Women S Literary Portraits In The Victorian And Neo Victorian Novel
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Women’s Literary Portraits in the Victorian and Neo-Victorian Novel by Aleksandra Tryniecka Pdf
The book offers a study of Victorian and neo-Victorian women as portrayed on the pages of the selected nineteenth-century novels and modern, revisionary works. Immersed in the wide socio-cultural context of the Victorian era, the study binds Bakhtin's dialogical approach with Genette's intertextuality.
Women Writing the Neo-Victorian Novel by Kathleen Renk Pdf
Women Writing the Neo-Victorian Novel: Erotic “Victorians” focuses on the work of British, Irish, and Commonwealth women writers such as A.S. Byatt, Emma Donoghue, Sarah Waters, Helen Humphreys, Margaret Atwood, and Ahdaf Soueif, among others, and their attempts to re-envision the erotic. Kathleen Renk argues that women writers of the neo-Victorian novel are far more philosophical in their approach to representing the erotic than male writers and draw more heavily on Victorian conventions that would proscribe the graphic depiction of sexual acts, thus leaving more to the reader’s imagination. This book addresses the following questions: Why are women writers drawn to the neo-Victorian genre and what does this reveal about the state of contemporary feminism? How do classical and contemporary forms of the erotic play into the ways in which women writers address the Victorian “woman question”? How exactly is the erotic used to underscore women’s creative potential?
Neo-Victorianism on Screen by Antonija Primorac Pdf
This book broadens the scope of inquiry of neo-Victorian studies by focusing primarily on screen adaptations and appropriations of Victorian literature and culture. More specifically, this monograph spotlights the overlapping yet often conflicting drives at work in representations of Victorian heroines in contemporary film and TV. Primorac’s close analyses of screen representations of Victorian women pay special attention to the use of costume and clothes, revealing the tensions between diverse theoretical interventions and generic (often market-oriented) demands. The author elucidates the push and pull between postcolonial critique and nostalgic, often Orientalist spectacle; between feminist textual interventions and postfeminist media images. Furthermore, this book examines neo-Victorianism’s relationship with postfeminist media culture and offers an analysis of the politics behind onscreen treatment of Victorian gender roles, family structures, sexuality, and colonial space.
Culture, Class and Gender in the Victorian Novel by A. Young Pdf
This book examines class and its representation in Victorian literature, focusing on the emergence of the lower middle class and middle-class responses to it. Arlene Young analyses portraits of white-collar workers, both men and women, who laboured under disparaging misperceptions of their values, abilities, and cultural significance, and shows how these misperceptions were both formulated and resisted. The analysis includes canonical texts like Dickens's Little Dorrit and Gissing's The Odd Women as well as less well-known works by Dinah Mulock Craik, Margaret Oliphant, Amy Levy, Grant Allen, H.G. Wells, Arnold Bennett, and May Sinclair.
Neo-Victorian Literature and Culture by Nadine Boehm-Schnitker,Susanne Gruss Pdf
This book provides a comprehensive reflection of the processes of canonization, (un)pleasurable consumption and the emerging predominance of topics and theoretical concerns in neo-Victorianism. The repetitions and reiterations of the Victorian in contemporary culture document an unbroken fascination with the histories, technologies and achievements, as well as the injustices and atrocities, of the nineteenth century. They also reveal that, in many ways, contemporary identities are constructed through a Victorian mirror image fabricated by the desires, imaginings and critical interests of the present. Providing analyses of current negotiations of nineteenth-century texts, discourses and traumas, this volume explores the contemporary commodification and nostalgic recreation of the past. It brings together critical perspectives of experts in the fields of Victorian literature and culture, contemporary literature, and neo-Victorianism, with contributions by leading scholars in the field including Rosario Arias, Cora Kaplan, Elizabeth Ho, Marie-Luise Kohlke and Sally Shuttleworth. Neo-Victorian Literature and Culture interrogates current fashions in neo-Victorianism and their ideological leanings, the resurrection of cultural icons, and the reasons behind our relationship with and immersion in Victorian culture.
Women and Personal Property in the Victorian Novel by Deborah Wynne Pdf
How key changes to the married women's property laws contributed to new ways of viewing women in society are revealed in Deborah Wynne's study of literary representations of women and portable property during the period 1850 to 1900. While critical explorations of Victorian women's connections to the material world have tended to focus on their relationships to commodity culture, Wynne argues that modern paradigms of consumerism cannot be applied across the board to the Victorian period. Until the passing of the 1882 Married Women's Property Act, many women lacked full property rights; evidence suggests that, for women, objects often functioned not as disposable consumer products but as cherished personal property. Focusing particularly on representations of women and material culture in Charles Dickens, George Eliot, and Henry James, Wynne shows how novelists engaged with the vexed question of women's relationships to property. Suggesting that many of the apparently insignificant items that 'clutter' the Victorian realist novel take on new meaning when viewed through the lens of women's access to material culture and the vagaries of property law, her study opens up new possibilities for interpreting female characters in Victorian fiction and reveals the complex work of 'thing culture' in literary texts.
