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Two phone calls. One mysterious death. This is a true story. On July 4, 2020 Kory received two phone calls. One from her uncle, saying her mother was found dead in her bedroom from an overdose. A second from a homicide detective saying he believes it was murder—and her uncle is the suspect. Now Kory wants to find the truth about what happened to her mother. But sifting through the conflicting details and compelling evidence turns out to be a hell of a ride. Only after a fearless look into her mother's dark past, will she uncover a truth—one she never expected.
Kill My Mother: A Graphic Novel by Jules Feiffer Pdf
Winner of the Eisner Prize for Best New Graphic Album Winner of the National Cartoonist Society Reuben Award for Best Graphic Novel Named one of the Best Books of the Year by Vanity Fair, Kirkus Reviews, and Library Journal A New York Times Book Review Editors’ Choice Selection When three daunting dolls intersect with one hapless heroine and a hard-boiled private eye, deception, betrayal, and murder stalk every mean street in… Kill My Mother. Adding to a legendary career that includes a Pulitzer Prize, an Academy Award, Obie Awards, and Lifetime Achievement Awards from the National Cartoonist Society and the Writers Guild of America, Jules Feiffer now presents his first noir graphic novel. Kill My Mother is a loving homage to the pulp-inspired films and comic strips of his youth. Channeling Eisner's The Spirit, along with the likes of Hammett, Chandler, Cain, John Huston, and Billy Wilder, and spiced with the deft humor for which Feiffer is renowned, Kill My Mother centers on five formidable women from two unrelated families, linked fatefully and fatally by a has-been, hard-drinking private detective. As our story begins, we meet Annie Hannigan, an out-of-control teenager, jitterbugging in the 1930s. Annie dreams of offing her mother, Elsie, whom she blames for abandoning her for a job soon after her husband, a cop, is shot and killed. Now, employed by her husband’s best friend—an over-the-hill and perpetually soused private eye—Elsie finds herself covering up his missteps as she is drawn into a case of a mysterious client, who leads her into a decade-long drama of deception and dual identities sprawling from the Depression era to World War II Hollywood and the jungles of the South Pacific. Along with three femme fatales, an obsessed daughter, and a loner heroine, Kill My Mother features a fighter turned tap dancer, a small-time thug who dreams of being a hit man, a name-dropping cab driver, a communist liquor store owner, and a hunky movie star with a mind-boggling secret. Culminating in a U.S.O. tour on a war-torn Pacific island, this disparate band of old enemies congregate to settle scores. In a drawing style derived from Steve Canyon and The Spirit, Feiffer combines his long-honed skills as cartoonist, playwright, and screenwriter to draw us into this seductively menacing world where streets are black with soot and rain, and base motives and betrayal are served on the rocks in bars unsafe to enter. Bluesy, fast-moving, and funny, Kill My Mother is a trip to Hammett-Chandler-Cain Land: a noir-graphic novel like the movies they don’t make anymore.
My Mother She Killed Me, My Father He Ate Me by Kate Bernheimer Pdf
The fairy tale lives again in this book of forty new stories by some of the biggest names in contemporary fiction. Neil Gaiman, “Orange” Aimee Bender, “The Color Master” Joyce Carol Oates, “Blue-bearded Lover” Michael Cunningham, “The Wild Swans” These and more than thirty other stories by Francine Prose, Kelly Link, Jim Shepard, Lydia Millet, and many other extraordinary writers make up this thrilling celebration of fairy tales—the ultimate literary costume party. Spinning houses and talking birds. Whispered secrets and borrowed hope. Here are new stories sewn from old skins, gathered by visionary editor Kate Bernheimer and inspired by everything from Hans Christian Andersen’s “The Snow Queen” and “The Little Match Girl” to Charles Perrault’s “Bluebeard” and “Cinderella” to the Brothers Grimm’s “Hansel and Gretel” and “Rumpelstiltskin” to fairy tales by Goethe and Calvino and from China, Japan, Vietnam, Russia, Norway, and Mexico. Fairy tales are our oldest literary tradition, and yet they chart the imaginative frontiers of the twenty-first century as powerfully as they evoke our earliest encounters with literature. This exhilarating collection restores their place in the literary canon.
A memoir by American former actress and singer Jennette McCurdy about her career as a child actress and her difficult relationship with her abusive mother who died in 2013
A brother and sister cope with loss and trauma—and fight to keep what’s left of their family together—in a “compelling” novel by a Newbery Honor Medal winner. Jenna and Jeremy knew their parents’ marriage was in trouble. That was pretty obvious. But no one who knew the family could have predicted what would come next. One afternoon, Jenna and Jeremy are pulled from class and given horrifying news: their father, a college psychologist, has just shot their mother to death on a public street. Now, Mom is dead, Dad is in jail, and a fifth-grade boy and his fourteen-year-old sister have a lot to reconcile. Not only grief, anger, confusion, and guilt—but their dad’s motive, the secrets in their mother’s diary, and shifting loyalties that are driving Jenna and Jeremy even further apart. With their fragile new lives in free fall, and their father about to stand trial, they’re now going to have to confront the unimaginable. From an author who has been a finalist for the National Book Award, among numerous other honors, this is “a compelling story suffused with raw and honest emotion” (Kirkus Reviews) and “a taut psychological mystery” (Publishers Weekly).
