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Words I Never Wrote and Other Poems by C. John Boyle Pdf
This book of poetry spans forty plus years of the author’s lifetime and presents a number of different subjects from alternative points of view. Subjects range from Christ’s Via Dolorosa and death, to spawning salmon, to domestic dispute, to love poems. Intended as a book to sample from time to time, not as a one-time read.
Hasan Namir's debut collection of poetry, War / Torn, is a brazen and lyrical interrogation of religion and masculinity--the performance and sense of belonging they delineate and draw together. Namir summons prayer, violence, and the sensuality of love, revisiting tenets of Islam and dictates of war to break the barriers between the profane and the sacred. Praise for War / Torn: War / Torn mourns, loves and burns all the derogatory impulses of our continuous present. This book is of and against our time. War / Torn is a breathless elegy in the most defiantly tender poetics you can imagine. --Jordan Scott, author of Night & Ox, and winner of the Latner Poetry Prize by the Writer's Trust of Canada
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
New York Times bestseller and Newbery Honor Book! A gorgeously written, hopeful middle grade novel in verse about a young girl who must leave Syria to move to the United States, perfect for fans of Jason Reynolds and Aisha Saeed. Jude never thought she’d be leaving her beloved older brother and father behind, all the way across the ocean in Syria. But when things in her hometown start becoming volatile, Jude and her mother are sent to live in Cincinnati with relatives. At first, everything in America seems too fast and too loud. The American movies that Jude has always loved haven’t quite prepared her for starting school in the US—and her new label of “Middle Eastern,” an identity she’s never known before. But this life also brings unexpected surprises—there are new friends, a whole new family, and a school musical that Jude might just try out for. Maybe America, too, is a place where Jude can be seen as she really is. This lyrical, life-affirming story is about losing and finding home and, most importantly, finding yourself.
No art has been denounced as often as poetry. It's even bemoaned by poets: "I, too, dislike it," wrote Marianne Moore. "Many more people agree they hate poetry," Ben Lerner writes, "than can agree what poetry is. I, too, dislike it and have largely organized my life around it and do not experience that as a contradiction because poetry and the hatred of poetry are inextricable in ways it is my purpose to explore." In this inventive and lucid essay, Lerner takes the hatred of poetry as the starting point of his defense of the art. He examines poetry's greatest haters (beginning with Plato's famous claim that an ideal city had no place for poets, who would only corrupt and mislead the young) and both its greatest and worst practitioners, providing inspired close readings of Keats, Dickinson, McGonagall, Whitman, and others. Throughout, he attempts to explain the noble failure at the heart of every truly great and truly horrible poem: the impulse to launch the experience of an individual into a timeless communal existence. In The Hatred of Poetry, Lerner has crafted an entertaining, personal, and entirely original examination of a vocation no less essential for being impossible.
I'm Nobody! Who Are You? by Emily Dickinson,Edric S. Mesmer Pdf
A collection of the author's greatest poetry--from the wistful to the unsettling, the wonders of nature to the foibles of human nature--is an ideal introduction for first-time readers. Original.
