Women Photographers And Mexican Modernity

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Women Photographers and Mexican Modernity

Author : Julia R Brown,Radmila Stefkova,Tamara R Williams
Publisher : Routledge
Page : 0 pages
File Size : 41,6 Mb
Release : 2024-02-27
Category : Electronic
ISBN : 1032313560

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Women Photographers and Mexican Modernity by Julia R Brown,Radmila Stefkova,Tamara R Williams Pdf

The photographers discussed in this book probe the most contentious aspects of social organization in Mexico, questioning what it means to belong, to be Mexican, to experience modernity and to create art as a culturally, politically, or racially marginalized person. By choosing human subjects, spaces, and aesthetics excluded from the Lettered City, each of the photographers discussed in this volume produce a corpus of art which contest dominant narratives of social and cultural modernization in Mexico. Taken together, their work represents diverging and diverse notions of what is meant by Mexican modernity. The book will be of interest to scholars working in art history, history of photography, women's studies, and Mexican studies.

Women Photographers and Mexican Modernity

Author : Julia R. Brown,Radmila Stefkova,Tamara R. Williams
Publisher : Unknown
Page : 0 pages
File Size : 51,8 Mb
Release : 2024
Category : Civilization, Modern
ISBN : 1032313579

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Women Photographers and Mexican Modernity by Julia R. Brown,Radmila Stefkova,Tamara R. Williams Pdf

"The photographers discussed in this book probe the most contentious aspects of social organization in Mexico, questioning what it means to belong, to be Mexican, to experience modernity and to create art as a culturally, politically or racially marginalized person. By choosing human subjects, spaces, and aesthetics excluded from the Lettered City, each of the photographers discussed in this volume produce a corpus of art which contest dominant narratives of social and cultural modernization in Mexico. Taken together, their work represents diverging and diverse notions of what is meant by Mexican modernity. The book will be of interest to scholars working in art history, history of photography, women's studies, and Mexican studies"--

Women Photographers and Mexican Modernity

Author : Julia R. Brown,Radmila Stefkova,Tamara R. Williams
Publisher : Taylor & Francis
Page : 194 pages
File Size : 49,6 Mb
Release : 2024-02-27
Category : Art
ISBN : 9781003852148

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Women Photographers and Mexican Modernity by Julia R. Brown,Radmila Stefkova,Tamara R. Williams Pdf

The photographers discussed in this book probe the most contentious aspects of social organization in Mexico, questioning what it means to belong, to be Mexican, to experience modernity, and to create art as a culturally, politically, or racially marginalized person. By choosing human subjects, spaces, and aesthetics excluded from the Lettered City, each of the photographers discussed in this volume produces a corpus of art that contests dominant narratives of social and cultural modernization in Mexico. Taken together, their work represents diverging and diverse notions of what is meant by Mexican modernity. The book will be of interest to scholars working in art history, history of photography, women’s studies, and Mexican studies.

Errant Modernism

Author : Esther Gabara
Publisher : Duke University Press
Page : 381 pages
File Size : 44,9 Mb
Release : 2008-12-15
Category : Photography
ISBN : 9780822389392

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Errant Modernism by Esther Gabara Pdf

Making a vital contribution to the understanding of Latin American modernism, Esther Gabara rethinks the role of photography in the Brazilian and Mexican avant-garde movements of the 1920s and 1930s. During these decades, intellectuals in Mexico and Brazil were deeply engaged with photography. Authors who are now canonical figures in the two countries’ literary traditions looked at modern life through the camera in a variety of ways. Mário de Andrade, known as the “pope” of Brazilian modernism, took and collected hundreds of photographs. Salvador Novo, a major Mexican writer, meditated on the medium’s aesthetic potential as “the prodigal daughter of the fine arts.” Intellectuals acted as tourists and ethnographers, and their images and texts circulated in popular mass media, sharing the page with photographs of the New Woman. In this richly illustrated study, Gabara introduces the concept of a modernist “ethos” to illuminate the intertwining of aesthetic innovation and ethical concerns in the work of leading Brazilian and Mexican literary figures, who were also photographers, art critics, and contributors to illustrated magazines during the 1920s and 1930s. Gabara argues that Brazilian and Mexican modernists deliberately made photography err: they made this privileged medium of modern representation simultaneously wander and work against its apparent perfection. They flouted the conventions of mainstream modernism so that their aesthetics registered an ethical dimension. Their photographic modernism strayed, dragging along the baggage of modernity lived in a postcolonial site. Through their “errant modernism,” avant-garde writers and photographers critiqued the colonial history of Latin America and its twentieth-century formations.

