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Chicago Architectural Club, 1894-1914 -- The Work of Frank Lloyd Wright, 1893-1930 and Modern Architecture : International Exhibition, Museum of Modern Art, 1932 -- Broadacre City, 1935 -- Museum of Modern Art, 1933-53 -- The Italian exhibition and Sixty Years of Living Architecture, 1951-56 -- Coda: 1957-59 -- Conclusion -- Appendix A. Chronological list of exhibitions -- Appendix B. Chronological list of models
The first history of Frank Lloyd Wright's exhibitions of his own work—a practice central to his career More than one hundred exhibitions of Frank Lloyd Wright's work were mounted between 1894 and his death in 1959. Wright organized the majority of these exhibitions himself and viewed them as crucial to his self-presentation as his extensive writings. He used them to promote his designs, appeal to new viewers, and persuade his detractors. Wright on Exhibit presents the first history of this neglected aspect of the architect’s influential career. Drawing extensively from Wright’s unpublished correspondence, Kathryn Smith challenges the preconceived notion of Wright as a self-promoter who displayed his work in search of money, clients, and fame. She shows how he was an artist-architect projecting an avant-garde program, an innovator who expanded the palette of installation design as technology evolved, and a social activist driven to revolutionize society through design. While Wright’s earliest exhibitions were largely for other architects, by the 1930s he was creating public installations intended to inspire debate and change public perceptions about architecture. The nature of his exhibitions expanded with the times beyond models, drawings, and photographs to include more immersive tools such as slides, film, and even a full-scale structure built especially for his 1953 retrospective at the Guggenheim Museum. Placing Wright’s exhibitions side by side with his writings, Smith shows how integral these exhibitions were to his vision and sheds light on the broader discourse concerning architecture and modernism during the first half of the twentieth century. Wright on Exhibit features color renderings, photos, and plans, as well as a checklist of exhibitions and an illustrated catalog of extant and lost models made under Wright’s supervision.
Frank Lloyd Wright by Barry Bergdoll,Jennifer Gray Pdf
Published in conjunction with a major exhibition at The Museum of Modern Art, this catalogue reveals new perspectives on the work of Frank Lloyd Wright, a designer so prolific and familiar as to nearly preclude critical reexamination. Structured as a series of inquiries into the Frank Lloyd Wright Foundation Archives, the book is a collection of scholarly explorations rather than an attempt to construct a master narrative. Each chapter centers on a key object from the archive that an invited author has "unpacked"-interpreting and contextualizing it, tracing its meanings and connections, and juxtaposing it with other works from the archive, from MoMA, or from outside collections. The publication aims to open up Wright's work to questions, interrogations, and debates, and to highlight interpretations by contemporary scholars, both established Wright experts and others considering this iconic figure from new and illuminating perspectives.
Author : Kathryn Smith Publisher : The Museum of Modern Art Page : 234 pages File Size : 52,5 Mb Release : 2004 Category : Architecture ISBN : 0870700553
Discussion and documents relating to an exhibition called "Frank Lloyd Wright, American Architect", held at the Museum of Modern Art from Nov. 12, 1940 to Jan. 5, 1941.
Frank Lloyd Wright from Within Outward by Frank Lloyd Wright Pdf
Frank Lloyd Wright: From Within Outward features a lifetime of achievement by this titan of American architecture through newly commissioned contemporary photography, archival photography, and wonderfully detailed drawings of more than 200 projects, including such masterworks as the S. C. Johnson & Sons Administration Building in Wisconsin, the Guggenheim Museum in New York, and Taliesin West, Wright’s desert home in Arizona, as well as less-known projects designed for Baghdad, Iraq, and beyond. The book is richly accompanied by authoritative text from some of the most important Frank Lloyd Wright scholars and writers at work today, and presents a timely reevaluation of the work and life of Frank Lloyd Wright within the context of social spaces, in the spirit of the exhibition.
