Women Artists And Patrons In The Netherlands 1500 1700
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Women Artists and Patrons in the Netherlands, 1500-1700 by Elizabeth Sutton Pdf
This essay collection features innovative scholarship on women artists and patrons in the Netherlands 1500-1700. Covering painting, printmaking, and patronage, authors highlight the contributions of women art makers in the Netherlands, showing that women were prominent as creators in their own time and deserve to be recognized as such today.
Portraits and Poses by Beatrijs Vanacker,Lieke van Deinsen Pdf
Interdisciplinary and cross-cultural view on authority construction among early modern female intellectuals The complex relation between gender and the representation of intellectual authority has deep roots in European history. Portraits and Poses adopts a historical approach to shed new light on this topical subject. It addresses various modes and strategies by which learned women (authors, scientists, jurists, midwifes, painters, and others) sought to negotiate and legitimise their authority at the dawn of modern science in Early Modern and Enlightenment Europe (1600–1800). This volume explores the transnational dimensions of intellectual networks in France, Italy, Britain, the German states and the Low Countries, among others. Drawing on a wide range of case studies from different spheres of professionalisation, it examines both individual and collective constructions of female intellectual authority through word and image. In its innovative combination of an interdisciplinary and transnational approach, this volume contributes to the growing literature on women and intellectual authority in the Early Modern Era and outlines contours for future research.
Author : Cristina S. Martinez,Cynthia E. Roman Publisher : Cambridge University Press Page : 293 pages File Size : 44,5 Mb Release : 2024-03-31 Category : Art ISBN : 9781108844772
Women Artists Early Modern Courts Eurohb by JONES Pdf
1. The book is the first devoted to the topic of women artists across the courts of early modern Europe. 2. The essays consider women artists and their experiences in a variety of European courts, in Italy, Flanders, Spain, and England. 3. The essays included address a variety of forms of artistic production by women in the courts, including large and small-scale paintings, sculpture, prints, and textiles.
Women and Gender in the Early Modern Low Countries, 1500 - 1750 by Sarah Joan Moran,Amanda C. Pipkin Pdf
Women and Gender in the Early Modern Low Countries, 1500-1750 brings together research on women and gender across the Low Countries, a culturally contiguous region that was split by the Eighty Years' War into the Protestant Dutch Republic in the North and the Spanish-controlled, Catholic Hapsburg Netherlands in the South. The authors of this interdisciplinary volume highlight women’s experiences of social class, as family members, before the law, and as authors, artists, and patrons, as well as the workings of gender in art and literature. In studies ranging from microhistories to surveys, the book reveals the Low Countries as a remarkable historical laboratory for its topic and points to the opportunities the region holds for future scholarly investigations. Contributors: Martine van Elk, Martha Howell, Martha Moffitt Peacock, Sarah Joan Moran, Amanda Pipkin, Katlijne Van der Stighelen, Margit Thøfner, and Diane Wolfthal.
Gender and the Woman Artist in Early Modern Iberia by Catherine Hall-van den Elsen Pdf
This monograph explores the social constructs surrounding artistic production in early modern Iberia through the lenses of gender and class by examining the rarely considered contribution of creative women in Spain and Portugal between 1550 and 1700. Using the life-stage framework popular in texts of the period and drawing on a broad spectrum of materials including conduct guidebooks, treatises and conventual rules, this book examines the constraints imposed by gender-related social structures through microhistories of nuns, married, and unmarried women. The text spans class boundaries in its analysis of the work of painters, engravers, and sculptors, many of whom have until now eluded scholarly attention in English-language publications. An extensive bibliography promotes new avenues of inquiry into women’s contributions to the visual arts of the period. This book will be of interest to scholars working in art history, gender studies, women’s history, early modern Iberian studies, and Renaissance studies.
Picturing Men and Women in the Dutch Golden Age by Muizelaar Klaske,Klaske Muizelaar,Derek L. Phillips Pdf
Taking as their premiss the subjective experience of art, the authors look at how paintings by Rembrandt, Vermeer & other masters were displayed & comprehended in the 17th century.
