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The Doorway of Initiation – The Trial of the Soul – The Guardian of the Threshold – The Souls Awaken Rudolf Steiner's four modern mystery dramas are powerful portrayals of the complex laws of reincarnation and karma, transporting us to landscapes of soul and spirit where supra-sensory beings are visible, active and influential. Through perception of these hidden worlds, we are given tools to comprehend the background to the struggles we face in everyday life – both in human relationships and in our attempts to practise spiritual development. Written between the years 1910 and 1913, during periods of intense inner and outer work, the dramas are powerful testimonies to Steiner's artistic creativity. By manifesting soul and spirit forms on stage, they foreshadow a dramatic art of the future. Rudolf Steiner planned for all four mystery dramas to be performed in August 1923, but this was no longer possible because of the burning of the first Goetheanum on New Year's Eve, 1922. They were eventually performed together for the first time in 1930 and since then have been staged regularly, in many languages, throughout the world. This fresh rendering into English by Richard Ramsbotham also features an extensive introduction by him. >GA 14
Working Together on Rudolf Steiner's Mystery Dramas by Hans Pusch Pdf
"Be a person of initiative and beware, lest through hindrances of your own body or hindrances that otherwise come in your way, you do not find the center of your being, within which lies the source of your initiative. Observe that, in your life, all joy and sorrow, all happiness and pain, will depend on finding or not finding your own individual initiative. This should appear, as if written in golden letters, constantly before the soul of anthroposophists. Initiative lies in their karma, and much of what meets them in this life will depend on the extent to which they can become willingly, actively conscious of it." --Rudolf Steiner, Aug. 4, 1924 Torin Finser takes on some of our contemporary challenges and proposes new solutions. Rather than simply "kicking the can down the road," as often happens with issues such as sovereign debts, Middle East conflicts, and environmental issues, Finser calls for individual initiative. Drawing on a variety of rich cultural and spiritual traditions, he makes the case for social change that begins within. To do so, one must first access resources that support initiative and innovation. Key questions discussed in this book include: How is it possible to live a spiritual life in our materialistic age? Can an individual person still make a difference? How can we use a whole-systems approach to innovation? How can planetary wisdom help us find appropriate leadership styles? What are the inner conditions needed to work with the transcendent Self? In the swirl of multi-tasking, how can we find moments of solitude and reflection? We need new, a ethical individualism that is fully transformative. As quoted from the Peace Pilgrim in chapter 2: This is the way of peace--overcome evil with good, and falsehood with truth, and hatred with love. Today's world needs people of initiative--those willing to become the change that is so desperately needed. This book offers a wakeup call for inspired leadership.
Rudolf Steiner wrote four mystery dramas intended to portray the spiritual path of self-knowledge as described by spiritual science, or Anthroposophy. Those plays are not merely symbolic but realistic depictions in a spiritual sense. In this book, Steiner describes how "The Portal of Initiation" (the first of his dramas) portrays the intense and tempestuous inner events of initiation as experienced by a young painter. He explains the spiritual background of this character's "karmic" tests and higher guidance. He also discusses the Rosicrucian nature of this play, as well as the "symbolism and fantasy" of the second drama, "The Soul's Probation." Steiner also emphasizes the power of certain fairy tales and poetry for bridging the gap between the spiritual and material worlds. As one of the mystery dramas shows, this is especially valuable for those who tend to be intellectuals. Rudolf Steiner portrayed much of the wisdom of his spiritual science in the mystery dramas and intended them to graphically depict what he taught all his life. As he said, "If people will exert themselves...to work with the drama, I will not have to give any more lectures for a long time." THE LECTURES: Self-knowledge as Portrayed in the Rosicrucian Mystery, The Portal of Initiation (Basel, Sept. 17, 1910) On the Rosicrucian Mystery, The Portal of Initiation (Berlin, Oct. 31, 1911) Symbolism and Phantasy in Relation to the Mystery Drama The Soul's Probation (Berlin, Dec. 19, 1911)
In a concise study, Rudolf Steiner presents an inspirational sketch of the evolution of the Mysteries – from ancient Persia through Egypt and Greece, to the Christian era and the present day. He traces the line of initiates from Egyptian divinities Isis and Osiris to Moses, King Arthur's Round Table and the Holy Grail in the twelfth century. Steiner focuses on the process of initiation as a historical topic: how initiation worked in ancient Egypt and in the late Middle Ages. But his presentation is also inspirational, leading to the question: How can we advance to initiation now? He underscores the potential for achieving enlightenment today without a teacher in the flesh, and explains the four stages of the process towards initiation. He also highlights the need for strenuous efforts to overcome the subtle power of evil – in the form of Lucifer and Ahriman – through selfless work.The four lectures collected here form an important landmark in Rudolf Steiner's biography: the first being delivered on 3 February 1913 – the very day that the Anthroposophical Society was founded. First published in English under the title The Mysteries of the East and of Christianity and unavailable for many years, this edition has been re-edited by Professor Frederick Amrine and features appendices, an index as well as an introduction by Robert McDermott.
