Women In Horror Films 1930s

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Women in Horror Films, 1930s

Author : Gregory William Mank
Publisher : McFarland
Page : 415 pages
File Size : 46,8 Mb
Release : 2015-09-15
Category : Performing Arts
ISBN : 9781476609546

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Women in Horror Films, 1930s by Gregory William Mank Pdf

They had more in common than just a scream, whether they faced Dracula, Frankenstein’s Monster, the Mummy, Dr. Jekyll, Mr. Hyde, King Kong, the Wolf Man, or any of the other legendary Hollywood monsters. Some were even monsters themselves, such as Elsa Lanchester as the Bride, and Gloria Holden as Dracula’s Daughter. And while evading the Strangler of the Swamp, former Miss America Rosemary La Planche is allowed to rescue her leading man. This book provides details about the lives and careers of 21 of these cinematic leading ladies, femmes fatales, monsters, and misfits, putting into perspective their contributions to the films and folklore of Hollywood terror—and also the sexual harassment, exploitation, and genuine danger they faced on the job. In a previously unpublished account, Bride of Frankenstein’s Anne Darling remembers when, at age 17, she was humiliated on-set by director James Whale over the color of her underwear. Filled with anecdotes and recollections, many of the entries are based on original interviews, and there are numerous old photographs and movie stills.

Women in Horror Films, 1940s

Author : Gregory William Mank
Publisher : McFarland
Page : 405 pages
File Size : 45,8 Mb
Release : 2015-09-15
Category : Performing Arts
ISBN : 9781476609553

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Women in Horror Films, 1940s by Gregory William Mank Pdf

They had more in common than just a scream, whether they faced Dracula, Frankenstein’s Monster, the Mummy, Dr. Jekyll, Mr. Hyde, King Kong, the Wolf Man, or any of the other legendary Hollywood monsters. Some were even monsters themselves, such as Elsa Lanchester as the Bride, and Gloria Holden as Dracula’s Daughter. And while evading the Strangler of the Swamp, former Miss America Rosemary La Planche is allowed to rescue her leading man. This book provides details about the lives and careers of 21 of these cinematic leading ladies, femmes fatales, monsters, and misfits, putting into perspective their contributions to the films and folklore of Hollywood terror—and also the sexual harassment, exploitation, and genuine danger they faced on the job. Veteran actress Virginia Christine recalls Universal burying her alive in a backlot swamp in full “mummy” makeup for the resurrection scene in The Mummy’s Curse—and how the studio saved that scene for the last day in case she suffocated. Filled with anecdotes and recollections, many of the entries are based on original interviews, and there are numerous old photographs and movie stills.

Character Actors in Horror and Science Fiction Films, 1930Ð1960

Author : Laurence Raw
Publisher : McFarland
Page : 232 pages
File Size : 54,5 Mb
Release : 2012-06-12
Category : Performing Arts
ISBN : 9780786490493

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Character Actors in Horror and Science Fiction Films, 1930Ð1960 by Laurence Raw Pdf

This biographical dictionary presents a stellar lineup of talented, versatile character actors who regularly appeared in horror and science fiction films during Hollywood’s golden age. Many are well known by genre buffs and casual fans—they include Lionel Atwill, John Carradine, Dwight Frye, Rondo Hatton, Dick Miller, J. Carroll Naish, Maria Ouspenskaya, Glenn Strange, Edward Van Sloan, and George Zucco. Some are perhaps not so well known but equally at home in the horror and science fiction films—such as Anthony Carbone, Harry Cording, Rosemary La Planche, Dick Purcell, Elizabeth Russell and Mel Welles. The 96 entries are complete with a biography and in-depth analyses of the actor’s best performances—demonstrating how important these personalities were to the success of their genre films.

