Women In Horror Films 1940s

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Women in Horror Films, 1940s

Author : Gregory William Mank
Publisher : McFarland
Page : 405 pages
File Size : 53,7 Mb
Release : 2015-09-15
Category : Performing Arts
ISBN : 9781476609553

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Women in Horror Films, 1940s by Gregory William Mank Pdf

They had more in common than just a scream, whether they faced Dracula, Frankenstein’s Monster, the Mummy, Dr. Jekyll, Mr. Hyde, King Kong, the Wolf Man, or any of the other legendary Hollywood monsters. Some were even monsters themselves, such as Elsa Lanchester as the Bride, and Gloria Holden as Dracula’s Daughter. And while evading the Strangler of the Swamp, former Miss America Rosemary La Planche is allowed to rescue her leading man. This book provides details about the lives and careers of 21 of these cinematic leading ladies, femmes fatales, monsters, and misfits, putting into perspective their contributions to the films and folklore of Hollywood terror—and also the sexual harassment, exploitation, and genuine danger they faced on the job. Veteran actress Virginia Christine recalls Universal burying her alive in a backlot swamp in full “mummy” makeup for the resurrection scene in The Mummy’s Curse—and how the studio saved that scene for the last day in case she suffocated. Filled with anecdotes and recollections, many of the entries are based on original interviews, and there are numerous old photographs and movie stills.

Women in Horror Films, 1930s

Author : Gregory William Mank
Publisher : McFarland
Page : 415 pages
File Size : 55,7 Mb
Release : 2015-09-15
Category : Performing Arts
ISBN : 9781476609546

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Women in Horror Films, 1930s by Gregory William Mank Pdf

They had more in common than just a scream, whether they faced Dracula, Frankenstein’s Monster, the Mummy, Dr. Jekyll, Mr. Hyde, King Kong, the Wolf Man, or any of the other legendary Hollywood monsters. Some were even monsters themselves, such as Elsa Lanchester as the Bride, and Gloria Holden as Dracula’s Daughter. And while evading the Strangler of the Swamp, former Miss America Rosemary La Planche is allowed to rescue her leading man. This book provides details about the lives and careers of 21 of these cinematic leading ladies, femmes fatales, monsters, and misfits, putting into perspective their contributions to the films and folklore of Hollywood terror—and also the sexual harassment, exploitation, and genuine danger they faced on the job. In a previously unpublished account, Bride of Frankenstein’s Anne Darling remembers when, at age 17, she was humiliated on-set by director James Whale over the color of her underwear. Filled with anecdotes and recollections, many of the entries are based on original interviews, and there are numerous old photographs and movie stills.

Recovering 1940s Horror Cinema

Author : Mario DeGiglio-Bellemare,Charlie Ellbé,Kristopher Woofter
Publisher : Lexington Books
Page : 372 pages
File Size : 52,9 Mb
Release : 2014-12-11
Category : Social Science
ISBN : 9781498503808

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Recovering 1940s Horror Cinema by Mario DeGiglio-Bellemare,Charlie Ellbé,Kristopher Woofter Pdf

The 1940s is a lost decade in horror cinema, undervalued and written out of most horror scholarship. This book deconstructs persistent scholarly discourse by re-evaluating the historical, political, economic, and cultural factors of 1940s horror cinema to recover a decade of horror.

Horror Films of the 1940s

Author : Rolland Hedberg
Publisher : Createspace Independent Publishing Platform
Page : 218 pages
File Size : 49,8 Mb
Release : 2016-02-17
Category : Electronic
ISBN : 1530087171

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Horror Films of the 1940s by Rolland Hedberg Pdf

97 of the most fantastic horror movies of the 1940s

Character Actors in Horror and Science Fiction Films, 1930Ð1960

Author : Laurence Raw
Publisher : McFarland
Page : 232 pages
File Size : 46,5 Mb
Release : 2012-06-12
Category : Performing Arts
ISBN : 9780786490493

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Character Actors in Horror and Science Fiction Films, 1930Ð1960 by Laurence Raw Pdf

