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Witness to Her Art by Rhea Anastas,Michael Brenson Pdf
Foreword by Tom Eccles. Edited by Rhea Anastas, Michael Brenson. Text by Keith Piper, Kara Walker, Daniela Rossell, Mona Hatoum, Cady Noland, Jenny Holzer, Rhea Anastas, Michael Brenson, Norton Batkin, Joanna Burton, Aruna d'Souza, Pamela Franks, Janet Kraynak, David Levi Strauss, Cuauhtemoc Medina, Ann Reynolds, Hamza Walker.
The Witness Blanket by Carey Newman,Kirstie Hudson Pdf
For more than 150 years, thousands of Indigenous children were taken from their families and sent to residential schools across Canada. Artist Carey Newman created the Witness Blanket to make sure that history is never forgotten. The Blanket is a living work of art—a collection of hundreds of objects from those schools. It includes everything from photos, bricks, hockey skates, graduation certificates, dolls and piano keys to braids of hair. Behind every piece is a story. And behind every story is a residential school Survivor, including Carey's father. This book is a collection of truths about what happened at those schools, but it's also a beacon of hope and a step on the journey toward reconciliation.
Histories of Violence by Brad Evans,Terrell Carver Pdf
While there is a tacit appreciation that freedom from violence will lead to more prosperous relations among peoples, violence continues to be deployed for various political and social ends. Yet the problem of violence still defies neat description, subject to many competing interpretations. Histories of Violence offers an accessible yet compelling examination of the problem of violence as it appears in the corpus of canonical figures – from Hannah Arendt to Frantz Fanon, Michel Foucault to Slavoj Žižek – who continue to influence and inform contemporary political, philosophical, sociological, cultural, and anthropological study. Written by a team of internationally renowned experts, this is an essential interrogation of post-war critical thought as it relates to violence.
Harmony Hammond: Material Witness by Harmony Hammond,Amy Smith-Stewart Pdf
An activist and a curator as well as a trailblazing artist, feminist and lesbian scholar, New Mexico-based Harmony Hammond (born 1944) has enjoyed a career spanning nearly fifty years and many mediums, all of which are brought together for the first time in Material Witness, which accompanies the artist's museum survey of the same name at the Aldrich Contemporary Art Museum. Hammond's groundbreaking painting and installation practice unites minimalist and postminimalist concerns with feminist art strategies, employing marginalized craft traditions in the service of abstraction, and working through a wide cast of materials: fabric, rope, pine needles, hair, blood, bone and wood, mixed with traditional sculptural and painting materials. Harmony Hammond: Material Witnessrestages the most significant installations of Hammond's career and presents them alongside her major paintings, sculptures, works on paper and ephemera. Fully illustrated, and with an essay by exhibition curator Amy Smith-Stewart, this is the first and definitive monograph on Harmony Hammond and her revolutionary practice.
Witness by Teresa A. Carbone,Connie H. Choi,Kellie Jones,Dalila Scruggs,Cynthia Ann Young,Brooklyn Museum Pdf
* Marking the 50th anniversary of the Civil Rights Act of 1964, the Brooklyn Museum offers a sharply focused look at painting, sculpture, graphics, and photography from the counterculture decade defined by social protest and racial conflict.
Picking Up the Pieces by Carey Newman,Kirstie Hudson Pdf
“Will educate and enlighten Canadians for generations to come. It's a must-read for anyone seeking to understand Canada's residential-school saga. Most importantly, it's a touchstone of community for those survivors and their families still on the path to healing.”—Waubgeshig Rice, journalist and author of Moon of the Crusted Snow Picking Up the Pieces tells the story of the making of the Witness Blanket, a living work of art conceived and created by Indigenous artist Carey Newman. It includes hundreds of items collected from residential schools across Canada, everything from bricks, photos and letters to hockey skates, dolls and braids. Every object tells a story. Carey takes the reader on a journey from the initial idea behind the Witness Blanket to the challenges in making it work to its completion. The story is told through the objects and the Survivors who donated them to the project. At every step in this important journey for children and adults alike, Carey is a guide, sharing his process and motivation behind the art. It’s a personal project. Carey’s father is a residential school Survivor. Like the Blanket itself, Picking Up the Pieces calls on readers of all ages to bear witness to the residential school experience, a tragic piece of Canada’s legacy.
The act of bearing witness can reveal much, but what about the figure of the witness itself? As contemporary culture is increasingly dominated by surveillance, the witness--whether artist, historian, scientist, government official, or ordinary citizen--has become empowered in realms from art to politics. In Seeing Witness, Jane Blocker challenges the implicit authority of witnessing through the examination of a series of contemporary artworks, all of which make the act of witnessing visible, open to inspection and critique.