A Companion to Modern and Contemporary Latin American and Latina/o Art

Author : Alejandro Anreus,Robin Adèle Greeley,Megan A. Sullivan
Publisher : John Wiley & Sons
Page : 612 pages
File Size : 45,7 Mb
Release : 2021-10-26
Category : Art
ISBN : 9781118475393

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A Companion to Modern and Contemporary Latin American and Latina/o Art by Alejandro Anreus,Robin Adèle Greeley,Megan A. Sullivan Pdf

In-depth scholarship on the central artists, movements, and themes of Latin American art, from the Mexican revolution to the present A Companion to Modern and Contemporary Latin American and Latinx Art consists of over 30 never-before-published essays on the crucial historical and theoretical issues that have framed our understanding of art in Latin America. This book has a uniquely inclusive focus that includes both Spanish-speaking Caribbean and contemporary Latinx art in the United States. Influential critics of the 20th century are also covered, with an emphasis on their effect on the development of artistic movements. By providing in-depth explorations of central artists and issues, alongside cross-references to illustrations in major textbooks, this volume provides an excellent complement to wider surveys of Latin American and Latinx art. Readers will engage with the latest scholarship on each of five distinct historical periods, plus broader theoretical and historical trends that continue to influence how we understand Latinx, Indigenous, and Latin American art today. The book’s areas of focus include: The development of avant-garde art in the urban centers of Latin America from 1910-1945 The rise of abstraction during the Cold War and the internationalization of Latin American art from 1945-1959 The influence of the political upheavals of the 1960s on art and art theory in Latin America The rise of conceptual art as a response to dictatorship and social violence in the 1970s and 1980s The contemporary era of neoliberalism and globalization in Latin American and Latino Art, 1990-2010 With its comprehensive approach and informative structure, A Companion to Modern and Contemporary Latin American and Latinx Art is an excellent resource for advanced students in Latin American culture and art. It is also a valuable reference for aspiring scholars in the field.

Revolution and Ritual

Author : Mary Davis MacNaughton,Marta Dahó,Esther Gabara,John Mraz
Publisher : Getty Publications
Page : 178 pages
File Size : 54,5 Mb
Release : 2017-08-26
Category : Photography
ISBN : 9781606065457

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Revolution and Ritual by Mary Davis MacNaughton,Marta Dahó,Esther Gabara,John Mraz Pdf

Published by the Ruth Chandler Williamson Gallery, Scripps College in association with Getty Publications This richly illustrated exhibition catalogue features photographs by three Mexican women, each representing a different generation, who have explored and stretched notions of Mexican identity in works that range from the documentary to the poetic. Revolution and Ritual looks first at the images of Sara Castrejón (1888–1962), the woman photographer who most thoroughly captured the Mexican Revolution. The work of photographic luminary Graciela Iturbide (born 1942) sheds light on Mexico’s indigenous cultures. Finally, the self-portraits of Tatiana Parcero (born 1967) splice images of her body with cosmological maps and Aztec codices, echoing Mexico’s layered and contested history. By bringing their work into conversation, Revolution and Ritual invites readers to consider how Mexican photography has been transformed over the past century.

Greater American Camera

Author : Monica Bravo
Publisher : Yale University Press
Page : 257 pages
File Size : 49,8 Mb
Release : 2021-01-01
Category : Art
ISBN : 9780300253634

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Greater American Camera by Monica Bravo Pdf

An engaging investigation of how the relationships between four U.S. photographers and Mexican artists forged new developments in modernism Photographers Edward Weston, Tina Modotti, Paul Strand, and Helen Levitt were among the U.S. artists who traveled to Mexico during the interwar period seeking a community more receptive to the radical premises of modern art. Looking closely at the work produced by these four artists in Mexico, this book examines the vital role of exchanges between the expatriates and their Mexican contemporaries in forging a new photographic style. Monica Bravo offers fresh insights concerning Weston’s friendship with Diego Rivera; Modotti’s images of labor, which she published alongside the writings of the Stridentists; Strand’s engagement with folk themes and the work of composer Carlos Chávez; and the influence of Manuel Álvarez Bravo on Levitt’s contributions to a New World surrealism. Exploring how these dialogues resulted in a distinct kind of modernism characterized by inter-American interests, the book reveals the ways in which cross-border collaboration shaped a new “greater American” aesthetic.

Photography and Writing in Latin America

Author : Marcy E. Schwartz,Mary Beth Tierney-Tello
Publisher : UNM Press
Page : 300 pages
File Size : 42,8 Mb
Release : 2006
Category : Literary Criticism
ISBN : 0826338089

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Photography and Writing in Latin America by Marcy E. Schwartz,Mary Beth Tierney-Tello Pdf

This is the first book to document the extensive collaboration between writers and photographers in Latin America from the Mexican Revolution through the twentieth century.