Building Stones for an Understanding of the Mystery of Golgotha by Rudolf Steiner Pdf
'If one is unable to conceive of the Christ mystery as a true reality, one also cannot develop any ideas and concepts relating to the rest of world existence that are imbued with reality, which really penetrate to the truth '. – Rudolf SteinerIn a series of 17 lectures, Rudolf Steiner throws new light on the historical background and esoteric meaning of what he refers to as the central event of human and earthly history: the Christ mystery or 'the Mystery of Golgotha'. Basing his commentaries on personal spiritual research, Steiner emphasizes the key nature of the Mystery of Golgotha, through which '...something was accomplished which has to do not with the moral order alone but with the whole world-order in its entirety'. This relates to a transformation of the spiritual environment of the earth and a potentially radical change in human consciousness.Building on the core themes of this course, Steiner presents a variety of fascinating topics, including: original sin and the idea of resurrection; faith and knowledge; the nature of sleep and the riddle of fatigue; the violation of the mysteries by the Roman Emperors; the teachings of Mani and Augustine; our relationship to the dead in spiritualistic séances; and the correspondence between the Platonic year, a day in a person's life and a human life-time.Although first delivered to audiences a century ago, these lectures have lost none of their resonance; indeed, their essential message is perhaps more relevant than ever. They are published here in a new translation and for the first time in a complete English edition.'So let us endeavour to make spiritual science our own not merely as a teaching but as a language, and then wait until we find the questions in this language that we may address to Christ. He will answer, yes He will answer!'
The Mystery Play in Madame Bovary: Moeurs de province by Peter Rogers Pdf
Drawing upon Flaubert’s fictional works, travel writings, correspondence, and notes on his reading of the Bible and interest in iconography, Rogers traces the presence of a liturgical drama, a mystery play, in a text known as iconic of the realist novel. Showing how Flaubert’s use of religious tales, topoi, and imagery extends beyond his retelling of saints’ lives in the Tentation de Saint Antoine and the Trois contes, this study elucidates the biblical and devotional subcurrent in the story of Emma Bovary. Biblical episodes, religious emblems, and discussions of Catholic dogma link the adulterous heroine to the Virgin Mary, who emerges in the course of this subtle reading as the other heroine of the scandalous story. The 19th-century impulse to censor is embodied within the novel by two characters representing the secular and religious poles. The free-thinking pharmacist Homais and the parish priest concur only on the dangers of reading the Bible. When the novel itself was brought to trial for attacking religion, Flaubert’s prosecutor and defense lawyer overlooked this condemnation of scripture. This study invites readers to pay close attention to the religious texts and traditions discussed and restaged in Madame Bovary to gain a new awareness of the narrow bond between theatre and religion in Flaubert’s provinces.
