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Women at the Helm explores the accomplishments of the first three women to direct the National Gallery of Canada during three transformative decades in its history. From leadership styles to challenges faced to contributions to the institution, Nemiroff considers their remarkable careers and the obstacles still faced by women in leadership today.
Author : Sarah Helm Publisher : Little, Brown Book Group Page : 590 pages File Size : 45,6 Mb Release : 2015-01-15 Category : History ISBN : 9780748112432
Winner of the Longman-History Today Book Prize: A 'profoundly moving chronicle' (Observer) that tells the story of Ravensbrück, the only concentration camp designed specifically for women, using new testimony from survivors On a sunny morning in May 1939 a phalanx of 800 women - housewives, doctors, opera singers, politicians, prostitutes - were marched through the woods fifty miles north of Berlin, driven on past a shining lake, then herded through giant gates. Whipping and kicking them were scores of German women guards. Their destination was Ravensbrück, a concentration camp designed specifically for women by Heinrich Himmler, prime architect of the Nazi genocide. For decades the story of Ravensbrück was hidden behind the Iron Curtain and today is still little known. Using testimony unearthed since the end of the Cold War, and interviews with survivors who have never spoken before, Helm has ventured into the heart of the camp, demonstrating for the reader in riveting detail how easily and quickly the unthinkable horror evolved. 'It not only fills a gap in Holocaust history but it is an utterly compelling read' Taylor Downing, History Today 'A sense of urgency infuses this history, which comes just in time to gather the testimony of the camp's survivors . . . meticulous, unblinking . . . [Helm's] book comes not a moment too soon' The Economist
Months before the outbreak of World War II, Heinrich Himmler—prime architect of the Holocaust—designed a special concentration camp for women, located fifty miles north of Berlin. Only a small number of the prisoners were Jewish. Ravensbrück was primarily a place for the Nazis to hold other inferior beings: Jehovah’s Witnesses, Resistance fighters, lesbians, prostitutes, and aristocrats—even the sister of New York’s Mayor LaGuardia. Over six years the prisoners endured forced labor, torture, starvation, and random execution. In the final months of the war, Ravensbrück became an extermination camp. Estimates of the final death toll have ranged from 30,000 to 90,000. For decades the story of Ravensbrück was hidden behind the Iron Curtain. Now, using testimony unearthed since the end of the Cold War and interviews with survivors who have never talked before, Sarah Helm takes us into the heart of the camp. The result is a landmark achievement that weaves together many accounts, following figures on both sides of the prisoner/guard divide. Chilling, compelling, and deeply necessary, Ravensbrück is essential reading for anyone concerned with Nazi history.
From an award-winning journalist comes this real-life cloak-and-dagger tale of Vera Atkins, one of Britain’s premiere secret agents during World War II. As the head of the French Section of the British Special Operations Executive, Vera Atkins recruited, trained, and mentored special operatives whose job was to organize and arm the resistance in Nazi-occupied France. After the war, Atkins courageously committed herself to a dangerous search for twelve of her most cherished women spies who had gone missing in action. Drawing on previously unavailable sources, Sarah Helm chronicles Atkins’s extraordinary life and her singular journey through the chaos of post-war Europe. Brimming with intrigue, heroics, honor, and the horrors of war, A Life in Secrets is the story of a grand, elusive woman and a tour de force of investigative journalism.
By the time the U.S. Women's Challenge had completed the first leg of the 1993-94 Whitbread Round-the-World Race, the crew was riven by dissent, financial problems, and personal conflicts. Only a new captain could save the all-women's team from mutiny and lead them to a successful finish. When Dawn Riley received an unexpected phone call from Uruguay asking her to take on the assignment, she was not eager to step into the midst of a fractured crew-and yet she knew she needed to keep this boat in the race. She packed up her life and flew south. After four days of hasty boat preparation and group training, the women set out from sunny Punta del Este, unprepared for the perils of the treacherous Southern Ocean. In their streamlined, stripped-down vessel, the crew faced near-hurricane winds, numbing temperatures, and jagged icebergs. Eating freeze-dried food and working in four-hour watches, they braved the forces of nature in the face of physical injury, dwindling supplies, equipment failure, and overall exhaustion. In the midst of it all, bitter resentment was brewing among the original crew members while the controversy over Riley's takeover made headlines on land. As the boat sailed on to complete the arduous six-leg race, this female crew and their boat-renamed Heineken for its new sponsor-circumnavigated the globe. But these women traveled much farther than the race's 32,000 miles: with each leg and each new test, this crew learned to rally under their captain's leadership when their very survival was at stake. In recounting how she took responsibility for the lives of eleven other women, Riley tells an extraordinary story of self-discovery within the gripping context of the world's most demanding sailboat race.