Left in the West

Author : Gioia Woods
Publisher : University of Nevada Press
Page : 416 pages
File Size : 52,6 Mb
Release : 2018-12-17
Category : Literary Criticism
ISBN : 9781943859948

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Left in the West by Gioia Woods Pdf

In this edited collection, Gioia Woods and her contributors bring together histories, biographies, close readings, and theories about the literary and cultural Left in the American West—as it is distinct from the more often-theorized literary left in major eastern metropolitan centers. Left in the West expands our understanding of what constitutes the literary left in the U.S. by including writers, artists, and movements not typically considered within the traditional context of the literary left. In doing so, it provides a new understanding of the region’s place among global and political ideologies. From the early 19th century to the present, a remarkably complex and varied body of literary and cultural production has emerged out of progressive social movements. While the literary left in the West shared many interests with other regional expressions—labor, class, anti-fascism, and anti-imperialism, the influence of Manifest Destiny—the distinct history of settler colonialism in western territories caused western leftists to develop concerns unique to the region. Chapters in the volume provide an impressive range of analysis, covering artists and movements from suffragist writers to bohemian Californian photographers, from civil rights activists to popular folk musicians, from Latinx memoirists to Native American experimental writers, to name just a few. The unique consideration of the West as a socio-political region establishes a framework for political critique that moves beyond class consequences, anti-fascism, and civil liberties, and into distinct Western concerns such as Native American sovereignty, environmental exploitation, and the legacies of settler colonialism. What emerges is a deeper understanding of the region and its unique people, places, and concerns.

The Mobility of Modernism

Author : Harper Montgomery
Publisher : University of Texas Press
Page : 344 pages
File Size : 46,9 Mb
Release : 2017-07-04
Category : Art
ISBN : 9781477312568

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The Mobility of Modernism by Harper Montgomery Pdf

Many Latin American artists and critics in the 1920s drew on the values of modernism to question the cultural authority of Europe. Modernism gave them a tool for coping with the mobility of their circumstances, as well as the inspiration for works that questioned the very concepts of the artist and the artwork and opened the realm of art to untrained and self-taught artists, artisans, and women. Writing about the modernist works in newspapers and magazines, critics provided a new vocabulary with which to interpret and assign value to the expanding sets of abstracted forms produced by these artists, whose lives were shaped by mobility. The Mobility of Modernism examines modernist artworks and criticism that circulated among a network of cities, including Buenos Aires, Mexico City, Havana, and Lima. Harper Montgomery maps the dialogues and relationships among critics who published in avant-gardist magazines such as Amauta and Revista de Avance and artists such as Carlos Mérida, Xul Solar, and Emilio Pettoruti, among others, who championed esoteric forms of abstraction. She makes a convincing case that, for these artists and critics, modernism became an anticolonial stance which raised issues that are still vital today—the tensions between the local and the global, the ability of artists to speak for blighted or unincorporated people, and, above all, how advanced art and its champions can enact a politics of opposition.

Argentine, Mexican, and Guatemalan Photography

Author : David William Foster
Publisher : University of Texas Press
Page : 217 pages
File Size : 50,6 Mb
Release : 2014-10-01
Category : Photography
ISBN : 9780292768345

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Argentine, Mexican, and Guatemalan Photography by David William Foster Pdf

One of the important cultural responses to political and sociohistorical events in Latin America is a resurgence of urban photography, which typically blends high art and social documentary. But unlike other forms of cultural production in Latin America, photography has received relatively little sustained critical analysis. This pioneering book offers one of the first in-depth investigations of the complex and extensive history of gendered perspectives in Latin American photography through studies of works from Argentina, Mexico, and Guatemala. David William Foster examines the work of photographers ranging from the internationally acclaimed artists Graciela Iturbide, Pedro Meyer, and Marcos López to significant photographers whose work is largely unknown to English-speaking audiences. He grounds his essays in four interlocking areas of research: the experience of human life in urban environments, the feminist matrix and gendered cultural production, Jewish cultural production, and the ideological principles of cultural works and the connections between the works and the sociopolitical and historical contexts in which they were created. Foster reveals how gender-marked photography has contributed to the discourse surrounding the project of redemocratization in Argentina and Guatemala, as well as how it has illuminated human rights abuses in both countries. He also traces photography's contributions to the evolution away from the masculinist-dominated post–1910 Revolution ideology in Mexico. This research convincingly demonstrates that Latin American photography merits the high level of respect that is routinely accorded to more canonical forms of cultural production.