The Third Mystery MEGAPACK® by James Holding,Earl Derr Biggers,George Harmon Coxe,Edgar Rice Pdf
The Third Mystery MEGAPACK® collects 26 modern and classic mysteries. Here are: THE AFRICAN FISH MYSTERY, by James Holding THE EBONY STICK, by Earl Derr Biggers CHICKENS FOR CHARLIE, by Arlette Lees DOUBLE DOUBLE-CROSS, by Jack London Berkebile THE DOOMDORF MYSTERY, by Melville Davisson Post CAPTAIN ROGERS, by W.W. Jacobs A BORDERLINE CASE, by Rufus King JUDGE BARCLAY'S WIFE, by William Hope Hodgson THE ARCHDUKE'S TEA, by H.C. Bailey THE IMPETUOUS MISTRESS, by George Harmon Coxe AARON'S PERFECT PLANS, by Pauline Tyson Stephens BUTTERFLY OF DEATH, by Harold Gluck MORGUE REUNION, by Norman A. Daniels FOOTPRINTS IN THE SNOW, by Maurice LeBlanc DROPS OF DEATH, by George Allan England THE BITER BIT, by Wilkie Collins THE FACES OF DANGER, by Rufus King THE KNIGHT'S CROSS SIGNAL PROBLEM, by Ernest Bramah THESE SHOES ARE KILLING ME, by Leroy Yerxa THE MYSTERY OF THE DOWNS, by John R. Watson and Arthur J. Rees TOO MANY SPIES, by Joseph J. Millard WHO KILLED GILBERT FOSTER?, By E. Hoffmann Price & Ralph Milne Farley TO REMEMBER YOU BY, by Rufus King THE YELLOW MOTH, by Fred M. White WHO MURDERED MR. THOMAS? A Puzzle Story, by Edgar Rice Burroughs THE SKINS YOU LOVE TO TOUCH, by Janet Fox If you enjoy this ebook, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more of the 280+ volumes in this series, covering adventure, historical fiction, mysteries, westerns, ghost stories, science fiction -- and much, much more!
The Mystery of Musical Creativity by Hermann Beckh Pdf
‘Beckh ventures into provinces that I have not had the opportunity of investigating myself…’ – Rudolf Steiner Lost for decades, the manuscript of Hermann Beckh’s final lectures on the subject of music present fundamentally new insights into its cosmic origins. Beckh characterises the qualities of musical development, examines select musical works (that represent for him the peak of human ingenuity), and throws new light on the nature and source of human creativity and inspiration. Published here for the first time, the lectures demonstrate a distinctive approach founded on the raw material of musical perception. Beckh discusses the whistling wind, the billowing wave, the song of the birds and particularly the theme of longing. Never losing the ground from under his feet, he penetrates perennial themes: from the yearning for real spontaneity and the ‘Mystery background’ uniting heaven and earth, to spiritual knowledge that can meet the demands of the twenty-first century. Out of the cosmic context, Beckh writes to the individual situation. From there, he seeks again the re-won cosmic context. He does not write as a musical specialist and then turn to universal human concerns; rather, Beckh writes from universal human concerns and reveals music as of special concern to everyone. In addition to the transcripts of fifteen lectures, this book contains a valuable introduction and editorial footnotes. It also features appendices including Beckh’s essay ‘The Mystery of the Night in Wagner and Novalis’; reminiscences of Beckh by August Pauli and Harro Rückner; Donald Francis Tovey’s ‘Wagnerian harmony and the evolution of the Tristan-chord’, and several contemporaneous reviews of Beckh’s published works.
