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Zapotec Weavers of Teotitlán by Andra Fischgrund Stanton Pdf
Written from the perspective of Teotiteco merchants, a guide to the artistry of Zapotec Indian weaving in the Mexican valley of Oaxaca showcases the wide range of beautiful colors, designs, and techniques found in the textiles of a culture whose traditions extend back to the colonial era.
Zapotec Weavers of Teotitlán by Andra Fischgrund Stanton Pdf
Written from the perspective of Teotiteco merchants, a guide to the artistry of Zapotec Indian weaving in the Mexican valley of Oaxaca showcases the wide range of beautiful colors, designs, and techniques found in the textiles of a culture whose traditions extend back to the colonial era.
Our Interwoven Lives with the Zapotec Weavers by Susanna Starr Pdf
One of life's memorable intersections... OUR INTERWOVEN LIVES WITH THE ZAPOTEC WEAVERS: An Odyssey of Heart celebrates American entrepreneur and gallery owner Susanna Starr's forty years of working with the Zapotec weavers of the Oaxaca Valley in Mexico. Starr takes us back to the moment when she first navigated dirt roads into the remote village of Teotitlan in the 70s, and fell in Heart with the vibrant Zapotec hand-loomed weavings and the warmth of the weavers themselves. She leads us on a three-generational trek of mind and spirit, as the Zapotec families and her own grow in parallels of symbiotic prosperity and mutual respect that reminds us that "business" does not have to be a negative word.
In this extensively revised and updated second edition of her classic ethnography, Lynn Stephen explores the intersection of gender, class, and indigenous ethnicity in southern Mexico. She provides a detailed study of how the lives of women weavers and merchants in the Zapotec-speaking town of Teotitlán del Valle, Oaxaca, have changed in response to the international demand for Oaxacan textiles. Based on Stephen’s research in Teotitlán during the mid-1980s, in 1990, and between 2001 and 2004, this volume provides a unique view of a Zapotec community balancing a rapidly advancing future in export production with an entrenched past anchored in indigenous culture. Stephen presents new information about the weaving cooperatives women have formed over the last two decades in an attempt to gain political and cultural rights within their community and standing as independent artisans within the global market. She also addresses the place of Zapotec weaving within Mexican folk art and the significance of increased migration out of Teotitlán. The women weavers and merchants collaborated with Stephen on the research for this book, and their perspectives are key to her analysis of how gender relations have changed within rituals, weaving production and marketing, local politics, and family life. Drawing on the experiences of women in Teotitlán, Stephen considers the prospects for the political, economic, and cultural participation of other indigenous women in Mexico under the policies of economic neoliberalism which have prevailed since the 1990s.
Fashion Business Cases: A Student Guide to Learning with Case Studies allows students to apply what they are learning in the classroom to real-life situations in the global fashion industry. Adapted from the Bloomsbury Fashion Business Cases (BFBC) online resource, this text will aid instructors in providing high-quality examples from scholars around the world. A mix of introductory, intermediate, and advanced cases ensure that students of all levels can develop the business, communication, and problem-solving skills required of fashion industry professionals. Topics range from corporate social responsibility and sustainable fashion to transparent brand communication and cultural sensitivity. This book is designed to foster critical and ethical thinking as students enter the fashion industry. Key Features: - 40 cases studies, of introductory, intermediate, and advanced level - Learning Objectives and Business Questions included with each case - Two introductory chapters teaching students how to use case studies effectively
Housed in the former 16th-century convent of Santo Domingo church, now the Regional Museum of Oaxaca, Mexico, is an important collection of textiles representing the area’s indigenous cultures. The collection includes a wealth of exquisitely made traditional weavings, many that are now considered rare. The Unbroken Thread: Conserving the Textile Traditions of Oaxaca details a joint project of the Getty Conservation Institute and the National Institute of Anthropology and History (INAH) of Mexico to conserve the collection and to document current use of textile traditions in daily life and ceremony. The book contains 145 color photographs of the valuable textiles in the collection, as well as images of local weavers and project participants at work. Subjects include anthropological research, ancient and present-day weaving techniques, analyses of natural dyestuffs, and discussions of the ethical and practical considerations involved in working in Latin America to conserve the materials and practices of living cultures.
