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Author : Leo Guild
Publisher : All America Distributors Corporation
Page : 266 pages
File Size : 55,6 Mb
Release : 1970
Category : Biography & Autobiography
ISBN : UOM:39015024314810
Author : Leonard Mosley
Publisher : McGraw-Hill Companies
Page : 474 pages
File Size : 48,6 Mb
Release : 1985
Category : Biography & Autobiography
ISBN : UVA:X000944566
Profiles the genius filmmaker who steered Twentieth Century-Fox to the forefront of Hollywood studios and whose turbulent private life frequently spilled over into his business affairs
Author : Frank N. Magill
Publisher : Routledge
Page : 1418 pages
File Size : 42,6 Mb
Release : 2013-05-13
Category : History
ISBN : 9781136593697
Each volume of the Dictionary of World Biography contains 250 entries on the lives of the individuals who shaped their times and left their mark on world history. This is not a who's who. Instead, each entry provides an in-depth essay on the life and career of the individual concerned. Essays commence with a quick reference section that provides basic facts on the individual's life and achievements. The extended biography places the life and works of the individual within an historical context, and the summary at the end of each essay provides a synopsis of the individual's place in history. All entries conclude with a fully annotated bibliography.
Author : Kim R. Holston
Publisher : McFarland
Page : 256 pages
File Size : 54,7 Mb
Release : 2015-07-11
Category : Performing Arts
ISBN : 0786480882
This biography of Susan Hayward, one of Hollywood’s leading ladies of the 1940s and 1950s, covers her childhood, school years, early modeling career, and development as an actress. It also documents her personal life, including her marriages and attempted suicide, and her illness and death at the age of 56. It provides an analysis of each of her feature films with comments from contemporary reviewers, and places Hayward and her films in the context of Hollywood and motion picture history. The filmography gives cast and production credits for both motion pictures and television movies.
Author : Frank Northen Magill,Christina J. Moose,Alison Aves
Publisher : Routledge
Page : 1418 pages
File Size : 44,7 Mb
Release : 1999-11
Category : Biography
ISBN : 9781579580483
Each volume of the Dictionary of World Biography contains 250 entries on the lives of the individuals who shaped their times and left their mark on world history. This is not a who's who. Instead, each entry provides an in-depth essay on the life and career of the individual concerned. Essays commence with a quick reference section that provides basic facts on the individual's life and achievements. The extended biography places the life and works of the individual within an historical context, and the summary at the end of each essay provides a synopsis of the individual's place in history. All entries conclude with a fully annotated bibliography.
Author : Frank Manchel
Publisher : Fairleigh Dickinson Univ Press
Page : 660 pages
File Size : 52,8 Mb
Release : 1990
Category : Performing Arts
ISBN : 0838634141
The four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices listing film distributors, sources, and historical information as well as an index of authors, titles, and film personalities.
Author : Associate Professor David Welky, PH.D.,David Welky
Publisher : JHU Press
Page : 443 pages
File Size : 46,8 Mb
Release : 2008
Category : History
ISBN : 9780801890444
This author's analytical approach will be appreciated by historians as well as film buffs. He examines Hollywood's response to the rise of fascism and the beginning of the Second World War. Welky traces the shifting motivations and arguments of the film industry, politicians, and the public as they negotiated how or whether the silver screen would portray certain wartime attributes.
Author : Nicholas Evan Sarantakes
Publisher : University Press of Kansas
Page : 272 pages
File Size : 44,6 Mb
Release : 2012-09-26
Category : Performing Arts
ISBN : 9780700618620
Forever known for its blazing cinematic image of General George S. Patton (portrayed by George C. Scott) addressing his troops in front of a mammoth American flag, Patton won seven Oscars in 1971, including those for Best Picture and Best Actor. In doing so, it beat out a much-ballyhooed M*A*S*H, irreverent darling of the critics, and grossed $60 million despite an intense anti-war climate. But, as Nicholas Evan Sarantakes reveals, it was a film that almost didn't get made. Sarantakes offers an engaging and richly detailed production history of what became a critically acclaimed box office hit. He takes readers behind the scenes, even long before any scenes were ever conceived, to recount the trials and tribulations that attended the epic efforts of producer Frank McCarthy—like Patton a U.S. Army general—and Twentieth Century Fox to finally bring Patton to the screen after eighteen years of planning. Sarantakes recounts how filmmakers had to overcome the reluctance of Patton's family, copyright issues with biographers, competing efforts for a biopic, and Department of Defense red tape. He chronicles the long search for a leading man—including discussions with Burt Lancaster, John Wayne, and even Ronald Reagan—before settling on Scott, a brilliant actor who brought to the part both enthusiasm for the project and identification with Patton's passionate persona. He also tracks the struggles to shoot the movie with a large multinational cast, huge outlays for military equipment, and filming in six countries over a mere six months. And he provides revealing insider stories concerning, for example, Scott's legendary drinking bouts and the origins of and debate over his famous opening monologue. Drawing on extensive research in the papers of Frank McCarthy and director Franklin Schaffner, studio archives, records of the Academy of Motion Picture Arts and Sciences, contemporary journalism, and oral histories, Sarantakes ultimately shows us that Patton is more than just one of the best war films ever made. Culturally, it also spoke to national ideals while exposing complex truths about power in the mid-twentieth century.
