Zofloya Or The Moor Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Zofloya Or The Moor book. This book definitely worth reading, it is an incredibly well-written.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The protagonist of Charlotte Dacre’s best known novel, Zofloya, or the Moor (1806) is unique in women’s Gothic and Romantic literature, and has more in common with the heroines of Sade or M.G. Lewis than with those of Ann Radcliffe, Charlotte Smith or Jane Austen. No heroine of Radcliffe or Austen could exult, as Victoria does in this novel, that “there is certainly a pleasure … in the infliction of prolonged torment.” The sexual desires and ambition of Dacre’s protagonist, Victoria, drive her to seduce, torture and murder. Victoria is inspired to greater criminal and illicit acts by a seductive Lucifer, disguised as a Moor, before she too is plunged into an abyss by her demon lover. The text’s unusual evocations of the female body and feminine subject are of particular interest in the context of the history of sexuality and of the body; after embarking on a series of violent crimes, Victoria’s body actually begins to grow stronger and decidedly more masculine. Among the documents included as appendices to this volume are a selection of Dacre’s poetry and excerpts from Bienville’s Nymphomania, a medical treatise of the time aimed at a lay audience that focuses largely on the dangerous powers of women’s imagination; inspired by improper novels, it is alleged that women may plunge into madness, violence and death—much as does the protagonist of Zofloya herself.
The Gothic Other by Ruth Bienstock Anolik,Douglas L. Howard Pdf
Literary use of the Gothic is marked by an anxious encounter with otherness, with the dark and mysterious unknown. From its earliest manifestations in the turbulent eighteenth century, this seemingly escapist mode has provided for authors a useful ground upon which to safely confront very real fears and horrors. The essays here examine texts in which Gothic fear is relocated onto the figure of the racial and social Other, the Other who replaces the supernatural ghost or grotesque monster as the code for mystery and danger, ultimately becoming as horrifying, threatening and unknowable as the typical Gothic manifestation. The range of essays reveals that writers from many canons and cultures are attracted to the Gothic as a ready medium for expression of racial and social anxieties. The essays are grouped into sections that focus on such topics as race, religion, class, and centers of power.
Brings together case studies of Gothic kinship ties in film and literature and offers a synthesis and theorization of the different appearances of the Gothic family
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Zofloya: The Moor - A Romance of the Fifteenth Century by Charlotte Dacre Zofloya; or, The Moor: A Romance of the Fifteenth Century is an 1806 English Gothic novel by Charlotte Dacre, writing as Rosa Matilda. Victoria de Loredani is the beautiful, spoiled daughter of the Marchese di Loredani and his wife, Laurina. Victoria, her brother Leonardo, and her parents reside in a palazzo in Venice, Italy. They live in happiness until the Marchese's friend, Count Ardolph, visits from Germany. Ardolph takes pleasure in destroying the reputations of pure women, and breaking up happy marriages. Ardolph quickly sets his sights on Laurina di Loredani. Laurina's vanity makes her highly susceptible to Ardolph's advances, and he succeeds in seducing her away from the husband she claims to love. They disappear from Venice together, which sets off a cascade of increasingly tragic events. After Laurina elopes, Leonardo disappears from Venice without explanation, leaving only Victoria and her father in the palazzo. One year later, the Marchese encounters Ardolph in the streets of Venice. They duel, and Ardolph fatally stabs the Marchese. The wound puts the Marchese on his deathbed. Laurina comes to check on him after Ardolph tells her about the duel. The Marchese's dying wish is for Laurina to find Leonardo and reclaim her children and flee from Venice. He wants there to be forgiveness between his children and their mother. Victoria falls into Ardolph and Laurina's custody, and soon after meets Il Conte Berenza, a noble but naive Venetian man. Berenza quickly falls in love with Victoria and wants to move away with her. Victoria curses her Mother in front of Berenza. Therefore, Berenza becomes wary of her evil character. Laurina and Ardolph do not approve of Berenza, so Ardolph solicits Laurina to forge a letter in Victoria's handwriting persuading Berenza to leave Venice. Ardolph and Laurina claim that they are all visiting Laurina's cousin Signora di Modena, but instead leave Victoria there as a prisoner under the Signora's tyrannical rule.
