Working Together On Rudolf Steiner S Mystery Dramas
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Working Together on Rudolf Steiner's Mystery Dramas by Hans Pusch Pdf
"Be a person of initiative and beware, lest through hindrances of your own body or hindrances that otherwise come in your way, you do not find the center of your being, within which lies the source of your initiative. Observe that, in your life, all joy and sorrow, all happiness and pain, will depend on finding or not finding your own individual initiative. This should appear, as if written in golden letters, constantly before the soul of anthroposophists. Initiative lies in their karma, and much of what meets them in this life will depend on the extent to which they can become willingly, actively conscious of it." --Rudolf Steiner, Aug. 4, 1924 Torin Finser takes on some of our contemporary challenges and proposes new solutions. Rather than simply "kicking the can down the road," as often happens with issues such as sovereign debts, Middle East conflicts, and environmental issues, Finser calls for individual initiative. Drawing on a variety of rich cultural and spiritual traditions, he makes the case for social change that begins within. To do so, one must first access resources that support initiative and innovation. Key questions discussed in this book include: How is it possible to live a spiritual life in our materialistic age? Can an individual person still make a difference? How can we use a whole-systems approach to innovation? How can planetary wisdom help us find appropriate leadership styles? What are the inner conditions needed to work with the transcendent Self? In the swirl of multi-tasking, how can we find moments of solitude and reflection? We need new, a ethical individualism that is fully transformative. As quoted from the Peace Pilgrim in chapter 2: This is the way of peace--overcome evil with good, and falsehood with truth, and hatred with love. Today's world needs people of initiative--those willing to become the change that is so desperately needed. This book offers a wakeup call for inspired leadership.
Rudolf Steiner's four mystery dramas are powerful portrayals of the complex laws of reincarnation and karma. They transport us into a landscape of the human soul and spirit, where suprasensory beings are active. Through the perception of these hidden worlds, we are given the opportunity to understand the struggles we face in attempting to apply spiritual knowledge to our everyday lives and relationships. Written between 1910 and 1913 during periods of intense inner and outer work, these dramas are powerful testimonies to Steiner's artistic creativity. By manifesting soul and spirit forms on a stage, they foreshadow a dramatic art for the future. The complete cycle of four plays is reproduced here in the classic translation by Ruth and Hans Pusch. The Four Plays: The Portal of Initiation: A Rosicrucian Mystery, through Rudolf Steiner The Soul's Probation: A Life Tableau in Dramatic Scenes As Sequel to the Portal of Initiation, through Rudolf Steiner The Guardian of the Threshold: Soul Events in Dramatic Scenes, by Rudolf Steiner The Souls' Awakening: Soul and Spirit Events in Dramatic Scenes, by Rudolf Steiner This volume is a translation of Vier Mysteriendramen (vol. 14 of Rudolf Steiner's Complete Works).
First Mystery Drama by Rudolf Steiner,J. C. McCulloch Pdf
The four Mystery Dramas were created, produced and printed one each year, one after the other, from 1910-1913. They took place in different theatres in Munich but always in the month of August. The writing of the dramas, the creating of the scenery, the making of the costumes, the learning of roles, the general directing, the organization of the printing and all the other inummerable things connected with such a major production happened within a matter of weeks before the main performance. There was a literal whirlwind of activity, and it is reported that often the scenes were written during the night before a scheduled rehearsal, and that at five or six in the morning a boy would come from the press to pick up the manuscript for the printing of the scene for that day's rehearsal. All this activity centered around Rudolf Steiner who gave directions or advice on every aspect of the production down to the smallest details. He not only wrote the dramas themselves, but also indicated how such soul and spiritual pictures could be presented and played on stage. A fifth drama was also planned, which was to include scenes from Ancient Greece and its mystery centers, but the outbreak of the First World War in August 1914 meant that it had to be postponed. Rudolf Steiner's early death in 1925 resulted in it never coming to production, nor ever being written down.
Rudolf Steiner’s four modern mystery dramas are powerful portrayals of the complex laws of reincarnation and karma, transporting us to landscapes of soul and spirit where supra-sensory beings are visible, active and influential. Through perception of these hidden worlds, we are given tools to comprehend the background to the struggles we face in everyday life – both in human relationships and in our attempts to practise spiritual development. Written between the years 1910 and 1913, during periods of intense inner and outer work, the dramas are powerful testimonies to Steiner’s artistic creativity. By manifesting soul and spirit forms on stage, they foreshadow a dramatic art of the future. Rudolf Steiner planned for all four mystery dramas to be performed in August 1923, but this was no longer possible because of the burning of the first Goetheanum on New Year’s Eve, 1922. They were eventually performed together for the first time in 1930 and since then have been staged regularly, in many languages, throughout the world. This fresh rendering into English by Richard Ramsbotham also features an insightful introduction by him.