Frank Lloyd Wright on the West Coast by Mark Anthony Wilson Pdf
Frank Lloyd Wright’s buildings on the West Coast have not been thoroughly covered in print until now. Between 1909 and 1959, Wright designed a total of 38 structures up and down the West Coast, from Seattle to Southern California. These include well-known structures such as the Marin County Civic Center and Hollyhock House in Los Angeles, and many lesser-known gems such as the 1909 Stewart House near Santa Barbara. MARK ANTHONY WILSON is an architectural historian who has been writing and teaching about architecture for more than thirty-five years. He holds a B.A. in history from UC Berkeley and an M.A. in history and media from California State University, East Bay. He has written four previous books about architecture, including Julia Morgan: Architect of Beauty (Gibbs Smith, 2007) and Bernard Maybeck: Architect of Elegance (Gibbs Smith, 2011). His articles have appeared in the New York Times, Los Angeles Times, San Francisco Chronicle, Christian Science Monitor, USA Today, and elsewhere. Mark lives in Berkeley, California, with his wife, Ann, and his daughter, Elena. With more than 200 photographs by veteran architectural photographer Joel Puliatti and 50 archival images (many of which have never been seen in print before), this comprehensive survey of Wright’s West Coast legacy features background information on the clients’ relationships with Wright, including insights gleaned from correspondence with the original owners and interviews with many of the current owners.
Modern Architecture and Climate by Daniel A. Barber Pdf
How climate influenced the design strategies of modernist architects Modern Architecture and Climate explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to light a vibrant and dynamic architectural discussion involving design, materials, and shading systems as means of interior climate control. He looks at projects by well-known architects such as Richard Neutra, Le Corbusier, Lúcio Costa, Mies van der Rohe, and Skidmore, Owings, and Merrill, and the work of climate-focused architects such as MMM Roberto, Olgyay and Olgyay, and Cliff May. Drawing on the editorial projects of James Marston Fitch, Elizabeth Gordon, and others, he demonstrates how images and diagrams produced by architects helped conceptualize climate knowledge, alongside the work of meteorologists, physicists, engineers, and social scientists. Barber describes how this novel type of environmental media catalyzed new ways of thinking about climate and architectural design. Extensively illustrated with archival material, Modern Architecture and Climate provides global perspectives on modern architecture and its evolving relationship with a changing climate, showcasing designs from Latin America, Europe, the United States, the Middle East, and Africa. This timely and important book reconciles the cultural dynamism of architecture with the material realities of ever-increasing carbon emissions from the mechanical cooling systems of buildings and offers a historical foundation for today’s zero-carbon design.
In architectural terms, the twentieth century can be largely summed up with two names: Frank Lloyd Wright and Philip Johnson. Wright (1867–1959) began it with his romantic prairie style; Johnson (1906–2005) brought down the curtain with his spare postmodernist experiments. Between them, they built some of the most admired and discussed buildings in American history. Differing radically in their views on architecture, Wright and Johnson shared a restless creativity, enormous charisma, and an outspokenness that made each man irresistible to the media. Often publicly at odds, they were the twentieth century's flint and steel; their repeated encounters consistently set off sparks. Yet as acclaimed historian Hugh Howard shows, their rivalry was also a fruitful artistic conversation, one that yielded new directions for both men. It was not despite but rather because of their contentious--and not always admiring--relationship that they were able so powerfully to influence history. In Architecture's Odd Couple, Howard deftly traces the historical threads connecting the two men and offers readers a distinct perspective on the era they so enlivened with their designs. Featuring many of the structures that defined modern space--from Fallingwater to the Guggenheim, from the Glass House to the Seagram Building--this book presents an arresting portrait of modern architecture's odd couple and how they shaped the American landscape by shaping each other.
Frank Lloyd Wright in the Realm of Ideas by Frank Lloyd Wright Pdf
Nearly twenty years later, this collection of Frank Lloyd Wright's ideas, principles, and forms validates Mrs. Wright's prophecy. This book highlights his ideas - the foundation of his achievement.
Frank Lloyd Wright (1867-1959) is unquestionably America's most celebrated architect. In fact, his career was so long and his accomplishments so varied it can be difficult still to grasp the full range of Wright's achievement.
Who Was Frank Lloyd Wright? by Ellen Labrecque,Who HQ Pdf
Born in Wisconsin in 1867, Frank Lloyd Wright became obsessed with a set of building blocks his mother had given to him on his ninth birthday. He grew up to become the father of organic architecture and the greatest American architect of all time, having designed more than 1,100 buildings during his lifetime. These included private homes – such as the stunning Fallingwater, churches, temples, a hotel, and the world-famous Guggenheim Museum in New York City. When asked how he could create so many designs, he answered, “I can’t get them out fast enough.” Frank Lloyd Wright was a man ahead of his time who could barely keep up with his own ideas!
Have you ever wondered what the difference is between Gothic and Gothic Revival, or how to distinguish between Baroque and Neoclassical? This guide makes extensive use of photographs to identify and explain the characteristic features of nearly 300 buildings. The result is a clear and easy-to-navigate guide to identifying the key styles of western architecture from the classical age to the present day.
