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Encyclopaedia of Indian Literature by Amaresh Datta Pdf
A Major Activity Of The Sahitya Akademi Is The Preparation Of An Encyclopaedia Of Indian Literature. The Venture, Covering Twenty-Two Languages Of India, Is The First Of Its Kind. Written In English, The Encyclopaedia Gives A Comprehensive Idea Of The Growth And Development Of Indian Literature. The Entries On Authors, Books And General Topics Have Been Tabulated By The Concerned Advisory Boards And Finalised By A Steering Committee. Hundreds Of Writers All Over The Country Contributed Articles On Various Topics. The Encyclopaedia, Planned As A Six-Volume Project, Has Been Brought Out. The Sahitya Akademi Embarked Upon This Project In Right Earnest In 1984. The Efforts Of The Highly Skilled And Professional Editorial Staff Started Showing Results And The First Volume Was Brought Out In 1987. The Second Volume Was Brought Out In 1988, The Third In 1989, The Fourth In 1991, The Fifth In 1992, And The Sixth Volume In 1994. All The Six Volumes Together Include Approximately 7500 Entries On Various Topics, Literary Trends And Movements, Eminent Authors And Significant Works. The First Three Volume Were Edited By Prof. Amaresh Datta, Fourth And Fifth Volume By Mohan Lal And Sixth Volume By Shri K.C.Dutt.
This collection of poems tells the story of Yashodhara, the wife of Gautama. Legend is that Gautama, the would-be Buddha, was born in the sixth century B.C. as the son of the king of a small warrior tribe of the Sakyas based in the principality of Kapilavastu in southwestern Nepal. At the age of twenty-nine, Gautama left his palace, his wife, and his newly born son, Rahul, to search for love, peace, and salvation. The poems relate the story of Yashodhara in a poetic form that was popular in ancient and medieval India, Sanskrit, and non-Sanskrit literatures. The season-poems follow a strict poetic structure and represent the voice of Yashodhara; the longer narrative poems that interject the season-poems are written in the voice of a contemporary narrator.
The story of Siddhartha, the future Gautama Buddha, leaving the palace to start his spiritual journey and attain enlightenment has been told innumerable times over the centuries. And yet, have we never wondered why his young wife, Yashodhara, still recovering from the birth of their son nine days ago, sleeps soundly as her husband, the over-protected prince departs, leaving behind his family and wealth and kingdom?In Yashodhara, the gaps of history are imagined with fullness and fierceness: Who was the young girl and what shaped her worldview? When she married Siddhartha at the age of sixteen, did she know her conjugal life would soon change drastically? The Yashodhara we meet in Volga's feminist novel is quick-witted, compassionate and wants to pave a way for women to partake in spiritual learning as equals of men.
Attachment is predominant in mankind. Some see joy in money, some see only grief in money, some see it in licentiousness and some see it in sacrifice. Therefore no one can draw a line where it can be otherwise simply because it is always a subjective issue in everyone’s view and that too how he looks at the issues! Likewise there cannot be any definition of a sin, lust, happiness etc. as we neither do it for virtue nor we do it for sin. We only do what we are made to do at a point of time by happenings around us. A very interesting and engrossing philosophical & mind boggling fiction on the changing relations of a woman–saint–a lover to seek what is the ultimate happiness?
Voyages of Body and Soul by Ketu H. Katrak,Anita Ratnam Pdf
Voyages of Body and Soul: Selected Female Icons of India and Beyond includes scholarly essays and performance/choreographic notes from a diverse range of contributors on the themes of “Mad and Divine: India’s Female Saint-Poets” and “Epic Women of India and Beyond.” The contributors explore the tendency of patriarchal societies to label exceptional saint-poets yearning for the divine as “mad” because of their resistance to normative and acceptable female behavior. Scholars and performers journey across history, with discussions ranging from the 8th century Tamil mystic poet Andal’s divine poetry, to the 16th century saint-poet Meerabai, to figures across the Indian subcontinent, including Kashmir’s Lalleshwari and Maharashtra’s Janabai, who, as a low caste member, joined the sacred path partly to escape caste oppression. The definition of “epic women” in this volume is multi-faceted: from looking at commonly accepted epic figures, such as the iconic Sita from The Ramayana, to examining epic women in politics, to probing dark women with passions of epic proportions, to legendary teachers of the classical dance style of bharatanatyam, to women with monumental courage and creativity across historical time-periods and geographical locations – Ancient Greece, Ancient India, 20th century Mexico, and Myanmar. Voyages of Body and Soul recognizes creative and courageous female saint-poets, and outspoken women in ancient epics and in contemporary times who follow their chosen paths with deep devotion. Their lives and works are models for the human community in the 21st century.
