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Zen Art for Meditation by Stewart W. Holmes,Chimyo Horioka Pdf
This book is about emptiness and silence—the mind-expanding emptiness of Zen painting, and the reverberating silence of haiku poetry. Through imaginative participation in the visions of painters and poets, its readers are led to the realization that, in the author's words, "emptiness, silence, is not nothingness, but fullness. Your fullness." This cultural tradition has informed many distinguished lives and works of art. The work of painters like Niten, Liang K'ai, and Toba, and of painters like Basho, Buson, and Issa reflects the wholeness, spontaneity, and humanity of the Zen vision. Those who desire a glimpse into the world of intuitive contact with nature offered by Zen meditation will find these paintings, commentaries, and haiku poems especially rewarding. They enable the reader to experience the unique power of Zen art—it's capacity to fuse esthetic appreciation, personal intuition, and knowledge of life into one creative event.
Japanese Zen Buddhism and the Impossible Painting by Yukio Lippit Pdf
Zen art poses a conundrum. On the one hand, Zen Buddhism emphasizes the concept of emptiness, which among other things asserts that form is empty, that all phenomena in the world are illusory. On the other hand, a prodigious amount of artwork has been created in association with Zen thought and practice. A wide range of media, genres, expressive modes, and strategies of representation have been embraced to convey the idea of emptiness. Form has been used to express the essence of formlessness, and in Japan, this gave rise to a remarkable, highly diverse array of artworks and a tradition of self-negating art. In this volume, Yukio Lippit explores the painting The Gourd and the Catfish (ca. 1413), widely considered one of the most iconic works of Japanese Zen art today. Its subject matter appears straightforward enough: a man standing on a bank holds a gourd in both hands, attempting to capture or pin down the catfish swimming in the stream below. This is an impossible task, a nonsensical act underscored by the awkwardness with which the figure struggles even to hold his gourd. But this impossibility is precisely the point.
For many of us, the return of Zen conjures up images of rock gardens and gently flowing waterfalls. We think of mindfulness and meditation, immersion in a state of being where meaning is found through simplicity. Zen lore has been absorbed by Western practitioners and pop culture alike, yet there is a specific area of this ancient tradition that hasn’t been fully explored in the West. Now, in The Zen of Creativity, American Zen master John Daido Loori presents a book that taps the principles of the Zen arts and aesthetic as a means to unlock creativity and find freedom in the various dimensions of our existence. Loori dissolves the barriers between art and spirituality, opening up the possibility of meeting life with spontaneity, grace, and peace. Zen Buddhism is steeped in the arts. In spiritual ways, calligraphy, poetry, painting, the tea ceremony, and flower arranging can point us toward our essential, boundless nature. Brilliantly interpreting the teachings of the artless arts, Loori illuminates various elements that awaken our creativity, among them still point, the center of each moment that focuses on the tranquility within; simplicity, in which the creative process is uncluttered and unlimited, like a cloudless sky; spontaneity, a way to navigate through life without preconceptions, with a freshness in which everything becomes new; mystery, a sense of trust in the unknown; creative feedback, the systematic use of an audience to receive noncritical input about our art; art koans, exercises based on paradoxical questions that can be resolved only through artistic expression. Loori shows how these elements interpenetrate and function not only in art, but in all our endeavors. Beautifully illustrated and punctuated with poems and reflections from Loori’s own spiritual journey, The Zen of Creativity presents a multilayered, bottomless source of insight into our creativity. Appealing equally to spiritual seekers, artists, and veteran Buddhist practitioners, this book is perfect for those wishing to discover new means of self-awareness and expression—and to restore equanimity and freedom amid the vicissitudes of our lives.
The tea ceremony and the martial arts are intimately linked in the popular and historical imagination with Zen Buddhism, and Japanese culture. They are commonly interpreted as religio-aesthetic pursuits which express core spiritual values through bodily gesture and the creation of highly valued objects. Ideally, the experience of practising the Zen arts culminates in enlightenment. This book challenges that long-held view and proposes that the Zen arts should be understood as part of a literary and visual history of representing Japanese culture through the arts. Cox argues that these texts and images emerged fully as systems for representing the arts during the modern period, produced within Japan as a form of cultural nationalism and outside Japan as part of an orientalist discourse. Practitioners' experiences are in fact rarely referred to in terms of Zen or art, but instead are spatially and socially grounded. Combining anthropological description with historical criticism, Cox shows that the Zen arts are best understood in terms of a dynamic relationship between an aesthetic discourse on art and culture and the social and embodied experiences of those who participate in them.
The Zen Art Book by Stephen Addiss,John Daido Loori Pdf
"When a Zen master puts brush to paper, the resulting image is an expression of the quality of his or her mind. It is thus a teaching, intended to compassionately stop us in our tracks and to compel us to consider ultimate truth. Here, forty masterpieces of painting and calligraphy by renowned masters such as Hakuin Ekaku (1685–1768) and Gibon Sengai (1750–1837) are reproduced along with commentary that illuminates both the art and its teaching. The authors’ essays provide an excellent introduction to both the aesthetic and didactic aspects of this art that can be profound, perplexing, serious, humorous, and breathtakingly beautiful—often all within the same simple piece."--Publisher description.
