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William Cobbett, Romanticism and the Enlightenment by James Grande Pdf
Cobbett was one of the greatest journalists of his day. Following a career in the British army he began writing as the loyalist 'Peter Porcupine' in the United States, defending all things British against the French Revolution and its supporters. This is the first collection on Cobbett and contains essays by scholars from a variety of disciplines.
William Cobbett, Romanticism and the Enlightenment by James Grande Pdf
Cobbett was one of the greatest journalists of his day. Following a career in the British army he began writing as the loyalist 'Peter Porcupine' in the United States, defending all things British against the French Revolution and its supporters. This is the first collection on Cobbett and contains essays by scholars from a variety of disciplines.
This is the first book to bring perspectives from the interdisciplinary field of Peace Studies to bear on the writing of the Romantic period. Particularly significant is that field's attention not only to the work of anti-war protest, but more purposefully to considerations of how peace can actively be fostered, established, and sustained. Bravely resisting discourses of military propaganda, writers such as Amelia Opie, Helen Maria Williams, William Wordsworth, William Cobbett, John Keats, and Jane Austen embarked on the challenging and urgent rhetorical work of imagining—and inspiring others to imagine—the possibility of peace. The writers formulate a peace imaginary in various registers. Sometimes this means identifying and eschewing traditional militaristic tropes in order to craft alternative images for a patriotism compatible with peace. Other times it means turning away from xenophobic discourse to write about relations with other nations in terms other than those of conflict. If historically informed literary criticism has illustrated the importance of writing about war during the Romantic period, this volume invites readers to redirect critical attention to move beyond discourses of war, and to recognize the era's complex and vibrant writing about and for peace.
Cultures of Improvement in Scottish Romanticism, 1707-1840 by Alex Benchimol,Gerard Lee McKeever Pdf
The first applied research volume in Scottish Romanticism, this collection foregrounds the concept of progress as 'improvement' as a constitutive theme of Scottish writing during the long eighteenth century. It explores improvement as the animating principle behind Scotland’s post-1707 project of modernization, a narrative both shaped and reflected in the literary sphere. It represents a vital moment in Romantic studies, as a 'four-nations' interrogation of the British context reaches maturity. Equally, the volume contributes to a central concern in the study of Scottish culture, amplifying a critical synthesis of Romanticism and Enlightenment. The conceptual motif of improvement allows an illumination of the boundaries (and beyond) of conventional notions of Romanticism, tracing its long, evolving imbrication with Enlightenment in Scotland. Exploring the holistic treatment of improvement in Scottish literature, chapter-studies include work on agricultural improvement and processes of commercialization, polite cultural renewal and the cotton trade, an expanding print culture and spirituality in death rituals. Taken as a whole, this amounts to an interdisciplinary re-consideration of the central role of improvement in Scottish cultural history of the long eighteenth century, of interest to a wide range of scholars, reflecting the vitality of the exchange between Enlightenment and Romanticism in Scotland.
Cameralism and the Enlightenment by Ere Nokkala,Nicholas B. Miller Pdf
Cameralism and the Enlightenment reassesses the relationship between two key phenomena of European history often disconnected from each other. It builds on recent insights from global history, transnational history and Enlightenment studies to reflect on the dynamic interactions of cameralism, an early modern set of practices and discourses of statecraft prominent in central Europe, with the broader political, intellectual and cultural developments of the Enlightenment world. Through contributions from prominent scholars across the field of Enlightenment studies, the volume analyzes eighteenth-century cameralist authors’ engagements with commerce, colonialism and natural law. Challenging the caricature of cameralism as a German, land-locked version of mercantilism, the volume reframes its importance for scholars of the Enlightenment broadly conceived. This volume goes beyond the typical focus on Britain and France in studies of political economy, widening perspectives about the dissemination of ideas of governance, happiness and reform to focus on multidirectional exchanges across continental Europe and beyond during the eighteenth century. Emphasizing the practice of theory, it proposes the study of the porosity of ideas in their exchange, transmission and mediation between spaces and discourses as a key dimension of cultural and intellectual history.
This collection of essays is the result of a major conference focusing specifically on the role of Scotland’s print culture in shaping the literature and politics of the long eighteenth century. In contrast to previous studies, this work treats Blackwood’s Magazine as the culmination of a long tradition rather than a starting point.
The story of the Peterloo massacre, a defining moment in the history of British democracy, told with passion and authority. 'Excellent' Zadie Smith 'Fast-paced and full of fascinating detail' Tim Clayton 'A superb account of one of the defining moments in modern British history' Tristram Hunt 'Peterloo is one of the greatest scandals of British political history... Riding tells this tragic story with mesmerising skill' John Bew On a hot late summer's day, a crowd of 60,000 gathered in St Peter's Field. They came from all over Lancashire – ordinary working-class men, women and children – walking to the sound of hymns and folk songs, wearing their best clothes and holding silk banners aloft. Their mood was happy, their purpose wholly serious: to demand fundamental reform of a corrupt electoral system. By the end of the day fifteen people, including two women and a child, were dead or dying and 650 injured, hacked down by drunken yeomanry after local magistrates panicked at the size of the crowd. Four years after defeating the 'tyrant' Bonaparte at Waterloo, the British state had turned its forces against its own people as they peaceably exercised their time-honoured liberties. As well as describing the events of 16 August in shattering detail, Jacqueline Riding evokes the febrile state of England in the late 1810s, paints a memorable portrait of the reform movement and its charismatic leaders, and assesses the political legacy of the massacre to the present day. As fast-paced and powerful as it is rigorously researched, Peterloo: The Story of the Manchester Massacre adds significantly to our understanding of a tragic staging-post on Britain's journey to full democracy.