THE ULTIMATE LIBERATION by Anand Prakash Gupta Pdf
"Buddhism is not just a social philosophy,it is a way of life, A true religion.Buddism offers all that is Needed to be truely religious and spiritual and to attain complete salvation,the nirvan. The teachings of Shakyamuni/Gautam Buddha shows the way of enlightment for peace,happiness,wisdom and awakening. After attaining enlightment through perssonnal efforts shakyamuni said- That after becoming perfectely awaken and reching the pure state of enlightment, ’one not loss the awareness of the unity.’ Only then every corner of the mind would be immersed with the blissful light and the thin wall of the conditioned instincts or drives would completely break away. Tathagat/Buddha fallowed an intellectual way discovered through ‘Karma Yoga’after----wandering here nd there in the jungles. This kind of walk on a path is open to all.The man is the instrument of his own destiny. Workout your own salvation with diligence ‘’Be lamps unto youselves. Buddhism is simply as a humanistic or even atheistic philosophy of faith,in which there is no place for any supernatural entity. It is search for an answer to the questions of the four pains i.e. the pain of birth,of aging,of illness nd of death. after deep meditation Gautam got the ultimate goal i.e, marga to nibban. It offers a contemporary interpretation on of the way to enlightment."
The Circle of Bliss by John C. Huntington,Dina Bangdel Pdf
Published in conjunction with a 2003 exhibition co-organized by the Columbus Museum of Art and the Los Angeles County Museum of Art, this hefty, oversize (10x13 catalogue features approximately 160 powerful masterpieces of Indian, Nepalese, Tibetan, Chinese, and Mongolian art produced over the pa
Images of Women in Maharashtrian Literature and Religion by Anne Feldhaus,Professor of Religious Studies Anne Feldhaus Pdf
The essays investigate the images of women and femininity found in the traditions of the Marathi language region of India, Maharashtra, and how these images contradict the actualities of women's lives.
The House of Scindias: A Saga of Power, Politics and Intrigue by Rasheed Kidwai Pdf
RASHEED KIDWAI is a journalist, author, columnist and political analyst. He is Visiting Fellow with the Observer Research Foundation, Delhi. Formerly Associate Editor at The Telegraph, Kidwai is a keen observer of government, politics, community affairs and Hindi cinema.
Preface...... The story of Lord Buddha is the most read story in the world. This is one story that is beyond the boundaries of religion, culture and society. The story is being told and retold for almost more than two thousand and five hundred years, yet what happened at that time from the birth of prince Siddhartha till he attained his Nirvana is very enigmatic. Not much written evidence is available for that, while lot of literature is available for what happened after Nirvana. This story is just an attempt to tell the world what would have happened at that time, when seen in the logical context of human boundaries. This story is only upto the point when monk Gautam attains Nirvana. Further attempt to tell the story after Nirvana, when Gautam became Buddha, will be made after the outcome of this attempt. We know some stories connected with prince Siddhartha, his life and these stories are scattered here and there in various books. Jatakas contain the previous birth stories of Lord Buddha. But there is no such consolidated book, which can be ascribed to prince Siddhartha’s life. The author has made an attempt to collect all such stories and thread them into a garland. The result is this book. In the attempt, some literary and fictional additions have been done. But in the end, the author is sure that the readers will like the storyline. Kapilvastu was not a huge kingdom. Its name is not included in the sixteen (or twelve) Mahajanpadas. It clearly indicates that Kapilvastu was a small principality within the kingdom of Kosala. The rulers of Kapilvastu were descendants of great Ikshavaku, who was also ancestor of the rulers of Kosala. It clearly means that the rulers of Kapilvastu and Kosala were related by blood. And as per the tradition, the throne was passed to the eldest son of the king and the younger son became vassal ruling small principalities within the kingdom, owing allegiance to the king. This would have happened at that time too, within the kingdom of Kosala. The story has been developed accordingly. Kapilvastu was surrounded by Mahajanpadas, and as such its polity was influenced by the neighboring kingdoms. Many events happened in the neighbouring kingdoms, and that had a bearing in the future of Kapilvastu and hence Siddhartha. These events have also been included in this story to give the story a flow. These incidences and events are of historical significance and happened around the same time, though the interpretation of these events is of author’s own. Some texts point out to the fact that Siddhartha was married to Yashodhara, a princess from the neighbouring kingdom of Koliya. Some texts point out that Siddhartha had three wives, namely, Yashodhara (daughter of Dandapani), Mrigdja (daughter of Kinkinishwar) and Gopa (daughter of Kanika). It is not sure, which one is the right fact. In this book, Siddhartha is shown to be married only to Yashodhara as the Shakyas wanted to preserve their lineage; hence marriage within community was allowed. Also ‘one man- one woman’ formula was propagated. Thus, it would have been not possible for Siddhath to marry three girls. The purity of Shakya race was declared by the Buddha himself in Ambattha Sutta. The predictions of sage Asit were not told to Prince Siddhartha, till this was finally revealed to him. All through his life as a prince, Siddhartha was kept away from four signs sage Asit told- an old decrepit man, a diseased man, a dead man and a monk. In this story, it is emphasized that king Shuddhodan had forbidden presence of anybody who could