"Whether or not Steiner's insights are valid is for each of us to determine. His work is not easy, and he challenges our usual thinking every step of the way. The insights are radical, in the original meaning of that word: they go to the roots. We are forced more and more to realize that only through such thinking can actions arise that are truly healing and constructive." --Henry Barnes (from the introduction) Few people today recognize Rudolf Steiner's name, yet those who are aware of him know that his presence pervades every forward-looking aspect of contemporary life. Nearly all fields of life have been fructified by his insights--not abstractly or theoretically, but in a concrete way that changes lives. No wonder, then, that Steiner has been called "the best kept secret of the twentieth century." Born in 1861 in Kraljvec, Austria, Steiner showed evidence early on of the most varied gifts--a precise and probing scientific mind combined with a natural clairvoyant ability to see into the spiritual world, a determined need to think things through for himself, and a profound reverence for the divine. He first made his mark as a philosopher and the editor of Goethe's scientific writings. He also recognized the revolutionary spirit in Nietzsche. But Steiner's destiny led him in a different direction. Profound cognitive experiences determined that his task would lie in service to the spirit. While recognizing the integrity of modern science's phenomenological empiricism, he also knew that the time had come to extend the field of science to include investigation of the supersensible. Working at first within the Theosophical Society, but always speaking and writing out of his own experience, Steiner developed the foundations for a thoroughly modern spiritual-scientific discipline that would transform spiritual and cultural life. Until his death in 1925, in countless lectures and books, Steiner created the body of knowledge and practice known as "anthroposophy," which not only challenged and extended the underlying methods of modern knowledge, but stimulated many practical cultural initiatives such as: Waldorf education, biodynamic agriculture, the art of eurythmy, the movement for a threefold social order, and anthroposophical medicine. Henry Barnes--the author of Into the Heart's Land: A Century of Rudolf Steiner's Work in North America--recounts the dynamic life of this remarkable man. He does so by placing Steiner in the crosscurrents of history and showing him not as a spectator or ivory-tower philosopher, but as a leading actor in the drama, one whose entire being was given in service to humanity and to the spirit. Contents: Foreword by Robert McDermott Introduction: In Search of a New Thinking The Twentieth Century: Battleground for Human Individuality Child of Middle Europe: Biographical Foundations The Weimar Years: Nietzsche, Steiner, and the Redemption of Thinking The Years of Inner Testing: Berlin The Work Unfolds The Building Rises Insight Becomes Life: The Three fold Movement for Social Reform The First Waldorf School and the Independence of Education The Healing Arts Religious Renewal Out of Fire Renewal from Within: The Christmas Foundation Months of Grace Afterword: The Battle Continues--What Can I Do?