Neo-Victorian Madness by Sarah E. Maier,Brenda Ayres Pdf
Neo-Victorian Madness: Rediagnosing Nineteenth-Century Mental Illness in Literature and Other Media investigates contemporary fiction, cinema and television shows set in the Victorian period that depict mad murderers, lunatic doctors, social dis/ease and madhouses as if many Victorians were “mad.” Such portraits demand a “rediagnosing” of mental illness that was often reduced to only female hysteria or a general malaise in nineteenth-century renditions. This collection of essays explores questions of neo-Victorian representations of moral insanity, mental illness, disturbed psyches or non-normative imaginings as well as considers the important issues of legal righteousness, social responsibility or methods of restraint and corrupt incarcerations. The chapters investigate the self-conscious re-visions, legacies and lessons of nineteenth-century discourses of madness and/or those persons presumed mad rediagnosed by present-day (neo-Victorian) representations informed by post-nineteenth-century psychological insights.
“The Portrait of a Lady is entirely successful in giving one the sense of having met somebody far too radiantly good for this world.”-Rebecca West “A fairy tale in reverse.” -The Sunday Times Henry James’s The Portrait of a Lady is regarded as one of the towering works of Victorian literature; an exceptional examination of the disparate nature between Americans and Europeans, and the divides between contentment and money. Isabel Archer, one of the most compelling heroines of American literature, is at the center of this moving story about the manners and mores of 19th Century life. The Portrait of a Lady opens as the beautiful and fiery American Isabel Archer travels to England to visit her wealthy Aunt Touchett. She is introduced her Uncle Touchett, her cousin Ralph, and the local nobleman, Lord Warburton, who wastes no time in asking for Isabel’s hand in marriage. In character with Isabel’s independent spirt, she refuses the proposal, and while on a trip to London receives a second proposal from an American suitor; once again, she refuses. When she learns that her uncle is deathly ill, Isabel returns to the Touchett home, where she inherits a great fortune following his death. Traveling to Italy with her Aunt as a great heiress, she is introduced to Gilbert Osmond, a self-centered and calculating American expatriate. Despite the warnings from her family and friends, Isabel falls for Osborne and in turn is pulled the darkness of deception. The Portrait of a Lady is a tragic yet humane masterpiece of American literature. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Portrait of a Lady is both modern and readable.
Highlighting neo-Victorian biofiction’s crucial role in reimagining and augmenting the historical archive, this volume explores the complex ethical consequences of a creative movement of historiographic revisionism, combining biography and fiction in a dialectic tension of empathy and voyeuristic spectacle.
Nineteenth-century metropolises continue to actively haunt present-day cityscapes, informing our kaleidoscopic engagements with postmodern urbanity in aesthetic, affective, and cognitive as well as physical and sensual terms. This volume explores the complex forms of urban representation in neo-Victorian practice.
Rediscovering Victorian Women Sensation Writers by Anne-Marie Beller,Tara MacDonald Pdf
Scholarly understanding of the Victorian literary field has changed dramatically in the past thirty years, due in large part to the extensive recovery of sensation fiction and a corresponding recognition of that genre’s importance in the literary debates, trends, and wider cultural practices of the period. Yet until very recently, work on sensationalism has focused on a narrow range of authors and works, with Wilkie Collins, Mary Elizabeth Braddon, and Ellen Wood retaining the preponderance of critical attention. This collection examines the fiction of ten women sensation writers who were immensely popular in the Victorian period but remain critically neglected today – writers such as Annie Edwardes, M.C. Houstoun, Annie French, Dora Russell and others. The Victorian sensation novel was categorically associated with women by Victorian reviewers and this collection extends our current understanding of this sub-genre by showing that female sensation writers were often sophisticated in their textual strategies, employing a range of metafictional techniques and narrative innovations. By moving beyond the novelists who have come to represent the genre, this book presents a fuller, more nuanced, understanding of the spectrum of writing that constructed the concept of ‘sensationalism’ for Victorian readers and critics. The book was originally published as a special issue of Women’s Writing.
Neo-Victorian Fiction and Historical Narrative by L. Hadley Pdf
Placing the popular genre of neo-Victorian fiction within the context of the contemporary cultural fascination with the Victorians, this book argues that these novels are distinguished by a commitment to historical specificity and understands them within their contemporary context and the context of Victorian historical and literary narratives.
Epistolary Encounters in Neo-Victorian Fiction by K. Brindle Pdf
Neo-Victorian writers invoke conflicting viewpoints in diaries, letters, etc. to creatively retrace the past in fragmentary and contradictory ways. This book explores the complex desires involved in epistolary discoveries of 'hidden' Victorians, offering new insight into the creative synthesising of critical thought within the neo-Victorian novel.
Highlighting neo-Victorian humour’s crucial role in shaping contemporary re-visions of nineteenth-century culture, this volume explores the major aesthetic, ideological and ethical issues raised by refracting the past through a comic lens, especially through self-conscious irony, parody, and black humour.