Zasu Pitts Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Zasu Pitts book. This book definitely worth reading, it is an incredibly well-written.
Most often remembered for her gestures, expressive eyes, and body language on the screen, ZaSu Pitts was an unusual actress (and also an excellent cook: she often gave homemade candies to her coworkers, and her collection of candy recipes was published posthumously). This affectionate study of both her private life off-screen and her public persona details how the multi-talented actress become one of filmdom's favorite comediennes and character players. The book includes many rare photographs.
Notable American Women by Barbara Sicherman,Carol Hurd Green Pdf
Modeled on the "Dictionary of American Biography, "this set stands alone but is a good complement to that set which contained only 700 women of 15,000 entries. The preparation of the first set of "Notable American Women" was supported by Radcliffe College. It includes women from 1607 to those who died before the end of 1950; only 5 women included were born after 1900. Arranged throughout the volumes alphabetically, entries are from 400 to 7,000 words and have bibliographies. There is a good introductory essay and a classified lest of entries in volume three.
Motion Picture Series and Sequels by Bernard A. Drew Pdf
In 1989 alone, for example, there were some forty-five major motion pictures which were sequels or part of a series. The film series phenomenon crosses all genres and has been around since the silent film era. This reference guide, in alphabetical order, lists some 906 English Language motion pictures, from 1899 to 1990, when the book was initially published. A brief plot description is given for each series entry, followed by the individual film titles with corresponding years, directors and performers. Animated pictures, documentaries and concert films are not included but movies released direct to video are.
Born into an upper-crust family in New Orleans, Cora Bell Witherspoon (1890-1957) was an orphan by the age of 10 and a professional actress by 15. She was seen on Broadway from 1910 till 1946 in 36 productions and was a popular character actress in Hollywood between 1931 and 1954. On stage she played roles like Sallie McBride in Daddy Long Legs, Josephine Trent in The Awful Truth, Martha Culver in The Constant Wife, Prudence in Camille, and Mrs. Grant in The Front Page. Like many Hollywood supporting players, her screen time was limited. She made the most of it, whether as W.C. Fields's shrewish wife in The Bank Dick, Bette Davis's fair weather friend Carrie in Dark Victory, the earthy, amorous maid Patty in Quality Street, or the overbearing dowager Mrs. Williamson in The Mating Season. On both stage and screen, Witherspoon portrayed a range of stereotypes of older women. In the end, though, she created her own type, incarnating the fashionable, frivolous, flighty, and fawning society woman, often with a thinly veiled libidinous quality. In addition to a detailed account of Witherspoon's theater and film career, this groundbreaking biography reveals her upbringing and family background and discusses her struggle with substance abuse, which resulted in two highly publicized arrests and one conviction.
What a wonderful treasure of information and anecdotes about one of the most beloved actresses in films. I loved her unique comedy, and had the privilege of seeing her perform live. Many thanks to Gayle Haffner for her untiring love and work! ~ Ann B. Davis, Actress An astonishing collection of material - a feast for ZaSu fans! Haffner shows us the real-life ZaSu Pitts -- a fascinating story! ~ Mike Brotherton, Founder of the ZaSu Pitts Film Festival, Parsons, Kansas Haffner imparts the breath of life to a favorite and almost forgotten legend, bringing us ZaSus full career and the personal life she deftly kept private and away from the press. ZaSus humanity will touch all who renew their acquaintance with this great star. ~ Edd Bayes, Co-founder of the Gale Storm Appreciation Society Gayle Haffner gives a fascinating look at the life and career of one of cinemas great, versatile actresses -- the actress who could steal scenes with a flutter of her hands will steal your heart with her story. This authorized biography is well written and painstakingly researched to give the reader the inside story of one of our national treasures. ~ Ron Baker, Co-founder of the Gale Storm Appreciation Society
First published in 1986 and nominated for the Pulitzer Prize, Early Reagan is still the most in-depth portrayal of the pre-government years of the late president. The book uncovers Reagan’s formative years: childhood poverty, film stardom, and his politicization via the Screen Actors Guild. Anne Edwards interviewed more than two hundred people important in the life of Reagan as well as those of his two wives, Jane Wyman and Nancy Davis. The book concludes with Reagan’s entry into politics in 1966, when he announced his candidacy for Governor of California in the living room of his hilltop San Onofre home. As the late historian Barbara Tuchman noted, “For anyone who wants to know about the circumstances . . . that formed Ronald Reagan into a political figure, this is the book to read.”
This collection of 23 new essays focuses on the lives of female screenwriters of Golden Age Hollywood, whose work helped create those unforgettable stories and characters beloved by audiences—but whose names have been left out of most film histories. The contributors trace the careers of such writers as Anita Loos, Adela Rogers St. Johns, Lillian Hellman, Gene Gauntier, Eve Unsell and Ida May Park, and explore themes of their writing in classics like Gentlemen Prefer Blondes, Ben Hur, and It’s a Wonderful Life.