"New York, present day: On a whim, photographer Juno Lambert buys the 1931 Underwood typewriter that once belonged to celebrated journalist Cordelia Capel. Within its case she discovers an unpublished novel, igniting a transatlantic journey to fill the gaps in the story of Cordelia and her sister's loving yet tempestuous relationship. England, 1936: Cordelia's socialite sister, Irene, marries a German man from a powerful family who whisks her away to Berlin. Cordelia remains in England to pursue the writing career she cherishes, but in the male-dominated world of journalism, she can only get hired as a typist. The sisters exchange letters as politics begin to boil in Europe and tensions come to a head when Cordelia discovers Irene's husband is a Nazi sympathizer. Does that make Irene one by proxy? With increasing desperation, Cordelia writes to Irene, seeking to understand her loyalties. But the sisters' letters don't tell the whole story. So Cordelia decides to fill in the blanks by sitting down with her Underwood and--finally--writing the truth. When Juno discovers the trove of letters the two exchanged, a vivid portrait of Berlin in the devastating years during and after the war comes into focus. In this moving novel, Jane Thynne offers an intimate glimpse into a lesser known side of World War II"--
The instant New York Times bestseller featured on NPR's Weekend Edition with Scott Simon! B. J. Novak (bestselling author of The Book With No Pictures) described this groundbreaking poetry collection as "Smart and sweet, wild and wicked, brilliantly funny--it's everything a book for kids should be." Lauded by critics as a worthy heir to such greats as Silverstein, Seuss, Nash and Lear, Harris's hilarious debut molds wit and wordplay, nonsense and oxymoron, and visual and verbal sleight-of-hand in masterful ways that make you look at the world in a whole new wonderfully upside-down way. With enthusiastic endorsements from bestselling luminaries such as Lemony Snicket, Judith Viorst, Andrea Beaty, and many others, this entirely unique collection offers a surprise around every corner. Adding to the fun: Lane Smith, bestselling creator of beloved hits like It's a Book and The Stinky Cheese Man and Other Fairly Stupid Tales, has spectacularly illustrated this extraordinary collection with nearly one hundred pieces of appropriately absurd art. It's a mischievous match made in heaven! "Ridiculous, nonsensical, peculiar, outrageous, possibly deranged--and utterly, totally, absolutely delicious. Read it! Immediately!" --Judith Viorst, bestselling author of Alexander and the Terrible, Horrible, No Good, Very Bad Day
This is an utterly original and completely beguiling prose novel about a boy who has to write a poem, and then another, and then even more. Soon the little boy is writing about all sorts of things he has not really come to terms with, and astounding things start to happen.
The Poem That Never Ends by Silvina López Medin Pdf
Literary Nonfiction. Sparked by the only two letters--out of over a hundred-that López Medin's mother saved from her own mother in Paraguay, THE POEM THAT NEVER ENDS weaves together poems and family photos to explore the fragmentation of time, memory, and mother-child relationships. Fragments, family hearing impairments, ripped-up letters, and living and writing between languages point to the inescapable holes in language, troubling the notion of a finite utterance. Layering elements of painting, cinema, and the elusive three dimensions of theater into the weave, THE POEM THAT NEVER ENDS traces a sequence of mothers-López Medin's mother, her mother's mother, herself as a mother-in a porous, restless gesture toward what's never fully grasped.
Personal, primordial, and pulsing with syncopated language, Tolu Oloruntoba's poetic debut, The Junta of Happenstance, is a compendium of dis-ease. This includes disease in the traditional sense, as informed by the poet's time as a physician, and dis-ease as a primer for family dysfunction, the (im)migrant experience, and urban / corporate anxiety. In the face of struggles against social injustice, Oloruntoba navigates the contemporary moment with empathy and intelligence, finding beauty in chaos, and strength in suffering. The Junta of Happenstance is an important and assured debut.
Longlisted for the International DUBLIN Literary Award Emily Dickinson’s life is reimagined in her own voice and through eyes of a young Irish maid—an enchanting novel in the spirit of Longbourn and Mrs. Poe Ada Concannon’s first day in America is a success. She’s the new maid for the respected but eccentric Dickinson family of Amherst, Massachusetts. Despite the differences in age and class, eighteen-year-old Ada, “a neat little Irish person, fresh off the boat,” strikes up a deep freindship with Miss Emily, the gifted elder daughter living a spinster’s life at home. Emily is a bastion of support as Ada struggles to find her place in this new world, while Ada’s toil gives Emily the freedom she needs to write. But Emily’s passion for words begins to dominate her life. She decides to wear nothing but white and increasingly avoids the outside world. When Ada’s safety and reputation are threatened, however, Emily faces down her own demons in order to help her friend, with shocking consequences.