A Planetary Lens

Author : Audrey Goodman
Publisher : U of Nebraska Press
Page : 354 pages
File Size : 45,6 Mb
Release : 2021-10
Category : Art
ISBN : 9781496228390

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A Planetary Lens by Audrey Goodman Pdf

A Planetary Lens delves into the history of the photo-book, the materiality of the photographic image on the page, and the cultural significance of landscape to reassess the value of print, to locate the sites where stories resonate, and to listen to western women’s voices. From foundational California photographers Anne Brigman and Alma Lavenson to contemporary Native poets and writers Leslie Marmon Silko and Joy Harjo, women artists have used photographs to generate stories and to map routes across time and place. A Planetary Lens illuminates the richness and theoretical sophistication of such composite texts. Looking beyond the ideologies of wilderness, migration, and progress that have shaped settler and popular conceptions of the region, A Planetary Lens shows how many artists gather and assemble images and texts to reimagine landscape, identity, and history in the U.S. West. Based on extensive research into the production, publication, and circulation of women’s photo-texts, A Planetary Lens offers a fresh perspective on the entangled and gendered histories of western American photography and literature and new models for envisioning regional relations.

Visions of the Emerald City

Author : Mark Overmyer-Velazquez
Publisher : Duke University Press
Page : 249 pages
File Size : 55,8 Mb
Release : 2006-03-22
Category : History
ISBN : 9780822387886

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Visions of the Emerald City by Mark Overmyer-Velazquez Pdf

Visions of the Emerald City is an absorbing historical analysis of how Mexicans living in Oaxaca City experienced “modernity” during the lengthy “Order and Progress” dictatorship of Porfirio Díaz (1876–1911). Renowned as the Emerald City (for its many buildings made of green cantera stone), Oaxaca City was not only the economic, political, and cultural capital of the state of Oaxaca but also a vital commercial hub for all of southern Mexico. As such, it was a showcase for many of Díaz’s modernizing and state-building projects. Drawing on in-depth research in archives in Oaxaca, Mexico City, and the United States, Mark Overmyer-Velázquez describes how Oaxacans, both elites and commoners, crafted and manipulated practices of tradition and modernity to define themselves and their city as integral parts of a modern Mexico. Incorporating a nuanced understanding of visual culture into his analysis, Overmyer-Velázquez shows how ideas of modernity figured in Oaxacans’ ideologies of class, race, gender, sexuality, and religion and how they were expressed in Oaxaca City’s streets, plazas, buildings, newspapers, and public rituals. He pays particular attention to the roles of national and regional elites, the Catholic church, and popular groups—such as Oaxaca City’s madams and prostitutes—in shaping the discourses and practices of modernity. At the same time, he illuminates the dynamic interplay between these groups. Ultimately, this well-illustrated history provides insight into provincial life in pre-Revolutionary Mexico and challenges any easy distinctions between the center and the periphery or modernity and tradition.

The Routledge Companion to Twentieth and Twenty-First Century Latin American Literary and Cultural Forms

Author : Guillermina De Ferrari,Mariano Siskind
Publisher : Taylor & Francis
Page : 694 pages
File Size : 53,5 Mb
Release : 2022-08-19
Category : Foreign Language Study
ISBN : 9780429602672

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The Routledge Companion to Twentieth and Twenty-First Century Latin American Literary and Cultural Forms by Guillermina De Ferrari,Mariano Siskind Pdf

The Routledge Companion to Twentieth and Twenty-First Century Latin American Literary and Cultural Forms brings together a team of expert contributors in this critical and innovative volume. Highlighting key trends within the discipline, as well as cutting-edge viewpoints that revise and redefine traditional debates and approaches, readers will come away with an understanding of the complexity of twenty-first-century Latin American cultural production and with a renovated and eminently contemporary understanding of twentieth-century literature and culture. This invaluable resource will be of interest to advanced students and academics in the fields of Latin American literature, cultural studies, and comparative literature.

The Edge of Time

Author : Mariana Yampolsky
Publisher : University of Texas Press
Page : 128 pages
File Size : 49,7 Mb
Release : 1998
Category : Photography
ISBN : 9780292796041

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The Edge of Time by Mariana Yampolsky Pdf

"This is my country." Mariana Yampolsky knew it the moment she opened her window and saw a bougainvillea blooming against a white wall on her first morning in Mexico City in 1944. Her empathy for the Mexican people and their land has guided her work for more than fifty years, finding expression in books of dramatic black-and-white photographs ranging from her early La casa en la tierra and La casa que canta to The Traditional Architecture of Mexico. The Edge of Time presents a retrospective of Yampolsky's photographic work since 1960. Reflecting her lifelong concerns, the images capture rural Mexico and its people with respect and infinite care. They function as works of art and as documents of a moment in Mexico's history when lifeways that have endured for centuries face the onslaught of modernization. Elena Poniatowska has been Yampolsky's friend for many years and, in the foreword, she describes Yampolsky's method of working and includes many quotes from the photographer herself. Sandra Berler provides an overview of Yampolsky's life and the range of her work. Francisco Reyes Palma concludes the text with an exploration of Yampolsky's photographic aesthetic.