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An Introduction to 16th-century French Literature and Thought by Neil Kenny Pdf
The age of Shakespeare, Cervantes, Erasmus, Luther, and Machiavelli produced in France too some of Europe's greatest ever literature and thought: Montaigne's Essays, Rabelais' comic fictions, Ronsard's poetry, Calvin's theology. These and numerous other extraordinary writings emerged from and contributed to cultural upheavals: the movement usually known as the Renaissance, which sought to revive ancient Greek and Roman culture for present-day purposes; religious reform, including the previously unthinkable rejection of Catholicism by many in the Reformation, culminating in decades of civil war in France; the French language's transformation into an instrument for advanced abstract thought. This book introduces this vibrant literature and thought via an apparent paradox. Most writers were profoundly concerned to improve life in the here-and-now - socially, politically, morally, spiritually. Yet they often tried to do so by making detours, in their writing, to other times and places: antiquity; heaven and hell; the hidden recesses of Nature, the cosmos, or the future; the remote location of an absent loved one; the newly 'discovered' Americas.The point was to show readers that the only way to live in the here-and-now was to connect it to larger realities - cosmic, spiritual, and historical.
France in the Sixteenth Century by Frederic J. Baumgartner Pdf
Both the golden age of the Renaissance state and the catastrophic era of the Wars of Religion, this fascinating period in French history has been oddly neglected by English-language historians. Professor Baumgartner's book fills a major gap in the textbook market: an accessible, fully current account which covers the principal political, economic and cultural themes from Francois I's successful centralization of the state, through France's near prostration under the Catholic-Huguenot civil war, and ending with the accession of Henri IV.
The Politics of Print During the French Wars of Religion by Gregory P. Haake Pdf
In The Politics of Print During the French Wars of Religion, Gregory Haake examines how, in late sixteenth-century France, authors and publishers used the printed text to control the terms of public discourse and determine history, or at least their narrative of it.
In what tense should we refer to the dead? The question has long been asked, from Cicero to Julian Barnes, and answering it is partly a matter of grammar and stylistic convention. But the hesitation, annoyance, even distress that can be caused by the "wrong" tense suggests that more may be at stake--our very relation to the dead. This book, the first to test that hypothesis, investigates how tenses were used in sixteenth- and early seventeenth-century France (especially in French but also in Latin) to refer to dead friends, lovers, family members, enemies, colleagues, writers, officials, kings and queens of recent times, but also to those who had died long before, whether Christ, the saints, or the ancient Greeks and Romans who posthumously filled the minds of Renaissance humanists. Did tenses refer to the dead in ways that granted them differing degrees of presence (and absence)? Did tenses communicate dimensions of posthumous presence (and absence) that partly eluded more concept-based affirmations? The investigation ranges from funerary and devotional writing to Eucharistic theology, from poetry to humanist paratexts, from Rabelais's prose fiction to Montaigne's Essais. Primarily a work of literary and cultural history, it also draws on early modern grammatical thought and on modern linguistics (with its concept of aspect and its questioning of "tense"), while arguing that neither can fully explain the phenomena studied. The book briefly compares early modern usage with tendencies in modern French and English in the West, asking whether changes in belief about posthumous survival have been accompanied by changes in tense-use.
Villainy in France (1463-1610) by Jonathan Patterson Pdf
Obscene poetry, servants' slanders against their masters, the diabolical acts of those who committed massacre and regicide. This is a book about the harmful, outward manifestation of inner malice—villainy—in French culture (1463-1610). In pre-modern France, villainous offences were countered, if never fully contained, by intersecting legal and literary responses. Combining the methods of legal anthropology with literary and historical analysis, this study examines villainy across juridical documents, criminal records, and literary texts. Whilst few people obtained justice through the law, many pursued out-of-court settlements of one kind or another. Literary texts commemorated villainies both fictitious and historical; literature sometimes instantiated the process of redress, and enabled the transmission of conflicts from one context to another. Villainy in France follows this overflowing current of pre-modern French culture, examining its impact within France and across the English Channel. Scholars and cultural critics of the Anglophone world have long been fascinated by villainy and villains. This book reveals the subject's significant 'Frenchness' and establishes a transcultural approach to it in law and literature. In this study, villainy's particular significance emerges through its representation in authors remembered for their less-than respectable, even criminal, activities: François Villon, Clément Marot, François Rabelais, Pierre de L'Estoile, Christopher Marlowe, Ben Jonson, John Marston, and George Chapman. Villainy in France affords legal-literary comparison of these authors alongside many of their lesser-known contemporaries; in so doing, it reinterprets French conflicts within a wider European context, from the mid-fifteenth century to the early seventeenth century.
Memory and Community in Sixteenth-Century France by David P. LaGuardia,Cathy Yandell Pdf
Memory and Community in Sixteenth-Century France engages the question of remembering from a number of different perspectives. It examines the formation of communities within diverse cultural, religious, and geographical contexts, especially in relation to the material conditions for producing texts and discourses that were the foundations for collective practices of memory. The Wars of Religion in France gave rise to numerous narrative and graphic representations of bodies remembered as icons and signifiers of the religious ’troubles.’ The multiple sites of these clashes were filled with sound, language, and diverse kinds of signs mediated by print, writing, and discourses that recalled past battles and opposed different factions. The volume demonstrates that memory and community interacted constantly in sixteenth-century France, producing conceptual frames that defined the conflicting groups to which individuals belonged, and from which they derived their identities. The ongoing conflicts of the Wars hence made it necessary for people both to remember certain events and to forget others. As such, memory was one of the key ideas in a period defined by its continuous reformulations of the present as a forum in which contradictory accounts of the recent past competed with one another for hegemony. One of the aims of Memory and Community in Sixteenth-Century France is to remedy the lack of scholarship on this important memorial function, which was one of the intellectual foundations of the late French Renaissance and its fractured communities.
Iron and Blood will permanently change the way we perceive sixteenth-century French history. Henry Heller shows that mounting social unrest in the first half of the century finally resulted in the French Civil Wars. Challenging the works of Fernand Braudel and Emmanuel Le Roy Ladurie, Heller argues that well before the 1560s, in the midst of the apparent prosperity and tranquillity of the French Renaissance, French society was marked by acute social tensions that regularly exploded in uprisings and rebellions. Heller demonstrates that the historical events of sixteenth-century France were unified by an increasing level of social conflict.