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Presents a portait of America's social and cultural history between 1600 and 1900, told through letters, diaries, memoirs, tracts, and other articles and first-hand accounts found in the collections of the Library of Congress.
Lynch mobs in late nineteenth- and early twentieth-century America exacted horrifying public torture and mutilation on their victims. In Lynching and Spectacle, Amy Wood explains what it meant for white Americans to perform and witness these sadistic spectacles and how lynching played a role in establishing and affirming white supremacy. Lynching, Wood argues, overlapped with a variety of cultural practices and performances, both traditional and modern, including public executions, religious rituals, photography, and cinema, all which encouraged the horrific violence and gave it social acceptability. However, she also shows how the national dissemination of lynching images ultimately fueled the momentum of the antilynching movement and the decline of the practice. Using a wide range of sources, including photos, newspaper reports, pro- and antilynching pamphlets, early films, and local city and church records, Wood reconfigures our understanding of lynching's relationship to modern life. Wood expounds on the critical role lynching spectacles played in establishing and affirming white supremacy at the turn of the century, particularly in towns and cities experiencing great social instability and change. She also shows how the national dissemination of lynching images fueled the momentum of the antilynching movement and ultimately led to the decline of lynching. By examining lynching spectacles alongside both traditional and modern practices and within both local and national contexts, Wood reconfigures our understanding of lynching's relationship to modern life.
Reading Testimony, Witnessing Trauma by Eden Wales Freedman Pdf
Theorists emphasize the necessity of writing about—or witnessing—trauma in order to overcome it. To this critical conversation, Reading Testimony, Witnessing Trauma: Confronting Race, Gender, and Violence in American Literature treats reader response to traumatic and testimonial literature written by and about African American women and adds insight into the engagement of testimonial literature. Eden Wales Freedman articulates a theory of reading (or dual-witnessing) that explores how narrators and readers can witness trauma together. She places these original theories of traumatic reception in conversation with the African American literary tradition to speak to the histories, cultures, and traumas of African Americans, particularly the repercussions of slavery, as witnessed in African American literature. The volume also considers intersections of race and gender and how narrators and readers can cross such constructs to witness collectively. Reading Testimony, Witnessing Trauma’s innovative examinations of raced-gendered intersections open and speak with those works that promote dual-witnessing through the fraught (literary) histories of race and gender relations in America. To explicate how dual-witnessing converses with American literature, race theory, and gender criticism, the book analyzes emancipatory narratives by Sojourner Truth, Harriet Jacobs, and Elizabeth Keckley and novels by William Faulkner, Zora Neale Hurston, Margaret Walker, Toni Morrison, and Jesmyn Ward.
Missouri, 1910. John Hartmann is graduating from high school under the critical eye of his father and has no idea what options lie beyond the family farm and his small town. When Paul Bricken, nineteen and blind, buys a brand-new Ford Model T and suggests John drive him to Yellowstone National Park, John jumps at the chance. He’s less enthusiastic about inviting Henry Brotherton, who’s loud, crude, and a bigot—but Henry’s available both as a second driver and a tough guy who might be helpful in a tight spot. As the three young men set off on their tumultuous journey, America is preparing for the fight of the century between Jack Johnson and Jim Jeffries—and is headed for its biggest racial upheaval since the Civil War. With Yellowstone drawing ever closer and tensions rising, Paul, John, and Henry will soon learn there is a great deal they didn’t know about the fledgling American Midwest—or about each other.