Anna Lee is an anxious 17-year-old whose life is stuck, largely because of her strained relationship with her mother Jacqueline, a quirky recovering alcoholic who is now addicted to coffee. The two take a road trip to explore independent coffee shops along the east coast, but Jacqueline's real agenda is an opportunity to reveal a series of disturbing family secrets-a fatal drunk driving accident, an abusive parent, and her mother's betrayal of a woman Anna Lee holds dear. "As Donna Stramella strengthens Anna Lee's voice and probes her choices, readers receive a realistic story of an entire family struggling to recover not just from alcoholism, but the codependent pattern it creates. ...thoroughly engrossing and hard to put down." Midwest Review "Coffee Killed My Mother is a wonderfully written tale about a mother-daughter journey. Stramella's novel shows an admirable level of professionalism with its characters and settings, and promises great things for the first-time author." Nancy Stancill, Author of Saving Texas and Winning Texas "Written in Anna Lee's seventeen-year-old voice, Stramella's writing is superb, her characters fully developed and relatable, her settings of small-town eastern seaboard America realistic. Easily one of the best novels I've read this year, I look forward to reading more of Donna Stramella's work." Toni Morgan, Author of Patrimony and Queenie's Place. "Stramella does a wonderful job of doling out Jacqueline's persona from behind a curtain of secrets and half-truths that drives the story's pacing to its unexpected conclusion." James White, Author of Ransoms are for Amateurs and Helen and her Brothers
Shortlisted for the 2021 Crime Writers of Canada Brass Knuckles Award for Best Nonfiction Crime Book Diplomat father. Murdered mother. Emotionally neglected children. An apparent cover-up. Family dinners will never be the same. "I think that my father murdered my mother." That terrible belief spurs author Jeff Blackstock to investigate the circumstances of his mother Carol's death when he was a child. Carol Blackstock died at age 24 in 1959--poisoned by arsenic--but the cause of her death remained shrouded in mystery for decades. Jeff's father George Blackstock was a career diplomat in Canada's foreign service, posted to glamorous Buenos Aires with his wife Carol and their three children. A little more than a year after the family's arrival, the vivacious young mother, now emaciated and in terrible pain, was transferred to Montreal for treatment of a mysterious illness that proved fatal. In the following year, George Blackstock remarried, and a young woman named Ingrid became the feared stepmother to Jeff and his two siblings. Carol's parents soon had suspicions about their son-in-law George but were unable to get justice for their daughter. Class privilege--George was the scion of a Toronto establishment family and Carol was from modest beginnings--and an aversion to scandal all figured in an apparent cover-up. But secrets have a way of eventually disrupting all families. A damning autopsy report about arsenic poisoning, found among their grandmother's effects, leads Jeff Blackstock and his sister to horrifying revelations about their father. Eventually, they confront him and accuse him of their mother's murder. But George offers only vague explanations that don't add up. George died a broken man, mostly abandoned by his adult children. A compelling story of a high-society murder, a heartbreaking tale of emotionally neglected children, and an inquiry into the power and privilege of the Anglo upper classes of the time, Murder in the Family chronicles the shocking legacy of deeply buried secrets and betrayal in one's own family.
Like James Ellroy's, My Dark Places, DOWN CITY is a gripping narrative built of memory and reportage, and Leah Carroll's portrait of Rhode Island is sure to take a place next Mary Karr's portrayal of her childhood in East Texas and David Simon's gritty Baltimore. Leah Carroll's mother, a gifted amateur photographer, was murdered by two drug dealers with Mafia connections when Leah was four years old. Her father, a charming alcoholic who hurtled between depression and mania, was dead by the time she was eighteen. Why did her mother have to die? Why did the man who killed her receive such a light sentence? What darkness did Leah inherit from her parents? Leah was left to put together her own future and, now in her memoir, she explores the mystery of her parents' lives, through interviews, photos, and police records. DOWN CITY is a raw, wrenching memoir of a broken family and an indelible portrait of Rhode Island- a tiny state where the ghosts of mafia kingpins live alongside the feisty, stubborn people working hard just to get by. Heartbreaking, and mesmerizing, it's the story of a resilient young woman's determination to discover the truth about a mother she never knew and the deeply troubled father who raised her-a man who was, Leah writes, "both my greatest champion and biggest obstacle."