Author : Joseph McBride
Publisher : Univ. Press of Mississippi
Page : 825 pages
File Size : 41,6 Mb
Release : 2011-06-02
Category : Biography & Autobiography
ISBN : 9781604738391
Moviegoers often assume Frank Capra's life resembled his beloved films (such as Mr. Smith Goes to Washington and It's a Wonderful Life). A man of the people faces tremendous odds and, by doing the right thing, triumphs! But as Joseph McBride reveals in this meticulously researched, definitive biography, the reality was far more complex, a true American tragedy. Using newly declassified U.S. government documents about Capra's response to being considered a possible “subversive” during the post-World War II Red Scare, McBride adds a final chapter to his unforgettable portrait of the man who gave us It Happened One Night, Mr. Deeds Goes to Town, and Meet John Doe.
Author : Harvey G. Cohen
Publisher : Edinburgh University Press
Page : 238 pages
File Size : 43,8 Mb
Release : 2018-02-01
Category : Performing Arts
ISBN : 9781474429429
Introduction -- The Warners and Franklin Roosevelt -- The Great Depression musicals -- Footlight parade -- On the job -- The NRA code -- Post-1933 : a conclusion
Author : Eric A. Goldman
Publisher : University of Texas Press
Page : 265 pages
File Size : 53,7 Mb
Release : 2013-04-15
Category : Performing Arts
ISBN : 9780292754690
Like the haggadah, the traditional “telling” of the story of the Israelites’ exodus from Egypt that is read at the Passover seder, cinema offers a valuable text from which to gain an understanding of the social, political, and cultural realities of Jews in America. In an industry strongly influenced by Jewish filmmakers who made and continue to make the decisions as to which films are produced, the complex and evolving nature of the American Jewish condition has had considerable impact on American cinema and, in particular, on how Jews are reflected on the screen. This groundbreaking study analyzes select mainstream films from the beginning of the sound era to today to provide an understanding of the American Jewish experience over the last century. In the first half of the twentieth century, Hollywood’s movie moguls, most of whom were Jewish, shied away from asserting a Jewish image on the screen for fear that they might be too closely identified with that representation. Over the next two decades, Jewish moviemakers became more comfortable with the concept of a Jewish hero and with an overpowered, yet heroic, Israel. In time, the Holocaust assumed center stage as the single event with the greatest effect on American Jewish identity. Recently, as American Jewish screenwriters, directors, and producers have become increasingly comfortable with their heritage, we are seeing an unprecedented number of movies that spotlight Jewish protagonists, experiences, and challenges.
Author : Wheeler Winston Dixon
Publisher : Rutgers University Press
Page : 281 pages
File Size : 46,9 Mb
Release : 2012-08-28
Category : Performing Arts
ISBN : 9780813553788
Death of the Moguls is a detailed assessment of the last days of the “rulers of film.” Wheeler Winston Dixon examines the careers of such moguls as Harry Cohn at Columbia, Louis B. Mayer at MGM, Jack L. Warner at Warner Brothers, Adolph Zukor at Paramount, and Herbert J. Yates at Republic in the dying days of their once-mighty empires. He asserts that the sheer force of personality and business acumen displayed by these moguls made the studios successful; their deaths or departures hastened the studios’ collapse. Almost none had a plan for leadership succession; they simply couldn't imagine a world in which they didn’t reign supreme. Covering 20th Century-Fox, Selznick International Pictures, Metro-Goldwyn-Mayer, Paramount Pictures, RKO Radio Pictures, Warner Brothers, Universal Pictures, Republic Pictures, Monogram Pictures and Columbia Pictures, Dixon briefly introduces the studios and their respective bosses in the late 1940s, just before the collapse, then chronicles the last productions from the studios and their eventual demise in the late 1950s and early 1960s. He details such game-changing factors as the de Havilland decision, which made actors free agents; the Consent Decree, which forced the studios to get rid of their theaters; how the moguls dealt with their collapsing empires in the television era; and the end of the conventional studio assembly line, where producers had rosters of directors, writers, and actors under their command. Complemented by rare, behind-the-scenes stills, Death of the Moguls is a compelling narrative of the end of the studio system at each of the Hollywood majors as television, the de Havilland decision, and the Consent Decree forced studios to slash payrolls, make the shift to color, 3D, and CinemaScope in desperate last-ditch efforts to save their kingdoms. The aftermath for some was the final switch to television production and, in some cases, the distribution of independent film.