"What happens when indigenous culture is packaged for sale in the United States? How does capital accumulation affect relations between men and women, local politics, kinship, and reciprocal exchanges of goods and labor? In this innovative study of several Zapotec communities in and around Oaxaca, Mexico, Lynn Stephen explores these questions, looking at how commercial weaving for export has altered the lives of women since the Mexican Revolution." "Drawing on firsthand insights gleaned during two and a half years of fieldwork, Stephen shows that the expansion of capitalism has affected Zapotec women in different ways. She demonstrates how class and ethnicity as well as gender determine women's roles and standing in the community. Individual life histories complement her data, showing how women may hold a position of importance in one area (ritual life, weaving production, or local politics), while occupying a subservient position in another. She also compares Zapotec women's participation in local politics with that of other peasant women in Mexico." "Stephen concludes that while the commercialization of Zapotec weaving has produced class differentiation - as classic economic theories predict - it has also reinforced kin-based institutions that support a strong sense of local ethnic identity. These findings offer important new insights for the fields of economic and political anthropology, Latin American and Third World studies, and women's studies."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Artisans and Cooperatives by Kimberly M. Grimes,B. Lynne Milgram Pdf
With new markets opening up for goods produced by artisans from all parts of the world, craft commercialization and craft industries have become key components of local economies. Now with the emergence of the Fair Trade movement and public opposition to sweatshop labor, many people are demanding that artisans in third world countries not be exploited for their labor. Bringing together case studies from the Americas and Asia, this timely collection of articles addresses the interplay among subsistence activities, craft production, and the global market. It contributes to current debates on economic inequality by offering practical examples of the political, economic, and cultural issues surrounding artisan production as an expressive vehicle of ethnic and gender identity. Striking a balance between economic and ethnographic analyses, the contributors observe what has worked and what hasn't in a range of craft cooperatives and show how some artisans have expanded their entrepreneurial role by marketing crafts in addition to producing them. Among the topics discussed are the accommodation of craft traditions in the global market, fair trade issues, and the emerging role of the anthropologist as a proactive agent for artisan groups. As the gap between rich and poor widens, the fate of subsistence economies seems more and more uncertain. The artisans in this book show that people can and do employ innovative opportunities to develop their talents, and in the process strengthen their ethnic identities. Contents Introduction: Facing the Challenges of Artisan Production in the Global Market / Kimberly M. Grimes and B. Lynne Milgram Democratizing International Production and Trade: North American Alternative Trading Organizations / Kimberly M. Grimes Building on Local Strengths: Nepalese Fair Trade Textiles / Rachel MacHenry "That They Be in the Middle, Lord": Women, Weaving, and Cultural Survival in Highland Chiapas, Mexico / Christine E. Eber The International Craft Market: A Double-Edged Sword for Guatemalan Maya Women / Martha Lynd Of Women, Hope, and Angels: Fair Trade and Artisan Production in a Squatter Settlement in Guatemala City / Brenda Rosenbaum Reorganizing Textile Production for the Global Market: Women’s Craft Cooperatives in Ifugao, Upland Philippines / B. Lynne Milgram Textile Production in Rural Oaxaca, Mexico, and the Complexities of the Global Market for Handmade Crafts / Jeffrey H. Cohen "Part-Time for Pin Money": The Legacy of Navajo Women’s Craft Production / Kathy M’Closkey The Hard Sell: Anthropologists as Brokers of Crafts in the Global Marketplace / Andrew Causey Postscript: To Market, To Market / June Nash
Author : June C. Nash Publisher : State University of New York Press Page : 280 pages File Size : 49,6 Mb Release : 1993-08-10 Category : History ISBN : 9781438414140
The growing exchange of traditional craft objects in world markets has had a profound impact on the lives of the women and men who produce them. These essays describe how the flow of goods from the industrial centers of the world to the colonies in earlier centuries is now met by a reverse flow as consumers seek the exotic and unique objects of handicraft production in Third World countries. The book explores the paradox of how artisans continue to create traditional objects, yet new sources of wealth and intensified production are transforming their traditional lifeways in areas such as the Oaxaca Valley, the Yucatan, Highland Chiapas, and Guatemala.
A Critical Theory of Creativity argues that a Utopian drive is aesthetically encoded within the language of form. But coupled with this opportunity comes a very human obligation which cannot be delegated to God, to nature or to market forces. As Ernst Bloch declared: 'Life has been put into our hands.'