For kids who love to draw and create, this captivating picture book fosters an appreciation for nature and features craft ideas to inspire young artists. Kids will be inspired to create: Fingerprint bumblebees Sculptures made of sand Rainbow colored jars And more! Nature is an Artist explores different art forms that kids can find in the natural world. In the book, a group of children follow Nature—the most inspiring of teachers—as they discover the world’s greatest art show hidden in plain sight. As they witness beautiful landscapes, stunning vistas, and unusual creatures, each child is inspired to recreate their own fine work of art. With charming, rhythmic text from Jennifer Lavalee and vivid, eye-catching illustrations from Natalia Colombo, Nature is an Artist celebrates nature’s beauty and variety, and instills kids with: The confidence to see themselves as artists! Respect and appreciation for nature. After reading, kids will appreciate the art in their own outdoor surroundings.
The Power of Witnessing by Nancy R. Goodman,Marilyn B. Meyers Pdf
Witnessing comes in as many forms as the trauma that gives birth to it. The Holocaust, undeniably one of the greatest traumatic events in recent human history, still resonates into the twenty-first century. The echoes that haunt those who survived continue to reach their children and others who did not share the experience directly. In what ways is this massive trauma processed and understood, both for survivors and future generations? The answer, as deftly illustrated by Nancy Goodman and Marilyn Meyers, lies in the power of witnessing: the act of acknowledging that trauma took place, coupled with the desire to share that knowledge with others to build a space in which to reveal, confront, and symbolize it. As the contributors to this book demonstrate, testimonial writing and memoir, artwork, poetry, documentary, theater, and even the simple recollection of a memory are ways that honor and serve as forms of witnessing. Each chapter is a fusion of narrative and metaphor that exists as evidence of the living mind that emerges amid the dead spaces produced by mass trauma, creating a revelatory, transformational space for the terror of knowing and the possibility for affirmation of hope, courage, and endurance in the face of almost unspeakable evil. Additionally, the power of witnessing is extended from the Holocaust to contemporary instances of mass trauma and to psychoanalytic treatments, proving its efficacy in the dyadic relationship of everyday practice for both patient and analyst. The Holocaust is not an easy subject to approach, but the intimate and personal stories included here add up to an act of witnessing in and of itself, combining the past and the present and placing the trauma in the realm of knowing, sharing, and understanding. Contributors: Harriet Basseches, Elsa Blum, Bridget Conley-Zilkic, Paula Ellman, Susan Elmendorf, George Halasz, Geoffrey Hartman, Renee Hartman, Elaine Neumann Kulp-Shabad, Dori Laub, Clemens Loew, Gail Humphries Mardirosian, Margit Meissner, Henri Parens, Arlene Kramer Richards, Arnold Richards, Sophia Richman, Katalin Roth, Nina Shapiro-Perl, Myra Sklarew, Ervin Staub.
In a dark back alley, Boone and Andre witness a violent murder, and agree not to mention it. But the killers have different ideas and come after Boone and his friends, killing two of them. Boone is desperate to save himself but realizes to do so he will need to face the violent act in his past that continues to haunt him. Told in Norah McClintock's trademark suspenseful style and with spare black-and-white illustrations from Mike Deas, this compelling graphic novel looks into the darkness and forces us to face our deepest fears.
Art as a Political Witness by Kia Lindroos,Frank Möller Pdf
The book explores the concept of artistic witnessing as political activity. In which ways may art and artists bear witness to political events? The Contributors engage with dance, film, photography, performance, poetry and theatre and explore artistic witnessing as political activity in a wide variety of case studies.
The Art and Science of Expert Witness Testimony by Karen Postal Pdf
• Solid research basis, drawing on findings from a 4-year research project with in-depth interviews with judges, attorneys, and seasoned forensic neuropsychologists and psychologists as well as further interviews with professionals in other fields such as engineering, physics and economics. • Provides focused attention on how experts interact with judges, attorneys, and juries • Challenges experts to avoid the traps of professional jargon and traditional manners of presenting information/knowledge/opinions. • Provides a step-by-step approach to orienting the new academic to expert witnessing
Art As Witness is an invitation for professors, researchers, clergy, educators, students, and activists to creatively integrate the arts in theology and religious studies for a practical theology of arts-based research that prioritizes public witness. This methodology challenges the traditional written word as being the privileged norm, arguing that this emerging research genre is an excellent, viable, and necessary option for research that supports, promotes, and publicizes liberating theology for the marginalized, victimized, and oppressed. It includes a detailed case study of “Art Inside Karnes,” the all-volunteer arts-based ministry of presence the author facilitated inside a for-profit immigrant family detention center that became the Power of Hope traveling art exhibit for education, advocacy, and public witness. This primer covers practical ethical, legal, and political matters; includes pedagogical examples for how to use arts-based research for student assessment in theology and religious studies; and provides an overview of arts options, including literary genres, visual arts, fabric arts, theater, filmmaking, and new media with digital content. Art as Witness features 40 illustrations, several case studies, and multiple contributing theologian-artists who engage the arts in themes that include immigration, HIV/AIDS, biblical studies, political protest, gender equity, gun law reform, racial justice, and more.