Author : Charlene Regester,Cynthia Baron,Ellen C. Scott,Terri Simone Francis,Robin G. Vander
Publisher : Univ. Press of Mississippi
Page : 191 pages
File Size : 42,9 Mb
Release : 2023-12-15
Category : Performing Arts
ISBN : 9781496848864
Contributions by Cynthia Baron, Elizabeth Binggeli, Kimberly Nichele Brown, Priscilla Layne, Eric Pierson, Charlene Regester, Ellen C. Scott, Tanya L. Shields, and Judith E. Smith Intersecting Aesthetics: Literary Adaptations and Cinematic Representations of Blackness illuminates cultural and material trends that shaped Black film adaptations during the twentieth century. Contributors to this collection reveal how Black literary and filmic texts are sites of negotiation between dominant and resistant perspectives. Their work ultimately explores the effects racial perspectives have on film adaptations and how race-inflected cultural norms have influenced studio and independent film depictions. Several chapters analyze how self-censorship and industry censorship affect Black writing and the adaptations of Black stories in early to mid-twentieth-century America. Using archival material, contributors demonstrate the ways commercial obstacles have led Black writers and white-dominated studios to mask Black experiences. Other chapters document instances in which Black writers and directors navigate cultural norms and material realities to realize their visions in literary works, independent films, and studio productions. Through uncovering patterns in Black film adaptations, Intersecting Aesthetics reveals themes, aesthetic strategies, and cultural dynamics that rightfully belong to accounts of film adaptation. The volume considers travelogue and autobiography sources along with the fiction of Black authors H. G. de Lisser, Richard Wright, Ann Petry, Frank Yerby, and Walter Mosley. Contributors examine independent films The Love Wanga (1936) and The Devil’s Daughter (1939); Melvin Van Peebles's first feature, The Story of a Three Day Pass (1967); and the Senegalese film Karmen Geï (2001). They also explore studio-era films In This Our Life (1942), The Foxes of Harrow (1947), Lydia Bailey (1952), The Golden Hawk (1952), and The Saracen Blade (1954) and post-studio films The Learning Tree (1969), Shaft (1971), Lady Sings the Blues (1972), and Devil in a Blue Dress (1995).
Author : Edwin Lee Canfield
Publisher : SCB Distributors
Page : 459 pages
File Size : 46,7 Mb
Release : 2023-01-02
Category : Performing Arts
ISBN : 9781915316011
“We are all interested in the future for that is where you and I are going to spend the rest of our lives, whether we want to or not!” Jeron Charles Criswell King, better known simply as Criswell, can rightfully be described as one of the first pop celebrity psychics. His bizarre predications — 87 per cent of which came true, he claimed — appeared from the 1950s through the 1970s in newspapers and magazines, while the flamboyant showman hosted his own Los Angeles television show, guested on national TV and in Ed Wood movies, including Plan 9 from Outer Space, alongside Vampira, Tor Johnson and Bela Lugosi. Unsuccessful attempts to find fame on Broadway and Tin Pan Alley did not prevent him from co-authoring three books on how to succeed in these fields. A member of the hidden Hollywood gay community, the story of Criswell, his triumphs and defeats, is one of fame and hope. Fact, Fictions, and the Forbidden Predictions of the Amazing Criswell is the first full-length biography of Criswell. It is the result of 20 years of research by number one fan, Edwin Canfield, and includes interviews, new information, and many startling predictions. “The world as we know it will cease to exist on August 18, 1999!”
Author : Thomas Schatz
Publisher : Univ of California Press
Page : 596 pages
File Size : 48,7 Mb
Release : 1999-11-23
Category : Business & Economics
ISBN : 0520221303
On the history of motion pictures