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The Portrait of a Lady Illustrated by Henry James Pdf
The Portrait of a Lady is a novel by Henry James, first published as a serial in The Atlantic Monthly and Macmillan's Magazine in 1880-81 and then as a book in 1881. It is one of James's most popular long novels and is regarded by critics as one of his finest.
‘A Khushwant Singh short story is not flamboyant but modest, restrained, well-crafted...Perhaps his greatest gift as a writer is a wonderful particularity of description’—London Magazine Khushwant Singh first established his reputation as a writer through the short story. His stories—wry, poignant, erotic and, above all, human—bear testimony to Khushwant Singh’s remarkable range and his ability to create an unforgettable PBI - World. Spanning over half a century, this volume contains all the short stories Khushwant Singh has ever written, including the delightfully tongue-in-cheek ‘The Maharani of Chootiapuram’, written in 2008. ‘Khushwant’s stories enthrall...[He has]an ability akin to that of Somerset Maugham...the ability to entertain intelligently’—PBI - India Today ‘His stories are better than [those of] any PBI - Indian writing in English—Times of PBI - India ‘The Collected Short Stories leaves the reader in a delightful, inebriated trance’—Sunday Chronicle ‘He is not an ordinary short story writer...[Collected Stories] is delightful reading’—Hindustan Times
Portrait of a Novel: Henry James and the Making of an American Masterpiece by Michael Gorra Pdf
A revelatory biography of the American master as told through the lens of his greatest novel. Henry James (1843–1916) has had many biographers, but Michael Gorra has taken an original approach to this great American progenitor of the modern novel, combining elements of biography, criticism, and travelogue in re-creating the dramatic backstory of James’s masterpiece, Portrait of a Lady (1881). Gorra, an eminent literary critic, shows how this novel—the scandalous story of the expatriate American heiress Isabel Archer—came to be written in the first place. Traveling to Florence, Rome, Paris, and England, Gorra sheds new light on James’s family, the European literary circles—George Eliot, Flaubert, Turgenev—in which James made his name, and the psychological forces that enabled him to create this most memorable of female protagonists. Appealing to readers of Menand’s The Metaphysical Club and McCullough’s The Greater Journey, Portrait of a Novel provides a brilliant account of the greatest American novel of expatriate life ever written. It becomes a piercing detective story on its own.
The Booker Prize-winning author of The Sea continues the story of Isabel Archer, the young protagonist of Henry James’s beloved The Portrait of a Lady—in this masterful novel of betrayal, corruption, and moral ambiguity. Eager but naïve, in James’s novel Isabel comes into a large, unforeseen inheritance and marries the charming, penniless, and—as Isabel finds out too late—cruel and deceitful Gilbert Osmond. Here Banville imagines Isabel’s second chapter telling the story of a woman reawakened by grief and the knowledge that she has been grievously wronged, and determined to resume her quest for freedom and independence.
A New York Times Book Review Editors' Choice New York Times Notable author María Gainza, who dazzled critics with Optic Nerve, returns with the captivating story of an auction house employee on the trail of an enigmatic master forger In the Buenos Aires art world, a master forger has achieved legendary status. Rumored to be a woman, she specializes in canvases by the painter Mariette Lydis, a portraitist of Argentinean high society. But who is this absurdly gifted creator of counterfeits? What motivates her? And what is her link to the community of artists who congregate, night after night, in a strange establishment called the Hotel Melancólico? On the trail of this mysterious forger is our narrator, an art critic and auction house employee through whose hands counterfeit works have passed. As she begins to take on the role of art-world detective, adopting her own methods of deception and manipulation, she warns us “not to proceed in expectation of names, numbers or dates . . . My techniques are those of the impressionist.” Driven by obsession and full of subtle surprise, Portrait of an Unknown Lady is a highly seductive and enveloping meditation on what we mean by "authenticity" in art, and a captivating exploration of the gap between what is lived and what is told.