The life of the legendary drummer and singer is explored through extensive research and personal interviews with family, friends, and fellow musicians. In the Arkansas Delta, a young Levon Helm witnessed “blues, country, and gospel hit in a head-on collision,” as he put it. The result was rock 'n' roll. As a teenager, he joined the raucous Ronnie Hawkins and the Hawks, then helped merge a hard-driving electric sound with Bob Dylan's folk roots, and revolutionized American rock with the Band. Helm not only provided perfect “in the pocket” rhythm and unforgettable vocals, he was the soul of The Band. Levon traces a rebellious life on the road, from being booed with Bob Dylan to the creative cauldron of Big Pink, the Woodstock Festival, world tours, The Last Waltz, and beyond with the man Dylan called “one of the last true great spirits of my or any other generation.” Author Sandra B. Tooze digs deep into what Helm saw as a devastating betrayal by his closest friend, Band guitarist Robbie Robertson—and Levon’s career collapse, his near bankruptcy, and the loss of his voice due to throat cancer in 1997. Yet Helm found success in an acting career that included roles in Coal Miner’s Daughter and The Right Stuff. Regaining his singing voice, he made his last decade a triumph, opening his barn to the Midnight Rambles and earning three Grammys.
The year was 1896, the woman was Alice Guy-Blaché, and the film was The Cabbage Fairy. It was less than a minute long. Guy-Blaché, the first female director, made hundreds of movies during her career. Thousands of women with passion and commitment to storytelling followed in her footsteps. Working in all aspects of the movie industry, they collaborated with others to create memorable images on the screen. This book pays tribute to the spirit, ambition, grit and talent of these filmmakers and artists. With more than 1200 women featured in the book, you will find names that everyone knows and loves—the movie legends. But you will also discover hundreds and hundreds of women whose names are unknown to you: actresses, directors, stuntwomen, screenwriters, composers, animators, editors, producers, cinematographers and on and on. Stunning photographs capture and document the women who worked their magic in the movie business. Perfect for anyone who enjoys the movies, this photo-treasury of women and film is not to be missed.
Be the Calm or Be the Storm by Captain Sandy Yawn Pdf
Leadership lessons from Captain Sandy Yawn, a renowned superyacht captain with over 30 years of international maritime experience, and star of the reality show Below Deck Mediterranean. Everyone experiences a moment in life when they need to lead. Sometimes it's a team, sometimes it's a company, a classroom, a patient ward, a family, or simply your own individual self. Based on the leadership lessons she's gathered from her resourceful and resilient life, Captain Sandy, a superyacht captain and star of Bravo's Below Deck Mediterranean, shares the leadership skills and critical thinking inherent to being a captain that can empower anyone to navigate their way to a successful life. Among some of the stories/lessons she'll share: How she selects and sizes up her crew even before embarking on a charter, deciding who to invest in and how to bring out their best. Things happen at sea. No matter how much you plan and train, so much can go wrong so she'll discuss the level of persistence and faith that's required in solving an especially knotty problem. Authority and discipline are required to lead, but they must be leavened with compassion, understanding, and a desire to see your crew succeed. She describes the seamless flow that happens in great teamwork and how she loves seeing the way her deckhands pitch in with the stews when needed. For Captain Sandy, this represents leading with empathy, figuring out who your teammates are and what motivates them, then communicating in a way that motivates and makes them feel understood. As a captain, Sandy is constantly upgrading her knowledge and skill set, which is as much a part of her job as steering a vessel. Sustaining excellence requires constant effort, whether you find yourself at the end of a journey, halfway through or at the start of a new one. And the learning never stops. Woven throughout her stories are Captain Sandy's optimism and abiding faith that, given the right tools and opportunities, individuals are capable of so much more than they realize, especially when they can find someone to believe in them.
Are you done with the mansplaining? Have you been interrupted one too many times? Don’t stop talking. Take your voice back. Women’s voices aren’t being heard—at work, at home, in public, and in every facet of their lives. When they speak up, they’re seen as pushy, loud, and too much. When quiet, they’re dismissed as meek and mild. Everywhere they turn, they’re confronted by the assumptions of a male-dominated world. From the Supreme Court to the conference room to the classroom, women are interrupted far more often than their male counterparts. In the lab, researchers found that female executives who speak more often than their peers are rated 14 percent less competent, while male executives who do the same enjoy a 10 percent competency bump. In Outspoken, Veronica Rueckert—a Peabody Award–winning former host at Wisconsin Public Radio, trained opera singer, and communications coach—teaches women to recognize the value of their voices and tap into their inherent power, potential, and capacity for self-expression. Detailing how to communicate in meetings, converse around the dinner table, and dominate political debates, Outspoken provides readers with the tools, guidance, and encouragement they need to learn to love their voices and rise to the obligation to share them with the world. Outspoken is a substantive yet entertaining analysis of why women still haven’t been fully granted the right to speak, and a guide to how we can start changing the culture of silence. Positive, instructive, and supportive, this welcome and much-needed handbook will help reshape the world and make it better for women—and for everyone. It’s time to stop shutting up and start speaking out.