DigiCat Publishing presents to you this special edition of "Four Mystery Plays" by Rudolf Steiner. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Rudolf Steiner wrote four mystery dramas intended to portray the spiritual path of self-knowledge as described by spiritual science, or Anthroposophy. Those plays are not merely symbolic but realistic depictions in a spiritual sense. In this book, Steiner describes how "The Portal of Initiation" (the first of his dramas) portrays the intense and tempestuous inner events of initiation as experienced by a young painter. He explains the spiritual background of this character's "karmic" tests and higher guidance. He also discusses the Rosicrucian nature of this play, as well as the "symbolism and fantasy" of the second drama, "The Soul's Probation." Steiner also emphasizes the power of certain fairy tales and poetry for bridging the gap between the spiritual and material worlds. As one of the mystery dramas shows, this is especially valuable for those who tend to be intellectuals. Rudolf Steiner portrayed much of the wisdom of his spiritual science in the mystery dramas and intended them to graphically depict what he taught all his life. As he said, "If people will exert themselves...to work with the drama, I will not have to give any more lectures for a long time." THE LECTURES: Self-knowledge as Portrayed in the Rosicrucian Mystery, The Portal of Initiation (Basel, Sept. 17, 1910) On the Rosicrucian Mystery, The Portal of Initiation (Berlin, Oct. 31, 1911) Symbolism and Phantasy in Relation to the Mystery Drama The Soul's Probation (Berlin, Dec. 19, 1911)
Rudolf Steiner, Life and Work Volume 3 (1900-1914) by Peter Selg Pdf
This third volume of Peter Selg’s comprehensive presentation of Rudolf Steiner’s life and work begins with Steiner’s invitation to lecture in the Theosophical Society during the summer of 1900. From the outset of his theosophical involvement, Steiner was resolved to serve and develop the Western path to the spirit, traversed in full, conscious clarity of thought. He was therefore critical of the tendency to avoid the modern standards of a sound knowledge process in matters of spirituality and esotericism, and instead emphasized the importance of idealist philosophy as groundwork for understanding spiritual cognition. (“Whoever speaks of the coldness of the world of ideas can only think ideas, not experience them. Those who live the true life in the world of ideas feel in themselves the being of the world working in warmth that cannot be compared to anything else.” —Rudolf Steiner, Goethe's World View) Although his approach did not always harmonize with theosophical pursuits, Rudolf Steiner recognized the sincere striving at the basis of this movement and agreed to take on increasingly greater responsibility for the German Section. Marie von Sivers, who would later become his wife, was his most supportive colleague during this time. At a decisive juncture, Steiner broke from the Theosophical Society to found the Anthroposophical Society, through which he would continue the development of modern spiritual science more freely in accord with his original intentions. This volume covers the period during which Steiner wrote some of his foundational works: Christianity as Mystical Fact, Theosophy, Knowledge of the Higher Worlds, and An Outline of Esoteric Science. Peter Selg also describes the building of the first Goetheanum in Dornach as an artistic embodiment of esoteric wisdom, giving rise to an international working community, as well as the performance of the mystery dramas and Rudolf Steiner’s profound Christological lectures known as the Fifth Gospel.
Rudolf Steiner's Third and Fourth Mystery Dramas by Rudolf Steiner Pdf
Since the hundredth anniversary of Rudolf Steiner's first mystery drama in 2010, there has been a revival of interest in the English-speaking world. There have been several productions in North America and England, and new mystery dramas have been written, imagining possible sequels to Steiner's dramas. This volume contains two new translations of the third and fourth mystery dramas, created especially for new productions in the UK. The Guardian of the Thresholdwas translated into blank verse (in which Steiner wrote all his dramas) and The Souls Awakeninto free verse. Although Steiner's four mystery dramas all build on one another, The Guardian of the Thresholdand The Souls Awaken--set more than a decade after the events of the first two plays--may also be seen as bringing a new beginning after the first two dramas. An introduction by Richard Ramsbotham explores some of the questions surrounding the third and fourth of Steiner's mystery dramas, including their relationship to events in the anthroposophic movement during 1923 and 1924. The introduction also discusses the increasing significance of the mystery dramas today.
The Time Is at Hand! by Paul Marshall Allen,Joan deRis Allen,Johann Wolfgang von Goethe,Rudolf Steiner Pdf
Here is a book about Walden that takes Thoreau on his own terms. Two Fish on One Hook is a transcendental study of Thoreau's transcendental work. It offers us the task of doing as Thoreau does, exhorting us to follow the patterns Thoreau sets up in Walden and to approach his work as "an act of communication"--one that urges us to listen, to hear, and to act upon what he has to say, one that becmes a transformative experience. "Thoreau's first step is to remind us of how very idle and blockheaded we are. The busy folk 'mind[ing] their own affairs' he leaves to their own devices. Books about Walden are also obliged to begin on the right note by sounding Thoreau's stern wake-up call. Many will find it a jarring note, but there is no better way to wake up from the Procrustean 'sense of men asleep' and to get 'a sick one to lay down his bed and run' into Walden in time. It may be wisdom to let the dead bury the dead; but Thoreau is convinced that 'a man is not requried to bury himself.' He, therefore, begins by asking his readers "Why should they begin digging their graves as soon as they are born?'" --Raymond Tripp