On July 16, 1989, Kaitlyn Arquette was shot to death in Albuquerque, New Mexico. The police gave up, but her mother would not . . . In this tragic memoir and investigation, Lois Duncan searches for clues to the murder of her youngest child, eighteen-year-old Kaitlyn Arquette. Duncan begins to suspect that the official police investigation of Kaitlyn’s murder is inadequate when detectives ignore her daughter’s accidental connection to organized crime in Albuquerque. When Duncan loses faith in the system, she reaches out to anyone that can help, including private investigators, journalists, and even a psychic. Written to inspire other families who have lost loved ones to unsolved crimes, Who Killed My Daughter? is a powerful testament to the tenacity of a mother’s love. A heartbreaking personal account by an Edgar Award–winning author known for such books as I Know What You Did Last Summer, this is a true story with “all of the elements of a suspenseful mystery” (School Library Journal). This ebook features an illustrated biography of Lois Duncan including rare images and never-before-seen documents from the author’s personal collection.
The dark double life of Ellen Boehm, the mother who murdered her two sons—and nearly killed her daughter. Ellen Boehm, a single mom from St. Louis, Missouri, appeared devoted to her children. But in reality, she was unequipped for motherhood, financially strapped, and desperate. Within a year of each other, her sons, ages two and four, died mysteriously, and Boehm’s eight-year-old daughter then suffered a near-fatal mishap when a hair dryer fell into the girl’s bath. While neighbors wondered how Boehm remained so calm through it all, Det. Sgt. Joseph Burgoon of St. Louis Homicide had darker suspicions. Burgoon soon unraveled a labyrinth of deception, greed, and obsession that revealed a cold-blooded killer whose get-rich-quick scheme came at the cost of her children’s lives. Boehm had taken out insurance policies on her children with six different companies totaling nearly $100,000. Using police reports, case documents, and photos, journalist John Coston recreates the events that led to one mother’s unspeakable acts of filicide—and a cop’s relentless pursuit of the truth.
This bracing new nonfiction book by the young superstar E´douard Louis is both a searing j’accuse of the viciously entrenched French class system and a wrenchingly tender love letter to his father This bracing new nonfiction book by the young superstar Édouard Louis is both a searing j’accuse of the viciously entrenched French class system and a wrenchingly tender love letter to his father. Who Killed My Father rips into France’s long neglect of the working class and its overt contempt for the poor, accusing the complacent French—at the minimum—of negligent homicide. The author goes to visit the ugly gray town of his childhood to see his dying father, barely fifty years old, who can hardly walk or breathe:“You belong to the category of humans whom politics consigns to an early death.” It’s as simple as that. But hand in hand with searing, specific denunciations are tender passages of a love between father and son, once damaged by shame, poverty and homophobia. Yet tenderness reconciles them, even as the state is killing off his father. Louis goes after the French system with bare knuckles but turns to his long-alienated father with open arms: this passionate combination makes Who Killed My Father a heartbreaking book.
Please Don't Kill Mommy! by Fannie Weinstein,Ruth Schumann Pdf
On November 4, 1990 Tim Boczkowski phoned 911 in Greensboro, North Carolina to report his wife Elaine lying motionless in the bathtub. In the days that followed the paramedics' failed efforts to revive Elaine, detectives began to suspect that Tim had murdered his wife after a quarrel. But with no eyewitnesses to the crime--the couple's three children were in bed asleep- -Tim went free to pick up the pieces of his life... Four years later Tim's second wife-a woman who had devoted herself to his children-died under similar circumstances. Immediately, his past was tightened around him like a noose, and some of those who knew him best began to believe that the mild mannered, religiously devout Boczkowski was really a madman who killed his wives with his bare hands. But Tim Boczkowski's worst crime of all may have been committed against his own children: taking away their mother not once but twice...
A memoir of mothers and daughters, hoarding, and healing. Judy Batalion grew up in a house filled with endless piles of junk and layers of crumbs and dust; suffocated by tuna fish cans, old papers and magazines, swivel chairs, tea bags, clocks, cameras, printers, VHS tapes, ballpoint pens…obsessively gathered and stored by her hoarder mother. The first chance she had, she escaped the clutter to create a new identity—one made of order, regimen, and clean white walls. Until, one day, she found herself enmeshed in life’s biggest chaos: motherhood. Confronted with the daunting task of raising a daughter after her own dysfunctional childhood, Judy reflected on not only her own upbringing but the lives of her mother and grandmother, Jewish Polish immigrants who had escaped the Holocaust. What she discovered astonished her. The women in her family, despite their differences, were even more closely connected than she ever knew—from her grandmother Zelda to her daughter of the same name. And, despite the hardships of her own mother-daughter relationship, it was that bond that was slowly healing her old wounds. Told with heartbreaking honesty and humor, this is Judy’s poignant account of her trials negotiating the messiness of motherhood and the indelible marks that mothers and daughters make on each other’s lives.
"The mother of one of the two shooters at Columbine High School draws on personal recollections, journal entries and video recordings to piece together what led to her son's unpredicted breakdown and share insights into how other families might recognize warning signs,"--NoveList.