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Who Killed British Cinema? by Mr Jonathan Gems,Mr Vinod Mahindru Pdf
Until 1970, Britain had the second biggest film industry in the world. Studios like the Rank Organisation, Associated British Picture Corporation, British Lion and Anglo-Amalgamated made and released more than fifty films per year. British Cinema was thriving and selling its unique product globally. There were countless opportunities for film makers. Tens of thousands worked in British Films. Today we have not one single British movie studio and 98% of the films in our cinemas are made by foreign entities. Every major European country has an indigenous movie culture. What happened to ours? Who killed it? And how can we get it back?
Provocative polemic on digital media; Features foreword by Martin Scorsese, extract overleaf; It is estimated that about one and a half billion hours of moving images were produced in 1999, twice as many as a decade before. If that rate of growth continues, one hundred billion hours of moving images will be made in the year 2025. In 1895 there was just above forty minutes of moving images to be seen, and most of them are now preserved. Today, for every film made, thousands of them disappear forever without leaving a trace. Meanwhile, public and private institutions are struggling to save the film heritage with largely insufficient resources and ever increasing pressures from the commercial world. Are they wasting their time? Is the much feared and much touted Death of Cinema already occurring before our eyes? Is digital technology the solution to the problem, or just another illusion promoted by the industry? In a provocative essay designed as a collection of aphorisms and letters, the author brings an impassioned scrutiny to bear on these issues with a critique of film preservation, an indictiment of the crimes perpetuated in its name, and a proposal to give a new analytical framework to a major cultural phenomenon of our time.
British Cinema in the 1950's by Ian MacKillop,Neil Sinyard Pdf
Covering a variety of genres, such as war films and women's pictures, as well as social issues which affect film-making, this is a re-evaluation of what has until now been seen as the most critically lacklustre period of the British film industry.
A Sight & Sound Book of the Year "Eye-opening and addictively readable." Total Film Who and what decides if a film gets funded? How do those who control the purse strings also determine a film's content and even its message? Writing as the director of award-winning feature films including Welcome to Sarajevo, 24 Hour Party People and The Road to Guantanamo as well as the hugely popular The Trip series, Michael Winterbottom provides an insider's view of the workings of international film funding and distribution, revealing how the studios that fund film production and control distribution networks also work against a sustainable independent film culture and limit innovation in filmmaking style and content. In addition to reflecting upon his own filmmaking career, featuring critical and commercial successes alongside a 'very long list' of films that didn't get made, Winterbottom also interviews leading contemporary filmmakers including Lynne Ramsay, Mike Leigh, Ken Loach, Asif Kapadia and Joanna Hogg about their filmmaking practice. The book closes with a vision of how the contemporary filmmaking landscape could be reformed for the better with fairer funding and payment practices allowing for a more innovative and sustainable 21st century industry.
Author : Henry K. Miller Publisher : Univ of California Press Page : 250 pages File Size : 42,6 Mb Release : 2022-01-11 Category : Performing Arts ISBN : 9780520343559
"This untold origins story of the filmmaker excavates the first true Hitchcock film and explores its transatlantic history. Hitchcock called The Lodger "the first true Hitchcock movie," anticipating all the others. And yet, the story of how The Lodger came to be made is shrouded in myth, often repeated and much embellished, including by Hitchcock himself. The truth-revealed in new archival discoveries-is stranger still. The First True Hitchcock follows the twelve-month period encompassing The Lodger's production in 1926 and general release in 1927, presenting a new picture of this pivotal year in Hitchcock's life. Henry K. Miller situates The Lodger against the backdrop of a continent shattered by war and confronted with the looming presence of a new superpower, the United States, whose most visible export was film. This previously untold story of The Lodger's making in the London fog, and attempted remaking in the Los Angeles sun, is the story of how Hitchcock became Hitchcock. "--
Consists chiefly of excerpts from the Badger State banner, Black River Falls, Wis., for the years 1885-1900 and of photos. taken by Charles Van Schaick from 1890 to 1910.
One of the most famous literary works of the 20th century, the novella “Death in Venice” embodies themes that preoccupied Thomas Mann (1875–1955) in much of his work; the duality of art and life, the presence of death and disintegration in the midst of existence, the connection between love and suffering, and the conflict between the artist and his inner self. Mann’s handling of these concerns in this story of a middle-aged German writer, torn by his passion for a Polish youth met on holiday in Venice, resulted in a work of great psychological intensity and tragic power.