This biographical dictionary presents a stellar lineup of talented, versatile character actors who regularly appeared in horror and science fiction films during Hollywood’s golden age. Many are well known by genre buffs and casual fans—they include Lionel Atwill, John Carradine, Dwight Frye, Rondo Hatton, Dick Miller, J. Carroll Naish, Maria Ouspenskaya, Glenn Strange, Edward Van Sloan, and George Zucco. Some are perhaps not so well known but equally at home in the horror and science fiction films—such as Anthony Carbone, Harry Cording, Rosemary La Planche, Dick Purcell, Elizabeth Russell and Mel Welles. The 96 entries are complete with a biography and in-depth analyses of the actor’s best performances—demonstrating how important these personalities were to the success of their genre films.

Women in Horror Films

Author : Gregory W. Mank
Publisher : McFarland Publishing
Page : 820 pages
File Size : 40,6 Mb
Release : 1998-12-31
Category : Performing Arts
ISBN : 0786405805

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Women in Horror Films by Gregory W. Mank Pdf

They had more in common than just a scream, whether they faced Dracula, Frankenstein's Monster, the Mummy, Dr. Jekyll, Mr. Hyde, King Kong, the Wolf Man, or any of the other legendary Hollywood monsters. Some were even monsters themselves, such as Elsa Lanchester as the Bride, and Gloria Holden as Dracula's Daughter. And while evading the Strangler of the Swamp, former Miss America Rosemary La Planche is allowed to rescue her leading man. This two-book (each one completely stand-alone) set provides details about the lives and careers of over 40 of these cinematic leading ladies, femmes fatales, monsters, and misfits, putting into perspective their contributions to the films and folklore of Hollywood terror--and also the sexual harassment, exploitation, and genuine danger they faced on the job. Veteran actress Virginia Christine recalls Universal burying her alive in a backlot swamp in full mummy makeup for the resurrection scene in The Mummy's Curse--and how the studio saved that scene for the last day in case she suffocated. Filled with anecdotes and recollections, many of the entries in both books are based on original interviews, and there are numerous old photographs and movie stills.

A Companion to the Horror Film

Author : Harry M. Benshoff
Publisher : John Wiley & Sons
Page : 613 pages
File Size : 47,7 Mb
Release : 2017-01-17
Category : Performing Arts
ISBN : 9781119335016

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A Companion to the Horror Film by Harry M. Benshoff Pdf

This cutting-edge collection features original essays by eminent scholars on one of cinema's most dynamic and enduringly popular genres, covering everything from the history of horror movies to the latest critical approaches. Contributors include many of the finest academics working in the field, as well as exciting younger scholars Varied and comprehensive coverage, from the history of horror to broader issues of censorship, gender, and sexuality Covers both English-language and non-English horror film traditions Key topics include horror film aesthetics, theoretical approaches, distribution, art house cinema, ethnographic surrealism, and horror's relation to documentary film practice A thorough treatment of this dynamic film genre suited to scholars and enthusiasts alike

The A to Z of Horror Cinema

Author : Peter Hutchings
Publisher : Scarecrow Press
Page : 432 pages
File Size : 52,9 Mb
Release : 2009-09-02
Category : Performing Arts
ISBN : 0810870509

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The A to Z of Horror Cinema by Peter Hutchings Pdf

Horror is one of the most enduring and controversial of all cinematic genres. Horror films range from the subtle and the poetic to the graphic and the gory but what links them all is their ability to frighten, disturb, shock, provoke, delight, irritate, amuse, and bemuse audiences. Horror's capacity to serve as an outlet to capture the changing patterns of our fears and anxieties has ensured not only its notoriety but also its long-term survival and its international popularity. Above all, however, it is the audience's continual desire to experience new frights and evermore-horrifying sights that continue to make films like The Exorcist, A Nightmare on Elm Street, Halloween, Night of the Living Dead, The Texas Chainsaw Massacre, Psycho, Ringu, and The Shining captivate viewers. The A to Z of Horror Cinema traces the development of horror cinema from the beginning of the 20th century to the present day. This is done through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries. Entries cover all the major movie villains, including Frankenstein and his monster, the vampire, the werewolf, the mummy, the zombie, the ghost, and the serial killer; the film directors, producers, writers, actors, cinematographers, make-up artists, special effects technicians, and composers who have helped to shape horror history; significant production companies and the major films that have come to stand as milestones in the development of the horror genre; and the different national traditions in horror cinema as well as horror's most popular themes, formats, conventions, and cycles.