After Dracula

Author : Alison Peirse
Publisher : Bloomsbury Publishing
Page : 235 pages
File Size : 55,6 Mb
Release : 2013-08-28
Category : Performing Arts
ISBN : 9780857734082

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After Dracula by Alison Peirse Pdf

After Dracula tells of films set in London music halls and Yorkshire coal mines, South Sea Islands and Hungarian modernist houses of horror, with narrators that survey the outskirts of contemporary Paris and travel back in time to ancient Egypt. Alison Peirse argues that Dracula (1931) has been canonised to the detriment of other innovative and original 1930s horror films in Europe and America. By casting out the deified vampire, she reveals a cycle of films made over the 1930s that straddle both the pre- and post-regulatory era of the Hays Production Code an stringent censorship from the British Board of Film Censors. These films are indepenedent and studio productions, literary adaptations, folktales and original screenplays, and include Werewolf of London, The Man Who Changed His Mind, Island of Lost Souls and Vampyr. The book considers the horror genre's international evolution during this period, engaging with a number of European horror films that have hitherto received cursory attention. It focuses on the interplay between Continental, British and transatlantic contexts, and particularly on the intriguing, the obscure and the underrated.

Bela Lugosi and Boris Karloff

Author : Gregory William Mank
Publisher : McFarland
Page : 701 pages
File Size : 43,6 Mb
Release : 2010-03-08
Category : Performing Arts
ISBN : 9780786454723

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Bela Lugosi and Boris Karloff by Gregory William Mank Pdf

Dracula and Frankenstein’s Monster are horror cinema icons, and the actors most deeply associated with the two roles also shared a unique friendship. Bela Lugosi and Boris Karloff starred in dozens of black-and-white horror films, and over the years managed to collaborate on and co-star in eight movies. Through dozens of interviews and extensive archival research, this greatly expanded new edition examines the Golden Age of Hollywood, the era in which both stars worked, recreates the shooting of Lugosi and Karloff’s mutual films, examines their odd and moving personal relationship and analyzes their ongoing legacies. Features include a fully detailed filmography of the eight Karloff and Lugosi films, full summaries of both men’s careers and more than 250 photographs, some in color.

Women in Horror Films

Author : Gregory W. Mank
Publisher : McFarland Publishing
Page : 820 pages
File Size : 49,8 Mb
Release : 1998-12-31
Category : Performing Arts
ISBN : 0786405805

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Women in Horror Films by Gregory W. Mank Pdf

They had more in common than just a scream, whether they faced Dracula, Frankenstein's Monster, the Mummy, Dr. Jekyll, Mr. Hyde, King Kong, the Wolf Man, or any of the other legendary Hollywood monsters. Some were even monsters themselves, such as Elsa Lanchester as the Bride, and Gloria Holden as Dracula's Daughter. And while evading the Strangler of the Swamp, former Miss America Rosemary La Planche is allowed to rescue her leading man. This two-book (each one completely stand-alone) set provides details about the lives and careers of over 40 of these cinematic leading ladies, femmes fatales, monsters, and misfits, putting into perspective their contributions to the films and folklore of Hollywood terror--and also the sexual harassment, exploitation, and genuine danger they faced on the job. Veteran actress Virginia Christine recalls Universal burying her alive in a backlot swamp in full mummy makeup for the resurrection scene in The Mummy's Curse--and how the studio saved that scene for the last day in case she suffocated. Filled with anecdotes and recollections, many of the entries in both books are based on original interviews, and there are numerous old photographs and movie stills.

Women Make Horror

Author : Alison Peirse
Publisher : Rutgers University Press
Page : 270 pages
File Size : 48,6 Mb
Release : 2020-09-17
Category : Performing Arts
ISBN : 9781978805132

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Women Make Horror by Alison Peirse Pdf

Winner of the the 2021 Best Edited Collection Award from BAFTSS Winner of the 2021 British Fantasy Award in Best Non-Fiction​ ​Finalist for the 2020 Bram Stoker Award® for Superior Achievement in Non-Fiction Runner-Up for Book of the Year in the 19th Annual Rondo Halton Classic Horror Awards​ “But women were never out there making horror films, that’s why they are not written about – you can’t include what doesn’t exist.” “Women are just not that interested in making horror films.” This is what you get when you are a woman working in horror, whether as a writer, academic, festival programmer, or filmmaker. These assumptions are based on decades of flawed scholarly, critical, and industrial thinking about the genre. Women Make Horror sets right these misconceptions. Women have always made horror. They have always been an audience for the genre, and today, as this book reveals, women academics, critics, and filmmakers alike remain committed to a film genre that offers almost unlimited opportunities for exploring and deconstructing social and cultural constructions of gender, femininity, sexuality, and the body. Women Make Horror explores narrative and experimental cinema; short, anthology, and feature filmmaking; and offers case studies of North American, Latin American, European, East Asian, and Australian filmmakers, films, and festivals. With this book we can transform how we think about women filmmakers and genre.

