Ymir Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Ymir book. This book definitely worth reading, it is an incredibly well-written.
"Phenomenal, visceral, high-octane scifi... Altered Carbon unsleeves in a dystopian Beowulf."―Derek Künsken, Aurora-award-winning author of The Quantum Magician As glittering and treacherous as an icy cavern, Rich Larson's far-future tale of revenge and revolution is a gripping thriller, perfect for fans of Richard K. Morgan and inspired by the legendary story of Beowulf. Yorick never wanted to see his homeworld again. He left Ymir two decades ago, with half his face blown off and no love lost for the place. But when his employer's mines are threatened by a vicious alien machine, Yorick is shipped back home to hunt it. All he wants is to do his job and get out. Instead, Yorick is pulled into a revolution brewing beneath Ymir's frozen surface, led by the very last person he wanted to see again—the brother who sent him off in pieces twenty years ago..
This collection of Norse-Icelandic mythological and heroic poetry contains the greater narratives of the creation of the world and the coming of Ragnarok, the Doom of the Gods.
To be captured by the Northern Thing means to be taken with the Norse stories of the Gods. If that describes you, then The Norse Myths should help. It contains the most complete versions of the Norse myths available in the English language. The Norse Myths is presented as a narrative from the beginning of creation to the final great battle of Ragnarok, followed by the Rebirth. The Norse Myths is split into several parts: Part One: In the Beginning. Eight chapters that set up the Universe. Part Two: The Adventures. Twelve chapters about the adventures of Gods, Elves, Jotuns, Humans. Part Three: The Ending of All Things. Overarching in all the stories is Ragnarokr, the Doom of the Gods. Even in the humorous stories there's a sense of fatality. Part Three is eight chapters leading to the final battle (Ragnarokr) and the subsequent Rebirth into a more Utopian world. Finally, there is a complete Glossary of all the characters, places, and objects in the book. The spelling used in the book is presented with definitions of the word and alternate spellings, followed by a complete description. And there's a Genealogy chart showing the familial relationships of many of the characters. Norse mythology comes from the Nordic countries, including Sweden, Denmark, Norway, and Iceland. These countries were heavily influenced by Teutonic (German) mythology. This book contains all of the legends which pertain to the Gods. Future volumes will be about family sagas like The Niebelungenlied (The Ring Saga). There is a deep foreboding, a sense of doom, that pervades Norse mythology. The Gods are not immortal. They can be injured and need to be healed. They can find themselves bent with old age. Against the right enemy they can be killed. From the beginning the Gods know they are in a violent battle of good versus evil. The Gods, mankind of Midgardr, and light elves, are doing what they can to stave off the last battle, Ragnarokr, the Doom of the Gods. They fight against evil giants, ferocious wolves, giant sea serpents, and the cunning Loki. The Nordic countries have harsh winters resulting in a mythology that is darker than most. The Norse hero wants to die a hero's death, in battle, fighting for right. The worst death is the straw death, in bed, old, infirm, and away from the fight. The hero who dies in battle goes to Valhalla or one of the other fighting halls to practice and prepare for the last great battle. Those who die straw deaths go to the torturous halls in Niflheimr. Glory does not await them. Pain, venous snakes, and starvation awaits them. Yet, there is hope . . . always hope. There is the vision of a better life filled with peace and tranquility, the Rebirth. Norse mythology has influenced many fantasy novels including The Lord of the Rings by J.R.R. Tolkien, who taught Norse mythology at Oxford. The Norse Myths will take you to a world of legend with Thor, Odin, Loki, Gods, Goddesses, monsters, giants, and dwarves doing what they can to help or hurt each other.
In isolation the pre-Christian north European creation myths appear fragmented and confused, but a thematic cohesion is apparent when they are taken as a whole and compared to their counterparts in Vedic India, ancient Greece and Rome, medieval Ireland, ancient and medieval Iran, and so on. From this arises a wider significance that would not otherwise be apparent. This wider significance includes the recognition of a distinctive social structure, formally defined in the institutions, myths and religion. The myths of creation have a pivotal r le in the construction of this system. A vast and complex mythical scenario describes the spontaneous generation and subsequent dismemberment of a primal humanoid being and the manufacture of generation features of the cosmos from parts of his body. As a system, it is nearly all-encompassing: it gives form and meaning to the social structure, both the human and the divine; to the features and phenomena that constitute the physical world and its surroundings; to the sacrifices and observances involved in nearly all the major religious themes; to the beliefs underlying the early stirrings of science and medicine; and to the theory and practice of magic. The first stirrings of Western rationalism were founded on the poetry of these creation myths, thanks largely to the reiteration of archaic principles in the works of Plato and Aristotle. Like the Big Bang so dear to modern astrophysics, the north European cosmological myths have echoes that can still be detected today. Ymir's Flesh gathers together the distorted fragments of this mythology and provides an original and inspiring insight into the complex inter-weaving of mythological themes.
Storytelling is an ancient practice known in all civilizations throughout history. Characters, tales, techniques, oral traditions, motifs, and tale types transcend individual cultures - elements and names change, but the stories are remarkably similar with each rendition, highlighting the values and concerns of the host culture. Examining the stories and the oral traditions associated with different cultures offers a unique view of practices and traditions."Storytelling: An Encyclopedia of Mythology and Folklore" brings past and present cultures of the world to life through their stories, oral traditions, and performance styles. It combines folklore and mythology, traditional arts, history, literature, and festivals to present an overview of world cultures through their liveliest and most fascinating mode of expression. This appealing resource includes specific storytelling techniques as well as retellings of stories from various cultures and traditions.