Historical Dictionary of Horror Cinema

Author : Peter Hutchings
Publisher : Rowman & Littlefield
Page : 446 pages
File Size : 48,8 Mb
Release : 2017-11-22
Category : Performing Arts
ISBN : 9781538102442

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Historical Dictionary of Horror Cinema by Peter Hutchings Pdf

The Historical Dictionary of Horror Cinema traces the development of the genre from its beginnings to the present. This is done through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries.

Hollywood Cauldron

Author : Gregory William Mank
Publisher : McFarland
Page : 429 pages
File Size : 55,5 Mb
Release : 2010-06-21
Category : Performing Arts
ISBN : 9780786462551

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Hollywood Cauldron by Gregory William Mank Pdf

Thirteen of Hollywood's horror classics in detail: Dr. Jekyll and Mr. Hyde (1931), The Old Dark House(1932), The Mask of Fu Manchu (1932), Mark of the Vampire (1935), Mad Love (1935), The Black Room (1935), The Walking Dead (1936), Cat People (1942), Bluebeard (1944), The Lodger (1944), The Picture of Dorian Gray (1945), Hangover Square (1945) and Bedlam (1946). From original interviews and research, the styles of the various studios (from giant M-G-M to Poverty Row's PRC), along with the performers, directors, and backstage events, are examined.

Angels and Ministers of Grace Defend Us!

Author : Gregory William Mank
Publisher : McFarland
Page : 459 pages
File Size : 55,6 Mb
Release : 2022-05-26
Category : Performing Arts
ISBN : 9781476644035

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Angels and Ministers of Grace Defend Us! by Gregory William Mank Pdf

Like a lovingly guided midnight tour, this book covers the seductive shadows of the most fascinating horror films and melodramas from the 1930s and 1940s. From the bloody censorship battles behind 1935's Bride of Frankenstein, to the sexual controversies of 1941's Dr. Jekyll and Mr. Hyde and the gruesome Nazi atrocities of 1943's Women in Bondage, this book delves into newly excavated research to tell the behind-the-scenes sagas of some of Hollywood's most frightening films. Peek behind the scenes, revel in on-the-set anecdotes and get a look at the script notes illuminating characters like WereWolf of London, Richard III, Panther Woman and Rasputin. Included are profiles of the performers and filmmakers who made the nightmares feel all too real in the darkened theaters of yesteryear, and an examination of the factors that have kept these films popular so many decades later.

The Monster Movies of Universal Studios

Author : James L Neibaur
Publisher : Rowman & Littlefield
Page : 245 pages
File Size : 41,5 Mb
Release : 2023-06-14
Category : Performing Arts
ISBN : 9781442278172

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The Monster Movies of Universal Studios by James L Neibaur Pdf

This history and critique of classic scary films “honors Universal’s horror legacy. . . . an excellent resource for film students and monster movie fanatics” (Library Journal). In 1931 Universal Studios released Dracula starring Bela Lugosi. This box office success was followed by a string of films featuring macabre characters and chilling atmospherics, including Frankenstein, The Mummy, and The Invisible Man. With each new film, Universal established its place in the Hollywood firmament as the leading producer of horror films, a status it enjoyed for more than twenty years. In The Monster Movies of Universal Studios, James L. Neibaur examines the key films produced by the studio from the early 1930s through the mid-1950s. In each entry, Neibaur recounts the movie’s production, provides critical commentary, considers the film’s commercial reception, and offers an overall assessment of the movie’s significance. Neibaur also examines the impact these films had on popular culture, an influence that resonates in the cinema of fear today. From the world premiere of Dracula to the 1956 release of The Creature Walks among Us, Universal excelled at scaring viewers of all ages—and even elicited a few chuckles along the way by pitting their iconic creatures against the comedic pair of Abbott and Costello. The Monster Movies of Universal Studios captures the thrills of these films, making this book a treat for fans of the golden age of horror cinema. “Studio stills and trade ads for several of the films add a suitably scary touch to this treat for fans and scholars alike. ― Booklist “An impressive work of film scholarship.” ― Cinema Retro