remind Siddhartha about these signs. Siddhartha virtually grew in controls of the palace. This is author’s idea to develop the story forward. The author is of belief that Buddhism was born after Buddha, i.e., after Siddhartha attained nirvana. Before Buddhism, there was Vedic religion and the Vedic philosophy. The same concept is used in this book to show what Siddhartha was taught by his teachers, Master Arada Kalama and Master Udrak Ramputra. Arada is depicted as an exponent of Raj Yoga techniques whereas Udrak is depicted as master of Hatha Yoga techniques. Siddhartha learnt both these techniques under these masters. This can be seen in the various teachings of Lord Buddha. In the Heart Sutta, Buddha explains about emptiness and form. This is nothing but something that can be explained and attained through combination of Raj yoga, HathaYoga and Laya Yoga. The author would like to mention that the philosophy depicted in the book have been told to him by his guru, Shri Shri Shibendu Lahiri, and sometimes it is verbatim. And what has been given in the book is just a drop in the ocean. There is much more to learn from him. In the book, an attempt is made to describe the psychology of Prince Devdatt, his extreme hatred for Siddhartha and why he hated Siddhartha. Due to this hatred only, Devdatt tried many times to kill Prince Siddhartha, then Lord Buddha after Siddhath attained nirvana. Till Siddhartha was born, Devdatt was heir apparent to the throne of Kapilvastu. He was eldest in the entire family for four brothers- Shuddhodan, Shuklodan, Amritodan and Dronodan. Shuddhodan’s wife, Queen Mayadevi could not conceive for almost twenty years after their marriage. Though there is no concrete evidence to say that, yet it is widely perceived to be like this only. (In some texts, Devdatt is the son of Suprabuddha of Devdaha). In the end of this preface, the entire genealogy of Lord Buddha, whichever the author could gather, is presented for ready reference. And after Siddhartha was born, and he became the heir to the throne of Kapilvastu, being elder son of the king. This incidence and many more such incidences where Siddhartha was given preference over other princes due to the stories associated with his birth, cemented Devdatt’s resolution to get rid of Siddhartha. Readers will not find story of Devdatt out of context in this book. In the concluding part of book, the Maar is shown to take a human form. Though this is not possible for the negativity to take a form, but it was essential to depict the fight monk Gautam had undergone with himself, with his own negativity. Only after defeat of his negativity, he could attain nirvana. Everybody has to fight with his Maar one day or the other, but the fight monk Gautam had with his Maar shows how the negativity sometimes controls the thoughts of even profound persons like monk Gautam. The author is sure that readers would like the depiction of fight between Gautam and his negativity. In order to take the story forward, the protagonist should always have some companion to express his mind. Thus, the protagonist of this story, Siddhartha and later Gautam is shown always in company of somebody, Channa, Yashodhara or Kondinya. Actually, Kondinya may not have met Gautam during his travel to Vaishali, but it is shown just to carry the story forward. The story contains many words which are not from English language, but from Sanskrit or Pali or Hindi. These words are in italics and their meaning is in the other chapter after preface. These words are used as they explain the situation better that any phrase or word in English. In the end, it is hoped that this attempt by the author will be appreciated by the readers. This story should be read as story, and not as an attempt to rewrite history. Many incidences and characters may not fall in line with the thinking of people having knowledge about Buddhism. This is a work of fiction and should be taken likewise. However, author welcomes the comments from the readers.
Islamic Financial Management by Dr. Jaquir Iqbal Pdf
The Encyclopaedic Dictionary Of Marathi Literature Has Been Developed With A Specific Planning To Include Not Only Men Of Letters But Also All Aspects Characterising The Growth Of Marathi Literature. It Also Presents A Clear Picture Of Development Of Marathi Literature From Early Period To The Present Day. The Contributions Of Many Poets, Writers, Playwriters, Essayist And Critics Are Given Along With Their Biographical Accounts Supported By Bibliography. It Has Successfully Converted A Long Journey Of Marathi Since Saint Dnyaneshwar To Today S New Little Magazine Movement .The Encyclopaedic Dictionary Serves The Purpose Of Research And Survey Of Marathi Literature Very Well, Bringing In Full Contributions Of Progressive Poets And Writers. It Is Bound To Be Gita For Researchers As Well As Every Common Marathi Individual As It Has Rich Reference Value.
A contemporary and provocative examination of the life of the Buddha highlighting the influence of women from his journey to awakening through his teaching career--based on overlooked or neglected stories from ancient source material. In this retelling of the ancient legends of the women in the Buddha’s intimate circle, lesser-known stories from Sanskrit and Pali sources are for the first time woven into an illuminating, coherent narrative that follows his life from his birth to his parinirvana or death. Interspersed with original insights, fresh interpretations, and bold challenges to the status quo, the stories are both entertaining and thought-provoking—some may even appear controversial. Focusing first on laywomen from the time before the Buddha’s enlightenment—his birth mother and stepmother, his co-wives, and members of his harem when he was known as Prince Siddhartha—then moving on to the Buddha’s first female disciples, early nuns, and to female patrons, Wendy Garling invites us to open our minds to a new understanding of their roles.