Establishment of a Genre. Hollywood Horror in the 1930s

Author : Christopher Hartmann
Publisher : GRIN Verlag
Page : 51 pages
File Size : 43,9 Mb
Release : 2018-04-13
Category : Performing Arts
ISBN : 9783668683303

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Establishment of a Genre. Hollywood Horror in the 1930s by Christopher Hartmann Pdf

Bachelor Thesis from the year 2011 in the subject Communications - Movies and Television, grade: 2.1, University of Leicester, language: English, abstract: This dissertation will examine film genre and in particular the Horror genre during the 1930s. The question of what defines the genre and how it becomes defined is brought up and in answering it I will look upon the themes and the history surrounding some of the biggest pictures of the decade. Much of the studies into genre, had been previously been rather broad and even the ones that focused upon the horror genre, they too lacked the focus solely towards the Horror genre in the 1930s. This piece, analyses the horror genre of the 1930s with use of genre theory and also the thematic structure and historical information regarding the films. The study presents that the Horror genre is defined by the era, with the 1930s and the issues surround the decade structuring and influencing the genre, from the advancements in technology to the importance of social commentary within the Horror genre. The study elaborates that particular issues and political matters found their way into the genre and helped to define and structure the genre.

The A to Z of Horror Cinema

Author : Peter Hutchings
Publisher : Scarecrow Press
Page : 432 pages
File Size : 42,7 Mb
Release : 2009-09-02
Category : Performing Arts
ISBN : 0810870509

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The A to Z of Horror Cinema by Peter Hutchings Pdf

Horror is one of the most enduring and controversial of all cinematic genres. Horror films range from the subtle and the poetic to the graphic and the gory but what links them all is their ability to frighten, disturb, shock, provoke, delight, irritate, amuse, and bemuse audiences. Horror's capacity to serve as an outlet to capture the changing patterns of our fears and anxieties has ensured not only its notoriety but also its long-term survival and its international popularity. Above all, however, it is the audience's continual desire to experience new frights and evermore-horrifying sights that continue to make films like The Exorcist, A Nightmare on Elm Street, Halloween, Night of the Living Dead, The Texas Chainsaw Massacre, Psycho, Ringu, and The Shining captivate viewers. The A to Z of Horror Cinema traces the development of horror cinema from the beginning of the 20th century to the present day. This is done through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries. Entries cover all the major movie villains, including Frankenstein and his monster, the vampire, the werewolf, the mummy, the zombie, the ghost, and the serial killer; the film directors, producers, writers, actors, cinematographers, make-up artists, special effects technicians, and composers who have helped to shape horror history; significant production companies and the major films that have come to stand as milestones in the development of the horror genre; and the different national traditions in horror cinema as well as horror's most popular themes, formats, conventions, and cycles.

Historical Dictionary of Horror Cinema

Author : Peter Hutchings
Publisher : Rowman & Littlefield
Page : 446 pages
File Size : 40,8 Mb
Release : 2017-11-22
Category : Performing Arts
ISBN : 9781538102442

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Historical Dictionary of Horror Cinema by Peter Hutchings Pdf

The Historical Dictionary of Horror Cinema traces the development of the genre from its beginnings to the present. This is done through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries.

Fear Itself

Author : Melvin E. Matthews, Jr.
Publisher : McFarland
Page : 217 pages
File Size : 44,6 Mb
Release : 2009-07-01
Category : Performing Arts
ISBN : 9780786443130

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Fear Itself by Melvin E. Matthews, Jr. Pdf

This book demonstrates how horror films of the 1930s and 1940s reflected specific events and personalities of the era, most notably the Great Depression and World War II. Beginning with Dracula and Frankenstein (1931), it relates the many ways that horror films and society intersected: Franklin D. Roosevelt's skepticism toward conventional wisdom and the public's distrust of experts was mirrored in Dr. Jekyll and Mr. Hyde and Murders in the Rue Morgue; the freaks in Tod Browning's 1932 film of the same name revolted against the powerful people of the circus, much like the Bonus Army protested the sufferings of the Depression; King Kong's rampage on New York personified the anti-New York sentiment in the nation at large; Lon Chaney Jr.'s Wolf Man symbolized the experience of his creator, Curt Siodmak, as a Jewish refugee from Nazi Germany.