Whether its a hand-woven sarape, a festive square of oilcloth, or a delicate trimming of lace, Mexican textiles reflect passionate appreciation for color, pattern, and design. In the dazzling pages of Mexican Textiles, photographer and Mexican art aficionado Masako Takahashi shares her love of the form, taking readers on a journey through this sun-drenched land. She visits artisan workshops, weaving centers, lace makers, and family-owned rug manufacturers for an inside view of how traditional fabrics are designed, dyed, woven, and finished. Takahashi also takes her camera into scores of unique homes to show how new and antique woven treasures are used to advantage in modern dcor. In the text, readers discover insightful notes on regional differences, history, technique, and tips for identifying quality materials and craftsmanship. Overflowing with exuberance and creative ideas, and including a resource section listing the major textile markets and vendors throughout Mexico, Mexican Textiles is an indispensable resource book for appreciating and collecting artfully crafted Mexican fabrics.
In works of silver and wool, the Navajos have established a unique brand of American craft. And when their artisans were integrated into the American economy during the late nineteenth century, they became part of a complex cultural and economic framework in which their handmade crafts conveyed meanings beyond simple adornment. As Anglo tourists discovered these crafts, the Navajo weavings and jewelry gained appeal from the romanticized notion that their producers were part of a primitive group whose traditions were destined to vanish. Erika Bsumek now explores the complex links between Indian identity and the emergence of tourism in the Southwest to reveal how production, distribution, and consumption became interdependent concepts shaped by the forces of consumerism, race relations, and federal policy. Bsumek unravels the layers of meaning that surround the branding of "Indian made." When Navajo artisans produced their goods, collaborating traders, tourist industry personnel, and even ethnologists created a vision of Navajo culture that had little to do with Navajos themselves. And as Anglos consumed Navajo crafts, they also consumed the romantic notion of Navajos as "primitives" perpetuated by the marketplace. These processes of production and consumption reinforced each other, creating a symbiotic relationship and influencing both mutual Anglo-Navajo perceptions and the ways in which Navajos participated in the modern marketplace. Examining varied sites of production-artisans' workshops, museums, trading posts, Bsumek shows how the market economy perpetuated "Navaho" stereotypes and cultural assumptions. She takes readers into the hogans where men worked silver and women wove rugs and into the outlets where middlemen dictated what buyers wanted and where Navajos influenced inventory. Exploring this process over seven decades, she describes how artisans' increasing use of modern tools created controversy about authenticity and how the meaning of the "Indian made" label was even challenged in court. Ultimately, Bsumek shows that the sale of Indian-made goods cannot be explained solely through supply and demand. It must also reckon with the multiple images and narratives that grew up around the goods themselves, integrating consumer culture, tourism, and history to open new perspectives on our understanding of American Indian material culture.
What do exotic area rugs, handcrafted steel-string guitars, and fiddling have in common today? Many contemporary tradition bearers embrace complexity in form and content. They construct objects and performances that draw on the past and evoke nostalgia effectively but also reward close attention. In Rugs, Guitars, and Fiddling: Intensification and the Rich Modern Lives of Traditional Arts, author Chris Goertzen argues that this entails three types of change that can be grouped under an umbrella term: intensification. First, traditional creativity can be intensified through virtuosity, through doing hard things extra fluently. Second, performances can be intensified through addition, by packing increased amounts of traditional materials into the conventionally sized packages. Third, in intensification through selection, artistic impact can grow even if amount of information recedes by emphasizing compelling ideas—e.g., crafting a red and black viper poised to strike rather than a pretty duck decoy featuring more colors and contours. Rugs handwoven in southern Mexico, luthier-made guitars, and southern US fiddle styles experience parallel changes, all absorbing just enough of the complex flavors, dynamics, and rhythms of modern life to translate inherited folklore into traditions that can be widely celebrated today. New mosaics of details and skeins of nuances don’t transform craft into esoteric fine art, but rather enlist the twists and turns and endless variety of the contemporary world therapeutically, helping transform our daily chaos into parades of negotiable jigsaw puzzles. Intensification helps make crafts and traditional performances more accessible and understandable and thus more effective, bringing past and present closer together, helping folk arts continue to perform their magic today.