Three Perspectives of Anthroposophy by Rudolf Steiner Pdf
What is truly real? Rudolf Steiner sheds light on everyday reality through spiritual knowledge, repeatedly urging us to bring anthroposophy into daily human existence. We might consciously experience the difference between consuming a potato as compared to cereals such as rye, for example – or we could grasp ordinary phenomena, such as sleepwalking, through an understanding of the threefold human being. Likewise, we might strive to comprehend how our head is the transformed organism of our previous life. Throughout, Steiner emphasizes that we can achieve spirituality on earth if only we make anthroposophy real. The twelve lectures here were delivered during the portentous year of 1923, in the context of increasing attacks from Steiner’s opponents. His architectural masterpiece, the first Goetheanum, had already been destroyed by fire, but he was yet to refound the Anthroposophical Society at the Christmas Conference. In these uncertain times, Steiner speaks of the decline of European culture and the development of materialism as a philosophy, leaving anthroposophy with no exoteric foundation on which to build. But Rudolf Steiner strikes a positive note with an exciting and constructive way forward, providing us with the tools to see the world through three key perspectives of anthroposophy: the physical, the soul and the spiritual dimensions of reality. This previously-unpublished volume is translated by Elizabeth Marshall and includes an introduction, notes and index.
The Bhagavad Gita and the West by Rudolf Steiner Pdf
5 lectures, Cologne, Dec. 28, 1912 - Jan. 1, 1913 (CW 142) 9 lectures, Helsinki, May 28 - June 5, 1913 (CW 146) 1 lecture, Basel, Sept. 19, 1912 (CW 139) This combination of two volumes in Rudolf Steiner's Collected Works presents Steiner's profound engagement with Hindu thought and, above all, the Krishna in the Bhagavad Gita as they illuminate Western Christian esotericism. In his masterly introduction, Robert McDermott, a longtime student of Rudolf Steiner, as well as Hindu spirituality, explores the complex ways in which the "Song of the Lord," or Bhagavad Gita, has been understood in East and West. He shows how Krishna's revelation to Arjuna --a foundation of spirituality in India for more than two and a half millennia --assumed a similarly critical role in the Western spiritual revival of the nineteenth and twentieth centuries. In the West, for instance, leading up to Steiner's engagement, McDermott describes the various approaches manifested by Emerson, Thoreau, H.P. Blavatsky, and William James. In the East, he engages with interpretations of historical figures such as Mahatma Gandhi and Sri Aurobindo, relating them to Steiner's unique perspective. In addition, and most important, he illumines the various technical terms and assumptions implicit in the worldview expressed in the Bhagavad Gita. The main body of The Bhagavad Gita and the West consists of two lecture courses by Rudolf Steiner: "The Bhagavad Gita and the Epistles of Paul" and "The Esoteric Significance of the Bhagavad Gita." In the first course, his main purpose is to integrate the flower of Hindu spirituality into his view of the evolution of consciousness and the pivotal role played in it by the Mystery of Golgotha --the incarnation, death, and resurrection of Jesus Christ. Steiner views Krishna as a great spiritual teacher and the Bhagavad Gita as a preparation, though still abstract, for the coming of Christ and the Christ impulse as the living embodiment of the World, Law, and Devotion, represented by the three Hindu streams of Veda, Sankhya, and Yoga. For Steiner, the epic poem of the Bhagavad Gita represents the "fully ripened fruit" of Hinduism, whereas Paul is related but represents "the seed of something entirely new." In the last lecture of part one, Steiner reveals Krishna as the sister soul of Adam, incarnated as Jesus, and claims Krisha's Yoga teachings streamed from Christ into Paul. In the second lecture course, five months later, Steiner engages the text of the Bhagavad Gita --on its own terms --as signaling the beginning of a new soul consciousness. To aid in understanding both of these important cycles, this book includes the complete text of the Bhagavad Gita in Eknath Easwaran's luminous translation. In our age, when East and West are growing closer and we live increasingly in a global, intercultural and religiously pluralistic world, this remarkable book is required reading. The Bhagavad Gita and the West is a translation of two volumes in German: Die Bhagavad Gita und die Paulusbriefe (CW 142) and Die okkulten Grundlagen der Bhagavad Gita (CW 146). The lecture in the appendix is translated from Das Markus-Evangelium (CW 139) and was published in The Gospel of St. Mark (Anthroposophic Press, 1986).