An alternative history of the Renaissance—as seen through the emerging literature of beauty tips—focusing on the actresses, authors, and courtesans who rebelled against the misogyny of their era. Beauty, make-up, art, power: How to Be a Renaissance Woman presents an alternative history of this fascinating period as told by the women behind the paintings, providing a window into their often overlooked or silenced lives. Can the pressures women feel to look good be traced back to the sixteenth century? As the Renaissance visual world became populated by female nudes from the likes of Michelangelo and Titian, a vibrant literary scene of beauty tips emerged, fueling debates about cosmetics and adornment. Telling the stories of courtesans, artists, actresses, and writers rebelling against the strictures of their time, when burgeoning colonialism gave rise to increasingly sinister evaluations of bodies and skin color, this book puts beauty culture into the frame. How to Be a Renaissance Woman will take readers from bustling Italian market squares, the places where the poorest women and immigrant communities influenced cosmetic products and practices, to the highest echelons of Renaissance society, where beauty could be a powerful weapon in securing strategic marriages and family alliances. It will investigate how skin-whitening practices shifted in step with the emerging sub-Saharan African slave trade, how fads for fattening and thinning diets came and went, and how hairstyles and fashion could be a tool for dissent and rebellion—then as now. This surprising and illuminating narrative will make you question your ideas about your own body, and ask: Why are women often so critical of their appearance? What do we stand to lose, but also to gain, from beauty culture? What is the relationship between looks and power?
Newly independent in 1585, the increasingly prosperous and politically powerful Dutch Republic experienced a tremendous rise in the production of artwork that was unparalleled in quantity, variety, and beauty. Now back in print, this classic book (originally published in 1996) examines the country's rich artistic culture in the seventeenth century, providing a full account of Dutch artists and patrons; artistic themes and techniques; and the political and social world in which artists worked. Distinguished art historian Mariët Westermann examines the ?worldly art” of this time in the context of the unique society that produced it, analyzing artists' choices and demonstrating how their pictures tell particular stories about the Dutch Republic, its people, and its past. More than 100 color illustrations complement this engaging discussion of an extraordinary moment in the history of art.
Five centuries of fascinating female creativity presented in more than 400 compelling artworks and one comprehensive volume The most extensive fully illustrated book of women artists ever published, Great Women Artists reflects an era where art made by women is more prominent than ever. In museums, galleries, and the art market, previously overlooked female artists, past and present, are now gaining recognition and value. Featuring more than 400 artists from more than 50 countries and spanning 500 years of creativity, each artist is represented here by a key artwork and short text. This essential volume reveals a parallel yet equally engaging history of art for an age that champions a greater diversity of voices. "Real changes are upon us, and today one can reel off the names of a number of first-rate women artists. Nevertheless, women are just getting started."—The New Yorker
Art in History/History in Art by David Freedberg,Jan de Vries Pdf
Historians and art historians provide a critique of existing methodologies and an interdisciplinary inquiry into seventeenth-century Dutch art and culture.
This richly illustrated book presents a global overview of the key events and themes in Dutch history and culture: a choice of fifty key topics, or 'windows' into the country. Fifty important people, inventions and events which together show how the Netherlands has developed into the country that it is now. At the back of the book, there is an overview of the fifty 'windows', grouped in seven themes. This is an excellent introduction for anyone who would like to make an acquaintance with this low country by the sea.
Women, Art and Observant Franciscan Piety by Kathleen Giles Arthur Pdf
The Poor Clares convent of Corpus Domini was the first home of Saint Catherine of Bologna, but after her departure, the convent reinvented itself as a noblewomen's retreat. In doing so, it transformed ideals of poverty, humility and women's education. This book, grounded in archival research and close examination of artworks from the convent, explores the visual culture and social history of an early modern Franciscan women's community. Its careful analysis yields new insights into the changing role of the community in the d'Este political and civic spheres.
An Imperial Collection by Jordana Pomeroy,Rosalind Polly Blakesley Pdf
The Extraordinary Selection of paintings reproduced in this stunning book -- all by western European women artists -- has been drawn from the unrivaled collection of the State Hermitage Museum in St. Petersburg, Russia, and is published here as part of the international celebrations to mark the city's 300th anniversary. An Imperial Collection explores how women as patrons, artists, and subjects contributed to the cultural history of Russia. Eminent families formed collections and created artistic commissions that brought women artists to Russia and extended the influence of western European art at the royal court of the tsars. Some women artists were allowed into the inner circles of the court, providing an "insider" view into the private, intimate side of imperial life. Artists whose work is explored in the book include Elisabeth Louise Vigee-Lebrun, who from 1795 to 1801 found refuge in St. Petersburg after the French Revolution forced her to flee her own country; French sculptor Marie-Anne Collot, whose numerous works for Catherine the Great included the monumental head for the sculpture of Peter the Great, now one of the great landmarks of St. Petersburg; and Angelica Kauffman, one of the few eighteenth-century women painters to tackle the challenging field of history painting, often with a heightened sensitivity to female roles. This book is essential reading for anyone interested in women artists, the history of Russian patronage of the arts, and Russian imperial history and culture. Book jacket.