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Reconstructing the workings of colonial Spanish bureaucracy in the production of reports on individuals’ achievements, this book explores the interrelation of state-induced curricula vitae and individuals’ endeavor to outsmart this system in the genesis of modern forms of literature.
Dead Men Telling Tales is an original account of the lasting cultural impact made by the autobiographies of Napoleonic soldiers over the course of the nineteenth century. Focusing on the nearly three hundred military memoirs published by British, French, Spanish, and Portuguese veterans of the Peninsular War (1808-1814), Matilda Greig charts the histories of these books over the course of a hundred years, around Europe and the Atlantic, and from writing to publication to afterlife. Drawing on extensive archival research in multiple languages, she challenges assumptions made by historians about the reliability of these soldiers' direct eyewitness accounts, revealing the personal and political motives of the authors and uncovering the large cast of characters, from family members to publishers, editors, and translators, involved in production behind the scenes. By including literature from Spain and Portugal, Greig also provides a missing link in current studies of the Revolutionary and Napoleonic Wars, showing how the genre of military memoirs developed differently in south-western Europe and led to starkly opposing national narratives of the same war. Her findings tell the history of a publishing phenomenon which gripped readers of all ages across the world in the nineteenth century, made significant profits for those involved, and was fundamental in defining the modern 'soldier's tale'.
An Edgar Award winner, Tom Franklin’s Poachers collects ten stunning, bleak tales set in the woodlands, swamps and chemical plants along the Alabama River. Staking his claim as a fresh, original Southern voice, Tom Frankin’s lyric, deceptively simple prose conjures a world where the default setting is violence, a world of hunting and fishing, gambling and losing, drinking and poaching—a world most of us have never seen. In the chilling title novella, three wild boys confront a mythic game warden as mysterious and deadly as the river they haunt. And, as a weathered, hand-painted sign reads: “Jesus is not coming.” This terrain isn’t pretty, isn’t for the weak of heart, but in these deperate, lost people, Franklin somehow finds the moments of grace that make them what they so abundantly are: human. “While he may occasionally wax sentimental about life in the impoverished South, Franklin’s style is often as laconic and simply spoken as his characters’ dialogue, sometimes close to Hemingway, but more often akin to Denis Johnson or Raymond Carver in its resonant ordinariness.” —Publishers Weekly
The islands of the Outer Hebrides are home to some of the most remote and spectacular scenery in the world. They host an astonishing range of mysterious structures - stone circles, beehive dwellings, holy wells and 'temples' from the Celtic era. Over a twelve-day pilgrimage, often in appalling conditions, Alastair McIntosh returns to the islands of his childhood and explores the meaning of these places. Traversing moors and mountains, struggling through torrential rivers, he walks from the most southerly tip of Harris to the northerly Butt of Lewis. The book is a walk through space and time, across a physical landscape and into a spiritual one. As he battled with his own ability to endure some of the toughest terrain in Britain, he met with the healing power of the land and its communities. This is a moving book, a powerful reflection not simply of this extraordinary place and its people met along the way, but of imaginative hope for humankind.
Interpreting and Transmitting Kynicism in Joker by Kyle A. Hammonds Pdf
Interpreting and Transmitting Kynicism in Joker: The Dark Side of Film Fandom focuses on fan discourse and discussion surrounding Todd Phillips’s Joker (2019), analyzing how white nationalist movie fans code racist, sexist, ableist, and otherwise marginalizing logics into seemingly innocuous speech. Kyle A. Hammonds posits that, by arguing that their communication is “just their interpretation” of a movie, rather than explicitly political speech, white nationalists can communicate bigoted, extremist rhetoric under the pretext of good-faith film criticism. Hammonds leverages hermeneutic traditions often overlooked in communication and fan studies research to argue that interpretation is the key element of fan communication processes in struggles for authority over the meaning of texts—and that fan communities have a civic duty to identify and delegitimize exclusionary interpretations of pop culture in their fandom.
The twentieth anniversary edition of Henry Jenkins's Textual Poachers brings this now-canonical text to a new generation of students interested in the intersections of fandom, participatory culture, popular consumption and media theory. This reissue of what's become a classic work includes an interview between Jenkins and Suzanne Scott and a supplemental study guide by Louisa Stein, encouraging students to consider fan cultures in relation to consumer capitalism, genre, gender, sexuality, interpretation and more.
Author : Richard Peirce Publisher : Penguin Random House South Africa Page : 144 pages File Size : 54,8 Mb Release : 2014-09-01 Category : Nature ISBN : 9781775841791
When wildlife conservationist Richard Peirce learnt about the targeting of three private game reserves in the Western Cape in 2011 and the butchery of some of their rhinos, he embarked on a crusade to raise public awareness about the horrors of rhino poaching. This is the story of Higgins and Lady, two rhinos from the farm Fairy Glen that defied the odds by surviving a brutal attack. Peirce keeps the reader spellbound as he recounts the series of attacks and their aftermath in chilling detail: the unbearable savagery, suspect police work, shady characters, mysterious happenings and death threats. Reading like a crime thriller, this account of dogged survival, compassion and triumph – along with desperate strategising to outwit the poaching mafia – will have wide appeal. Colour images throughout, taken as the drama unfolded, bring the subject even more vividly to life.