Memory and Modern British Politics by Matthew Roberts Pdf
This edited collection explores absence, presence and remembrance in British political culture and memory studies. Comprehensive in its scope, it covers the entire modern period, bringing together the 19th and 20th centuries as well as Britain, Ireland and the Atlantic World. As the first comparative and in-depth study to explore the central and contested place of memory and the invention of tradition in modern British politics, chapters include memorialisation, statue-mania, anniversaries and on the wider impact and invoking of 'dead generations'. In doing so, this book provides a new, exciting and accessible way of engaging with the history of British political culture.
Opera and British Print Culture in the Long Nineteenth Century by Christina Fuhrmann Pdf
Recently, studies of opera, of print culture, and of music in Britain in the long nineteenth century have proliferated. This essay collection explores the multiple point of interaction among these fields. Past scholarship often used print as a simple conduit for information about opera in Britain, but these essays demonstrate that print and opera existed in a more complex symbiosis. This collection embeds opera within the culture of Britain in the long nineteenth century, a culture inundated by print. The essays explore: how print culture both disseminated and shaped operatic culture; how the businesses of opera production and publishing intertwined; how performers and impresarios used print culture to cultivate their public persona; how issues of nationalism, class, and gender impacted reception in the periodical press; and how opera intertwined with literature, not only drawing source material from novels and plays, but also as a plot element in literary works or as a point of friction in literary circles. As the growth of digital humanities increases access to print sources, and as opera scholars move away from a focus on operas as isolated works, this study points the way forward to a richer understanding of the intersections between opera and print culture.
Scripture and Song in Nineteenth-Century Britain by James Grande,Brian H. Murray Pdf
This volume brings together new approaches to music history to reveal the interdependence of music and religion in nineteenth-century culture. As composers and performers drew inspiration from the Bible and new historical sciences called into question the historicity of Scripture, controversies raged over the performance, publication and censorship of old and new musical forms. From oratorio to opera, from parlour song to pantomime, and from hymn to broadside, nineteenth-century Britons continually encountered elements of the biblical past in song. Both elite and popular music came to play a significant role in the formation, regulation and contestation of religious and cultural identity and were used to address questions of class, nation and race, leading to the beginnings of ethnomusicology. This richly interdisciplinary volume brings together musicologists, historians, literary and art historians and theologians to reveal points of intersection between music, religion and cultural history.
Mary Wollstonecraft and Feminist Republicanism by Lena Halldenius Pdf
Mary Wollstonecraft is a writer whose work continues to provoke scholarly debate. Halldenius explores Wollstonecraft’s political philosophy, focusing on her treatment of republicanism and independence, to propose a new way of reading her work – that of a ‘feminist republican’.
A History of English Georgic Writing by Paddy Bullard Pdf
The interconnected themes of land and labour were a common recourse for English literary writers between the sixteenth and twentieth centuries, and in the twenty-first they have become pressing again in the work of nature writers, environmentalists, poets, novelists and dramatists. Written by a team of sixteen subject specialists, this volume surveys the literature of rural working lives and landscapes written in English between 1500 and the present day, offering a range of scholarly perspectives on the georgic tradition, with insights from literary criticism, historical scholarship, classics, post-colonial studies, rural studies and ecocriticism. Providing an overview of the current scholarship in georgic literature and criticism, this collection argues that the work of people and animals in farming communities, and the land as it is understood through that work, has provided writers in English with one of their most complex and enduring themes.
Chartism, Commemoration and the Cult of the Radical Hero by Matthew Roberts Pdf
Chartism, the British mass movement for democratic and social rights in the 1830s and 1840s, was profoundly shaped by the radical tradition from which it emerged. Yet, little attention has been paid to how Chartists saw themselves in relation to this diverse radical tradition or to the ways in which they invented their own tradition. Paine, Cobbett and other ‘founding fathers’, dead and alive, were used and in some cases abused by Chartists in their own attempts to invent a radical tradition. By drawing on new and exciting work in the fields of visual and material culture; cultures of heroism, memory and commemoration; critical heritage studies; and the history of political thought, this book explores the complex cultural work that radical heroes were made to perform.
Henry Redhead Yorke, Colonial Radical by Amanda Goodrich Pdf
This is a political, cultural and intellectual biography of the neglected but important figure, Henry Redhead Yorke. A West Indian of African/British descent, born into a slave society but educated in Georgian England, he developed a complex identity to which politics was key. The most revolutionary radical in Britain between 1793-5, Yorke then recanted his radicalism and died a loyalist gentleman. This book raises important issues about the impact of "outsider" politics in England and the complexities of politicization and identity construction in the Atlantic World. It restores a forgotten black writer to his due place in history.
British Jacobin Politics, Desires, and Aftermaths by James Epstein,David Karr Pdf
This book explores the hopes, desires, and imagined futures that characterized British radicalism in the 1790s, and the resurfacing of this sense of possibility in the following decades. The articulation of “Jacobin” sentiments reflected the emotional investments of men and women inspired by the French Revolution and committed to political transformation. The authors emphasize the performative aspects of political culture, and the spaces in which mobilization and expression occurred – including the club room, tavern, coffeehouse, street, outdoor meeting, theater, chapel, courtroom, prison, and convict ship. America, imagined as a site of republican citizenship, and New South Wales, experienced as a space of political exile, widened the scope of radical dreaming. Part 1 focuses on the political culture forged under the shifting influence of the French Revolution. Part 2 explores the afterlives of British Jacobinism in the year 1817, in early Chartist memorialization of the Scottish “martyrs” of 1794, and in the writings of E. P. Thompson. The relationship between popular radicals and the Romantics is a theme pursued in several chapters; a dialogue is sustained across the disciplinary boundaries of British history and literary studies. The volume captures the revolutionary decade’s effervescent yearning, and its unruly persistence in later years.