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Whose Eyes Are These? / ¿De quién son estos ojos? by Joanne Randolph Pdf
The eyes have it in this charming book that introduces young readers to an owl, a praying mantis, a tiger, a chameleon, and crab. The reader will see a close-up photo of the animals eye and be asked to guess which animal it belongs to. Reading confidence will soar as they read the simple text that is directly supported by the photos.
Whose Nose Is This? / ¿De quién es esta nariz? by Joanne Randolph Pdf
Which animal has a nose with two pointy horns? It is questions like these, coupled with beautiful photographs, which will invite young readers into the wonderful world of animals. These books provide the building blocks for readers to start asking questions of their own as they explore the world around them.
Whose Tongue Is This? / ¿De quién es esta lengua? by Joanne Randolph Pdf
From kittens to giraffes, readers will learn that there are as many different tongues as there are animals. A kid-friendly title that will really speak to a child's inquisitive side.
Whose Eyes Are These? / ¿De Quién Son Estos Ojos? by Joanne Randolph Pdf
The "eyes" have it in this charming book that introduces young readers to an owl, a praying mantis, a tiger, a chameleon, and crab. The reader will see a close-up photo of the animal's eye and be asked to guess which animal it belongs to. Reading confidence will soar as they read the simple text that is directly supported by the photos.
The autos sacramentales of Sor Juana Inés de la Cruz by Alice Brooke Pdf
Sor Juana Inés de la Cruz (1651-1695) was the most significant literary figure of the colonial period in Spanish America.The autos sacramentales, or Eucharistic plays are some of her least studied, and most perplexing works. While one of them, El divino Narciso, has received substantial scholarly attention, the other two, El cetro de José and El mártir del Sacramento, San Hermenegildo, have been critically neglected in Sor Juana studies. This study presents a full-length analysis of all three plays, along with their loas, or the introductory pieces alongside which they were intended to be performed. Furthermore, the study seeks to place these works in their philosophical and cultural context by exploring their engagement both with orthodox Catholic sacramental theology, and the emergence of empiricism and the New Philosophy across the Hispanic world. The three sections of this book each present significant new readings of the three plays. The study of El divino Narciso employs a previously little-known source to illuminate its Christological readings, as well as Sor Juana's engagement with notions of wit and conceptism. The analysis of El cetro de José explores her presentation of different approaches to perception to emphasise the importance of both the material and the transcendent to a holistic understanding of the Sacraments. The final section, on San Hermenegildo, explores the influence on the play of the Christianised Stoicism of Justus Lipsius, and demonstrates how Sor Juana used the work to attempt her most ambitious reconciliation of an empirical approach to natural philosophy and the material world with a Neostoic approach to Christian morality and orthodox Catholic sacramental theology.
"Propalladia" and Other Works of Bartolome de Torres Naharro, Volume 4 by Joseph E. Gillet Pdf
In this fourth volume of Joseph E. Gillet's monumental study, Propalladia and Other Works of Bartolomé De Torres Naharro, all students of Renaissance drama will find a wealth of material on the origins of the modern European theater. Torres Naharro created the cloak-and-sword play almost a century before Lope de Vega. The commonplaces of romantic comedy appeared, for the first time on any stage, in his Comedia Ymenea published at Naples in 1517. Two of his works, the Soldadesca and the Tinellaria—evocations of the roistering life of the barracks and of a cardinal's scullery—are remarkable examples of dramatic realism avant Ia lettre. The influence of Torres Naharro and his work on the Spanish drama of the sixteenth century was all pervasive. In this volume, all the material gleaned by Dr. Gillet in extensive research is brought into clear focus to show Torres Naharro as a man of the Renaissance and a man of the theater. Of the greatest interest is the exposition of his intuition of the distinction between poetic and historic truth—commedias a fantasia and a noticia—long before the recovery of the true text of Aristotle's Poetics, and of the substratum of primitivism in many of his plays: ritual societies, the medicine man, the right to tribute, social discipline, name changing, loss of memory, sports, games, acrobatics, sorcery, riddles, genealogies, weddings, propitiation and death song, resuscitation, license and chastity, and so on. And this dramatic activity occurred early, antedating most of the Italian plays of the sixteenth century.
Esme Winter-Froemel,Álvaro S. Octavio de Toledo y Huerta
Author : Esme Winter-Froemel,Álvaro S. Octavio de Toledo y Huerta Publisher : Walter de Gruyter GmbH & Co KG Page : 1052 pages File Size : 54,5 Mb Release : 2022-11-07 Category : Language Arts & Disciplines ISBN : 9783110665437
Manual of Discourse Traditions in Romance by Esme Winter-Froemel,Álvaro S. Octavio de Toledo y Huerta Pdf
The series Manuals of Romance Linguistics (MRL) aims to present a comprehensive, state-of-the-art overview of Romance linguistics. It will comprise approximately 60 volumes that can either be consulted individually or used as a series of books providing a detailed overall picture of the current state of research in Romance linguistics. A special focus will be placed on the presentation and analysis of the smaller languages, the linguae minores.