The four Mystery Dramas were created, produced and printed one each year, one after the other, from 1910-1913. They took place in different theatres in Munich but always in the month of August. The writing of the dramas, the creating of the scenery, the making of the costumes, the learning of roles, the general directing, the organization of the printing and all the other inummerable things connected with such a major production happened within a matter of weeks before the main performance. There was a literal whirlwind of activity, and it is reported that often the scenes were written during the night before a scheduled rehearsal, and that at five or six in the morning a boy would come from the press to pick up the manuscript for the printing of the scene for that day's rehearsal. All this activity centered around Rudolf Steiner who gave directions or advice on every aspect of the production down to the smallest details. He not only wrote the dramas themselves, but also indicated how such soul and spiritual pictures could be presented and played on stage. A fifth drama was also planned, which was to include scenes from Ancient Greece and its mystery centers, but the outbreak of the First World War in August 1914 meant that it had to be postponed. Rudolf Steiner's early death in 1925 resulted in it never coming to production, nor ever being written down. The Third Mystery Drama The Third Mystery Drama brings the First and Second to a conclusion in certain respects, and the original viewers saw them as a trilogy. The first steps into an actual seeing of one's Karma were presented in the Second Drama, and now the integration of what was seen has to be brought about. For indeed, seeing into the spiritual world is not like seeing a landscape – where it is clearly before one's eyes; rather it is more like seeing into a microscope or space telescope, totally new things appear which one does not know how to categorize or in the case of the spiritual world, to find a relation to. Not only outer visible aspects have to be integrated though, also new feelings, but especially new moral attitudes have to be integrated. This is often difficult. We, as personalities, are imbedded in the thoughts and feelings and experiences we have had; if we were suddenly confronted with some of these that are ours but that we have never had in this life, it is not surprising that we would feel strange and confused. Essentially, to be 'full' human beings, we will eventually have to integrate all thoughts, feelings and experiences possible for us as human beings. This will be an actual growing of the our soul and will allow us to integrate ourselves into the spiritual world, for the spiritual world is a 'full' world. Through conscientuous hard work, Johannes has created a new book about spiritual knowledge, but just because of this, his own spiritual knowledge has grown and he can now encouter another side of himself he had not recognized previously. This knowledge now warns him what he is about to do is incorrect, so he turns away from the success he might have had giving out the book. Just this lets him then see what he really lacks in terms of spiritual insight and where this does actually lie for him. So he seeks Theodora's light. That seeking in turn, with Maria's help, brings him to the discovery of his own light. Strader experiences the powerful illuminating nature of Theodora's light directly, and it changes his whole life. But then through the loss of of that light, after something new has been established within him, it causes him to seek help Johannes, following Benedictus's guidance. This in turn brings him into a direct experience of the strongest side of his own inner nature and what he has actually developed in his previous lives and this one. Such an insight gives him at the end, his own inner self-confidence in what he has to contribute to the others, to mankind. For Capsesius, the shock of his moral failure and guilt from a past life was more than he could integrate into his present life. But the sojourn in the spiritual world also was a growing one for him, and he experienced much more there which had a bearing on his own Karma. Thus, by being able to come to Stader's help, he helps Theodora where one part of his Karmic debt lies. Then by accepting the help of Maria and becoming aware of the real nature of certain parts of himself, he actually allows her to make spiritual progress which she can use to help Johannes, where another part of his Karmic debt lies. The Karmic knot that binds these individuals together can be brought to a higher stage of development, a stage where these individuals are prepare to help each other to help themselves and humanity, and where a social work may be undertaken which will also be in harmony with the spiritual forces in the world.
The philosopher and educationalist Rudolf Steiner was also a radical dramatist who wrote four lengthy and complex plays. The first of these, The Portal of Initiation, is rich in content and artistically presented, but leaves us with questions: Why is the first scene so long and many speeches so lengthy? Why are our usual expectations of drama not met? Was Steiner really a competent dramatist? In this essential guide, Trevor Dance suggests that the first step to appreciating The Portal of Initiation is to understand Steiner's methods. The play belongs to the tradition of Mystery Dramas from ancient times – artistic works intended as vehicles for inner development. Steiner thus combines aspects of Goethe's alchemical fable The Green Snake and the Beautiful Lily with the spiritual growth of contemporary individuals – all in the broader context of reincarnation and karma. With accessibility in mind, the author provides a clear synopsis of each scene and introduces us to the characters – a collection of rustics, sophisticates, hierophants and spiritual entities. Their dilemmas and challenges take place on many layers of reality: from a room in Sophia's house to the exalted Sun Temple. Revealing the enigmas behind the creation and content of The Portal of Initiation, Dance enables us not only to enjoy the play, but also to love it. His lucid guide – the first of its kind – is an ideal introduction for both individual readers and study groups.