The Mummy

Author : Doris V. Sutherland
Publisher : Liverpool University Press
Page : 123 pages
File Size : 48,7 Mb
Release : 2019-09-10
Category : Performing Arts
ISBN : 9781800347281

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The Mummy by Doris V. Sutherland Pdf

Released in 1932, The Mummy moved Universal horror into a land of deserts, pyramids, and long-lost tombs. This book examines the roots of The Mummy. It shows how the film shares many motifs with the work of writers such as H. Rider Haggard and discusses how The Mummy drew upon a contemporary vogue for all things ancient Egyptian.

Angels and Ministers of Grace Defend Us!

Author : Gregory William Mank
Publisher : McFarland
Page : 459 pages
File Size : 41,8 Mb
Release : 2022-05-26
Category : Performing Arts
ISBN : 9781476644035

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Angels and Ministers of Grace Defend Us! by Gregory William Mank Pdf

Like a lovingly guided midnight tour, this book covers the seductive shadows of the most fascinating horror films and melodramas from the 1930s and 1940s. From the bloody censorship battles behind 1935's Bride of Frankenstein, to the sexual controversies of 1941's Dr. Jekyll and Mr. Hyde and the gruesome Nazi atrocities of 1943's Women in Bondage, this book delves into newly excavated research to tell the behind-the-scenes sagas of some of Hollywood's most frightening films. Peek behind the scenes, revel in on-the-set anecdotes and get a look at the script notes illuminating characters like WereWolf of London, Richard III, Panther Woman and Rasputin. Included are profiles of the performers and filmmakers who made the nightmares feel all too real in the darkened theaters of yesteryear, and an examination of the factors that have kept these films popular so many decades later.

Hollywood Cauldron

Author : Gregory William Mank
Publisher : McFarland
Page : 429 pages
File Size : 45,5 Mb
Release : 2010-06-21
Category : Performing Arts
ISBN : 9780786462551

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Hollywood Cauldron by Gregory William Mank Pdf

Thirteen of Hollywood's horror classics in detail: Dr. Jekyll and Mr. Hyde (1931), The Old Dark House(1932), The Mask of Fu Manchu (1932), Mark of the Vampire (1935), Mad Love (1935), The Black Room (1935), The Walking Dead (1936), Cat People (1942), Bluebeard (1944), The Lodger (1944), The Picture of Dorian Gray (1945), Hangover Square (1945) and Bedlam (1946). From original interviews and research, the styles of the various studios (from giant M-G-M to Poverty Row's PRC), along with the performers, directors, and backstage events, are examined.

Hollywood Musicals You Missed

Author : Edwin M. Bradley
Publisher : McFarland
Page : 307 pages
File Size : 46,8 Mb
Release : 2020-06-08
Category : Performing Arts
ISBN : 9781476673585

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Hollywood Musicals You Missed by Edwin M. Bradley Pdf

Pre-World War II Hollywood musicals weren't only about Astaire and Rogers, Mickey and Judy, Busby Berkeley, Bing Crosby, or Shirley Temple. The early musical developed through tangents that reflected larger trends in film and American culture at large. Here is a survey of select titles with a variety of influences: outsized songwriter personalities, hubbub over "hillbilly" and cowboy stereotypes, the emergence of swing, and the brief parade of opera stars to celluloid. Featured movies range from the smash hit Alexander's Ragtime Band (1938), to obscurities such as Are You There? (1930) and Swing, Sister, Swing (1938), to the high-grossing but now forgotten Mountain Music (1937), and It's Great to Be Alive (1933), a zesty pre-Code musical/science-fiction/comedy mishmash. Also included are some of the not-so-memorable pictures made by some of the decade's greatest musical stars.