An intrepid investigation of the criminal world of wildlife trafficking--the poachers, the traders, and the customers--and of those fighting against it Journalist Rachel Nuwer plunges the reader into the underground of global wildlife trafficking, a topic she has been investigating for nearly a decade. Our insatiable demand for animals -- for jewelry, pets, medicine, meat, trophies, and fur -- is driving a worldwide poaching epidemic, threatening the continued existence of countless species. Illegal wildlife trade now ranks among the largest contraband industries in the world, yet compared to drug, arms, or human trafficking, the wildlife crisis has received scant attention and support, leaving it up to passionate individuals fighting on the ground to try to ensure that elephants, tigers, rhinos, and more are still around for future generations. As Reefer Madness (Schlosser) took us into the drug market, or Susan Orlean descended into the swampy obsessions of TheOrchid Thief, Nuwer--an award-winning science journalist with a background in ecology--takes readers on a narrative journey to the front lines of the trade: to killing fields in Africa, traditional medicine black markets in China, and wild meat restaurants in Vietnam. Through exhaustive first-hand reporting that took her to ten countries, Nuwer explores the forces currently driving demand for animals and their parts; the toll that demand is extracting on species across the planet; and the conservationists, rangers, and activists who believe it is not too late to stop the impending extinctions. More than a depressing list of statistics, Poached is the story of the people who believe this is a battle that can be won, that our animals are not beyond salvation.
Asymmetric Ecologies in Europe and South America around 1800 by Susanne Schlünder,Rolando M. Carrasco Pdf
This volume proposes new ways of understanding the historical semantics of the relationship between humans and nature in South America in the eighteenth and early nineteenth centuries. The authors in this volume use the notion of asymmetry to discuss the representations of and forms of knowledge about nature circulating in, and about, colonial and postcolonial South America. They argue that the production of knowledge about the American natural space widened the power gap between the Europeans colonizers and the local population. This gap, therefore, rests on what we call 'asymmetric ecologies': Eurocentric epistemic orders excluded forms of indigenous, mestizo, and Creole knowledge about nature. By looking at literary as well as non-literary sources, such as natural histories, travel narratives, encyclopaedias or medical writing, the essays in this volume trace the origins of new theoretical paradigms (ecocriticism, biopolitics, transarea studies, etc.), and examine the regional cultural, identity, and epistemic conflicts that undercut the Eurocentric narrative of enlightened modernity.
No matter when or where one starts telling the story of the battle of al-Qasr al-Kabir (August 4, 1578), the precipitating event for the formation of the Iberian Union, one always stumbles across dead bodies—rotting in the sun on abandoned battlefields, publicly displayed in marketplaces, exhumed and transported for political uses. A Grammar of the Corpse: Necroepistemology in the Early Modern Mediterranean proposes an approach to understanding how dead bodies anchored the construction of knowledge within early modern Mediterranean historiography. A Grammar of the Corpse argues that the presence of the corpse in historical narrative is not incidental. It fills a central gap in testimonial narrative: providing tangible evidence of the narrator’s reliability while provoking an affective response in the audience. The use of corpses as a source of narrative authority mobilizes what cultural historians, philosophers, and social anthropologists have pointed to as the latent power of the dead for generating social and political meaning and knowledge. A Grammar of the Corpse analyzes the literary, semiotic, and epistemological function these bodies serve within text and through language. It finds that corpses are indexically present and yet disturbingly absent, a tension that informs their fraught relationship to their narrators’ own bodies and makes them useful but subversive tools of communication and knowledge. A Grammar of the Corpse complements recent work in medieval and early modern Iberian and Mediterranean studies to account for the confessional, ethnic, linguistic, and political diversity of the region. By reading Arabic texts alongside Portuguese and Spanish accounts of this key event, the book responds to the fundamental provocation of Mediterranean studies to work beyond the linguistic limitations of modern national boundaries.
A collection of essays addresses the ways in which sexual roles are depicted in science fiction films and includes the complete text of Peter Wollen's film script for "Friendship's Death"
English Prose and Computer & Writing Skilis - SBPD Publications by Amit Ganguli, ,Kanika Agarwal Pdf
1. An Introduction To Indian Writing in English, 2. Elements of Short Story, 3. Types of Prose and Prose Style Autobiography, 4. Prose Devices Theme, 5. Short Stories, 6. Short Stories, 7. Prose, 8. Prose, 9.Computer and Writing Skills in English.
Handbook of Research on Children's and Young Adult Literature by Shelby Wolf,Karen Coats,Patricia A. Enciso,Christine Jenkins Pdf
This multidisciplinary handbook pulls together in one volume the research on children's and young adult literature which is currently scattered across three intersecting disciplines: education, English, and library and information science.
Artificial Culture is an examination of the articulation, construction, and representation of "the artificial" in contemporary popular cultural texts, especially science fiction films and novels. The book argues that today we live in an artificial culture due to the deep and inextricable relationship between people, our bodies, and technology at large. While the artificial is often imagined as outside of the natural order and thus also beyond the realm of humanity, paradoxically, artificial concepts are simultaneously produced and constructed by human ideas and labor. The artificial can thus act as a boundary point against which we as a culture can measure what it means to be human. Science fiction feature films and novels, and other related media, frequently and provocatively deploy ideas of the artificial in ways which the lines between people, our bodies, spaces and culture more broadly blur and, at times, dissolve. Building on the rich foundational work on the figures of the cyborg and posthuman, this book situates the artificial in similar terms, but from a nevertheless distinctly different viewpoint. After examining ideas of the artificial as deployed in film, novels and other digital contexts, this study concludes that we are now part of an artificial culture entailing a matrix which, rather than separating minds and bodies, or humanity and the digital, reinforces the symbiotic connection between identities, bodies, and technologies.