The legendary Renaissance man and amateur sleuth is back in this exciting follow-up to The Queen's Gambit. As court engineer to the Duke of Milan, Leonardo da Vinci turns his superior mind to a variety of pursuits-from painting to solving the occasional murder. After the deaths of two female servants, Leonardo asks his apprentice, Dino, to go undercover disguised as a woman in the service of the Duke's ward, Contessa Caterina. This should be easy enough, given that "Dino" is in reality Delfina, a young woman masquerading as a boy to serve as Leonardo's apprentice. Delfina is soon torn between her loyalty to Leonardo and her growing feelings for Gregorio, the handsome captain of the Duke's guard. But if what the Contessa's tarot cards foretold is correct, Delfina might be destined to lose her heart...and perhaps her life.
Life is a journey. Christina McCourt traces the journey of her grandmother with a stunning quilt that features blocks that represent the different stages of a woman's life. Along with the featured quilt there are five other projects that build on the Portrait of a Lady blocks.
The Portrait of a Lady by Julia Rayer Rolfe,National Gallery of Scotland Pdf
This book is a celebration of the famous painting which launched Sargent as a fashionable portrait painter and made Lady Agnew's name as a society celebrity. The story of Sargent and Lady Agnew is recounted in the essay and catalogue by Julia Rayer Rolfe, Librarian at the National Gallery of Scotland. Three leading scholars in the fields of fine art, history and music have contributed essays which serve to put the portrait into a wider context: Kenneth McConkey, Professor of Art History at the University of Northumbria at Newcastle; David Cannadine, Professor of History at Columbia University, New York, and Wilfrid Mellers, Emeritus Professor of Music at the University of York.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
That is to me, artistically speaking, the circumstance of interest; for I have lost myself once more, I confess, in the curiosity of analysing the structure. By what process of logical accretion was this slight "personality," the mere slim shade of an intelligent but presumptuous girl, to find itself endowed with the high attributes of a Subject?--and indeed by what thinness, at the best, would such a subject not be vitiated? Millions of presumptuous girls, intelligent or not intelligent, daily affront their destiny, and what is it open to their destiny to be, at the most, that we should make an ado about it? The novel is of its very nature an "ado," an ado about something, and the larger the form it takes the greater of course the ado. Therefore, consciously, that was what one was in for--for positively organising an ado about Isabel Archer.
This Norton Critical Edition includes: - The New York Edition of the novel, accompanied by Michael Gorra's introduction and explanatory footnotes. - Background and contextual materials centering on James as a writer, The Portrait of a Lady in revision, and reviews of the novel by James's contemporaries. - Seven important critical essays, chosen for their accessibility. - A Chronology and Suggestions for Further Reading. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format--annotated text, contexts, and criticism--helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.
Book 1 of 5 in the Regency Erotic Romance series,The Gentleman Courtesans. Miss Evelyn Coburn refuses to die a virgin. At the age of five-and-twenty, she has never even been kissed properly. Upon receiving her inheritance, she decides to investigate rumors of a secret London agency which provides the services of male courtesans. Someone to teach her the secrets of the bedchamber and do away with the nuisance of her maidenhead is all Evelyn anticipates from such an arrangement. The Honourable Hugh Radcliffe is in dire financial straits after being disowned by his family for pursuing a career as a portraitist. When he’s asked to go into business to form The Gentleman Courtesans, he agrees, needing the income until his work is accepted into the Royal Academy of the Arts’ annual Summer Exhibition—an event that could earn him the exposure needed to launch him to fame. The arrangement with Evelyn is only supposed to be temporary, and Hugh is determined for her to be his last paramour. But when physical attraction evolves into a deeper connection, she becomes the muse for his greatest work of art yet. With their affair coming to an end, Hugh will be forced to acknowledge that Evelyn is the key to his success as well as his joy. Will their newfound happiness end when their arrangement does, or will what began as a matter of lust and convenience lead to true and lasting love?