Here are the stories of early days in the West Kootenay. Nine chapters include tales from Ainsworth, West Kootenay's first town; the story of Nelson; ghost towns of the silvery Slocan; and the legendary gold of Rossland. The book is well illustrated with colour and black-and-white photographs, and includes an index. Now in its fourth printing.
The year is 3016 on the continent of Avalon. Roughly, a hundred years have passed since the final battle between the conqueror of West Avalon – the Demon King Abaddon – and the Alliance of Men, Elves, and the other five, dominant races. It is a time of peace and prosperity but even death won’t stop the ambitious. What was once, shall rise again to claim back its throne, setting a new challenge for the inhabitants of the West, but for itself as well. Will the Demon restore his former glory or will he be destroyed yet again, this time for good. Invictus tells the story of the Demon King’s return from ruin and his ambition to restore his power and reclaim his seat as Kishsharum – King of the World.
The Biology of Science Fiction Cinema by Mark C. Glassy Pdf
Science fiction films of the 1930s and 1940s were often set in dark laboratories that had strange looking glass containers with bubbling fluids and mad scientists conducting glandular and hormonal experiments. In the 1950s, films were more focused on radiation induced mutations. The 1960s and 1970s brought more sophisticated biological sciences to the movies and focused on such relatively new concepts as immunology, cyrobiology, and biochemistry. In the 1980s and 1990s, the focus of science fiction films has been DNA. This work of film criticism relates 71 science fiction films to the biological sciences. The author covers cell biology, pharmacology, endocrinology, hematology, and entomology, to name just a few topics. An analysis of each film includes a brief plot synopsis, the author's favorite quotations, the biological principles involved, the accuracy of the laboratory, and correct and incorrect biological information. In his analyses, the author sets out what would be required to achieve in real life the results seen in the movies and whether these experiments or events could actually happen.
The Nordic Languages by Oskar Bandle,Lennart Elmevik,Gun Widmark Pdf
The handbook is not tied to a particular methodology but keeps in principle to a pronounced methodological pluralism, encompassing all aspects of actual methodology. Moreover it combines diachronic with synchronic-systematic aspects, longitudinal sections with cross-sections (periods such as Old Norse, transition from Old Norse to Early Modern Nordic, Early Modern Nordic 1550-1800 and so on). The description of Nordic language history is built upon a comprehensive collection of linguistic data; it consists of more than 200 articles written by a multitude of authors from Scandinavian and German and English speaking countries. The organization of the book combines a central part on the detailed chronological developments and some chapters of a more general character: chapters on theory and methodology in the beginning and on overlapping spatio-temporal topics in the end.
She's the daughter of Metaraon, the Voice of God. Now it's time for her to take his place in the world - and pay for his sins. He's a doctor as good with a gun as he is with a scalpel. He knows a lot about the preternatural, but he's not saying why. And he's the new Voice of God's only chance of survival. This collection contains the first three books of The Mage Craft Series, amounting to over 210,000 words. About Cast in Angelfire As a half-angel, half-human mage, Marion Garin is the most powerful witch in the world. She’s been embroiled in preternatural politics since childhood and navigates the factions with ease. Or so she’s been told. Unfortunately, she’s lost her memory, and now Marion doesn’t know much of anything. Casting magic? Forget about it. It’s not an accident, either. Someone powerful wanted to take Marion out of preternatural politics, and they succeeded. She’s told that a man named Seth Wilder could help, but she’ll have to find him first. He’s been missing for years. Marion needs to track Seth down and fix her memory before her unknown enemy finishes the job… * * * About Cast in Hellfire Marion Garin is the teenage daughter of Metaraon, the former Voice of God. Now she's also the steward of the Winter Court, which has been in anarchy since a revolution five years earlier. Problem: Marion still doesn't remember anything that happened before two weeks ago. Seth Wilder has a lead on her memories. Whoever stole them and sold Marion's essence to a demon lord in Sheol. Marion wants to help steal them back, even though that means abandoning the Winter Court to war. And Seth can't seem to tell Marion no. He wants Marion nearby. Very nearby. Possibly in his teeth. See, Seth has this little problem where he's developing a killing urge, and it seems to be centered primarily on the half-angel girl who adores him. It conflicts with everything Seth believes himself to be: a moral man, a doctor who heals instead of hurts. Yet he's obsessed with Marion. She wants her memories, and he wants her to have them as much as he wants her blood. They'll work together to make Marion whole, come hell or high water. Even if it means war. Even if it means Seth might hurt Marion. And damned be the consequences... * * * About Cast in Faefire Marion Garin, the Voice of God, is due to marry the Prince of the Autumn Court by the end of the week - assuming that the world's preternatural leadership doesn't have anything to say about it. They plan to strip Prince ErlKonig of his title, ensuring that Marion can't form a god-forbidden treaty with the angels. Still injured from his final fight in Sheol, Seth Wilder is seeking a way to stay alive. If he dies, he'll lose more than his life - he'll be slave to the gods' whims for all eternity. He's ready to take drastic steps. Maybe even make a bargain with the vampires. But what the gods want, they get. And they don't appreciate being defied. Search Terms: bargain box set, paranormal romance box set, romance collection, box set, romance boxed set, urban fantasy boxed set, boxed set
Tools of Literacy by Guðrún Nordal,Nordal Guðrún Pdf
A thorough and ground-breaking examination of thirteenth-century skaldic verse, linking the poets of the time with leading families and with ecclesiastical and secular learning.