An Author's Summary, 1888 Four Essays Written between 1890 and 1898 Eight Lectures between 1909 and 1921 (CW 271) "The challenge of saying something about art was personal for Rudolf Steiner. He experienced it as deeply connected with his biography. It is not for nothing that, in the last lecture of this volume, he points to his repeated attempts to develop a new approach and new forms of expression for speaking about art. We find at least three forms of this attempted approach in this book." --Zvi Szir (from the introduction) The subject, practice, and vital importance of art was a thread that ran through Rudolf Steiner's life, from his early work as a scholar of Goethe, through his time as an editor of a literary and arts journal in Berlin in the 1890s, and to his two and a half decades as a spiritual researcher and teacher. Understanding and articulating the significance of art was a perennial challenge for Rudolf Steiner. This volume of Steiner's Collected Works is unique in that it showcases a survey of both early written works and later lectures to anthroposophic audiences, and in doing so presents a picture of a lifetime of intensive effort to convey something essential about the arts. Beginning with his early philosophical work and literary criticism at the end of the nineteenth century and on into his later lectures, this volume follows Steiner's endeavor to reveal in words the mystery obscured by the vague concept of what "art" is. Viewed as a whole, this volume forms one of the most provocative collections of the twentieth century on the subject of art. It offers a unique analysis of the origin, foundation, and method of the creative process. This book is a translation of Kunst und Kunsterkenntnis: Grundlagen einer neuen Ästhetik, 3rd edition, published by Rudolf Steiner Verlag, Dornach, Switzerland, 2010 (GA 271).
The Future of Ahriman and the Awakening of Souls by Peter Selg Pdf
In 1919 Rudolf Steiner spoke about the future physical incarnation of the being of Ahriman. This would take place before ‘a part’ of the third millennium had passed, and was inevitable – but it was also necessary that people were aware of this event and recognized it, for earthly culture would be destroyed if the world were to fall completely to Ahriman. The situation we find ourselves in today shows Ahriman’s unmistakable signature: the rapid destruction of nature, zoonotic diseases and pandemics, huge social inequalities, and the overall dominance of high finance. In this short book Peter Selg presents a timely overview of the challenges we face, beginning with a pithy and concise survey of Steiner’s commentary on Ahriman’s incarnation and the conditions that would characterize it. This is followed by a study of Ahriman’s depiction in the mystery drama The Souls’ Awakening. Steiner’s remarkable personification of Ahriman on stage – portraying his strategies and activities – provides vital instruction for humanity. Selg concludes with an evaluation of ‘the Battle for Human Intelligence’ taking place in contemporary culture through materialistic ideas such as transhumanism. In their recent book Covid-19: The Great Reset, for example, Klaus Schwab and Thierry Malleret propose wholesale economic, geopolitical, environmental and technological revisions to society – ideas that need to be understood and confronted in human thought and consciousness. The Future of Ahriman is a crucial aid to comprehending our times.
Let's Go to The Grand! by Sheila M.F. Johnston Pdf
"A fascinating history of a wonderful old theatre." - Hume Cronyn In September of 1901 London’s New Grand Opera House flung open its doors. Boasting a beautiful interior design, and with the most modern stage equipment available, the theatre was large enough to accommodate over 1,700 patrons and the largest touring shows of the time. With impresario Ambrose J. Small at the helm, a new era in theatrical entertainment began. Throughout the next hundred years, the Grand Theatre hosted everything from stock companies to minstrel shows, from vaudeville to star-studded productions. The celebrated amateur theatre company, London Little Theatre, made The Grand its home for decades. As Canadian theatre came into its own in the 1970s, The Grand embraced professional theatre status. Throughout all these changes The Grand has remained London’s "Grand Old Lady of Richmond Street." Legendary performers from the past, including the Marks Brothers, Anna Pavlova and John Gielgud have graced its vast stage, as have such contemporary stage stars as Hume Cronyn, William Hutt and Martha Henry. This extensively researched book, lavishly illustrated, lovingly documents the life of The Grand. Theatre stories from every decade of The Grand’s colourful life abound throughout. To read this book is to come to know London’s Grand Theatre in all its architectural splendour and its legacy in Canadian theatre history.