The Lord of the Rings trilogy, the epic has once again become a major form in contemporary cinema. The original essays in this volume explore the tension between the evolving global context of film production and reception and the particular provenance of the epic as an expression of national mythology and aspirations, challenging our understanding of epics produced in the present as well as our perception of epic films from the past. Contributors explore new critical approaches to contemporary as well as older epic film.

Every Step a Struggle

Frank Manchel
Every Step a Struggle Book PDF

Author : Frank Manchel
Publisher : New Acdemia+ORM
Page : 599 pages
File Size : 55,6 Mb
Release : 2007-01-31
Category : Performing Arts
ISBN : 9781955835053

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Every Step a Struggle by Frank Manchel Pdf

“This fascinating collection of interviews is ‘must reading’ for anyone interested in the cultural politics of race in America. A unique historical resource.” —Denise Youngblood, author of Cinematic Cold War This book pays tribute to the sacrifices and achievements of seven individuals who made difficult and controversial choices to ensure that black Americans shared in the evolution of the nation’s cultural heritage. Transcriptions and analyses of never-before-published uncensored conversations with Lorenzo Tucker, Lillian Gish, King Vidor, Clarence Muse, Woody Strode, Charles Gordone, and Frederick Douglass O’Neal reveal many of the reasons and rationalizations behind a racist screen imagery in the first three-quarters of the twentieth century. This primary source, replete with pictures, documentation, and extensive annotations, recounts through the words of important participants what happened to many film pioneers when a new generation of African-Americans rebelled against the nation’s stereotyped film imagery. “The author has taken a unique approach and may have even created a new genre of writing: theinterview embellished with scholarly commentary. It is a fascinating experiment . . . This book belongs in every research library and in all public libraries from mid-size to large cities. It fills in lacunae between existing studies.” —Peter C. Rollins, Emeritus Editor-in-Chief of Film & History

Fire and Desire

Jane M. Gaines
Fire and Desire Book PDF

Author : Jane M. Gaines
Publisher : University of Chicago Press
Page : 352 pages
File Size : 52,7 Mb
Release : 2017-12-29
Category : Performing Arts
ISBN : 9780226278735

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Fire and Desire by Jane M. Gaines Pdf

In the silent era, American cinema was defined by two separate and parallel industries, with white and black companies producing films for their respective, segregated audiences. Jane Gaines's highly anticipated new book reconsiders the race films of this era with an ambitious historical and theoretical agenda. Fire and Desire offers a penetrating look at the black independent film movement during the silent period. Gaines traces the profound influence that D. W. Griffith's racist epic The Birth of a Nation exerted on black filmmakers such as Oscar Micheaux, the director of the newly recovered Within Our Gates. Beginning with What Happened in the Tunnel, a movie that played with race and sex taboos by featuring the first interracial kiss in film, Gaines also explores the cinematic constitution of self and other through surprise encounters: James Baldwin sees himself in the face of Bette Davis, family resemblance is read in Richard S. Robert's portrait of an interracial family, and black film pioneer George P. Johnson looks back on Micheaux. Given the impossibility of purity and the co-implication of white and black, Fire and Desire ultimately questions the category of "race movies" itself.

Gender, Ethnicity, and Sexuality in Contemporary American Film

Jude Davies,Carol R. Smith
Gender Ethnicity and Sexuality in Contemporary American Film Book PDF

Author : Jude Davies,Carol R. Smith
Publisher : Routledge
Page : 164 pages
File Size : 51,8 Mb
Release : 2013-09-13
Category : Social Science
ISBN : 9781135958305

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Gender, Ethnicity, and Sexuality in Contemporary American Film by Jude Davies,Carol R. Smith Pdf

First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

Disney's Most Notorious Film

Jason Sperb
Disney s Most Notorious Film Book PDF

Author : Jason Sperb
Publisher : University of Texas Press
Page : 295 pages
File Size : 53,6 Mb
Release : 2012-12-01
Category : Performing Arts
ISBN : 9780292749818

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Disney's Most Notorious Film by Jason Sperb Pdf

The Walt Disney Company offers a vast universe of movies, television shows, theme parks, and merchandise, all carefully crafted to present an image of wholesome family entertainment. Yet Disney also produced one of the most infamous Hollywood films, Song of the South. Using cartoon characters and live actors to retell the stories of Joel Chandler Harris, SotS portrays a kindly black Uncle Remus who tells tales of Brer Rabbit, Brer Fox, and the “Tar Baby” to adoring white children. Audiences and critics alike found its depiction of African Americans condescending and outdated when the film opened in 1946, but it grew in popularity—and controversy—with subsequent releases. Although Disney has withheld the film from American audiences since the late 1980s, SotS has an enthusiastic fan following, and pieces of the film—such as the Oscar-winning “Zip-a-Dee-Doo-Dah”—remain throughout Disney’s media universe. Disney’s Most Notorious Film examines the racial and convergence histories of Song of the South to offer new insights into how audiences and Disney have negotiated the film’s controversies over the last seven decades. Jason Sperb skillfully traces the film’s reception history, showing how audience perceptions of SotS have reflected debates over race in the larger society. He also explores why and how Disney, while embargoing the film as a whole, has repurposed and repackaged elements of SotS so extensively that they linger throughout American culture, serving as everything from cultural metaphors to consumer products.

African Americans and Popular Culture

Todd Boyd
African Americans and Popular Culture Book PDF

Author : Todd Boyd
Publisher : Bloomsbury Publishing USA
Page : 834 pages
File Size : 45,6 Mb
Release : 2008-10-30
Category : Social Science
ISBN : 9780313064081

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African Americans and Popular Culture by Todd Boyd Pdf

The African American influence on popular culture is among the most sweeping and lasting this country has seen. Despite a history of institutionalized racism, black artists, entertainers, and entrepreneurs have had enormous impact on American popular culture. Pioneers such as Oscar Michaeux, Paul Robeson, Satchel Paige, Josh Gibson, Langston Hughes, Bill Bojangles Robinson, and Bessie Smith paved the way for Jackie Robinson, Nina Simone, James Baldwin, Bill Russell, Muhammad Ali, Sidney Poitier, and Bill Cosby, who in turn opened the door for Spike Lee, Dave Chappelle, Dr. Dre, Jay-Z, Tiger Woods, and Michael Jordan. Today, hip hop is the most powerful element of youth culture; white teenagers outnumber blacks as purchasers of rap music; black-themed movies are regularly successful at the box office, and black writers have been anthologized and canonized right alongside white ones. Though there are still many more miles to travel and much to overcome, this three-volume set considers the multifaceted influence of African Americans on popular culture, and sheds new light on the ways in which African American culture has come to be a fundamental and lasting part of America itself. To articulate the momentous impact African American popular culture has had upon the fabric of American society, these three volumes provide analyses from academics and experts across the country. They provide the most reliable, accurate, up-to-date, and comprehensive treatment of key topics, works, and themes in African American popular culture for a new generation of readers. The scope of the project is vast, including: popular historical movements like the Harlem Renaissance; the legacy of African American comedy; African Americans and the Olympics; African Americans and rock 'n roll; more contemporary articulations such as hip hop culture and black urban cinema; and much more. One goal of the project is to recuperate histories that have been perhaps forgotten or obscured to mainstream audiences and to demonstrate how African Americans are not only integral to American culture, but how they have always been purveyors of popular culture.