Author : Stephen M. Silverman Publisher : New Word City Page : 235 pages File Size : 42,8 Mb Release : 2018-12-15 Category : Biography & Autobiography ISBN : 9781640193529
Jam-packed with jokes, funny stories, and stand-up routines, this guide to America's funniest women covers more than seventy-five famous comediennes, including Carol Burnett, Ellen DeGeneres, Whoopi Goldberg, Goldie Hawn, Bette Midler, Mary Tyler Moore, Joan Rivers, Lily Tomlin, and others.
Guide to the Silent Years of American Cinema by Christophe P. Jacobs,Donald McCaffrey Pdf
The latest offering from the Reference Guides to the World's Cinema series, this critical survey of key films, actors, directors, and screenwriters during the silent era of the American cinema offers a broad-ranging portrait of the motion picture production of silent film. Detailed but concise alphabetical entries include over 100 film titles and 150 personnel. An introductory chapter explores the early growth of the new silent medium while the final chapter of this encyclopedic study examines the sophistication of the silent cinema. These two chapters outline film history from its beginnings until the perfection of synchronized sound, and reflect upon the themes and techniques established with the silent cinema that continued into the sound era through modern times. The annotated entries, alphabetically arranged by film title or personnel, include brief bibliographies and filmographies. An appendix lists secondary but important movies and their creators. Film and popular culture scholars will appreciate the vast amount of information that has been culled from various sources and that builds upon the increased studies and research of the past ten years.
Wild Bill Elliott was a major western star. His screen persona met evil head-on and emerged victorious, bringing cheers from Saturday audiences. This book covers Elliott's entire career. It begins with a biographical sketch and then discusses each of his 78 starring roles as well as his more than 130 supporting roles. The film entries include studio, release date, alternate titles, cast and credit listings, songs, location filming, color, running time, source, story synopsis, notes and commentary, quotations from published reviews and a critical summation of the film. Appendices include Elliott's short films, TV and radio appearances and comic books.
I am down to a pencil, a pen, and a bottle of ink. I hope one day to eliminate the pencil. Al Hirschfeld redefined caricature and exemplified Broadway and Hollywood, enchanting generations with his mastery of line. His art appeared in every major publication during nine decades of the twentieth and twenty-first centuries, as well as on numerous book, record, and program covers; film posters and publicity art; and on fifteen U.S. postage stamps. Now, The Hirschfeld Century brings together for the first time the artist’s extraordinary eighty-two-year career, revealed in more than 360 of his iconic black-and-white and color drawings, illustrations, and photographs—his influences, his techniques, his evolution from his earliest works to his last drawings, and with a biographical text by David Leopold, Hirschfeld authority, who, as archivist to the artist, worked side by side with him and has spent more than twenty years documenting the artist’s extraordinary output. Here is Hirschfeld at age seventeen, working in the publicity department at Goldwyn Pictures (1920–1921), rising from errand boy to artist; his year at Universal (1921); and, beginning at age eighteen, art director at Selznick Pictures, headed by Louis Selznick (father of David O.) in New York. We see Hirschfeld, at age twenty-one, being influenced by the stylized drawings of Miguel Covarrubias, newly arrived from Mexico (they shared a studio on West Forty-Second Street), whose caricatures appeared in many of the most influential magazines, among them Vanity Fair. We see, as well, how Hirschfeld’s friendship with John Held Jr. (Held’s drawings literally created the look of the Jazz Age) was just as central as Covarrubias to the young artist’s development, how Held’s thin line affected Hirschfeld’s early caricatures. Here is the Hirschfeld century, from his early doodles on the backs of theater programs in 1926 that led to his work for the drama editors of the New York Herald Tribune (an association that lasted twenty years) to his receiving a telegram from The New York Times, in 1928, asking for a two-column drawing of Sir Harry Lauder, a Scottish vaudeville singing sensation making one of his (many) farewell tours, an assignment that began a collaboration with the Times that lasted seventy-five years, to Hirschfeld’s theater caricatures, by age twenty-five, a drawing appearing every week in one of four different New York newspapers. Here, through Hirschfeld’s pen, are Ethel Merman, Benny Goodman, Judy Garland, Mickey Rooney, Katharine Hepburn, the Marx Brothers, Barbra Streisand, Elia Kazan, Mick Jagger, Ella Fitzgerald, Laurence Olivier, Martha Graham, et al. . . . Among the productions featured: Fiddler on the Roof, West Side Story, Rent, Guys and Dolls, The Wizard of Oz (Hirschfeld drew five posters for the original release), Gone with the Wind, The Sopranos, and more. Here as well are his brilliant portraits of writers, politicians, and the like, among them Ernest Hemingway (a pal from 1920s Paris), Tom Wolfe, Charles de Gaulle, Nelson Mandela, Joseph Stalin, Winston Churchill, and every president from Franklin D. Roosevelt to Bill Clinton. Sumptuous and ambitious, a book that gives us, through images and text, a Hirschfeld portrait of an artist and his age.