Zen & Oriental Art is an indispensable, beautifully illustrated introduction to the influences of Zen Buddhism on Oriental painting. folk art, and architecture, with a special section on the role of Zen in twentieth-century art and architecture in the West. Author, Dr. Munsterberg quite naturally begins with an explanation of Zen Buddhism itself, and the historical development of Zen in India and China. Zen's particularly rapid adoption in Japan is covered in the next chapter, which is followed by sections on the Zen art of ink painting in both China and Japan. Also described are the influences of Zen on Japanese architecture, and the intimate connection of the religion with the Japanese tea ceremony. Of particular interest to Western readers is the chapter on Zen and twentieth-century Western art. "A knowledgeable and affable guide." —The Japan Times "There is a peacefulness that comes over one just leafing through this book." —Antiquarian Bookman
Audrey Yoshiko Seo,Stephen Addiss,Matthew Welch,Los Angeles County Museum of Art
Author : Audrey Yoshiko Seo,Stephen Addiss,Matthew Welch,Los Angeles County Museum of Art Publisher : Unknown Page : 0 pages File Size : 53,7 Mb Release : 2000 Category : Art, Japanese ISBN : 157062495X
The Art of Twentieth-century Zen by Audrey Yoshiko Seo,Stephen Addiss,Matthew Welch,Los Angeles County Museum of Art Pdf
This book is devoted to Zen art as a living tradition. It explores the heart of Zen experience through contemporary Zen art, demonstrating how this time-honored visual form continues to flourish today.
Jan Fontein,Money L. Hickman,Museum of Fine Arts, Boston
Author : Jan Fontein,Money L. Hickman,Museum of Fine Arts, Boston Publisher : Unknown Page : 173 pages File Size : 41,6 Mb Release : 1970 Category : Art, Zen ISBN : 0878460012
Zen drawing - a new way to become an artist by Michelle Dujardin Pdf
This eBook is derived from the hardcover book called 'the Zen drawing Pack', which was published in October 2014 by Rockpoint publishers and as an eBook called 'The Zen drawing eBook' by the authors. In this eBook called 'Zen drawing - a new way to become an artist', the authors have put less emphasis on the Zen Buddhism background of Zen drawing and more emphasis on the artistic benefits that can be found by using the techniques described in the hardcover book. For instance by adding a chapter on the use of watercolors and ink. As with all their books on Zen drawing, this eBook is based on the works of Frederick Franck and Betty Edwards. In this eBook artist Michelle Dujardin helps you to awaken your inner artist and add soul to your sketches by ignoring conventional drawing techniques and focus on really seeing your subject. Michelle helps you achieve a meditative state just by changing the way you see a subject, and allow your hands to follow the movement of your eyes. When you trust your own drawing reflex, the art that you create will become more expressive and beautiful than what you've done before. Not great with a pencil? Don't worry, everyone can learn to draw this way and you don't need any special talent or class. For any level of artist, from a beginner with little talent to an illustration expert, Zen drawing is not about making perfect pictures, it is about the experience of drawing, finding inspiration, and connecting to the world around you.
Artistic Detachment in Japan and the West by Steve Odin Pdf
Artistic Detachment in Japan and the West takes up the notion of artistic detachment, or psychic distance, as an intercultural motif for East-West comparative aesthetics. The work begins with an overview of aesthetic theory in the West from the eighteenth-century empiricists to contemporary aesthetics and concludes with a survey of various critiques of psychic distance. Throughout, the author takes a highly innovative approach by juxtaposing Western aesthetic theory against Eastern (primarily Japanese) aesthetic theory. Weaving between cultures and time periods, the author focuses on a remarkably wide range of theories: in the West, the Kantian notion of disinterested contemplation, Heidegger's Gelassenheit, semiotics, and pragmatism; in Japan, Zeami's notion of riken no ken, the Kyoto School's intepretation of nothingness, D. T. Suzuki's analysis of the function of no-mind, and the writings of Kuki Shuzo on Buddhist detachment. "Portrait of the artist" fiction by such writers as Henry James, James Joyce, Mori Ogai, and Natsume Soseki demonstrates how the main theme of detachment is expressed in literary traditions. The role of sympathy or pragmatism in relation to disinterest is examined, suggesting conflicts within or challenges to the notion of detachment. Researchers and students in Eastern and Western areas of study, including philosophers and religionists, as well as literary and cultural critics, will deem this work an invaluable contribution to cross-cultural philosophy and literary studies.
Zen in the Art of Rhetoric by Mark Lawrence McPhail Pdf
Explores relationships between classical and contemporary approaches to rhetoric and their connection to the underlying assumptions at work in Zen Buddhism.