The articles of this volume deal with the connections between the history and culture of the Jews of the Netherlands from the beginning of the seventeenth century until the Holocaust and its aftermath, and phenomena and processes that distinguish all of Jewish history in the modern period.
The Spanish Song Companion is an introduction to the rich heritage of Spanish song, providing the texts of over 300 songs with parallel translations in accurate and readable English.
Jorge Manrique was the greatest poet of fifteenth-century Castile and one of the three or four greatest in Spanish literature. Frank A. Domínguez offers here an introduction to Manrique's poetry and the first book-length study of him in English in fifty years. After presenting the biographical and historical context of Manrique's poetry, Domínguez examines the poet's love lyrics, describing the large fund of commonplaces and forms that Manrique's verses share with those of other poets of his age. Manrique's highly stylized language and parallel verse structures express the obsession of the lover with the beloved. Moreover, his attention to parallel construe the world's greatest. In treating the Coplas, Domínguez not only offers a sensitive reading of the elegy but also examines questions of text, structure, and style. Like the love lyrics, the Coplas present a high incidence of parallel structures that make for clarity and symmetry. Domínguez also finds that the complex stylistic relationships of the verses provide the Coplas with a unity that is deeper and more fundamental than has generally been perceived. This study, eclectic in its critical approaches, will be the standard English work on Manrique for years to come.
Nature's Colloquy with the Word by Kay Pritchett Pdf
This goal allies her with poets from Spain's symbolist past, who acknowledge the insufficiency of language yet pursue elusive meaning. Canelo's poetry advances their struggle, since, through a method ecofeminist Carol Bigwood has called "nonlinguistic silent presencing," she is able to finesse an apparent fusion between nature and the word."--Jacket.
The Reinvention of Theatre in Sixteenth-century Europe by T.F. Earle Pdf
The sixteenth century was an exciting period in the history of European theatre. In the Iberian Peninsula, Italy, France, Germany and England, writers and actors experimented with new dramatic techniques and found new publics. They prepared the way for the better-known dramatists of the next century but produced much work which is valuable in its own right, in Latin and in their own vernaculars. The popular theatre of the Middle Ages gave endless material for reinvention by playwrights, and the legacy of the ancient world became a spur to creativity, in tragedy and comedy. As soon as readers and audiences had taken in the new plays, they were changed again, taking new forms as the first experiments were themselves modified and reinvented. Writers constantly adapted the texts of plays to meet new requirements. These and other issues are explored by a group of international experts from a comparative perspective, giving particular emphasis to one of the great European comic dramatists, the Portuguese Gil Vicente. Tom Earle is King John II Professor of Portuguese at Oxford. Catarina Fouto is a Lecturer in Portuguese at King's College London.
Theory and History of Ideological Production by Rodríguez Gómez Rodríguez Pdf
To explain a text, according to Rodriguez, is to locate it precisley at a real historical conjuncture, to situate it ideologically. This insistence on the historicity of literature saved Rodriguez from the fate that, from the late 1970s onward, overtook many Althusserians. The latter, unable to historicise and therefore transcend the key category of the subject, refused to rank 'real art' among the ideologies, as a result of which their concept of literary 'production' remained locked in a Kantian- and therefore eminently bourgeois- problematic. For Rodriguez, in contrast, ideology could not be the discourse of the subject, for the simple reason that the subject was itself an historical category, whose origins were to be found in animism, the ideology of the bourgeoisie during its early, mercantilist phase. As an emergent ideology, animism stood in contradiction to substantialism, its dominant counterpart under feudalism, that manifestly had no place for a 'free subject'. The analysis of these conflictual ideologies, during the protracted transition in Spain from feudalism to capitalism, constitutes the kernel of Theory and History of Ideological Production. University of Granada.
Translation, Travel, Migration by Loredana Polezzi Pdf
The connection between travel and translation is often evoked in contemporary critical theory, both practices seen as metaphors of mobility and flux linked to globalized 'post-modern' society. Travel is a multiple activity, encompassing temporary and voluntary displacement, repeated movement, exile, economic migration, diaspora. Places of origin are often plural and unstable, in spite of the enduring appeal of traditional labels such as 'mother country' or 'patrie'. The multiple interfaces between translation, travel and migration are the focus of all contributions in this special issue. Starting from different points of view, and using a variety of methodologies, the authors raise fundamental questions about the way in which we perceive the link between language, national or ethnic identity, and individual voice. Topics range from the interaction between travel, travel narratives and translation in early English representations of China, to the special role played by interpreters in mediating the first contact between a literate and a non-literate culture; from the multiple functions and audiences addressed by contemporary Romani literature and its translation, to the political as well a cultural implications of translating popular music across the Bosporus. A number of the articles focus on detailed textual analysis, covering the intersection between exile, self-translation and translingualism in the work of Manuel Puig; the uses and limitations of translation in the works of migrant authors; or the impact on figurations of Europe of experimental work embracing polylingualism. Collectively, these contributions also underline the importance of a closer examination of our assumptions about who the translators and the interpreters are, and what roles they play in our society.