Fear Itself

Author : Melvin E. Matthews, Jr.
Publisher : McFarland
Page : 217 pages
File Size : 51,8 Mb
Release : 2009-07-01
Category : Performing Arts
ISBN : 9780786443130

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Fear Itself by Melvin E. Matthews, Jr. Pdf

This book demonstrates how horror films of the 1930s and 1940s reflected specific events and personalities of the era, most notably the Great Depression and World War II. Beginning with Dracula and Frankenstein (1931), it relates the many ways that horror films and society intersected: Franklin D. Roosevelt's skepticism toward conventional wisdom and the public's distrust of experts was mirrored in Dr. Jekyll and Mr. Hyde and Murders in the Rue Morgue; the freaks in Tod Browning's 1932 film of the same name revolted against the powerful people of the circus, much like the Bonus Army protested the sufferings of the Depression; King Kong's rampage on New York personified the anti-New York sentiment in the nation at large; Lon Chaney Jr.'s Wolf Man symbolized the experience of his creator, Curt Siodmak, as a Jewish refugee from Nazi Germany.

Bela Lugosi and Boris Karloff

Author : Gregory William Mank
Publisher : McFarland
Page : 701 pages
File Size : 53,6 Mb
Release : 2010-03-08
Category : Performing Arts
ISBN : 9780786454723

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Bela Lugosi and Boris Karloff by Gregory William Mank Pdf

Dracula and Frankenstein’s Monster are horror cinema icons, and the actors most deeply associated with the two roles also shared a unique friendship. Bela Lugosi and Boris Karloff starred in dozens of black-and-white horror films, and over the years managed to collaborate on and co-star in eight movies. Through dozens of interviews and extensive archival research, this greatly expanded new edition examines the Golden Age of Hollywood, the era in which both stars worked, recreates the shooting of Lugosi and Karloff’s mutual films, examines their odd and moving personal relationship and analyzes their ongoing legacies. Features include a fully detailed filmography of the eight Karloff and Lugosi films, full summaries of both men’s careers and more than 250 photographs, some in color.

Phantom Ladies

Author : Tim Snelson
Publisher : Rutgers University Press
Page : 224 pages
File Size : 41,9 Mb
Release : 2014-11-15
Category : Performing Arts
ISBN : 9780813570440

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Phantom Ladies by Tim Snelson Pdf

Defying industry logic and gender expectations, women started flocking to see horror films in the early 1940s. The departure of the young male audience and the surprise success of the film Cat People convinced studios that there was an untapped female audience for horror movies, and they adjusted their production and marketing strategies accordingly. Phantom Ladies reveals the untold story of how the Hollywood horror film changed dramatically in the early 1940s, including both female heroines and female monsters while incorporating elements of “women’s genres” like the gothic mystery. Drawing from a wealth of newly unearthed archival material, from production records to audience surveys, Tim Snelson challenges long-held assumptions about gender and horror film viewership. Examining a wide range of classic horror movies, Snelson offers us a new appreciation of how dynamic this genre could be, as it underwent seismic shifts in a matter of months. Phantom Ladies, therefore, not only includes horror films made in the early 1940s, but also those produced immediately after the war ended, films in which the female monster was replaced by neurotic, psychotic, or hysterical women who could be cured and domesticated. Phantom Ladies is a spine-tingling, eye-opening read about gender and horror, and the complex relationship between industry and audiences in the classical Hollywood era.