Yankee Moderns Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Yankee Moderns book. This book definitely worth reading, it is an incredibly well-written.
"Rural New Englanders, Hoberman suggests, have too long been portrayed as backward-looking and dangerously homogeneous in their makeup - crotchety exceptions to modernity's nearly worldwide sweep. This insightful work, with its emphasis on instability and adaptation as persistent features of the folk region, does much to lay that stereotype to rest."--BOOK JACKET.
"Estes/Twombly's multiple award-winning Cyronak House on Block Island combines a modern, open plan - so suitable for the way most families live today - with time-tested local materials; sliding barn doors enclose a small courtyard entry and protect it from north winds, while to the south a small deck catches summer afternoon breezes. The pair of simple two-story blocks that comprise the Danevic House are turned at right angles and pulled apart to make outdoor spaces and take advantage of different views. A latticework tower joins them, acting as a transition between indoors and outdoors, the private and public realms. Sumptuous photography, charming drawings, and detailed plans fully illustrate Estes/Twombly's commonsense design solutions. Author William Morgan s opening essay traces the firm's development and situates their work in both regional and historical contexts.
The famous "Stage Yankees," with their eccentric New England dialect comedy, entertained audiences from Boston to New Orleans, from New York to London in the years between 1825 and 1850. They provided the creative energy for the development of an American-type character in early plays of native authorship. This book examines the full range of their theatre activity, not only as actors, but also as playmakers, and re-evaluates their contribution to the growth of the American stage. Yankee theatre was not an oddity, a passing fad, or an accident of entertainment; it was an honest exploitation of the materials of American life for an audience in search of its own identification. The delineation of the American character—a full-length realistic portrait in the context of stage comedy—was its projected goal; and though not the only method for such delineation, the theatre form was the most popular and extensive way of disseminating the American image. The Yankee actors openly borrowed from what literary sources were available to them, but because of their special position as actors, who were required to give flesh-and-blood imitations of people for the believable acceptance of others viewing the same people about them, they were forced to draw extensively on their actors' imaginations and to present the American as they saw him. If the image was too often an external one, it still revealed the Yankee as a hardy individual whose independence was a primary assumption; as a bargainer, whose techniques were more clever than England's sharpest penny-pincher; as a country person, more intelligent, sharper and keener in dealings than the city-bred type; as an American freewheeler who always landed on top, not out of naive honesty but out of a simple perception of other human beings and their gullibility. Much new evidence in this study is based on London productions, where the view of English audiences and critics was sharply focused on what Americans thought about themselves and the new culture of democracy emerging around them. The shift from America, the borrower, to America, the original doer, can be clearly seen in this stager activity. Yankee theatre, then, is an epitome of the emerging American after the Second War for Independence. Emerging nationalism meant emerging national definition. Yankee theatre thus led to the first cohesive body of American plays, the first American actors seen in London, and to a new realistic interpretation of the American in the "character" plays of the 1870s and 1880s.
In the aftermath of the 1910 Mexican Revolution, Mexican and U.S. political leaders, business executives, and ordinary citizens shaped modern Mexico by making industrial capitalism the key to upward mobility into the middle class, material prosperity, and
How did America become great? How did this country become the most successful, powerful, and prosperous nation in the history of the world? Was it because of the nation's unprecedented founding documents? Was it due to the scores of immigrants from all over the world who brought their dreams and talents to America's shores? Or did America become great, as some contend, through racism, theft, and genocide? Author Troy Tyson proposes a unique argument as to the origins of American greatness: that the country's unparalleled success is a result not of its founding documents, nor its celebrated openness to people of all backgrounds, nor of genocidal tyranny. Rather, The Yankee Way asserts that the nation's great power and success stem primarily from the traits of a comparatively small, peculiar ethnic group from New England known as the Yankees. These traits, which include morality, industriousness, respect for law and order, commitment to education, and dedication to traditional family values, were developed first by the early Puritans of New England, then passed down to their Yankee descendants, who finally embedded them into the cultural DNA of the United States. The Yankee Way explores, in fascinating detail, the history of the Yankees, and the process by which they created modern America and instilled within it their distinct cultural characteristics. Further, though, the book serves as a warning to Americans as to what the future might hold, as the nation rapidly moves away from this critical cultural inheritance, and leaves The Yankee Way behind.
A Connecticut Yankee in King Arthur's Court by Mark Twain Pdf
This tale takes place in Sixth-Century England in Camelot where King Arthur and the Knights of the Round Table live. Hank Morgan finds himself there after he is mysteriously transported there from his home in Nineteenth-Century New England. Although this story is very funny, it still hits on serious topics like; white slavery , prejudice, confiscation of property in event of suicide, and the influence of the Church on the people. Please Note: This book has been reformatted to be easy to read in true text, not scanned images that can sometimes be difficult to decipher. The Microsoft eBook has a contents page linked to the chapter headings for easy navigation. The Adobe eBook has bookmarks at chapter headings and is printable up to two full copies per year. Both versions are text searchable.
A biography of diplomat William Smith Clark, an exponent of the modernization of Japan in the nineteenth century and founder of the University of Massachusetts at Amherst.
The King Arthur Myth in Modern American Literature by Andrew E. Mathis Pdf
In American fiction, two forms of the Arthurian myth are commonly found: the use of the myth for political reasons, and the use of the myth for the continuation of an aesthetic tradition that can be traced back to the earliest use of the Arthurian cycle by writers in the British Isles. This work traces the use of the legend from Mark Twain's A Connecticut Yankee in King Arthur's Court to Donald Barthelme's novel The King. It discusses how Twain used the myth to take a stand against England, how it served cultural and aesthetic purposes in John Steinbeck's writing, how Raymond Chandler used it in complex texts with less obvious Arthurian allusions that carried strong cultural and even political associations, how John Gardner used aspects of the myth to embellish already existing narrative structures and to underscore philosophic debates, and how Donald Barthelme suggests the continuing interest of American writers in the Arthurian legend today in his novels. Also discussed is the effect of World War II on American literature and the Arthurian myth and the Camelot image surrounding the Kennedys.
Library of the World's Best Literature, Ancient and Modern: A-Z by Charles Dudley Warner,Hamilton Wright Mabie,Lucia Isabella Gilbert Runkle,George Henry Warner Pdf