Women Stage Directors Speak by Rebecca Daniels Pdf
Though stage directing has traditionally been a male-dominated profession, the number of women directors in the United States has grown significantly in recent years. In this work, 35 contemporary women stage directors, with regional, national and international theater backgrounds, share their views on the creative process and the influences of gender on their artistic decision making. How does it feel to be defined as a woman director rather than simply a director? Does gender affect their authority? These questions and many others are explored in this study.
Hannibal meets Mistborn in Marina Lostetter’s THE HELM OF MIDNIGHT, the dark and stunning first novel in a new trilogy that combines the intricate worldbuilding and rigorous magic system of the best of epic fantasy with a dark and chilling thriller. In a daring and deadly heist, thieves have made away with an artifact of terrible power—the death mask of Louis Charbon. Made by a master craftsman, it is imbued with the spirit of a monster from history, a serial murderer who terrorized the city. Now Charbon is loose once more, killing from beyond the grave. But these murders are different from before, not simply random but the work of a deliberate mind probing for answers to a sinister question. It is up to Krona Hirvath and her fellow Regulators to enter the mind of madness to stop this insatiable killer while facing the terrible truths left in his wake. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Opera, Or, The Undoing of Women by Catherine Clement Pdf
This was the first work to have applied a systematised feminist theory to opera. It concentrates on the stories & text of opera, that perhaps have more relevence today in a growing literature than it had when it was the "sacrilegious" pioneering work.
Women In The Life Of Balzac by Juanita Helm Floyd Pdf
Juanita Helm Floyd "Women inside the Life of Balzac" gives a nuanced exploration of the relationships that performed an important position in shaping the existence and literary works of the famend French novelist Honoré de Balzac. This work gives readers a charming perception into the complicated interaction among Balzac's private experiences and the portrayal of girls in his fiction. Floyd meticulously examines the substantial women who prompted Balzac, from his mom and sisters to the diverse romantic entanglements that marked his life. The biography delves into the effect of these relationships on Balzac's emotional and innovative lifestyles, supplying a deeper understanding of the motivations and characterizations observed in his novels. The creator explores Balzac's approach to depicting girls in his extensive frame of labor, such as the huge series of novels referred to as "La Comedie Humaine." Floyd analyzes the numerous girl characters in Balzac's fiction, dropping light on the author's perceptions of women, love, and societal expectancies. The narrative skillfully weaves together biographical information with literary analysis, creating a comprehensive portrait of the symbiotic relationship among Balzac's private international and his imaginitive literary universe.
Rethinking Professionalism by Kristina Huneault,Janice Anderson Pdf
The history of women and art in Canada has often been celebrated as a story of progress from amateur to professional practice. Rethinking Professionalism challenges this narrative by questioning the assumptions that underlie the category of artistic professionalism, a construct as influential for artistic practice as it has been for art historical understanding. Through a series of in-depth studies, contributors examine changes to the infrastructure of the art world that resulted from a powerful discourse of professionalization that emerged in the late- nineteenth century. While many women embraced this new model, others fell by the wayside, barred from professional status by virtue of their class, their ethnicity, or the very nature of the artworks they produced. The richly illustrated essays in this collection depict the changing nature of the professional paradigm as it was experienced by women painters, photographers, craftspeople, architects, curators, gallery directors, and art teachers. In so doing, they demonstrate the ongoing power of feminist art history to disrupt patterns of thought that have become naturalized and, accordingly, invisible. Going beyond the narratives of recovery or exclusion that the category of professionalism has traditionally encouraged, Rethinking Professionalism explores the very consequences of telling the history of women's art in Canada through that lens. Contributors include Annmarie Adams (McGill University), Alena Buis (Queen's University), Sherry Farrell Racette (University of Manitoba), Cynthia Hammond (Concordia University), Kristina Huneault (Concordia University), Loren Lerner (Concordia University), Lianne McTavish (University of Alberta), Kirk Niergarth (Mount Royal University), Mary O'Connor (McMaster University), Sandra Paikowsky (Concordia University), Ruth B. Phillips (Carleton University), Jennifer Salahub (Alberta College of Art & Design), and Anne Whitelaw (Concordia University).