“Eyewitness testimonies to the culture and commerce of slavery . . . coupled with smart commentary” from an acclaimed historian. “Essential.”(Kirkus Reviews) In this important book, Noel Rae integrates firsthand accounts into a narrative history that brings the reader face to face with slavery’s everyday reality. From the travel journals of sixteenth-century Spanish settlers who offered religious instruction and “protection” in exchange for farm labor, to the diaries of Reverend Cotton Mather, to Central Park designer Frederick Law Olmsted’s travelogue about the “cotton states,” to an 1880 speech given by Frederick Douglass, Rae provides a comprehensive portrait of the antebellum history of the nation. Most significant are the testimonies from former slaves themselves, ranging from the famous Solomon Northup to the virtually unknown Mary Reynolds, who was sold away from her mother as child. Drawing on thousands of original sources, The Great Stain tells of a society based on the exploitation of labor and fallacies of racial superiority. Meticulously researched, this is a work of history that is profoundly relevant to our world today. “Noel Rae expertly assembles the most consequential accounts from the era of the American slave trade. . . . A vivid and comprehensive picture.” —Ibram X. Kendi, National Book Award-winning author of Stamped From the Beginning: The Definitive History of Racist Ideas in America “Uniquely immediate, multivoiced, specific, arresting, and illuminating.” —Booklist “Many histories have been written of slavery in America, but far too few have let the participants, and particularly the victims, speak so directly for themselves. Rae has helped to fill that historical vacuum in this important work, and the voices are intense, eloquent, and haunting.” —National Book Review
Author : University of Rochester. Memorial Art Gallery Publisher : University Rochester Press Page : 344 pages File Size : 46,5 Mb Release : 2006 Category : Art ISBN : 1580462464
Seeing America by University of Rochester. Memorial Art Gallery Pdf
A stunning, full-color volume that examines 82 pieces in the University of Rochester Memorial Art Gallery's American collection and their connections to American history, culture, literature, and politics. Seeing America is the first-ever catalog of the University of Rochester Memorial Art Gallery's American collection. Founded in 1913, the Memorial Art Gallery was created in conjunction with the University of Rochester so that it would function within a scholarly milieu, yet at the same time perform service as a community museum. From its conception it has been an ardent advocate for American art, which so many counterpart institutions snubbed untilat least the 1930s, and more often until well after World War II, in favor of European and Asian art. The 336-page, full-color volume examines 82 objects and their connections to American history, culture, literature and politics. The 73 articles present a running commentary on each piece by knowledgeable and thoughtful contemporary scholars and artists writing with expertise and insight, ultimately presenting a new and deeper understanding that enhances the reader/viewer's appreciation of the work. The tour ranges from Colonial times to the twenty-first century, from Maine to Florida to the far West, from mighty historical subjects to intimate byways, from august figures and events to the humblest and most anonymous. The diversity of American experience on display here reminds us that the best American art is inextricably bound up with the essential truths of American experience.
Set in the winter of 1147, the second book in The Queen's Guard series follows Lady Catherine le Rochefort, who was welcomed into the ranks of Queen Eleanor's guard after escaping a deadly encounter. The French army makes its way through Asia Minor, with King Louis determined to recapture Edessa, a holy undertaking blessed by the Pope. After leaving Constantinople, Queen Eleanor waits with her guard and retinue in Nicea for King Louis to decide which route the caravan should take toward Antioch and her uncle Raymond's palace. Eleanor caused trouble in Constantinople, so Louis asks his trusted friend Lord Payen de Montfer to infiltrate the guard and listen for dissent. Payen, whose painful past has taught him that beauty makes a man weak, does his best to ignore the fair Catherine, while Catherine tries to protect her deadly secret from the observant man. Catherine seeks only to reach Jerusalem, where absolution awaits, but soon she's fighting her feelings for Payen. If the two give in to their attraction, Payen's honor is at stake and Catherine fears she could lose her soul.
Seeing America First, with the Berry Brothers by Eleanor Colby Pdf
DigiCat Publishing presents to you this special edition of "Seeing America First, with the Berry Brothers" by Eleanor Colby. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The Civil Rights Movement was not only an epochal social and political event but also a profound moral turning point in American history. Here, for the first time, social ethicist Ross examines the religiously motivated activism of black women in the movement and its moral import.
Explores the curating of difficult knowledge through the exhibition of lynching photographs in contemporary museums. This outstanding comparative study on the curating of difficult knowledge focuses on two museum exhibitions that presented the same lynching photographs. Through a detailed description of the exhibitions and drawing on interviews with museum staff and visitor comments, Roger I. Simon explores the affective challenges to thought that lie behind the different curatorial frameworks and how viewers comments on the exhibitions perform a particular conversation about race in America. He then extends the discussion to include contrasting exhibitions of photographs of atrocities committed by the German army on the Eastern Front during World War II, as well as to photographs taken at the Khmer Rouge S-21 torture and killing center. With an insightful blending of theoretical and qualitative analysis, Simon proposes new conceptualizations for a contemporary public pedagogy dedicated to bearing witness to the documents of racism.
Migrant Crossings examines the experiences and representations of Asian and Latina/o migrants trafficked in the United States into informal economies and service industries. Through sociolegal and media analysis of court records, press releases, law enforcement campaigns, film representations, theatre performances, and the law, Annie Isabel Fukushima questions how we understand victimhood, criminality, citizenship, and legality. Fukushima examines how migrants legally cross into visibility, through frames of citizenship, and narratives of victimhood. She explores the interdisciplinary framing of the role of the law and the legal system, the notion of "perfect victimhood", and iconic victims, and how trafficking subjects are resurrected for contemporary movements as illustrated in visuals, discourse, court records, and policy. Migrant Crossings deeply interrogates what it means to bear witness to migration in these migratory times--and what such migrant crossings mean for subjects who experience violence during or after their crossing.