'Shocking, scathing, entertaining.' Guardian 'Incredibly compelling.' The Times 'Heart-breaking.' Sunday Times Where can a tin of tuna buy you clean clothes? Where is it easier to get 'spice' than paracetamol? Where does self-harm barely raise an eyebrow? Welcome to Her Majesty's Prison Service. Like most people, documentary-maker Chris Atkins didn't spend much time thinking about prisons. But after becoming embroiled in a dodgy scheme to fund his latest film, he was sent down for five years. His new home would be HMP Wandsworth, one of the largest and most dysfunctional prisons in Europe. With a cast of characters ranging from wily drug dealers to senior officials bent on endless reform, this powerful memoir uncovers the horrifying reality behind the locked gates. Filled with dark humour and shocking stories, A Bit of a Stretch reveals why our creaking prison system is sorely costing us all - and why you should care.
The Ministry of Ungentlemanly Warfare by Damien Lewis Pdf
From the award-winning historian, war reporter, and author Damien Lewis (Zero Six Bravo, Judy) comes the incredible true story of the top-secret "butcher-and-bolt" black ops units Prime Minister Winston Churchill assigned the task of stopping the unstoppable German war machine. Criminals, rogues, and survivalists, the brutal tactics and grit of these "deniables" would define a military unit the likes of which the world had never seen. When France fell to the Nazis in spring 1940, Churchill declared that Britain would resist the advance of the German army--alone if necessary. Churchill commanded the Special Operations Executive to secretly develop of a very special kind of military unit that would operate on their own initiative deep behind enemy lines. The units would be licensed to kill, fully deniable by the British government, and a ruthless force to meet the advancing Germans. The very first of these "butcher-and-bolt" units--the innocuously named Maid Honour Force--was led by Gus March-Phillipps, a wild British eccentric of high birth, and an aristocratic, handsome, and bloodthirsty young Danish warrior, Anders Lassen. Amped up on amphetamines, these assorted renegades and sociopaths undertook the very first of Churchill's special operations--a top-secret, high-stakes mission to seize Nazi shipping in the far-distant port of Fernando Po, in West Africa. Though few of these early desperadoes survived WWII, they took part in a series of fascinating, daring missions that changed the course of the war. It was the first stirrings of the modern special-ops team, and all of the men involved would be declared war heroes when it was all over. The Ministry of Ungentlemanly Warfare focuses on a dozen of these extraordinary men, weaving their stories of brotherhood, comradely, and elite soldiering into a gripping narrative yarn, from the earliest missions to Anders Lassen's tragic death, just weeks before the end of the war.
British Crime Cinema by Steve Chibnall,Robert Murphy Pdf
This is the first substantial study of British cinema's most neglected genre. Bringing together original work from some of the leading writers on British popular film, this book includes interviews with key directors Mike Hodges (Get Carter) and Donald Cammel (Performance). It discusses an abundance of films including: * acclaimed recent crime films such as Shallow Grave, Shopping, and Face. * early classics like They Made Me A Fugitive * acknowledged classics such as Brighton Rock and The Long Good Friday * 50s seminal works including The Lavender Hill Mob and The Ladykillers.
For years there has been consensus about the merits of Britain’s ‘cult films’ — Peeping Tom, Witchfinder General, The Italian Job — but what of The Mark, Unearthly Stranger, The Strange Affair and The Squeeze? Revisionist critics wax lyrical over Get Carter and The Wicker Man, but what of Sitting Target, Quest for Love and The Black Panther? OFFBEAT redresses this imbalance by exploring Britain’s obscurities, curiosities and forgotten gems — from the buoyant leap in film production in the late fifties to the dying days of popular domestic cinema in the early eighties. Featuring essays, interviews and in-depth reviews, OFFBEAT provides an exhaustive, enlightening and entertaining guide through a host of neglected cinematic trends and episodes, including: • The last great British B-movies • ‘Anti-swinging sixties’ films • Sexploitation — from Yellow Teddy Bears to Emmanuelle in Soho • The British rock ‘n roll movie • CIA-funded British cartoons • Asylums in British cinema • The Children’s Film Foundation • The demise of the short as supporting feature • Val Guest, Sidney Hayers and the forgotten journeyman of British film • Swashbucklers, crime thrillers and other non-horror Hammers Now updated with more than 150 pages of new reviews and essays, featuring: • The Beatles in Colour! • The History of the AA Certificate • Ken Russell’s 1980s Films • Iris Murdoch’s A Severed Head • Curating Offbeat films in the Digital Age And much more!
Alfred Hitchcock and the British Cinema by Tom Ryall Pdf
First published in 1986, this standard account of Hitchcock's British films and film-making is now available again in a Second Edition with a new Introduction and Bibliography. It will be welcomed by all students of the film and admirers of Hitchcock.
